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Much is known of the circumstances surrounding the painting of the portrait due to extant expense accounts, including masonry costs related to the creation of two windows in the throne room where the king was to pose, as well as expenses related to the renovation of the facilities that Velázquez used
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noted that on August 16, 1644 that a painting of the king portrayed "in the same way that he is in the field", dressed in red and silver, had been exhibited in the church of San MartĂn, "under a canopy embroidered with gold, where many people came to see it and copies are being made of it".
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as a studio, which had been in a ruinous state. At the same time he worked on this painting, he worked on another painting, one of the court dwarf Diego de Acedo, known as El Primo, which was sent to Madrid in June. The painting appears to have been different than the
140:
said Velázquez painted of the king in a natural manner "in the way he entered Lérida, wielding a military staff, and dressed in crimson plush, with such a beautiful air, so much grace, and majesty, that the painting looked like another living Philip".
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328:, exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on this portrait (see index).
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Corpus velazqueño. Documentos y textos, 2 vols., bajo la dirección de J. M. Pita
Andrade
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The painting was finished before the end of June, and was sent to Philip IV's wife
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Jonathan Brown suggests that Velázquez's composition might have been inspired by
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129.8 cm Ă— 99.4 cm (51.1 in Ă— 39.1 in)
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El museo pictórico y escala óptica III. El parnaso español pintoresco laureado
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196:, leading to the copy in New York being identified as the original.
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109:. It was painted over the course of three sessions in June 1644 in
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The painting (most likely a copy) appears in the 1941 film,
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from France, which had occupied the city earlier during the
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Doña
Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
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Among the known copies, the most esteemed is held in the
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painting of the dwarf which is currently at the Prado.
1180:Portraits of Philip IV of Spain by Diego Velázquez
331:Xavier Saloman, curator at the Frick Collection, "
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136:This is almost certainly the same painting which
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417:"The Frick's Velázquez in "The Maltese Falcon""
935:Infanta Margarita in a White and Silver Dress
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1035:Prince Baltasar Carlos in the Riding School
302:. Madrid : Aguilar S.A. de Ediciones.
1190:Portrait paintings in the Frick Collection
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446:
280:. Colonia: Taschen Wildenstein Institute.
38:
919:Infanta Margarita Teresa in a Peach Dress
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959:Infanta Margarita Teresa in a Pink Dress
943:Infanta Margarita Teresa in a Blue Dress
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177:, which had been in Madrid since 1636.
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1120:View of the Garden of the Villa Medici
662:Christ in the House of Martha and Mary
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278:Velázquez. Catalogue raisonné, vol. II
807:Prince Balthasar Charles with a Dwarf
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174:Cardinal-Infante Ferdinand of Austria
155:, who ordered its public exhibition.
839:Prince Balthasar Charles as a Hunter
133:, where it is currently on display.
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911:The Infanta Maria Theresa of Spain
98:The Portrait of Philip IV in Fraga
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220:List of works by Diego Velázquez
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190:Juan Bautista MartĂnez del Mazo
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22:Portrait of Philip IV in Fraga
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784:Philip IV in Brown and Silver
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589:Apollo in the Forge of Vulcan
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239:. Madrid: Alianza Editorial.
237:Velázquez. Pintor y cortesano
121:. The portrait was gifted by
1175:Portraits by Diego Velázquez
394:dulwichpicturegallery.org.uk
379:Corpus velazqueño, pág. 163.
101:is a mid-length portrait of
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539:The Waterseller of Seville
390:"Philip IV, King of Spain"
254:Corpus velazqueño (2000).
16:1644 painting by Velázquez
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1152:El ministerio del tiempo
1027:Prince Balthasar Charles
710:Coronation of the Virgin
694:Temptation of St. Thomas
333:Cocktails with a Curator
1195:Oil on canvas paintings
125:to his son, the future
995:Count-Duke of Olivares
951:Prince Philip Prospero
847:Juan MartĂnez Montañés
831:Count-Duke of Olivares
768:The Infante Don Carlos
760:Count-Duke of Olivares
597:The Surrender of Breda
581:The Triumph of Bacchus
678:Adoration of the Magi
508:Old Woman Frying Eggs
127:Philip, Duke of Parma
1003:Margarita of Austria
421:The Frick Collection
352:López-Rey, pág. 242.
194:Aureliano de Beruete
1155:(television series)
1145:Statue of Velázquez
1062:Don John of Austria
980:Elisabeth of France
855:Pablo de Valladolid
752:Philip IV in Armour
744:Don Luis de GĂłngora
406:LĂłpez-Rey, op. cit.
361:Palomino, pág. 272.
1101:Don Diego de Acedo
1086:Sebastián de Morra
903:Mariana of Austria
871:Philip IV in Fraga
523:The Farmers' Lunch
207:The Maltese Falcon
200:In popular culture
103:Philip IV of Spain
32:Felipe IV en Fraga
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879:Francisco Lezcano
792:Portrait of a Man
296:Palomino, Antonio
161:Avisos histĂłricos
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119:Reapers' War
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1128: 1630
1094: 1645
1081:(1637–1639)
1065:(1632–1633)
1057:(1626–1632)
1022:(1635–1636)
1014:(1634–1635)
927:Las Meninas
922:(1653–1654)
914:(1652–1653)
866:(1638–1639)
858:(1636–1637)
850:(1635–1636)
818:(1632–1633)
800: 1630
771:(1626–1627)
673:(1618–1620)
644: 1657
600:(1634–1635)
584:(1628–1629)
550:(1620–1622)
542:(1618–1622)
516: 1618
501: 1617
192:in 1911 by
1169:Categories
1138:Portrayals
1112:Landscapes
1070:Barbarroja
1011:Philip III
970:Equestrian
776:Maria Anna
670:Saint Paul
426:24 October
340:References
325:Velázquez
258:. Madrid.
73:Dimensions
1019:Philip IV
972:portraits
728:Portraits
654:Religious
493:The Lunch
153:Elisabeth
107:Velázquez
298:(1988).
276:(1996).
235:(1986).
214:See also
123:Philip V
81:Location
1046:Jesters
787:(1630s)
573:History
159:in his
28:Spanish
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1073:(1633)
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186:London
115:LĂ©rida
65:Medium
47:Artist
485:Genre
111:Fraga
428:2022
304:ISBN
282:ISBN
260:ISBN
241:ISBN
171:'s,
60:1644
57:Year
184:of
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