387:. He also continued to sing, both in local protest-folk group Folk This! and with the South African-inspired Vukani Mawethu choir. Dewar also gravitated towards folk music and in 1998 formed The Assassenachs, a Celtic-inspired acoustic trio based in the Netherlands, who have toured internationally. Nectar 3 released the EP
358:
In 1991, Kanaan and Dewar revived the band with
Rotterdam musicians Leo van Setten on bass and Kees de Greef on drums. They recorded the new song "I've Got A Name" and played a short European tour, for which Burns temporarily returned to play drums as De Greef was unable to travel. Marcel van Buren
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cassette. The new songs highlighted Brown's increasingly technical guitar playing along with faster tempos and more intricate, rock-influenced rhythms and arrangements. The band continued to gig constantly, but
Thomson decided to leave in the spring of 1986 and was replaced on bass by Ewan Hunt, a
246:
songs and a 5-piece lineup which added
Francis' Gracemount friend Pete Barnett on rhythm guitar. However, the use of a drum machine on the recording caused tensions within the band. All 3000 copies were sold within a year of its release. Despite this success and a couple of short UK tours,
230:, was recorded in Edinburgh in June and revealed an increasingly heavy metal-influenced guitar style, as well as setting a precedent for future releases by mixing studio and live recordings. By now the band were playing gigs further afield, including a trip to Belfast to support
105:
in 1982 and active until 1993. One of the most popular bands within that scene, they played hundreds of gigs across the U.K., Europe and
America and were, according to author Ian Glasper, "an integral part of the fiercely independent underground that existed at the time."
174:
held in non-commercial venues, with the proceeds going to the kind of social, left-wing and radical causes espoused in the band's lyrics, as would continue to be the case throughout their existence. In the years to come, most of their releases would also be fund-raisers.
162:. Originally named Distraught, they tried out several potential drummers before settling on schoolmate Chris "Spike" Low, two years their junior, and changing their name to Political Asylum at his suggestion. Low's simple, tom-heavy drumming contributed to an emergent
280:-based band Pissed Boys. However, musical differences, which had been brewing for a while, led to Brown's departure after the tour, and he went on to form a hard rock/heavy metal band, also named Seeing Red. They released a single, "Angel", in 1991 and an album,
291:
Brown was replaced by
Edinburgh guitarist Stevie Dewar, formerly of Sad Society, who brought a simpler and more direct style. The new lineup gigged extensively, including a second, much longer, European tour in the summer of 1988 where they shared bills with
367:, Germany, and began working with the rhythm section of local band Nancy And I. However, with Kanaan still based in Edinburgh, it became increasingly difficult to keep the band going and the last tour was in 1993, with the final gig in Göttingen.
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and was co-released by the German punk label We Bite. Following its release, the band played their first
European tour in the summer of 1987, the German leg of which was named the 'Seeing Red Tour' by its organisers and co-headliners, the
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then replaced Van Setten on bass and the band recorded two Burns songs from 1989. These three new songs, along with a live acoustic radio session featuring Van Setten on acoustic guitar, were released the following year as
202:
networks. Kanaan soon decided to concentrate solely on vocals and a couple of bass players came and went before the arrival of classmate Norman
Thomson in late 1983. After a visit to the London squat of anarcho-punk band
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in 1993 and Burns switched instruments again after the band split in 1995, establishing himself as a bass guitarist, although he also returned to drumming for a while, co-founding the heavy metal trio
Zapruder with
178:
By early 1983 the band had an album's worth of material and began looking for a budget studio in which to record it. Finding nothing nearby, they settled on Black Gold
Studios, 25 miles away in
332:
material with Dewar on guitar. However, running out of steam, the band decided to split up following an
American tour that summer, during which they gigged with Dead Silence, NOFX,
407:. Beginning in 2004, the Finnish label Passing Bells (via Boss Tuneage) re-released almost all of their studio material across four CDs, adding live recordings from 1987 and 1989.
238:, where they were spotted by Tim Bennett of the Bristol-based Children Of The Revolution label. This led to their first vinyl release, the 7-inch EP
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122:(vocals & bass) and Stephen "Cheesy" Brown (guitar). The two began writing songs together despite the fact that Kanaan was an
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mini-LP for the Edinburgh label Big Noise Records. It featured two new songs, along with re-recordings of three tracks from
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In 1997, the San Francisco label Broken Rekids released a 21-track CD compilation of Political Asylum's work called
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363:, a 10-inch mini-LP on the American graphic artist John Yates' Allied Recordings label. Dewar then moved to
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263:, Fife, who had a more virtuosic and melodic style. This lineup played all over the UK and recorded the
146:, while Brown sported long hair and patched denim and preferred hard rock and heavy metal bands such as
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views of the others. He went on to play for The Apostles, while Kanaan, Brown and Thomson relocated to
450:(1987) studio 12-inch mini-LP, Big Noise/We Bite Records; expanded CD on Passing Bells Records (2012)
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183:
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Reverting to a 4-piece, the band recruited drummer Keith Burns, a university friend of Brown's from
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474:(1992) studio/live 10-inch mini-LP, Allied Recordings; expanded CD on Passing Bells Records (2012)
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to go to university. This was also the home of their next drummer, Tam Francis, a member of the
462:(1990) live/studio 12-inch LP, Loony Tunes Records; expanded CD on Passing Bells Records (2012)
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Kanaan then began to concentrate on his nascent radical distribution and publishing house,
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personality clashes led to the departure of Francis and Barnett in the autumn of 1985.
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groups. A live recording made on this tour formed the basis of the
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LP, which included two new songs plus studio re-workings of the
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Kanaan continued to promote the ideals of the band through his
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182:, north of Glasgow, owned by Ian McCredie of 1970s pop group
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438:(1985) studio 7-inch EP, Children Of The Revolution Records
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254:, Fife and recorded the five studio tracks featured on the
456:(1987) live 7-inch split EP with Pissed Boys, FYB Records
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sound as they worked up a live set and began organising
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in 1994 and eventually founding another imprint there,
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around the Stirling area. These were mostly multi-band
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Keith Burns – drums, acoustic guitar (1985-1989, 1991)
194:, it eventually sold over 6000 copies, mainly through
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Pete Barnett – rhythm guitar (1984-1985), bass (1986)
444:(1986) studio/live cassette album, Lethal Dose Tapes
499:– vocals (1982-1989, 1991-1993), bass (1982-1983)
396:bassist Roland Wagstaff. They released an album,
114:The band was formed in early 1982 by 15-year-old
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965:Nu Metal: The Next Generation of Rock & Punk
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833:
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432:(1984) studio/live cassette album, self-released
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592:
1038:"Smurfpunx: Punk after 40?: About the dead..."
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696:"Seeing Red Rocks: Band: In The Beginning..."
532:Leo van Setten – bass, acoustic guitar (1991)
192:Self-released and home-duplicated on cassette
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529:Stevie Dewar – guitar (1987-1989, 1991-1993)
502:Stephen "Cheesy" Brown – guitar (1982-1987)
468:(1990) live 7-inch EP, Off The Disk Records
308:, and a lengthy UK tour in early 1989 with
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211:anarcho stance, which conflicted with the
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207:, Low was kicked out of the band for his
570:"Discogs: Political Asylum discography"
526:Ewan Hunt – bass (1986-1989; died 2015)
242:, which featured new versions of three
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508:John "Flacko" O'Flaherty – bass (1983)
505:Chris "Spike" Low – drums (1982-1984)
480:(1997) CD compilation, Broken Rekids
13:
1149:Musical groups established in 1982
935:"Discogs: Keith Burns Discography"
14:
1165:
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1060:"Facebook: Remembering Ewan Hunt"
717:"Discogs: Seeing Red discography"
514:Norman Thomson – bass (1983-1986)
795:sleevenotes. Broken Rekids, 1997
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990:"Discogs: Zapruder discography"
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809:"Discogs: Nectar 3 discography"
517:Tam Francis – drums (1984-1985)
511:Ronnie Aitkenhead – bass (1983)
344:club in Berkeley, California.
226:Their second cassette release,
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650:"Seventies Sevens: Black Gold"
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538:Marcel van Buren – bass (1991)
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259:school friend of Burns' from
1139:British hardcore punk groups
535:Kees de Greef – drums (1991)
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379:imprint, moving his base to
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544:Sönke Peters – drums (1993)
541:Ulrich Briese – bass (1993)
10:
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284:, in 1993 (re-released as
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16:Scottish anarcho-punk band
1134:Scottish punk rock groups
1092:at Goodwill Records Store
744:"Seeing Red Rocks: Music"
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30:
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841:The Day The Country Died
765:The Day The Country Died
671:The Day The Country Died
625:The Day The Country Died
600:The Day The Country Died
340:. The tour ended at the
126:punk rocker who admired
1144:Melodic hardcore groups
351:, while Dewar moved to
1124:Anarchism in Scotland
1098:at Boss Tuneage Store
1017:"Boss Tuneage: Music"
430:Valium For The Masses
286:Keep The Fire Burning
228:Valium For The Masses
223:suburb's punk scene.
894:on 28 September 2007
866:"PM Press: About PM"
472:How The West Was Won
398:Obsessive/Compulsive
361:How The West Was Won
116:Stirling High School
72:1982–1989, 1991-1993
1129:Anarcho-punk groups
885:"About Folk This!"
460:Window On The World
381:Oakland, California
326:Window On The World
914:"Assassenachs.com"
184:Middle of the Road
342:924 Gilman Street
282:T.V. Degeneration
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892:the original
888:"Folk This!"
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160:Dire Straits
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99:anarcho-punk
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82:Past members
68:Years active
49:Anarcho-punk
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1110:on Facebook
979:, p.142-143
685:, p.442-445
655:13 November
639:, p.441-442
418:Discography
400:, in 2000.
314:Chumbawamba
198:, gigs and
1118:Categories
1104:at Discogs
699:Retrieved
549:References
454:Seeing Red
424:Fresh Hate
306:Spermbirds
288:in 2017.)
244:Fresh Hate
221:Gracemount
188:Fresh Hate
180:Blanefield
156:Status Quo
140:Black Flag
491:Personnel
394:Oi Polloi
371:Aftermath
365:Göttingen
353:Rotterdam
252:Buckhaven
232:Subhumans
217:Edinburgh
164:post-punk
144:Hüsker Dü
124:anarchist
87:See below
61:punk rock
1065:Facebook
581:27 April
466:Solitary
385:PM Press
377:AK Press
349:AK Press
322:Poll Tax
236:Conflict
213:pacifist
209:militant
196:fanzines
168:DIY gigs
103:Stirling
39:Scotland
35:Stirling
1001:29 June
995:Discogs
971:, 2002
946:29 June
940:Discogs
898:1 April
855:, p.446
847:, 2006
820:29 June
814:Discogs
779:, p.445
771:, 2006
728:29 June
722:Discogs
677:, 2006
631:, 2006
614:, p.441
606:, 2006
575:Discogs
448:Someday
330:Someday
265:Someday
128:The Mob
118:pupils
110:History
1071:14 May
1044:14 May
1022:14 May
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919:20 May
871:14 May
851:
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749:22 May
701:22 May
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484:Winter
436:Winter
412:Sydney
334:Samiam
294:Scream
278:Lübeck
273:Valium
240:Winter
132:Zounds
45:Genres
31:Origin
269:Walls
261:Leven
148:Saxon
1073:2017
1046:2017
1024:2017
1003:2017
973:ISBN
948:2017
921:2017
900:2007
873:2017
849:ISBN
822:2017
773:ISBN
751:2017
730:2017
703:2017
679:ISBN
657:2017
633:ISBN
608:ISBN
583:2017
389:Lost
336:and
312:and
304:and
298:NOFX
234:and
158:and
142:and
338:MDC
316:'s
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