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accomplices, resolved to put the master to death on the following night, and then to divide the money among themselves. On the night following, they set upon
Polidoro while he was slumbering deeply, and strangled him with a cloth. Then, giving him several wounds, they made sure of his death; After a period of many days when no perpetrator was discovered, it was thought that no one except the workman could have committed the act. Upon receiving intelligence of the assistant's alleged involvement, he was captured on the authority of the Count of Messina, and tortured until he confessed to the crime. Shortly thereafter, he was sentenced to the
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252:, give an idea of the liveliness and quality of these lost works: "Polidoro learned from Raphael the idea of re-creating the decoration of classical antiquity; but he did so with a wit, freedom and spirit of his own". Being always visible to the public, whilst they lasted the palace facades were very well known and influential, and used by "generations of young artists ... as a visual textbook". There are also many surviving
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According to Vasari, Polidoro was firmly resolved to return to Rome after completing significant projects in
Messina. In order to make preparations for this trip, he withdrew all of his savings from the bank for the trip to Rome. Upon discovering this, one of Polidoro's workmen, along with several
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His other works, as well as those of his partner, Maturino da
Firenze, have mostly perished from exposure, as most were external decorations on the facades of palaces, but are known from many etchings by
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shows considerable
Northern influence, probably reflecting the traditionally strong links between Sicily and the Netherlands.
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The Art of Italy in the Royal
Collection; Renaissance and Baroque,pp 56, 63, Royal Collection Publications, 2007,
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Lives of the Most
Eminent Painters Sculptors and Architects, Vol. 05 (of 10) Andrea da Fiesole to Lorenzo Lotto
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In the second half of the sixteenth century his tomb in
Messina (inside Carmine Maggiore, with the tomb of
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202:). They are very individual in style, extremely free in technique, and powerful in expression. The
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of Naples, who have the best collection of his work (an oil sketch for the latter is in the
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in the
Vatican. He and Maturino then set up as painters of palace facades, usually in
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Statue of Niobe and her
Worshippers, with Apollo and Diana and other Figures
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period, "arguably the most gifted and certainly the least conventional of
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he ingratiated himself with the artists, and attracted the admiration of
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The
Creation of Adam who reclines at left and touching the hand of God
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53:'s pupils", who was best known for his now-vanished paintings on the
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354:. Probably study for the decoration of the Rota palace in Naples.
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Costantino Lascaris tra fama e oblio nel Cinquecento messinese
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in 1527, in which Maturino was killed. Polidoro fled to
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of Roman houses. He was unrelated to the later painter
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285:Among Polidoro's pupils in Messina was
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497:The National Museum of Capodimonte
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347:Lavis by Polidoro da Caravaggio,
218:and others. One of his pupils is
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706:People from Caravaggio, Lombardy
660:Polidoro (da Caravaggio) Caldara
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662:- Catholic Encyclopedia article
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475:Russo, Attilio (2003-2004).
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411:Metropolitan Museum of Art
391:Adoration of the Shepherds
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326:Red chalk drawing of the
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192:Christ Carrying the Cross
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78:Palazzo Massimo Istoriato
593:"Royalcollection.org.uk"
458:National Gallery, London
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424:Military procession, MET
204:Christ bearing the Cross
200:National Gallery, London
499:, Electa Napoli, 2003,
726:Italian murder victims
519:Nationalgallery.org.uk
242:Santa Maria della Pace
194:(1530–34) both in the
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495:Nicola Spinosa (ed),
158:under the command of
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269:, torn with red-hot
212:Pietro Santi Bartoli
196:Museo di Capodimonte
188:Deposition of Christ
175:Constantine Lascaris
166:, and from there to
160:Constable de Bourbon
368:Maturino da Firenze
140:Maturino da Firenze
106:Maturino da Firenze
30:, usually known as
524:2007-03-03 at the
463:2007-06-22 at the
246:Via del Pellegrino
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628:Project Gutenberg
580:978-1-902163-29-1
287:Deodato Guinaccia
256:of high quality.
220:Deodato Guinaccia
216:Cherubino Alberti
123:, in what is now
93:(1530–34), Naples
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681:(in English)
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701:1543 deaths
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352: 1524
329:Holy Family
183:Crucifixion
113: 1525
39: 1499
690:Categories
654:References
603:2007-05-10
559:2007-05-10
121:Caravaggio
485:0392-0240
394:, Messina
275:quartered
230:grisaille
156:Charles V
148:sgraffito
47:Mannerist
522:Archived
461:Archived
254:drawings
225:Graffito
125:Lombardy
313:Gallery
271:pincers
267:gallows
244:and in
238:Parione
236:and in
168:Messina
133:Vatican
55:facades
51:Raphael
43:Italian
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483:
305:, and
281:Legacy
273:, and
250:Louvre
240:(near
164:Naples
129:Vasari
508:image
445:Notes
439:, MET
234:Borgo
136:logge
576:ISBN
501:ISBN
481:ISSN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
