Plan 9 from Outer Space

1089: 458:, destroying the universe. Eros believes that humans are immature and stupid; he intends to destroy humanity, threatening to kill Paula if Jeff and the police try to stop him. Kelton and Larry arrive and see Clay near the saucer carrying the unconscious Paula. They sneak up behind Clay and knock him out with a club. Eros says that Clay's controlling ray has been shut off, which released Paula. He and Jeff have a fistfight inside the ship, and the saucer's equipment is damaged and catches fire. The humans escape, and Tanna and Eros take off. The fire consumes the saucer, which explodes, and the two remaining zombies decompose into skeletons. 1115:. The original shooting title is mentioned at the end of Criswell's opening narration when he asks the audience: "Can your heart stand the shocking facts about ... grave robbers from outer space?" It is thought that Wood changed the title because he did not want his backers to know that the film was being distributed in the South. (By 1958, the film's backers had given up all hope of seeing a return on their investment.) But the new title was less indicative of the film's content and may have contributed to its distribution problems. Like many independent films of the period, 38: 795:. He addresses the viewers repeatedly as "my friends", as if attempting to establish a bond between the speaker and the audience. The line likely derives from his show, and would not be out of place in a segment where a televangelist addresses his congregation. Another phrase of the introduction, "Future events such as these will affect you in the future", was a signature line for Criswell. He used it repeatedly in his newspaper and magazine columns, and probably his show. 653: 1028:. Some scenes connected to these projects had been shot. They featured Lugosi weeping at a funeral, picking a rose from a bush in front of Tor Johnson's house in the daytime, walking in and out of the Johnson home's side door at nighttime, and a daylight scene, on a patch of highway, with Lugosi stalking toward the camera and dramatically spreading his Dracula cape before furling it around himself, then walking back the way he came. According to the documentary 1040:

others, by telling them he was making "Bela Lugosi's last movie". Though Wood's actions were driven in part by the desire to give his film a "star name" and attract horror fans, he meant the Lugosi cameo as a loving farewell and tribute to the actor, who had become a close friend. Wood hired his wife's chiropractor, Tom Mason, as a stand-in for Lugosi, although Mason was taller than Lugosi and bore no resemblance to him, making Mason one of the earliest known "

939: 1171: 1392: 359: 1503: 1002: 479: 467: 1190: 1220:. He said years later, "Ed had poor taste and was undisciplined. If he had ten million dollars, would still have been a piece of tasteless shit. I liked Ed Wood but I could discern no genius there. His main concern was making his next film.... It looked like they shot the thing in a kitchen....worst film of all time. Thirty years later, it's come back to haunt me." 1048:

skeletonized on her patio. At the beginning of the film, Lugosi picks a rose from a bush in the front yard of the house where the Trents live (Tor Johnson's house in real life), their patio being in the backyard, and the cemetery being next door. But Wood later decided to reduce Lugosi's character's importance, making him unconnected to Paula Trent. Narration by

1426:. Wood never intended for his film to be seen in a 1.33:1 open matte aspect ratio. This has led to various boom mics and edges of sets/props being seen at the top and bottom of the image. Further complicating the matter, Wood incorporated stock footage framed in 1.33:1 (including his own footage of Lugosi), which becomes overly cropped when shown in widescreen. 897:(1991), they were actually a recognizable plastic model kit, first issued in 1952 by toy manufacturer Paul Lindberg's Lindberg Line model kit company: this was the first science fiction plastic model kit produced (product #517). Roughly matching the era's popular image of UFOs, the saucer model was disk-shaped with a clear dome on top. Under the kit dome was a 1558:, for instance, claims that "the film's reception modulated away from jovial mockery of its wanton indifference to normal professional standards of script, performance, and effects, in favour of a more nuanced appreciation of its dreamlike narrative assemblage of genre tropes, resonantly unspeakable dialogue, and irrepressible budgetary ingenuity." 1175: 1173: 962:

paid her $ 200 to act as a vampire in the film. She recalled insisting that her part be silent, as she did not like the dialogue Wood had written for her. This recollection might be inaccurate since the zombie undead of the film are generally mute. She gave the film a "regal presence" and theatrical

826:

The film's postscript, also narrated by Criswell and delivered in the same tone as the introduction, provides the audience with a challenge ("you have seen this incident based on sworn testimony. Can you prove it didn't happen"?), a warning ("Many scientists believe that another world is watching us

798:

Another line asserts that the audience is interested in "the unknown, the mysterious, the unexplainable", implying that the film's audience will have a fascination with the paranormal. The narrator claims that "we" (the filmmakers) are bringing to light the full story and evidence of fateful events,

822:

Changing the tone, Criswell delivers the sermon-like lines: "Let us punish the guilty! Let us reward the innocent!". The introduction concludes with the question: "Can your heart stand the shocking facts about graverobbers from outer space?" The latter phrase was the original title of the film, but

404:

has sworn him to secrecy. Another saucer lands, and a powerful swooshing noise knocks the Trents, and the police officers in the cemetery, to the ground. Inspector Clay is murdered by the ghoul and her husband's now-reanimated corpse. Lieutenant Harper says: "But one thing's sure. Inspector Clay is

1039:

were written and finalized, with Wood planning to use the unconnected, unrelated Lugosi footage as a means of getting a known credit into the film. Wood also used the Lugosi footage as a means of attracting other actors to the picture, gaining the interest of Gregory Walcott and Maila Nurmi, among

950:

Harry Thomas, the film's makeup man, was incensed when Wood refused to follow his suggestions for the aliens' appearance. Thomas had created some rubber chin appliances to elongate their faces, as well as "cat's eyes" contact lenses and green wigs to lend them a more unearthly appearance. But Wood

423:

The aliens return to their Space Station 7, and Commander Eros tells the alien ruler that he has been unsuccessful in contacting Earth's governments. Eros recommends "Plan 9", the resurrection of recently deceased humans. Concerned about Paula's safety, Jeff urges her to stay with her mother while

445:

Edwards and the police interview the Trents, unaware that the flying saucer has returned to the cemetery. Officer Kelton encounters the old man, who chases him into the Trents' backyard. Eros's long-distance ray strikes the old man, reducing him to a skeleton. Edwards, the Trents, and the police

449:

Harper insists on leaving Paula in the car; Kelton stays with her. Eros and Tanna (his fellow female alien) send Clay to kidnap Paula and lure the other three humans to the saucer. Seeing its glow, Jeff and the police approach it. Clay knocks Kelton unconscious and carries Paula into the woods.

1239:

was compiled by Gordon Zahler. Zahler used stock recordings of works by about a dozen composers, a fairly common procedure in the 1950s for low-budget films and television programs. But he apparently never provided a reliable accounting for the score. In 1996, Paul Mandell produced a CD that

364: 360: 1047:

Wood first planned to make Lugosi the grandfather of Paula Trent, the film's lead female character, with Vampira being the revived corpse of Paula's grandmother, which explains why Lugosi returns to Paula's house after death, enters her bedroom, follows her into the cemetery, and winds up

362: 1360:. The documentary visits several locations related to the film, including the building with Wood's former office (at 4477 Hollywood Boulevard), and what was left of the small sound stage used for the film's interiors, which is down a small alley next to the Harvey Apartments at 5640 1174: 1744:. It was advertised as a "Three Riffer Edition", due to Nelson's solo commentary for the film's colorized DVD release, which had previously been sold as an audio file on the Rifftrax website. On August 20, 2009, the RiffTrax trio performed the commentary at a live event in 726:. That Wood made it with minimal financial resources underscores one of the qualities of his work: his ideas tended to be too expensive to film, yet he tried to film them anyway. As Rob Craig argues, Wood's failed efforts give the film a peculiar charm. Craig finds that 367: 366: 365: 790:

title card appears at the start of the scene), but since no episodes of the television show are known to survive, a comparison is impossible. Craig suggests that Criswell's public persona was based on the style of a charismatic preacher, perhaps influenced by early

1280:. The first allowed the auction winner to provide a photograph that is digitally inserted into part of the scene between the Ghoul Man and Paula Trent. The second allowed the winner to have his or her name placed on a gravestone during a scene with Wood regular 453:

Eros lets Jeff and the police enter the saucer with pistols drawn. He tells them that human weapons development will lead to the discovery of the "solaronite" bomb, a substance that explodes sunlight particles. Such an explosion would set off an uncontrollable

1056:, but the Dracula cape he wears was hard to explain. The theatrical cut of the film utilized every last scrap of material Wood had of Lugosi, including minor sprocket discolorations, and film trims that in a normal film would be discarded as unusable. Cuts of 363: 322:

that could destroy the universe. The aliens implement "Plan 9", a scheme to resurrect the Earth's dead. By causing chaos, the aliens hope the crisis will force humanity to listen to them; otherwise, the aliens will destroy mankind with armies of the undead.

931:, and Hugh Thomas was one of his associates from the church; both play gravediggers, and Reynolds was also the film's executive producer. At the time of the film's creation, David De Mering was the personal secretary and alleged lover of fellow cast member 424:

he's at work, but she refuses. That night, the undead old man breaks into their house and chases Paula outside, where the female ghoul and Inspector Clay join him. Paula escapes, collapsing in the woods while the three ghouls return to Eros in the saucer.

396:

Lost in grief, the old man is struck and killed by a car in front of his home. Mourners at his funeral discover the gravediggers' corpses. When Inspector Daniel Clay and his police officers arrive, Clay goes alone into the cemetery to investigate.

705:. On the other hand, the height of Gothic film's popularity was during the 1930s and 1940s but it was in decline by the 1950s and considered old-fashioned. By 1950s standards, the combination of dated and modern elements gives the film a rather 1551:

gave the film a 10/10, calling it a "quintessential cult classic" and writing that it is a "testament to a love of cinema and making all the wrong creative choices." There are also claims that Wood managed to convey some interesting ideas.

1209:'s shadow. The microphone and flight officer's script are not visible in the original theatrical release, as they do not fit the frame for its original 1.85:1 projected aspect ratio. These mistakes are noticeable only in the film's 915:

is used to ground the otherworldly events in a realistic setting. As a resident, Wood was likely familiar with the shooting locations. The scene where the military fires at the flying saucers is actual military stock footage.

1525:

the worst film in the history of cinema. But others have rated the film more positively; many of them say the film is simply too amusing to be considered the worst film ever made, and that its ineptitude adds to its charm.

1372:, was published and contained anecdotes about the making of this film. Grey notes that participants in the original events sometimes contradict one another, but he relates each person's recollections for posterity. 3024: 1565:

had failed to place in the IMDb Bottom 100, a list compiled using average scores given by Internet Movie Database users, though some of Wood's other movies had. In 1996, the film was saluted by the author of the

1625:

the next year. A stage adaptation was also performed in Glasgow by Off World Productions in 2015, again based on Wood's script. The Off World production was also performed at the 2017 Edinburgh Fringe Festival.

1172: 1415:

and the original theatrical trailer. Legend Films' restored colorized and original black-and-white versions have been released on DVD and Blu-ray in the U.S., and on DVD in various other territories.

361: 901:

pilot. This pilot figure was not used in the film. Its multiple flying saucers were painted metallic silver, including the domes. Two slightly modified versions of the Lindberg kit are used in

951:

told him they did not have enough time for Thomas's suggestions, which led Thomas to withdraw his name from the film's credits. "I was really mad at Wood", he said years later in interviews.

1227:. What I wore was old, worn out. It looks like I had a hole in the crotch of the dress, if you notice....But I thought, 'oh well, nobody's ever gonna see this movie, so it doesn't matter'." 1313:(Wood was a transvestite), a subtitled information track and a comedic feature narrated by Nelson detailing the "lost" Plans 1–8. The autographed edition also came with a limited-edition 3016: 809:

and similar scandal magazines. The notion that a film or show could be based on true incidents and testimony would be familiar to a 1950s audience, because it was used in contemporary

1075:

was completely abandoned. Mystery surrounds the content and nature of the lost material, described only as "wild" by a friend of Wood's, who had watched it shortly after it was shot.

2613: 1432:

has since presented a high-definition transfer of the film in the original 1.85:1 ratio. The stock footage shots in this version have been slightly adjusted to better fit the frame.

1287:

Autographed pre-release copies of the DVD were made available in 2005, and the colorized version was also given special theatrical screenings at various U.S. theaters, including the

861:(1951), and it had since seen frequent use in science fiction films. The idea was that humanity's self-destructive behavior was the real threat, not any external source of danger. 1536:, the film holds an approval rating of 66% based on 38 reviews, with an average score of 5.70/10. The website's critical consensus reads, "The epitome of so-bad-it's-good cinema, 2426: 762:: "Greetings, my friends! We are all interested in the future, for that is where you and I are going to spend the rest of our lives!" (This line appears in the narration for 431:, General Roberts tells Edwards that aliens have been telling the government that they are trying to prevent humanity from destroying the universe. Roberts sends Edwards to 3420: 1111:(DCA) picked up the film. But that company folded, and it was not released again until 1958, through DCA's receiver, Valiant Pictures. By then, the film had been retitled 1651:, saying, "Just a movie? You don't understand. This isn't plans 1 through 8 from outer space. This is Plan 9! This is the one that worked, the worst movie ever made!" 438:

The zombified Inspector Clay goes berserk and attacks Eros, nearly killing him. The ruler approves Eros's Plan 9 to raise armies of the dead to march on Earth's

4384: 1060:

on VHS during the 1980s and '90s, most of which were unauthorized bootleg dupes, varied drastically in both quality and the amount of Lugosi footage retained.

1457:, which features hand-carved wooden puppets of the characters from the film. The puppets act out the scenes along with the original film's edited soundtrack. 1664:

that is playing on loop the scene when the flying saucers are being attacked by the U.S. military. The scene can also be unlocked for viewing by the player.

1494:

performed in the film, which was released through video-on-demand on February 16, 2016. It released on physical media for retail outlets on January 5, 2017.

2928: 2275: 1471:

was released by Darkstone Entertainment, written and directed by John Johnson. The teaser trailer was released on the film's website on September 9, 2009.

3305: 847:

ideas became more popular in the 1960s, when the subject became "safe" for mainstream cinema to explore. In this area, the film was ahead of its time.

334: 2565: 1336:, a San Diego–based 3D production–conversion studio, produced a 3D version of Legend's colorized version, which received limited theatrical release. 835:

Through Jeff's initial conversation with his wife, the film introduces the notion of a government and military conspiracy to cover up information on

420:, the military fires missiles at several saucers. Chief of saucer operations Thomas Edwards says the government has been covering up saucer attacks. 885:. The three films can thus be characterized as inhabiting the same cinematic universe, and as a unit have been referred to as the “Kelton Trilogy”. 2723: 2636: 4294: 1193:

A visible shadow of the boom microphone (center of photo's upper edge) in a cockpit scene, while the script can be slightly seen on Trent's lap

3379: 875:, due to the fact that Paul Marco’s policeman character, named Kelton, appears in both films. "Kelton" also appears in Wood’s follow-up film, 4334: 3281: 2122: 1790: 1063:

Coincidentally, further Lugosi footage that Wood had shot sometime earlier was to have been the basis of a second, posthumous, feature film,

1395:

Two adjoining shots, in open matte and 1.85:1. The top image was composed for widescreen, the bottom is military stock footage that was not.

276:, it went into general release in July 1958 in Virginia, Texas and several other Southern states, before being sold to television in 1961. 3133: 4284: 3398: 2185: 1540:

is an unintentionally hilarious sci-fi 'thriller' from anti-genius Ed Wood that is justly celebrated for its staggering ineptitude." On

1032:, these shots were all improvised. Only the first two had reached any level of completion. When Lugosi died, Wood shelved the projects. 4369: 4349: 2821: 3064: 2881: 2669: 2155: 1276:, there were a few alterations. Legend had auctioned off the opportunity to insert new material into the film through two auctions on 3335: 1889: 1020:

Shortly before Lugosi's death in August 1956, he had been working with Wood on a handful of half-realized projects, variously titled

701:

and civilizations (more "traditional" elements of the genre), seemed to hold a new fascination for audiences at the beginning of the

690: 2851: 299:(before Lugosi's death in August 1956, Wood had shot silent footage of Lugosi for another, unfinished film, which was inserted into 2590: 2545: 2420: 2652: 4319: 3644: 3417: 3238: 3204: 1782: 986: 4324: 2078: 2062: 1613:

was staged in Jacksonville, Florida. The play, based on Wood's script, is by Steven Bailey. In 2006, another stage adaptation,

893:

The film's "iconic" flying saucers have been variously identified as paper plates or hubcaps. But according to the documentary

3359: 2993: 2914:

Blu-ray News – Monty Python and the Holy Grail: 40th details, plus Hardware Wars, Star Wars news & more - The Digital Bits

4299: 3624: 3594: 3579: 1933: 128: 1411:, 2000), the U.K. (MPIC Video, 2009), Germany (Winkler Film/Alive AG, 2009), and Australia (Force Video, 2001). All feature 1270:. Though the colorization process was largely done straight, unlike the campy bright colors used in the studio's release of 4359: 4314: 1964: 1708: 393:

land in the cemetery near Jeff's house, where two gravediggers are killed by a ghoul (the reanimated wife of the old man).

20: 4289: 3541: 2755: 1894: 1554: 1301:

fame, in which he heckles the film in a style similar to an episode of the series, a restored black-and-white version of

1108: 767: 172: 2454: 778:—years before Criswell's television program.) At the time of filming, Criswell was the star of the KLAC Channel 13 (now 4339: 4309: 4304: 4190: 2693: 2529: 2325: 2298: 2032: 1866: 1570:

edition of VideoHound, which says: "The film has become so famous for its own badness that it's now beyond criticism".

1422:

was composed and shot for the 1.85:1 widescreen ratio, which by 1957 had become the common theatrical format alongside

1240:

recreated the film's score by tracking down the stock recordings and the composers, and wrote an article about it for

978:, the Greek god of love. Craig suggests that the female alien's name, Tanna, invokes the name of another Greek deity: 4329: 3772: 3656: 3609: 3225: 2793: 1956: 1163:(1954), a reissued British science fiction film. Not long after, the picture was sold to television and was shown on 677:. Science fiction remained popular throughout the 1950s, though the genre had experienced significant changes in the 2950: 2386:

Rudolph Grey, Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr. (1992). pg. 197. ISBN 978-0-922915-24-8.

3915: 3258: 2377:

Rudolph Grey, Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr. (1992). pg. 78. ISBN 978-0-922915-24-8.

389:. Pilot Jeff Trent and his co-pilot Danny are startled by a bright light, accompanied by a loud noise. They see a 4279: 2969: 2925: 2267: 1120: 855:

The film contains a cautionary message from the aliens. The earliest use of this concept in film was probably in

803:

headlines in tabloid newspapers, and promises audiences access to "lurid secrets" as if following the example of

4344: 4200: 3152: 2507: 1884: 1202: 836: 4379: 4364: 3301: 857: 775: 400:

Jeff tells his wife, Paula (the old man's granddaughter), about his flying saucer encounter, saying that the

1088: 843:. But the implications for the public's distrust of the government were atypical for a 1950s American film. 4374: 3710: 2610: 1724: 1297: 1216:

Lead actor Gregory Walcott, who admired Ed Wood's tenacity in his projects, still had some bad opinions of

592: 3212: 3171: 1071:, and had dissolved into a toxic-smelling sludge by the time Wood returned to use it in 1959. Therefore, 924: 805: 385:

Mourners gather around an old man (Lugosi) at his wife's gravesite as an airliner overhead flies toward

4274: 2713: 1839: 1644: 1599:

was developed over several years starting in the mid-1980s and released to the general public in 1995.

2562: 348: 3894: 1923: 928: 3856: 3716: 3375: 432: 339: 3278: 2108: 1821: 4009: 1618: 1606:

that recreated the film's musical score; the CD was released by the now-defunct Retrosonic Corp.

1853:

included a sample of Criswell's opening monologue in its single "Hologram", from its 2016 album

4019: 3571: 3130: 2014: 1636: 1407:. A good-quality 35mm print from the Wade Williams Collection was released on DVD in the U.S. ( 1361: 1284:. The third alteration is at a point where Eros gets punched and his skin briefly turns green. 694: 329:

played on television in relative obscurity from 1961 until 1980, when authors Harry Medved and

3630:

Sloan, Will. "Can Your Heart Stand the Shocking Facts About Kelton the Cop A/K/A Paul Marco?"

2913: 1544:, the film received a score of 56 based on 13 reviews, indicating "mixed or average reviews". 4354: 3826: 3765: 3687: 3395: 2177: 1711:

was made, in which the player must recover the film from Lugosi's double, who has stolen it.

1622: 1596: 1429: 1206: 840: 735: 698: 693:, had inspired science fiction films to deal with the dangers of unrestricted science, while 315: 2829: 1816:, the film title recently found its way into academic discourse. In 2016, an article titled 4239: 4162: 4086: 3925: 3866: 3836: 3797: 3727: 3517: 3491: 3449: 3086: 3046: 2903:

Fosselius, Ernie - LC Linked Data Service: Authorities and Vocabularies|Library of Congress

2873: 2150: 2145: 1745: 1733: 1205:

is reading from a script in his lap, and a flash of light from a flying saucer reveals the

1159: 1149: 1049: 993:(1954), also filmed at Quality Studios; it was probably a Quality Studios background prop. 871: 759: 747: 612: 344: 292: 247: 118: 3327: 3117: 262:

in November 1956 and had a preview screening on March 15, 1957, at the Carlton Theatre in

8: 4269: 4180: 4029: 3792: 2843: 2587: 2395: 1879: 1831: 1826: 1656: 1408: 1380: 923:

variously involved in the production of the film. J. Edward Reynolds was a leader of the

877: 537: 409: 386: 3521: 3495: 3453: 1186:

gained notoriety through the Medveds' book because of its multiple continuity problems.

799:

based on the survivors' "secret testimony". The narration seems to emulate the style of

4221: 3183: 2549: 1468: 1242: 1198: 1068: 932: 543: 401: 54: 3461: 3242: 3201: 2902: 347:

for Worst Director Ever and Worst Film Ever. It has since been called "the epitome of

4141: 3999: 3970: 3703: 3676: 3652: 3620: 3605: 3590: 3575: 3465: 3221: 3131:"Media : Plan 9 from Outer Space : SFE : Science Fiction Encyclopedia" 2789: 2782: 2083: 1929: 1861: 1806: 1798: 1729: 1530: 1292: 1259: 810: 723: 510: 308: 2396:

With Distributors Corporation of America (DCA) (Sorted by Popularity Ascending)-IMDb

1383:, chronicled Nurmi's work with Wood and her role as television's first horror host. 839:. This notion was clearly influenced by the emergence and increased popularity of a 4047: 3758: 3457: 3356: 2255: 1850: 1661: 898: 815: 417: 244: 3651:, 21st Century Edition. Jefferson, North Carolina: McFarland & Company, 2009. 3535: 3733: 3722: 3424: 3402: 3383: 3363: 3285: 3262: 3208: 3156: 3137: 3055: 2954: 2932: 2697: 2617: 2611:"What makes a bad movie? For starters, take a look at 'Plan 9 From Outer Space'." 2594: 2569: 2511: 2458: 2430: 2113: 1774: 1697: 1533: 1441: 1306: 1154: 495: 471: 319: 280: 259: 85: 1418:

No home video release has featured the film's original theatrical aspect ratio.

1329:

video file with the commentary embedded into the colorized version of the film.

4245: 3816: 3217: 3060: 2985: 2118: 1999:"James Theatre, Starts Today/Liane Jungle Goddess/Plan Nine from Outer Space". 1778: 1753: 1674: 1581: 1518: 1491: 1288: 1272: 1130: 800: 763: 686: 531: 487: 455: 352: 330: 2745: 1621:. That play, also based on Wood's script, is by James Gordon Taylor; it won a 4263: 3681: 2451: 1786: 1719: 1715: 1639:" involves trying to get a table at a Chinese restaurant before going to see 1446: 1314: 1052:

was employed in an attempt to somehow link the Lugosi footage to the rest of

792: 674: 574: 390: 3508:

Batygin, Konstantin; Brown, Michael (2018), "Planet Nine from Outer Space",

3017:"In defense of the so-called worst movie ever made: Plan 9 from Outer Space" 786:. The introduction could be an allusion to the opening lines of his show (a 37: 3469: 2777: 2691:"BD Horror NewsL Ha! Ed Wood's Disasterpiece 'Plan 9' Gets 3-D Treatment!." 2690: 2251: 1860:

A clip from the film is featured in the movie theater sequence in the 1996

1737: 1603: 1578: 1574: 1479: 1365: 1255: 1140: 844: 743: 731: 439: 428: 2015:"Majestic, starts Wednesday/ Golden age of Comedy/Plan 9 from Outer Space" 1584:, an apparent reference to the film. The label ceased operations in 1995. 19:

This article is about the film. For the video game of the same title, see

2947: 2299:"Ranking the Terrible Movies of Ed Wood from the Least to Most Hilarious" 1813: 1766: 1682: 1669: 1548: 1487: 1472: 1423: 1333: 1281: 1104: 1005: 964: 955: 912: 706: 652: 586: 580: 549: 525: 483: 413: 304: 296: 288: 284: 263: 251: 105: 100: 95: 90: 3739: 3692: 3670: 3255: 2874:"Rewind @ www.dvdcompare.net - Plan 9 From Outer Space (Blu-ray) (1959)" 2546:"Forty Year Mystery Solved: The Music Behind 'Plan 9 From Outer Space'." 3884: 3095: 1794: 1762: 1678: 1541: 1483: 1464:

was written and directed by Christopher Kahler for Drunkenflesh Films.

1451: 1310: 1210: 1041: 968: 959: 938: 888: 702: 682: 600: 568: 519: 504: 3649:

Keep Watching the Skies: American Science Fiction Films of the Fifties

985:

The Pentagon office depicted includes a U.S. map with the sign of the

935:; his inclusion in the cast was probably a result of this association. 823:

the rest of the line again seems to emulate the sensationalist press.

2435: 1846: 1835: 1588: 1135: 739: 738:(characters acting as buffoons, nonsense, and verbosity in dialogue, 719: 3149: 2504: 1748:, and the performance was broadcast to theaters across the country. 827:

this moment"), and concluding wish ("God help us...in the future".)

3698: 2718: 2677: 2656: 2424:'Plan 9 From Outer Space': The Original Bad Movie We Love Turns 50" 1802: 1741: 1631: 1475: 1399:

To date there have been only a handful of good-quality or restored

1391: 1318: 979: 678: 670: 596: 43: 2811:. Vampirathemovie.com, April 4, 2013. Retrieved: January 10, 2015. 1223:

Vampira years later recalled: "I didn't have a decent costume for

307:, who said he never refused an acting job, and former cowboy star 3781: 3744: 3507: 2808: 2750: 1777:, making only $ 5.9 million on a $ 18 million budget. It won two 1404: 1144: 920: 663: 625: 255: 1758: 1460:

As of September 2009, there was an additional proposed remake:

1133:. In Chicago, it was first seen alongside the British thriller 2844:"Rewind @ www.dvdcompare.net - Plan 9 From Outer Space (1959)" 1502: 1001: 869:

The film has been considered a sequel to Wood’s earlier film,

758:

The film opens with an introduction by Wood's friend, psychic

478: 466: 3587: