709:, a Jewish convert to Islam in the twelfth century, wrote that the Persians prohibited Jews from holding prayer services. "When the Jews saw that the Persians persisted in obstructing their prayer, they invented invocations into which they admixed passages from their prayers (the piyyuṭ) … and set numerous tunes to them". They would assemble at prayer time to read and chant the piyyuṭim. The difference between that and prayer is that the prayer is without melody and is read only by the person conducting the service. In contrast, in the recitation of the piyyuṭ, the cantor is assisted by the congregation in chanting melodies. "When the Persians rebuked them for this, the Jews sometimes asserted that they were singing, and sometimes ." When the Muslims took over and allowed Jews
782:
piyyuṭim of the early Eretz
Yisrael school, which they regarded as an authentic part of the Talmudic-rabbinic tradition. Although Luria himself would go to Ashkenazic communities at times when they would recite piyyuṭim in order to recite those from the Eretz Yisrael school, no Sephardic community reinstituted these piyyuṭim, presumably because these had already been eliminated from the service and they regarded it as too late to put them back. (The Kabbalists, and their successors, also wrote piyyuṭim of their own.) For this reason, some piyyuṭim of the Spanish school survive in their original position in the
677:, often consist of piyyuṭim, as these were the parts of the liturgy that required to be written down: the wording of the basic prayers was generally known by heart, and there was supposed to be a prohibition of writing them down. It is not always clear from the manuscripts whether these piyyuṭim, which often elaborated the themes of the basic prayers, were intended to supplement or replace them, or indeed whether they originated before the basic prayers had become fixed. The piyyuṭim, in particular those of
160:
36:
152:
688:
Initially, the word piyyuṭ designated every type of sacred poetry, but as usage developed, the term came to designate only poems of hymn character. The piyyuṭim were usually composed by a talented rabbinic poet, and depending on the piyyuṭ’s reception by the community determined whether it would pass
781:
and his followers, which used an adapted
Sephardic liturgy, disapproved of the Spanish piyyuṭim, regarding them as spiritually inauthentic, and invoked the Geonic strictures to have them either eliminated from the service or moved away from the core parts of it. Their disapproval did not extend to
1998:. A poem leading from "Adonai Yimlokh" (Ex. 15:18) to the conclusion of the benediction about the truth of the Shema‘ and the redemption from Egypt. In 9th-11th century Middle Eastern yotzer sequences, the Ge'ulla is usually split into two smaller poems, the "Adonai Malkenu" and the "Ve‘ad Matai".
720:
made every effort to discourage it and restore what they regarded as the statutory wording of the prayers, holding that "any who uses piyyuṭ thereby gives evidence that he is no scholar". It is not always clear whether their main objection was to any use of piyyuṭim at all or only to their
1934:. In a sequence written for a weekday, this is a very short poem, of one stanza, and leads straight to the conclusion of the blessing; parts 1a, 2, 3, and 4 are skipped. In a sequence written for a Sabbath or festival, this poem can be anywhere from about 12 lines to several hundred lines.
806:
What follows is a chart of some of the best-known and most-beloved piyyuṭim. This is by no means an exhaustive list, but it tries to provide a flavor of the variety of poetic schemes and occasions for which these poems were written. Many of the piyyuṭim marked as being recited on
704:
The additions of the piyyuṭim to the services were primarily used as an embellishment to the services and to make it more enjoyable to the congregation. As to the origin of the piyyuṭ's implementation, there is a theory that this had to do with restrictions on Jewish prayer.
672:
or its neighbor Syria, because only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively." The earliest
Palestinian prayer manuscripts, found in the
724:
For these reasons, scholars classifying the liturgies of later periods usually hold that, the more a given liturgy makes use of piyyuṭim, the more likely it is to reflect
Palestinian as opposed to Babylonian (Mesopotamian) influence. The framers of the
769:
composed quantities of religious poetry, in correct
Biblical Hebrew and strict Arabic metres. Many of these poems have been incorporated into the Sephardic, and to a lesser extent the other, rites, and may be regarded as a second generation of piyyuṭ.
1984:. A poem leading from the beginning of the blessing after the Shema (about the truth of the Shema‘ and God's redemption of the Israelites from Egypt) to the verse "Mi Khamokha" ("Who is like unto Thee?"), Exodus 15:11.
2016:: A series of seven poems, of even length, to adorn the Amidah of a Sabbath or festival. Such Amidot have seven blessings, so there is one poem per blessing. (Note that these were written only for the amidot of
936:
2142:-- an expansion in the fourth blessing of a festival Amidah. This is the central blessing of the festival Amidah, and the only one whose theme is the festival itself.
1837:
1293:
1922:. Note that the Shema itself is always kept in its statutory form, and not adorned with poetry, because it is made up of passages taken straight from the Bible.
1855:
1614:
1905:
Piyyutim have been written in many different genres and subgenres. Most of these are defined by the function that the given poem fulfills in the context of
2339:
1355:
2042:: A series of eighteen poems, of even length, to adorn the Amidah of a weekday. Such Amidot have eighteen blessings, so there is one poem per blessing.
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were prominent and well established. The composers of various piyyuṭim usually used acrostic forms to hint their identity in the piyyuṭ itself. Since
2108:. A long piyyuṭ, often closer to rhyming prose than to any kind of metrical poetry. The silluq, at its conclusion, leads into the first verse of the
1872:
864:
1455:
1806:
1589:
1657:
1093:
689:
the test of time. Looking at the composers of the piyyuṭim, one can see which family names were part of the Middle
Eastern community and which
2238:. Although in the classical era of piyyuṭ, these were recited on many occasions, in European communities, they are recited exclusively on
1012:
2183:(many later communities moved these out of the qerova, or out of the Amidah entirely, and recited them in less formal liturgical contexts)
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status, prayer became permissible for the Jews. The piyyuṭ had become a commendable tradition for holidays and other joyous occasions.
1507:
2115:
9: Qedusha-piyyuṭim. These poems, often absent from
Qedushta'ot, were written to be recited between the verses of the Kedushah.
2518:
467:
248:
1959:. A poem forming the bridge between the second verse of the Qedusha and the conclusion of the blessing on the luminaries.
184:
557:("Master of the World"). Its poetic form consists of a repeated rhythmic pattern of short-long-long-long (the so-called
2349:
288:
119:
100:
561:). It is so beloved that it is often sung after many synagogue services, after the ritual nightly recitation of the
2538:
253:
72:
551:
Many piyyuṭim are familiar to regular attendees of synagogue services. For example, the best-known piyyuṭ may be
697:
were limited then, many piyyuṭim had repeating stanzas that the congregation would respond to, followed by the
57:
941:
79:
2523:
2161:, which are the first days that prayers for dew and rain are recited in the summer and winter respectively.
729:
took the Geonic strictures seriously, and for this reason the early
Palestinian piyyuṭim, such as those of
576:
17:
783:
86:
537:
528:'poet') is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during
2548:
726:
460:
1991:. A poem leading from the verse "Mi Khamokha" (Ex. 15:11) to the verse "Adonai Yimlokh" (Ex. 15:18).
68:
357:
1820:
1743:
1403:
369:
53:
46:
787:
505:
2543:
1440:
885:
730:
706:
678:
175:
142:
1930:(or just yotzer)—the first poem of the sequence, coming at the very beginning of the blessing
381:
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427:
453:
306:
222:
374:
8:
2264:
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1206:
931:
Double alphabetic acrostic, then spells out "Meir, son of Rabbi
Yitzchak, may he grow in
523:
2153:) expansion: inserted into the second blessing of the mussaf Amidah of the first day of
1918:—a series of poems, which adorn the blessings surrounding the morning recitation of the
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and in good deeds. Amen, and may he be strong and have courage." The author was Rabbi
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1711:(in the Eastern Ashkenazic and Italian rites). In some Italian communities, also on
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The use of piyyuṭ was always considered a
Palestinian specialty: the Babylonian
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1824:
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1712:
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1117:
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Acrostic spells "Baruch Chazak", or "Blessed be he, with strength", written by
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681:, were often in very cryptic and allusive language, with copious reference to
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Refrain: "Recall the Covenant, and do not turn towards the Evil Inclination"
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340:
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Goldschmidt, D, "Machzor for Rosh Hashana" p.xxxi. Leo Baeck Institute, 1970
2252:-- an expansion at the end of a sequence of ma‘ariv piyyuṭim; found only in
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956:
791:
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2386:(Hebrew), Magnes Press: Hebrew University of Jerusalem, 1984. Pp. 336-350.
2515:- audio recordings of piyyuṭim, along with corresponding lyrics in Hebrew
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are songs traditionally sung as part of the home ritual observance of
2060:. The Qedushta consists of several parts, each with their own names.
2029:
1952:. A poem bridging between the first and second verses of the Qedusha.
1258:
Alphabetic acrostic; each stanza ends with standard alternating line
1231:
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893:
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rites. Syrian Jews preserve some of them for extra-liturgical use as
553:
2032:
service of a Sabbath or festival, the Amida would be adorned with a
35:
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service; but a few are defined by other criteria, such as content.
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2464:, pp. 308-335 (deals with the Zulath, Mi Khamokha, and Ge'ulla).
2477:(Hebrew), Keter Publishing House: Jerusalem, 1975. (Hereafter:
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2006:
1966:. A poem leading into the conclusion of the blessing regarding
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2048:: A series of poems adorning the first three blessings of the
733:, do not survive in the Sephardic rite, though they do in the
2231:
2175:
2169:
2017:
1919:
1851:
1698:
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metre; alphabetic acrostic; each stanza begins with the word
1154:
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201:
133:
1941:. A "conclusion" to the guf yotzer, forming a bridge to the
2135:, almost exclusively for great festivals, have expansions:
1971:
1313:
1107:
881:
2512:
2371:
2344:. New Yoek: Cambridge University Press. p. 479-480.
2101:, in which case they are numbered 7a, 7b, 7c, et cetera.)
1967:
1945:
in the middle of the blessing on the heavenly luminaries.
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Reverse alphabetic acrostic; each stanza ends with "Tal"
516:
2005:—a series of piyyuṭim, which adorn the blessings of the
2341:
The Cambridge Dictionary of Judaism and Jewish Culture
1602:Alphabetic acrostic spells name of author, Shmuel.
721:intruding into the heart of the statutory prayers.
60:. Unsourced material may be challenged and removed.
2438:, pp. 268-279. (Deals with both Me'ora and Ahava.)
575:("May God be Hallowed"), which is based upon the
540:, and most follow some poetic scheme, such as an
2530:
2052:) Amidah of a sabbath or festival. (Or Musaf of
1548:Acrostic spells name of author, "Moshe", likely
2056:, or any of the four Amidot of the daytime of
786:rite but have been eliminated or moved in the
744:
565:, and during the morning ritual of putting on
1078:Acrostic spells "Dunash," the name of author
1049:Acrostic spells "Dunash," the name of author
461:
1878:
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1763:
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1687:
1663:
1620:
1595:
1568:
1541:
1513:
1496:Acrostic spells name of author, "Mordechai"
1489:
1461:
1432:
1409:
1385:
1361:
1337:
1305:
1299:
1275:
1251:
1212:
1168:
1136:
1099:
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1042:
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2475:Hebrew Liturgical Poetry in the Middle Ages
1858:, although commonly misattributed to Rabbi
909:metre (based on short-long-long-long foot)
586:Important scholars of piyyuṭ today include
1230:(meaning "her" or "of hers", referring to
1025:Every stanza begins with the word "Berah"
468:
454:
2490:Fleischer, Shirat Ha-qodesh, pp. 199-211.
633:
120:Learn how and when to remove this message
2384:The Yozer: Its Emergence and Development
1106:First letters of first 3 stanzas spell "
548:or spelling out the name of the author.
2519:Jewish Encyclopedia article on piyyuṭim
14:
2531:
2337:
1439:Acrostic spells name of author, Rabbi
801:
668:). They were "overwhelmingly from the
1312:Alphabetic acrostic, each line ends "
1153:as part of first blessing before the
499:
494:פִּיּוּטִים / פיוטים, פִּיּוּט / פיוט
2499:Fleischer, Shirat Ha-qodesh, pp. 460
638:The earliest piyyuṭim date from the
58:adding citations to reliable sources
29:
1977:(The Shema itself is recited here.)
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1813:
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847:
749:In the later Middle Ages, however,
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24:
2009:. There are a few types of these:
1715:. In the Western Ashkenazic rite,
158:
150:
25:
2560:
2524:Center of Jewish Music and Poetry
2506:
1226:; each line ends with the suffix
289:We Are Both from the Same Village
1575:Unrhymed; each line begins with
34:
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2484:
2467:
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45:needs additional citations for
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880:Every day during the month of
13:
1:
2315:
658:
643:
594:, both at Hebrew University.
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1670:First stanza is the refrain
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577:Thirteen Principles of Faith
569:. Another beloved piyyuṭ is
517:
7:
2293:
2230:- Piyyuṭim recited for the
970:Double alphabetic acrostic
745:The medieval Spanish school
544:following the order of the
10:
2565:
2189:(usually for the Sabbath).
628:
538:Jewish Palestinian Aramaic
509:
140:
131:
1900:
1608:Only recited by Polinim.
937:Meir bar Yitzchak "Shatz"
501:[piˈjut,pijuˈtim]
2097:. (There may be several
132:Not to be confused with
2539:Jewish liturgical poems
2338:Baskin, Judith (2011).
2081:4. "Piyyut 4" ("El Na")
1744:Israel ben Moses Najara
532:. Most piyyuṭim are in
2372:An Invitation to Piyut
2126:Qedushat Shemone Esreh
1441:Shlomo Halevi Alkabetz
886:Ten Days of Repentance
784:Spanish and Portuguese
731:Eleazar birabbi Qallir
707:Al-Samawal al-Maghribi
679:Eleazar birabbi Qallir
634:The Palestinian school
164:
156:
143:Religious Jewish music
27:Jewish liturgical poem
1845:יוֹם זֶה לְיִשְׂרַאֵל
993:בָּרוּךְ אֵל עֶלְיוֹן
162:
154:
2269:Piyyutified blessing
1856:Yitzhak Salmah Hazan
1627:Alphabetic acrostic
1520:Alphabetic acrostic
1404:Kol Meqadesh Shevi'i
1392:Alphabetic acrostic
1363:כִּי הִנֵּה כַּחֹמֶר
1344:Alphabetic acrostic
1282:Alphabetic acrostic
1143:Alphabetic acrostic
877:Alphabetic acrostic
853:Alphabetic acrostic
819:("Songs/Melodies").
307:Israeli folk dancing
54:improve this article
2265:Magen Avot piyyuṭim
1622:שׁוֹשַׁנַּת יַעֲקֹב
1550:Moses ben Kalonymus
1543:מְנוּחָה וְשִׂמְחָה
1170:אֵל נוֹרָא עֲלִילָה
926:אַקְדָּמוּת מִלִּין
872:אֲדוֹן הַסְּלִיחוֹת
802:Well-known piyyuṭim
394:Passover (Haggadah)
249:Mainstream and jazz
2310:Scholars of Piyyut
2250:Tosefet Le-ma‘ariv
1597:שִׁיר אֵל נֶעְלָּם
1472:("rest"); refrain
1183:. Acrostic spells
965:אַנְעִים זְמִירוֹת
815:and also known as
599:author of a piyyuṭ
530:religious services
332:Music for holidays
165:
157:
2121:Qedushat Shiv‘ata
1898:
1897:
1885:Acrostic spells "
1880:יוֹם זֶה מְכֻבָּד
1850:Acrostic spells "
1838:Yom Ze L'Yisra'el
1819:Acrostic spells "
1742:", the author's (
1738:Acrostic spells "
1615:Shoshanat Ya'akov
1356:Ki Hineh Kachomer
1253:תְּפִלַּת גֶּשֶׁם
1177:"At this hour of
1080:Dunash ben Labrat
1051:Dunash ben Labrat
1000:Baruch ben Samuel
727:Sephardic liturgy
615:); the plural is
527:
515:
478:
477:
284:Jerusalem of Gold
155:Menorah(מְנוֹרָה)
130:
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122:
104:
16:(Redirected from
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2549:Songs in Aramaic
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2479:Shirat Ha-qodesh
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2382:Ezra Fleischer,
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2279:Siyyum Le-hallel
1970:'s love for the
1939:Silluq le-yotzer
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1794:
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1770:Acrostic spells
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1689:וּנְתַנֶּה תּקֶף
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1468:Acrostic spells
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1294:Hayom T'am'tzenu
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1101:אֵין כֵּאלֹהֵינו
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763:Abraham ibn Ezra
701:’s recitations.
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522:
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514:romanized:
513:
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324:Yemenite dancing
261:Jewish art music
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2481:.) Pp. 182-198.
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1916:Yotzer sequence
1903:
1873:Yom Ze Mekhubad
1701:for these days
1682:Unetanneh Tokef
1665:צוּר מִשֶּׁלּוֹ
1570:אוֹחִילָה לָאֵל
1307:הַיּוֹם הַיּוֹם
1262:Sh'mini Atzeret
1196:(conclusion of
1187:, referring to
1073:דְּרוֹר יִקְרָא
986:Barukh El Elyon
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884:and during the
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1814:יוֹם שַבָּתוֹן
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1020:בְּרַח דּוֹדִי
1016:
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829:
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767:Moses ibn Ezra
753:poets such as
751:Spanish-Jewish
746:
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670:Land of Israel
635:
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601:is known as a
592:Joseph Yahalom
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2288:Shevaḥ Notnim
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2256:and Romania.)
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2084:5. "Piyyut 5"
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2040:Shemone Esreh
2038:
2036:. See below.)
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2019:
2015:
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1746:) first name
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1717:Rosh Hashanah
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1705:Rosh Hashanah
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1434:לְכָה דּוֹדִי
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1411:כל מקדש שביעי
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901:אֲדוֹן עוֹלָם
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71: –
70:
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65:Find sources:
59:
55:
49:
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43:This article
41:
37:
32:
31:
19:
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2417:
2409:
2404:
2396:
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2383:
2378:
2367:
2355:. Retrieved
2340:
2333:
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2287:
2283:
2278:
2272:Piyyutified
2249:
2245:
2227:
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2146:
2139:
2132:
2130:
2125:
2120:
2105:
2098:
2094:
2088:
2076:
2070:
2064:
2054:Rosh Hashana
2045:
2039:
2033:
2013:
2002:
2001:
1995:
1988:
1981:
1963:
1956:
1949:
1938:
1927:
1915:
1914:
1904:
1871:
1836:
1805:
1783:
1765:יְדִיד נֶפֶש
1758:Yedid Nefesh
1756:
1733:יָהּ רִבּוֹן
1724:
1680:
1658:Tzur Mishelo
1656:
1637:
1613:
1588:
1561:
1534:
1506:
1482:
1469:
1454:
1425:
1402:
1378:
1354:
1339:הוֹשַׁעְנוֹת
1330:
1304:also called
1292:
1268:
1244:
1227:
1223:
1219:
1205:
1185:Moshe chazak
1184:
1176:
1161:
1129:
1094:Ein Eloheinu
1092:
1064:
1035:
1011:
984:
957:Anim Zemirot
955:
917:
906:
892:
863:
848:אַדִּיר הוּא
839:
805:
772:
755:Judah Halevi
748:
723:
715:
703:
687:
675:Cairo Geniza
637:
616:
606:
602:
596:
585:
570:
552:
550:
485:
481:
479:
370:Dreidel song
348:
339:
191:
185:Contemporary
138:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
2473:Fleischer,
2460:Fleischer,
2447:Fleischer,
2434:Fleischer,
2421:Fleischer,
2408:Fleischer,
2395:Fleischer,
2149:) or Rain (
1989:Mi Khamokha
1860:Isaac Luria
1563:Ohila la-El
1491:מָעוֹז צוּר
1456:Mah Y'didut
1380:Ki Lo Na'eh
1301:היום תאמצנו
1124:tradition)
1066:D'ror Yikra
1037:Devai Haser
940: [
834:Recited on
779:Isaac Luria
775:Kabbalistic
759:Ibn Gabirol
666: 1040
617:pay(e)ṭanim
559:hazaj meter
506:Koinē Greek
401:Ma Nishtana
363:Oh Chanukah
110:August 2022
2533:Categories
2513:Piyut site
2316:References
2172:expansions
2077:Meshallesh
2058:Yom Kippur
2028:; for the
1932:Yotzer ohr
1928:Guf yotzer
1709:Yom Kippur
1515:מִפִּי אֵל
1484:Ma'oz Tzur
1427:L'kha Dodi
1372:Yom Kippur
1324:Yom Kippur
1238:Tisha B'av
1207:Eli Tziyon
1198:Yom Kippur
1013:Berah Dodi
790:and other
777:school of
735:Ashkenazic
664: – c.
662: 600
649: – c.
581:Maimonides
497:pronounced
442:Bar Yochai
435:Lag BaOmer
418:Chad Gadya
382:Mi Y'malel
375:Al Hanisim
167:Jewish and
80:newspapers
2462:The Yozer
2449:The Yozer
2436:The Yozer
2423:The Yozer
2410:The Yozer
2397:The Yozer
2260:Elohekhem
2133:Shiv‘atot
2030:Shacharit
1726:Yah Ribon
1232:Jerusalem
1175:Refrain:
1151:Festivals
1138:אֵל אָדון
1122:Sephardic
1118:Festivals
978:Festivals
894:Adon Olam
657:periods (
647: 70
554:Adon Olam
358:Blessings
254:Classical
237:Sephardic
176:Religious
2357:27 April
2294:See also
2254:Ashkenaz
2228:Maarivim
2224:piyyuṭim
2155:Passover
2110:Kedushah
2050:Shaharit
2046:Qedushta
2034:Qedushta
2014:Shiv‘ata
1792:יִגְדַּל
1650:Passover
1500:Hanukkah
1449:evening
1396:Passover
1332:Hoshanot
1029:Passover
857:Passover
796:pizmonim
792:Oriental
695:siddurim
691:hakhamim
640:Talmudic
567:tefillin
542:acrostic
486:piyyuṭim
484:(plural
350:Hanukkah
279:Hatikvah
214:Baqashot
209:Pizmonim
69:"Piyyut"
18:Piyyuṭim
2284:El Adon
2217:Shavuot
2213:Ketubba
2203:Azharot
2198:Nishmat
2193:Hoshana
2181:Selihot
2112:prayer.
2099:rahitim
2071:Mehayye
1996:Ge'ulla
1943:Qedusha
1893:Shabbat
1865:Shabbat
1852:Yitzhak
1830:Shabbat
1821:Yehudah
1777:Shabbat
1750:Shabbat
1674:Shabbat
1555:Shabbat
1524:Shabbat
1508:Mipi El
1476:Shabbat
1470:Menucha
1447:Shabbat
1419:Shabbat
1270:Hakafot
1194:Ne'ilah
1179:Ne'ilah
1147:Shabbat
1131:El Adon
1114:Shabbat
1086:Shabbat
1044:דוי הסר
1005:Shabbat
974:Shabbat
949:Shavuot
919:Akdamut
841:Adir Hu
828:Hebrew
817:zemirot
813:Shabbat
809:Shabbat
741:rites.
739:Italian
683:midrash
629:History
607:payetan
526:
518:poiētḗs
510:ποιητής
504:; from
411:Adir Hu
341:Shabbat
242:Mizrahi
232:Klezmer
223:Secular
197:Zemirot
94:scholar
2348:
2246:Bikkur
2236:Maariv
2222:Targum
2157:or of
2151:Geshem
2106:Silluq
2089:Qiqlar
2026:Maariv
2022:Minhah
2007:Amidah
2003:Qerova
1982:Zulath
1957:Me'ora
1910:prayer
1907:Jewish
1901:Genres
1887:Israel
1800:Daily
1797:Metre
1785:Yigdal
1740:Israel
1719:only.
1695:Silluq
1348:Sukkot
1246:Geshem
912:Daily
788:Syrian
718:Geonim
711:dhimmi
699:hazzan
655:Geonic
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622:פיטנים
603:payṭān
572:Yigdal
490:Hebrew
482:piyyuṭ
406:Dayenu
387:Ner Li
312:Ballet
270:Israel
192:Piyyut
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2018:Musaf
1964:Ahava
1920:Shema
1699:Musaf
1631:Purim
1606:Purim
1577:aleph
1277:הקפות
1228:-eiha
1220:Hazaj
1155:Shema
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933:Torah
907:Hazaj
825:Name
563:Shema
319:Horah
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202:Nigun
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101:JSTOR
87:books
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2346:ISBN
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773:The
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