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Piyyut

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709:, a Jewish convert to Islam in the twelfth century, wrote that the Persians prohibited Jews from holding prayer services. "When the Jews saw that the Persians persisted in obstructing their prayer, they invented invocations into which they admixed passages from their prayers (the piyyuṭ) … and set numerous tunes to them". They would assemble at prayer time to read and chant the piyyuṭim. The difference between that and prayer is that the prayer is without melody and is read only by the person conducting the service. In contrast, in the recitation of the piyyuṭ, the cantor is assisted by the congregation in chanting melodies. "When the Persians rebuked them for this, the Jews sometimes asserted that they were singing, and sometimes ." When the Muslims took over and allowed Jews 782:
piyyuṭim of the early Eretz Yisrael school, which they regarded as an authentic part of the Talmudic-rabbinic tradition. Although Luria himself would go to Ashkenazic communities at times when they would recite piyyuṭim in order to recite those from the Eretz Yisrael school, no Sephardic community reinstituted these piyyuṭim, presumably because these had already been eliminated from the service and they regarded it as too late to put them back. (The Kabbalists, and their successors, also wrote piyyuṭim of their own.) For this reason, some piyyuṭim of the Spanish school survive in their original position in the
677:, often consist of piyyuṭim, as these were the parts of the liturgy that required to be written down: the wording of the basic prayers was generally known by heart, and there was supposed to be a prohibition of writing them down. It is not always clear from the manuscripts whether these piyyuṭim, which often elaborated the themes of the basic prayers, were intended to supplement or replace them, or indeed whether they originated before the basic prayers had become fixed. The piyyuṭim, in particular those of 160: 36: 152: 688:
Initially, the word piyyuṭ designated every type of sacred poetry, but as usage developed, the term came to designate only poems of hymn character. The piyyuṭim were usually composed by a talented rabbinic poet, and depending on the piyyuṭ’s reception by the community determined whether it would pass
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and his followers, which used an adapted Sephardic liturgy, disapproved of the Spanish piyyuṭim, regarding them as spiritually inauthentic, and invoked the Geonic strictures to have them either eliminated from the service or moved away from the core parts of it. Their disapproval did not extend to
1998:. A poem leading from "Adonai Yimlokh" (Ex. 15:18) to the conclusion of the benediction about the truth of the Shema‘ and the redemption from Egypt. In 9th-11th century Middle Eastern yotzer sequences, the Ge'ulla is usually split into two smaller poems, the "Adonai Malkenu" and the "Ve‘ad Matai". 720:
made every effort to discourage it and restore what they regarded as the statutory wording of the prayers, holding that "any who uses piyyuṭ thereby gives evidence that he is no scholar". It is not always clear whether their main objection was to any use of piyyuṭim at all or only to their
1934:. In a sequence written for a weekday, this is a very short poem, of one stanza, and leads straight to the conclusion of the blessing; parts 1a, 2, 3, and 4 are skipped. In a sequence written for a Sabbath or festival, this poem can be anywhere from about 12 lines to several hundred lines. 806:
What follows is a chart of some of the best-known and most-beloved piyyuṭim. This is by no means an exhaustive list, but it tries to provide a flavor of the variety of poetic schemes and occasions for which these poems were written. Many of the piyyuṭim marked as being recited on
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The additions of the piyyuṭim to the services were primarily used as an embellishment to the services and to make it more enjoyable to the congregation. As to the origin of the piyyuṭ's implementation, there is a theory that this had to do with restrictions on Jewish prayer.
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or its neighbor Syria, because only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively." The earliest Palestinian prayer manuscripts, found in the
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For these reasons, scholars classifying the liturgies of later periods usually hold that, the more a given liturgy makes use of piyyuṭim, the more likely it is to reflect Palestinian as opposed to Babylonian (Mesopotamian) influence. The framers of the
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composed quantities of religious poetry, in correct Biblical Hebrew and strict Arabic metres. Many of these poems have been incorporated into the Sephardic, and to a lesser extent the other, rites, and may be regarded as a second generation of piyyuṭ.
1984:. A poem leading from the beginning of the blessing after the Shema (about the truth of the Shema‘ and God's redemption of the Israelites from Egypt) to the verse "Mi Khamokha" ("Who is like unto Thee?"), Exodus 15:11. 2016:: A series of seven poems, of even length, to adorn the Amidah of a Sabbath or festival. Such Amidot have seven blessings, so there is one poem per blessing. (Note that these were written only for the amidot of 936: 2142:-- an expansion in the fourth blessing of a festival Amidah. This is the central blessing of the festival Amidah, and the only one whose theme is the festival itself. 1837: 1293: 1922:. Note that the Shema itself is always kept in its statutory form, and not adorned with poetry, because it is made up of passages taken straight from the Bible. 1855: 1614: 1905:
Piyyutim have been written in many different genres and subgenres. Most of these are defined by the function that the given poem fulfills in the context of
2339: 1355: 2042:: A series of eighteen poems, of even length, to adorn the Amidah of a weekday. Such Amidot have eighteen blessings, so there is one poem per blessing. 693:
were prominent and well established. The composers of various piyyuṭim usually used acrostic forms to hint their identity in the piyyuṭ itself. Since
2108:. A long piyyuṭ, often closer to rhyming prose than to any kind of metrical poetry. The silluq, at its conclusion, leads into the first verse of the 1872: 864: 1455: 1806: 1589: 1657: 1093: 689:
the test of time. Looking at the composers of the piyyuṭim, one can see which family names were part of the Middle Eastern community and which
2238:. Although in the classical era of piyyuṭ, these were recited on many occasions, in European communities, they are recited exclusively on 1012: 2183:(many later communities moved these out of the qerova, or out of the Amidah entirely, and recited them in less formal liturgical contexts) 713:
status, prayer became permissible for the Jews. The piyyuṭ had become a commendable tradition for holidays and other joyous occasions.
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9: Qedusha-piyyuṭim. These poems, often absent from Qedushta'ot, were written to be recited between the verses of the Kedushah.
2518: 467: 248: 1959:. A poem forming the bridge between the second verse of the Qedusha and the conclusion of the blessing on the luminaries. 184: 557:("Master of the World"). Its poetic form consists of a repeated rhythmic pattern of short-long-long-long (the so-called 2349: 288: 119: 100: 561:). It is so beloved that it is often sung after many synagogue services, after the ritual nightly recitation of the 2538: 253: 72: 551:
Many piyyuṭim are familiar to regular attendees of synagogue services. For example, the best-known piyyuṭ may be
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were limited then, many piyyuṭim had repeating stanzas that the congregation would respond to, followed by the
57: 941: 79: 2523: 2161:, which are the first days that prayers for dew and rain are recited in the summer and winter respectively. 729:
took the Geonic strictures seriously, and for this reason the early Palestinian piyyuṭim, such as those of
576: 17: 783: 86: 537: 528:'poet') is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during 2548: 726: 460: 1991:. A poem leading from the verse "Mi Khamokha" (Ex. 15:11) to the verse "Adonai Yimlokh" (Ex. 15:18). 68: 357: 1820: 1743: 1403: 369: 53: 46: 787: 505: 2543: 1440: 885: 730: 706: 678: 175: 142: 1930:(or just yotzer)—the first poem of the sequence, coming at the very beginning of the blessing 381: 1638: 738: 427: 453: 306: 222: 374: 8: 2264: 1549: 1206: 931:
Double alphabetic acrostic, then spells out "Meir, son of Rabbi Yitzchak, may he grow in
523: 2153:) expansion: inserted into the second blessing of the mussaf Amidah of the first day of 1918:—a series of poems, which adorn the blessings surrounding the morning recitation of the 318: 159: 2309: 2259: 669: 935:
and in good deeds. Amen, and may he be strong and have courage." The author was Rabbi
386: 2345: 2109: 1942: 1079: 1050: 999: 598: 441: 283: 1711:(in the Eastern Ashkenazic and Italian rites). In some Italian communities, also on 93: 1694: 1535: 762: 260: 151: 311: 2239: 2158: 1681: 985: 734: 587: 545: 533: 529: 500: 489: 269: 236: 716:
The use of piyyuṭ was always considered a Palestinian specialty: the Babylonian
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Acrostic spells "Baruch Chazak", or "Blessed be he, with strength", written by
977: 766: 591: 422: 393: 349: 681:, were often in very cryptic and allusive language, with copious reference to 2532: 2304: 2299: 1886: 1739: 1716: 1704: 1527: 1483: 1426: 1368:
Refrain: "Recall the Covenant, and do not turn towards the Evil Inclination"
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Goldschmidt, D, "Machzor for Rosh Hashana" p.xxxi. Leo Baeck Institute, 1970
2252:-- an expansion at the end of a sequence of ma‘ariv piyyuṭim; found only in 2053: 1757: 956: 791: 754: 674: 297: 166: 2386:(Hebrew), Magnes Press: Hebrew University of Jerusalem, 1984. Pp. 336-350. 2515:- audio recordings of piyyuṭim, along with corresponding lyrics in Hebrew 1859: 1562: 1036: 778: 758: 558: 400: 362: 2192: 1331: 2057: 1931: 1708: 1371: 1323: 1197: 1193: 1178: 580: 434: 417: 811:
are songs traditionally sung as part of the home ritual observance of
2060:. The Qedushta consists of several parts, each with their own names. 2029: 1952:. A poem bridging between the first and second verses of the Qedusha. 1258:
Alphabetic acrostic; each stanza ends with standard alternating line
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rites. Syrian Jews preserve some of them for extra-liturgical use as
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service of a Sabbath or festival, the Amida would be adorned with a
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service; but a few are defined by other criteria, such as content.
1725: 1649: 1499: 1395: 1028: 856: 795: 774: 566: 541: 278: 213: 208: 2216: 2202: 2197: 2186: 2180: 1892: 1864: 1829: 1776: 1749: 1673: 1554: 1523: 1475: 1446: 1418: 1269: 1146: 1130: 1113: 1085: 1004: 973: 948: 918: 840: 816: 812: 808: 682: 410: 231: 196: 2464:, pp. 308-335 (deals with the Zulath, Mi Khamokha, and Ge'ulla). 2477:(Hebrew), Keter Publishing House: Jerusalem, 1975. (Hereafter: 2235: 2221: 2150: 2025: 2021: 2006: 1966:. A poem leading into the conclusion of the blessing regarding 1909: 1906: 1784: 1347: 1261: 1245: 717: 710: 698: 694: 690: 654: 639: 571: 405: 2048:: A series of poems adorning the first three blessings of the 733:, do not survive in the Sephardic rite, though they do in the 2231: 2175: 2169: 2017: 1919: 1851: 1698: 1630: 1605: 1576: 1222:
metre; alphabetic acrostic; each stanza begins with the word
1154: 932: 562: 201: 133: 1941:. A "conclusion" to the guf yotzer, forming a bridge to the 2135:, almost exclusively for great festivals, have expansions: 1971: 1313: 1107: 881: 2512: 2371: 2344:. New Yoek: Cambridge University Press. p. 479-480. 2101:, in which case they are numbered 7a, 7b, 7c, et cetera.) 1967: 1945:
in the middle of the blessing on the heavenly luminaries.
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Reverse alphabetic acrostic; each stanza ends with "Tal"
516: 2005:—a series of piyyuṭim, which adorn the blessings of the 2341:
The Cambridge Dictionary of Judaism and Jewish Culture
1602:Alphabetic acrostic spells name of author, Shmuel. 721:intruding into the heart of the statutory prayers. 60:. Unsourced material may be challenged and removed. 2438:, pp. 268-279. (Deals with both Me'ora and Ahava.) 575:("May God be Hallowed"), which is based upon the 540:, and most follow some poetic scheme, such as an 2530: 2052:) Amidah of a sabbath or festival. (Or Musaf of 1548:Acrostic spells name of author, "Moshe", likely 2056:, or any of the four Amidot of the daytime of 786:rite but have been eliminated or moved in the 744: 565:, and during the morning ritual of putting on 1078:Acrostic spells "Dunash," the name of author 1049:Acrostic spells "Dunash," the name of author 461: 1878: 1843: 1812: 1790: 1763: 1731: 1687: 1663: 1620: 1595: 1568: 1541: 1513: 1496:Acrostic spells name of author, "Mordechai" 1489: 1461: 1432: 1409: 1385: 1361: 1337: 1305: 1299: 1275: 1251: 1212: 1168: 1136: 1099: 1071: 1042: 1018: 991: 963: 924: 899: 870: 846: 620: 610: 2475:Hebrew Liturgical Poetry in the Middle Ages 1858:, although commonly misattributed to Rabbi 909:metre (based on short-long-long-long foot) 586:Important scholars of piyyuṭ today include 1230:(meaning "her" or "of hers", referring to 1025:Every stanza begins with the word "Berah" 468: 454: 2490:Fleischer, Shirat Ha-qodesh, pp. 199-211. 633: 120:Learn how and when to remove this message 2384:The Yozer: Its Emergence and Development 1106:First letters of first 3 stanzas spell " 548:or spelling out the name of the author. 2519:Jewish Encyclopedia article on piyyuṭim 14: 2531: 2337: 1439:Acrostic spells name of author, Rabbi 801: 668:). They were "overwhelmingly from the 1312:Alphabetic acrostic, each line ends " 1153:as part of first blessing before the 499: 494:פִּיּוּטִים / פיוטים, פִּיּוּט / פיוט 2499:Fleischer, Shirat Ha-qodesh, pp. 460 638:The earliest piyyuṭim date from the 58:adding citations to reliable sources 29: 1977:(The Shema itself is recited here.) 1879: 1844: 1813: 1791: 1764: 1732: 1688: 1664: 1621: 1596: 1569: 1542: 1514: 1490: 1462: 1433: 1410: 1386: 1362: 1338: 1306: 1300: 1276: 1252: 1213: 1169: 1137: 1100: 1072: 1043: 1019: 992: 964: 925: 900: 871: 847: 749:In the later Middle Ages, however, 621: 611: 493: 24: 2009:. There are a few types of these: 1715:. In the Western Ashkenazic rite, 158: 150: 25: 2560: 2524:Center of Jewish Music and Poetry 2506: 1226:; each line ends with the suffix 289:We Are Both from the Same Village 1575:Unrhymed; each line begins with 34: 2493: 2484: 2467: 2454: 45:needs additional citations for 2441: 2428: 2415: 2402: 2389: 2376: 2365: 2331: 2322: 880:Every day during the month of 13: 1: 2315: 658: 643: 594:, both at Hebrew University. 1891: 1877: 1870: 1863: 1842: 1835: 1828: 1811: 1804: 1799: 1789: 1782: 1775: 1762: 1755: 1748: 1730: 1723: 1703: 1686: 1679: 1672: 1670:First stanza is the refrain 1662: 1655: 1648: 1643: 1636: 1629: 1619: 1612: 1604: 1594: 1587: 1580: 1567: 1560: 1553: 1540: 1533: 1522: 1512: 1505: 1498: 1488: 1481: 1474: 1460: 1453: 1445: 1431: 1424: 1417: 1408: 1401: 1394: 1384: 1377: 1370: 1360: 1353: 1346: 1336: 1329: 1318: 1298: 1291: 1284: 1274: 1267: 1260: 1250: 1243: 1236: 1211: 1204: 1192: 1167: 1160: 1145: 1135: 1128: 1112: 1098: 1091: 1084: 1070: 1063: 1055: 1041: 1034: 1027: 1017: 1010: 1003: 990: 983: 972: 962: 954: 947: 923: 916: 911: 898: 891: 879: 869: 862: 855: 845: 838: 577:Thirteen Principles of Faith 569:. Another beloved piyyuṭ is 517: 7: 2293: 2230:- Piyyuṭim recited for the 970:Double alphabetic acrostic 745:The medieval Spanish school 544:following the order of the 10: 2565: 2189:(usually for the Sabbath). 628: 538:Jewish Palestinian Aramaic 509: 140: 131: 1900: 1608:Only recited by Polinim. 937:Meir bar Yitzchak "Shatz" 501:[piˈjut,pijuˈtim] 2097:. (There may be several 132:Not to be confused with 2539:Jewish liturgical poems 2338:Baskin, Judith (2011). 2081:4. "Piyyut 4" ("El Na") 1744:Israel ben Moses Najara 532:. Most piyyuṭim are in 2372:An Invitation to Piyut 2126:Qedushat Shemone Esreh 1441:Shlomo Halevi Alkabetz 886:Ten Days of Repentance 784:Spanish and Portuguese 731:Eleazar birabbi Qallir 707:Al-Samawal al-Maghribi 679:Eleazar birabbi Qallir 634:The Palestinian school 164: 156: 143:Religious Jewish music 27:Jewish liturgical poem 1845:יוֹם זֶה לְיִשְׂרַאֵל 993:בָּרוּךְ אֵל עֶלְיוֹן 162: 154: 2269:Piyyutified blessing 1856:Yitzhak Salmah Hazan 1627:Alphabetic acrostic 1520:Alphabetic acrostic 1404:Kol Meqadesh Shevi'i 1392:Alphabetic acrostic 1363:כִּי הִנֵּה כַּחֹמֶר 1344:Alphabetic acrostic 1282:Alphabetic acrostic 1143:Alphabetic acrostic 877:Alphabetic acrostic 853:Alphabetic acrostic 819:("Songs/Melodies"). 307:Israeli folk dancing 54:improve this article 2265:Magen Avot piyyuṭim 1622:שׁוֹשַׁנַּת יַעֲקֹב 1550:Moses ben Kalonymus 1543:מְנוּחָה וְשִׂמְחָה 1170:אֵל נוֹרָא עֲלִילָה 926:אַקְדָּמוּת מִלִּין 872:אֲדוֹן הַסְּלִיחוֹת 802:Well-known piyyuṭim 394:Passover (Haggadah) 249:Mainstream and jazz 2310:Scholars of Piyyut 2250:Tosefet Le-ma‘ariv 1597:שִׁיר אֵל נֶעְלָּם 1472:("rest"); refrain 1183:. Acrostic spells 965:אַנְעִים זְמִירוֹת 815:and also known as 599:author of a piyyuṭ 530:religious services 332:Music for holidays 165: 157: 2121:Qedushat Shiv‘ata 1898: 1897: 1885:Acrostic spells " 1880:יוֹם זֶה מְכֻבָּד 1850:Acrostic spells " 1838:Yom Ze L'Yisra'el 1819:Acrostic spells " 1742:", the author's ( 1738:Acrostic spells " 1615:Shoshanat Ya'akov 1356:Ki Hineh Kachomer 1253:תְּפִלַּת גֶּשֶׁם 1177:"At this hour of 1080:Dunash ben Labrat 1051:Dunash ben Labrat 1000:Baruch ben Samuel 727:Sephardic liturgy 615:); the plural is 527: 515: 478: 477: 284:Jerusalem of Gold 155:Menorah(מְנוֹרָה) 130: 129: 122: 104: 16:(Redirected from 2556: 2549:Songs in Aramaic 2500: 2497: 2491: 2488: 2482: 2479:Shirat Ha-qodesh 2471: 2465: 2458: 2452: 2445: 2439: 2432: 2426: 2419: 2413: 2406: 2400: 2393: 2387: 2382:Ezra Fleischer, 2380: 2374: 2369: 2363: 2362: 2360: 2358: 2335: 2329: 2326: 2279:Siyyum Le-hallel 1970:'s love for the 1939:Silluq le-yotzer 1882: 1881: 1847: 1846: 1816: 1815: 1794: 1793: 1770:Acrostic spells 1767: 1766: 1735: 1734: 1691: 1690: 1689:וּנְתַנֶּה תּקֶף 1667: 1666: 1624: 1623: 1599: 1598: 1572: 1571: 1545: 1544: 1517: 1516: 1493: 1492: 1468:Acrostic spells 1465: 1464: 1436: 1435: 1413: 1412: 1389: 1388: 1365: 1364: 1341: 1340: 1309: 1308: 1303: 1302: 1294:Hayom T'am'tzenu 1279: 1278: 1255: 1254: 1216: 1215: 1172: 1171: 1140: 1139: 1103: 1102: 1101:אֵין כֵּאלֹהֵינו 1075: 1074: 1046: 1045: 1022: 1021: 995: 994: 967: 966: 945: 928: 927: 903: 902: 874: 873: 850: 849: 822: 821: 763:Abraham ibn Ezra 701:’s recitations. 667: 663: 660: 652: 648: 645: 624: 623: 614: 613: 522: 520: 514:romanized:  513: 511: 503: 498: 495: 470: 463: 456: 324:Yemenite dancing 261:Jewish art music 147: 146: 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 2564: 2563: 2559: 2558: 2557: 2555: 2554: 2553: 2529: 2528: 2509: 2504: 2503: 2498: 2494: 2489: 2485: 2481:.) Pp. 182-198. 2472: 2468: 2459: 2455: 2446: 2442: 2433: 2429: 2420: 2416: 2407: 2403: 2394: 2390: 2381: 2377: 2370: 2366: 2356: 2354: 2352: 2336: 2332: 2327: 2323: 2318: 2296: 2248:(also known as 2240:Jewish holidays 2159:Shemini Atzeret 1916:Yotzer sequence 1903: 1873:Yom Ze Mekhubad 1701:for these days 1682:Unetanneh Tokef 1665:צוּר מִשֶּׁלּוֹ 1570:אוֹחִילָה לָאֵל 1307:הַיּוֹם הַיּוֹם 1262:Sh'mini Atzeret 1196:(conclusion of 1187:, referring to 1073:דְּרוֹר יִקְרָא 986:Barukh El Elyon 939: 884:and during the 865:Adon Haselichot 804: 747: 665: 661: 650: 646: 636: 631: 588:Shulamit Elizur 546:Hebrew alphabet 534:Mishnaic Hebrew 496: 474: 428:L'Shana Haba'ah 168: 145: 137: 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 2562: 2552: 2551: 2546: 2541: 2527: 2526: 2521: 2516: 2508: 2507:External links 2505: 2502: 2501: 2492: 2483: 2466: 2453: 2451:, pp. 280-307. 2440: 2427: 2425:, pp. 252-267. 2414: 2412:, pp. 245-251. 2401: 2399:, pp. 199-230. 2388: 2375: 2364: 2351:978-0521533393 2350: 2330: 2320: 2319: 2317: 2314: 2313: 2312: 2307: 2302: 2295: 2292: 2291: 2290: 2281: 2276: 2274:Birkat Hamazon 2270: 2267: 2262: 2257: 2243: 2225: 2219: 2210: 2205: 2200: 2195: 2190: 2184: 2178: 2173: 2163: 2162: 2143: 2129: 2128: 2123: 2118: 2117: 2116: 2113: 2102: 2091: 2085: 2082: 2079: 2073: 2067: 2043: 2037: 2000: 1999: 1992: 1985: 1978: 1975: 1960: 1953: 1946: 1935: 1902: 1899: 1896: 1895: 1890: 1883: 1876: 1868: 1867: 1862: 1854:", written by 1848: 1841: 1833: 1832: 1827: 1825:Yehudah Halevi 1823:", written by 1817: 1814:יוֹם שַבָּתוֹן 1810: 1802: 1801: 1798: 1795: 1788: 1780: 1779: 1774: 1772:Tetragrammaton 1768: 1761: 1753: 1752: 1747: 1736: 1729: 1721: 1720: 1713:Hoshana Rabbah 1702: 1692: 1685: 1677: 1676: 1671: 1668: 1661: 1653: 1652: 1647: 1644: 1642: 1634: 1633: 1628: 1625: 1618: 1610: 1609: 1603: 1600: 1593: 1585: 1584: 1582:High Holy Days 1579: 1573: 1566: 1558: 1557: 1552: 1546: 1539: 1536:M'nuha V'Simha 1531: 1530: 1521: 1518: 1511: 1503: 1502: 1497: 1494: 1487: 1479: 1478: 1473: 1466: 1463:מַה יְּדִידוּת 1459: 1451: 1450: 1444: 1437: 1430: 1422: 1421: 1416: 1414: 1407: 1399: 1398: 1393: 1390: 1387:כִּי לוֹ נָאֶה 1383: 1375: 1374: 1369: 1366: 1359: 1351: 1350: 1345: 1342: 1335: 1327: 1326: 1317: 1310: 1297: 1289: 1288: 1283: 1280: 1273: 1265: 1264: 1259: 1256: 1249: 1241: 1240: 1235: 1217: 1210: 1202: 1201: 1191: 1189:Moses ibn Ezra 1173: 1166: 1158: 1157: 1144: 1141: 1134: 1126: 1125: 1120:(Daily in the 1111: 1104: 1097: 1089: 1088: 1083: 1076: 1069: 1061: 1060: 1054: 1047: 1040: 1032: 1031: 1026: 1023: 1020:בְּרַח דּוֹדִי 1016: 1008: 1007: 1002: 996: 989: 981: 980: 971: 968: 961: 952: 951: 946: 929: 922: 914: 913: 910: 904: 897: 889: 888: 878: 875: 868: 860: 859: 854: 851: 844: 836: 835: 832: 831:Poetic scheme 829: 826: 803: 800: 767:Moses ibn Ezra 753:poets such as 751:Spanish-Jewish 746: 743: 670:Land of Israel 635: 632: 630: 627: 601:is known as a 592:Joseph Yahalom 476: 475: 473: 472: 465: 458: 450: 447: 446: 445: 444: 438: 437: 431: 430: 425: 423:Echad Mi Yodea 420: 414: 413: 408: 403: 397: 396: 390: 389: 384: 378: 377: 372: 366: 365: 360: 354: 353: 345: 344: 334: 333: 329: 328: 327: 326: 321: 315: 314: 309: 301: 300: 294: 293: 292: 291: 286: 281: 273: 272: 266: 265: 264: 263: 257: 256: 251: 245: 244: 239: 234: 226: 225: 219: 218: 217: 216: 211: 205: 204: 199: 194: 188: 187: 179: 178: 172: 171: 163:Flag of Israel 141:Main article: 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 2561: 2550: 2547: 2545: 2544:Hebrew poetry 2542: 2540: 2537: 2536: 2534: 2525: 2522: 2520: 2517: 2514: 2511: 2510: 2496: 2487: 2480: 2476: 2470: 2463: 2457: 2450: 2444: 2437: 2431: 2424: 2418: 2411: 2405: 2398: 2392: 2385: 2379: 2373: 2368: 2353: 2347: 2343: 2342: 2334: 2325: 2321: 2311: 2308: 2306: 2305:Jewish prayer 2303: 2301: 2300:David Hakohen 2298: 2297: 2289: 2288:Shevaḥ Notnim 2285: 2282: 2280: 2277: 2275: 2271: 2268: 2266: 2263: 2261: 2258: 2256:and Romania.) 2255: 2251: 2247: 2244: 2241: 2237: 2233: 2229: 2226: 2223: 2220: 2218: 2214: 2211: 2209: 2206: 2204: 2201: 2199: 2196: 2194: 2191: 2188: 2185: 2182: 2179: 2177: 2174: 2171: 2168: 2167: 2166: 2165:Other types: 2160: 2156: 2152: 2148: 2144: 2141: 2138: 2137: 2136: 2134: 2127: 2124: 2122: 2119: 2114: 2111: 2107: 2103: 2100: 2096: 2092: 2090: 2086: 2084:5. "Piyyut 5" 2083: 2080: 2078: 2074: 2072: 2068: 2066: 2062: 2061: 2059: 2055: 2051: 2047: 2044: 2041: 2040:Shemone Esreh 2038: 2036:. See below.) 2035: 2031: 2027: 2023: 2019: 2015: 2012: 2011: 2010: 2008: 2004: 1997: 1993: 1990: 1986: 1983: 1979: 1976: 1973: 1972:Jewish people 1969: 1965: 1961: 1958: 1954: 1951: 1947: 1944: 1940: 1936: 1933: 1929: 1925: 1924: 1923: 1921: 1917: 1913: 1911: 1908: 1894: 1888: 1884: 1875: 1874: 1869: 1866: 1861: 1857: 1853: 1849: 1840: 1839: 1834: 1831: 1826: 1822: 1818: 1809: 1808: 1807:Yom Shabbaton 1803: 1796: 1787: 1786: 1781: 1778: 1773: 1769: 1760: 1759: 1754: 1751: 1746:) first name 1745: 1741: 1737: 1728: 1727: 1722: 1718: 1717:Rosh Hashanah 1714: 1710: 1706: 1705:Rosh Hashanah 1700: 1696: 1693: 1684: 1683: 1678: 1675: 1669: 1660: 1659: 1654: 1651: 1645: 1641: 1640: 1635: 1632: 1626: 1617: 1616: 1611: 1607: 1601: 1592: 1591: 1590:Shir El Nelam 1586: 1583: 1578: 1574: 1565: 1564: 1559: 1556: 1551: 1547: 1538: 1537: 1532: 1529: 1528:Simchat Torah 1525: 1519: 1510: 1509: 1504: 1501: 1495: 1486: 1485: 1480: 1477: 1471: 1467: 1458: 1457: 1452: 1448: 1442: 1438: 1434:לְכָה דּוֹדִי 1429: 1428: 1423: 1420: 1415: 1411:כל מקדש שביעי 1406: 1405: 1400: 1397: 1391: 1382: 1381: 1376: 1373: 1367: 1358: 1357: 1352: 1349: 1343: 1334: 1333: 1328: 1325: 1321: 1320:Rosh Hashanah 1315: 1311: 1296: 1295: 1290: 1287: 1286:Simchat Torah 1281: 1272: 1271: 1266: 1263: 1257: 1248: 1247: 1242: 1239: 1233: 1229: 1225: 1221: 1218: 1214:אֱלִי צִיּוֹן 1209: 1208: 1203: 1199: 1195: 1190: 1186: 1182: 1180: 1174: 1165: 1164: 1163:El Nora Alila 1159: 1156: 1152: 1148: 1142: 1133: 1132: 1127: 1123: 1119: 1115: 1109: 1105: 1096: 1095: 1090: 1087: 1081: 1077: 1068: 1067: 1062: 1059: 1058:Sheva Brachot 1056:Weddings and 1052: 1048: 1039: 1038: 1033: 1030: 1024: 1015: 1014: 1009: 1006: 1001: 997: 988: 987: 982: 979: 975: 969: 960: 959:/Shir haKavod 958: 953: 950: 943: 938: 934: 930: 921: 920: 915: 908: 905: 901:אֲדוֹן עוֹלָם 896: 895: 890: 887: 883: 876: 867: 866: 861: 858: 852: 843: 842: 837: 833: 830: 827: 824: 823: 820: 818: 814: 810: 799: 797: 793: 789: 785: 780: 776: 771: 768: 764: 760: 756: 752: 742: 740: 736: 732: 728: 722: 719: 714: 712: 708: 702: 700: 696: 692: 686: 684: 680: 676: 671: 656: 651: 500 CE 641: 626: 618: 608: 604: 600: 595: 593: 589: 584: 582: 579:set forth by 578: 574: 573: 568: 564: 560: 556: 555: 549: 547: 543: 539: 535: 531: 525: 519: 507: 502: 491: 487: 483: 471: 466: 464: 459: 457: 452: 451: 449: 448: 443: 440: 439: 436: 433: 432: 429: 426: 424: 421: 419: 416: 415: 412: 409: 407: 404: 402: 399: 398: 395: 392: 391: 388: 385: 383: 380: 379: 376: 373: 371: 368: 367: 364: 361: 359: 356: 355: 352: 351: 347: 346: 343: 342: 338: 337: 336: 335: 331: 330: 325: 322: 320: 317: 316: 313: 310: 308: 305: 304: 303: 302: 299: 296: 295: 290: 287: 285: 282: 280: 277: 276: 275: 274: 271: 268: 267: 262: 259: 258: 255: 252: 250: 247: 246: 243: 240: 238: 235: 233: 230: 229: 228: 227: 224: 221: 220: 215: 212: 210: 207: 206: 203: 200: 198: 195: 193: 190: 189: 186: 183: 182: 181: 180: 177: 174: 173: 170: 169:Israeli music 161: 153: 149: 148: 144: 139: 135: 124: 121: 113: 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: –  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 2495: 2486: 2478: 2474: 2469: 2461: 2456: 2448: 2443: 2435: 2430: 2422: 2417: 2409: 2404: 2396: 2391: 2383: 2378: 2367: 2355:. Retrieved 2340: 2333: 2324: 2287: 2283: 2278: 2272:Piyyutified 2249: 2245: 2227: 2212: 2207: 2164: 2146: 2139: 2132: 2130: 2125: 2120: 2105: 2098: 2094: 2088: 2076: 2070: 2064: 2054:Rosh Hashana 2045: 2039: 2033: 2013: 2002: 2001: 1995: 1988: 1981: 1963: 1956: 1949: 1938: 1927: 1915: 1914: 1904: 1871: 1836: 1805: 1783: 1765:יְדִיד נֶפֶש 1758:Yedid Nefesh 1756: 1733:יָהּ רִבּוֹן 1724: 1680: 1658:Tzur Mishelo 1656: 1637: 1613: 1588: 1561: 1534: 1506: 1482: 1469: 1454: 1425: 1402: 1378: 1354: 1339:הוֹשַׁעְנוֹת 1330: 1304:also called 1292: 1268: 1244: 1227: 1223: 1219: 1205: 1185:Moshe chazak 1184: 1176: 1161: 1129: 1094:Ein Eloheinu 1092: 1064: 1035: 1011: 984: 957:Anim Zemirot 955: 917: 906: 892: 863: 848:אַדִּיר הוּא 839: 805: 772: 755:Judah Halevi 748: 723: 715: 703: 687: 675:Cairo Geniza 637: 616: 606: 602: 596: 585: 570: 552: 550: 485: 481: 479: 370:Dreidel song 348: 339: 191: 185:Contemporary 138: 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 2473:Fleischer, 2460:Fleischer, 2447:Fleischer, 2434:Fleischer, 2421:Fleischer, 2408:Fleischer, 2395:Fleischer, 2149:) or Rain ( 1989:Mi Khamokha 1860:Isaac Luria 1563:Ohila la-El 1491:מָעוֹז צוּר 1456:Mah Y'didut 1380:Ki Lo Na'eh 1301:היום תאמצנו 1124:tradition) 1066:D'ror Yikra 1037:Devai Haser 940: [ 834:Recited on 779:Isaac Luria 775:Kabbalistic 759:Ibn Gabirol 666: 1040 617:pay(e)ṭanim 559:hazaj meter 506:Koinē Greek 401:Ma Nishtana 363:Oh Chanukah 110:August 2022 2533:Categories 2513:Piyut site 2316:References 2172:expansions 2077:Meshallesh 2058:Yom Kippur 2028:; for the 1932:Yotzer ohr 1928:Guf yotzer 1709:Yom Kippur 1515:מִפִּי אֵל 1484:Ma'oz Tzur 1427:L'kha Dodi 1372:Yom Kippur 1324:Yom Kippur 1238:Tisha B'av 1207:Eli Tziyon 1198:Yom Kippur 1013:Berah Dodi 790:and other 777:school of 735:Ashkenazic 664: – c. 662: 600 649: – c. 581:Maimonides 497:pronounced 442:Bar Yochai 435:Lag BaOmer 418:Chad Gadya 382:Mi Y'malel 375:Al Hanisim 167:Jewish and 80:newspapers 2462:The Yozer 2449:The Yozer 2436:The Yozer 2423:The Yozer 2410:The Yozer 2397:The Yozer 2260:Elohekhem 2133:Shiv‘atot 2030:Shacharit 1726:Yah Ribon 1232:Jerusalem 1175:Refrain: 1151:Festivals 1138:אֵל אָדון 1122:Sephardic 1118:Festivals 978:Festivals 894:Adon Olam 657:periods ( 647: 70 554:Adon Olam 358:Blessings 254:Classical 237:Sephardic 176:Religious 2357:27 April 2294:See also 2254:Ashkenaz 2228:Maarivim 2224:piyyuṭim 2155:Passover 2110:Kedushah 2050:Shaharit 2046:Qedushta 2034:Qedushta 2014:Shiv‘ata 1792:יִגְדַּל 1650:Passover 1500:Hanukkah 1449:evening 1396:Passover 1332:Hoshanot 1029:Passover 857:Passover 796:pizmonim 792:Oriental 695:siddurim 691:hakhamim 640:Talmudic 567:tefillin 542:acrostic 486:piyyuṭim 484:(plural 350:Hanukkah 279:Hatikvah 214:Baqashot 209:Pizmonim 69:"Piyyut" 18:Piyyuṭim 2284:El Adon 2217:Shavuot 2213:Ketubba 2203:Azharot 2198:Nishmat 2193:Hoshana 2181:Selihot 2112:prayer. 2099:rahitim 2071:Mehayye 1996:Ge'ulla 1943:Qedusha 1893:Shabbat 1865:Shabbat 1852:Yitzhak 1830:Shabbat 1821:Yehudah 1777:Shabbat 1750:Shabbat 1674:Shabbat 1555:Shabbat 1524:Shabbat 1508:Mipi El 1476:Shabbat 1470:Menucha 1447:Shabbat 1419:Shabbat 1270:Hakafot 1194:Ne'ilah 1179:Ne'ilah 1147:Shabbat 1131:El Adon 1114:Shabbat 1086:Shabbat 1044:דוי הסר 1005:Shabbat 974:Shabbat 949:Shavuot 919:Akdamut 841:Adir Hu 828:Hebrew 817:zemirot 813:Shabbat 809:Shabbat 741:rites. 739:Italian 683:midrash 629:History 607:payetan 526:  518:poiētḗs 510:ποιητής 504:; from 411:Adir Hu 341:Shabbat 242:Mizrahi 232:Klezmer 223:Secular 197:Zemirot 94:scholar 2348:  2246:Bikkur 2236:Maariv 2222:Targum 2157:or of 2151:Geshem 2106:Silluq 2089:Qiqlar 2026:Maariv 2022:Minhah 2007:Amidah 2003:Qerova 1982:Zulath 1957:Me'ora 1910:prayer 1907:Jewish 1901:Genres 1887:Israel 1800:Daily 1797:Metre 1785:Yigdal 1740:Israel 1719:only. 1695:Silluq 1348:Sukkot 1246:Geshem 912:Daily 788:Syrian 718:Geonim 711:dhimmi 699:hazzan 655:Geonic 653:) and 622:פיטנים 603:payṭān 572:Yigdal 490:Hebrew 482:piyyuṭ 406:Dayenu 387:Ner Li 312:Ballet 270:Israel 192:Piyyut 96:  89:  82:  75:  67:  2232:Shema 2208:Avoda 2187:Zemer 2176:Qinot 2170:Purim 2145:Dew ( 2131:Some 2095:Rahit 2065:Magen 2018:Musaf 1964:Ahava 1920:Shema 1699:Musaf 1631:Purim 1606:Purim 1577:aleph 1277:הקפות 1228:-eiha 1220:Hazaj 1155:Shema 944:] 933:Torah 907:Hazaj 825:Name 563:Shema 319:Horah 298:Dance 202:Nigun 134:Payot 101:JSTOR 87:books 2359:2023 2346:ISBN 2286:and 2215:for 2024:and 2020:and 1950:Ofan 1937:1b. 1707:and 1526:and 1322:and 1314:Amen 1224:alei 1149:and 1116:and 1108:Amen 976:and 882:Elul 773:The 765:and 737:and 612:פיטן 597:The 590:and 524:lit. 73:news 2234:at 2147:Tal 2140:Guf 2104:8. 2093:7. 2087:6. 2075:3. 2069:2. 2063:1. 1994:7. 1987:6. 1980:5. 1968:God 1962:4. 1955:3. 1948:2. 1926:1. 1697:of 1639:Tal 625:). 605:or 536:or 56:by 2535:: 1889:" 1443:. 1316:" 1234:) 1200:) 1110:" 1082:. 1053:. 942:he 798:. 761:, 757:, 685:. 659:c. 644:c. 583:. 521:, 512:, 508:: 492:: 488:, 480:A 2361:. 2242:. 1974:. 1181:" 642:( 619:( 609:( 469:e 462:t 455:v 136:. 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

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