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404:, attracted other painters such as Soutine. Although Soutine did not like the town very much, he completed many paintings there over a couple of years. He never settled but his compatriot Krémègne had a house built there around 1960. This small unassuming house, a reflection of the man himself, is nestled into the mountain and overlooks the village.
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towards a mutual 'mecene' or benefactor who had helped out the two impoverished artists during their early careers in Paris. Krémègne's house has new occupants and it is called
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Céret, Museum of Modern Art, four drawings, ten oil paintings including The Studio and The
Entrance of the Capuchins, donation by Pinchus Krémègne.
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in Paris in the 1990s. A more structured vision of nature than
Soutine's, Krémègne's last paintings prefigure the work of painters such as
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to come to Paris. In
Montparnasse he met several other prominent Jewish painters of the School of Paris including
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Cardiff, National Museum, Houses in
Corsica, oil on canvas, donation by Gwendoline and Margaret Davies.
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Toulouse, Augustins Museum, Landscape, around 1944, The Dining Room, before 1948, oil on canvas.
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Cosne-Cours-sur-Loire, Loire Museum, Maquis, View of Céret, Landscape near Céret, oil on canvas.
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There was a falling out between the two men perhaps stemming from some ingratitude shown by
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Paris, Museum of Jewish Art and
History, Portrait of a Woman, oil on canvas, around 1930.
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Troyes, Museum of Modern Art, Still Life, oil on canvas, donation by Pierre Lévy.
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Béziers, Museum of Fine Arts, Nude Blonde (the painter's wife), oil on canvas.
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Granville, Richard-Anacréon Museum of Modern Art, Landscape, oil on canvas.
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to the source of your translation. A model attribution edit summary is
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L'Isle-Adam, Museum of Art and
History Louis-Senlecq, Village, print.
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in 1912. In Paris, Krémègne joined the group of painters of
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Grenoble, Grenoble Museum, Basket of Fish, oil on canvas.
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Underestimated as an artist today, he is overshadowed by
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a machine-translated version of the French article.
365:and soon became one of the respected residents of
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400:. This village, which is a little inland from
388:Krémègne in front of his house in Ceret, 1963.
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392:He left Paris to live in a small town in the
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99:{{Translated|fr|Pinchus Kremegne}}
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16:Belarusian-French artist
108:For more guidance, see
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485:In France
303:פנחס קרמין
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40:in French
449:, 1916,
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