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123:. The stonework, after the work is assembled loosely, is glued stone-by-stone to a substrate after having previously been "sliced and cut in different shape sections, and then assembled together so precisely that the contact between each section was practically invisible". Stability was achieved by grooving the undersides of the stones so that they interlocked, rather like a jigsaw puzzle, with everything held tautly in place by an encircling 'frame'. Many different colored stones, particularly
33:
179:
281:(from the Italian 'hard stone') is made from finely sliced coloured stones, precisely matched, to create a pictorial scene or regular design". The English term "Florentine mosaic" is sometimes also encountered, probably developed by the tourist industry. Giovanni Montelatici (1864–1930) was an Italian Florentine artist whose brilliant work has been distributed across the world by tourists and collectors.
202:
556:
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277:" ("A method of inlaying coloured marbles or semi-precious stones into a stone base, often in geometric or flower patterns....") in its "Glossary", which was evidently not consulted by the author of another page, where the reader is told: "
456:, including reproductions of 19th century style religious subjects (especially in Florence and Naples), to works copying or based on older designs used for luxurious decorative contexts, to works in a contemporary artistic idiom.
634:
452:, and the craft had been reduced to mainly restoration work. In recent decades, however, the form has been revived, and receives state-funded sponsorship. Modern examples range from tourist-oriented
626:
284:
It is distinct from mosaic in that the component stones are mostly much larger and cut to a shape suiting their place in the image, not all of roughly equal size and shape as in mosaic. In
777:
261:, used the full Italian sense of the term, probably because they thought that it had greater brand recognition. The material on the website speaks of objects such as a vase in
592:
444:, above. Examples are found in many museums. The medium was transported to other European centers of court art and remained popular into the 19th century. In particular,
147:
items are generally crafted on green, white or black marble base stones. Typically, the resulting panel is completely flat, but some examples where the image is in low
440:, garden ornaments, fountains, benches, etc. are all found. A popular form was to copy an existing painting, often of a human figure, as illustrated by the image of
370:, which at least in terms of surviving examples, was architectural, used on floors and walls, with both geometric and figurative designs. In the Middle Ages
464:
By the early part of the 17th century, smaller objects produced by the
Opificio were widely diffused throughout Europe, and as far East to the court of the
424:
A multitude of varied objects were created. Table tops were particularly prized, and these tend to be the largest specimens. Smaller items in the form of
728:
1745:
834:
406:
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this technique again was used for images. The
Florentines, who most fully developed the form, however, regarded it as 'painting in stone'.
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1879:
873:
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253:" as a term for the same thing, but not for all of the techniques it covers, in Italian. But the title of a 2008 exhibition at the
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floors and small columns, etc. on tombs and altars continued to use inlays of different colours in geometric patterns.
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continued with inlaid floors, but also produced some small religious figures in hardstone inlays, for example in the
2468:
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472:, where the form was imitated and reinterpreted in a native style; its most sumptuous expression is found in the
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became a noted center of the craft. By the 20th century, the medium was in decline, in part by the assault of
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work on walls, ceilings, and pavements that do not meet the definition of mosaic, the better terms are
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technique of using cut and fitted, highly polished colored stones to create images. It is considered a
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Due to the Taj Mahal being one of the major tourist attractions, there is a flourishing industry of
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586:. 19,444 semi-precious stones were individually cut and inlaid in white marble to create this item.
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1132:
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just to denote multi-colored inlay work. However, in recent years there has been a trend to use "
190:
1930:
1705:
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2017:
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IJAR, vol. 1- Issue 1: The Notion of
Hierarchy: The 'Parchin Kari' Programme at the Taj Mahal
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is also encountered in
Italian. In Italian, but not in English, the term embraces all
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Art of the Royal Court: Treasures in Pietre Dure from the
Palaces of Europe
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Art of the Royal Court: Treasures in Pietre Dure from the
Palaces of Europe
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of the same size to create images rather than decorative patterns, for
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icons, and later for panels for setting into furniture and the like.
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245:. The traditional convention in English has been to use the singular
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Altar in Milan, concentrating on the natural patterns of the stone
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As it developed in
Florence, the technique was initially called "
640:
Boys
Playing with a Lizard by Giovanni Montelatici. Dated 1912.
327:. Similarly, for works that use larger pieces of stone or tile,
237:, which is the artistic carving of three-dimensional objects in
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detail with semiprecious stones inlaid into white marble at the
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Detail of table top in Venice, by the Grand-ducal workshop in
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because three-dimensionality can be achieved, as with a
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panel created by
Giovanni Montelatici in the late 1800s
436:, panels inserted into doors or onto cabinets, bowls,
273:
in London uses both versions on its website, but uses "
241:
stone, normally from a single piece, for example in
51:
Detail of design with roses over crossed canes, 1882
582:Very fine contemporary example of parchinkari from
296:are often portable. Nor should it be confused with
139:in the 16th century, reaching its full maturity in
881:
807:"The Spectacular Art of Neapolitan 'Pietre Dure'"
151:were made, taking the work more into the area of
2654:
209:, incorporating precious and semi-precious stone
2588:Islamic world contributions to Medieval Europe
723:
721:
1662:
867:
221:is an Italian plural meaning "hard rocks" or
401:" (approximately, "Fitted together works").
288:, the stones are not cemented together with
718:
689:A distinction easily seen by comparing the
86:
2572:Islamic Art: Mirror of the Invisible World
1669:
1655:
874:
860:
107:
804:
484:, literally 'inlay' or 'driven-in' work.
343:art, it is closely related to the art of
265:as being examples of "hardstone carving (
158:
2625:Oriental carpets in Renaissance painting
347:. It can also be considered a branch of
200:
177:
162:
46:
31:
2545:Heaven on Earth: Art from Islamic Lands
14:
2655:
833:ArchNet Islamic architecture library.
798:
662:
627:Romolo di Francesco Ferrucci del Tadda
1650:
855:
76:
64:
805:Bourbonne, Adèle (15 October 2018).
2552:Hajj: Journey to the Heart of Islam
729:"Galleria de'Lavori in pietre dure"
323:or, in some specific applications,
106:
24:
665:"Intarsia Jewelry Making Explored"
512:10th century Byzantine panel with
205:Floral 'parchin kari' work in the
25:
2719:
2453:Museum for Islamic Art, Jerusalem
847:
366:developed from the ancient Roman
1898:
1456:Bronze and brass ornamental work
633:
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711:versions of the website of the
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13:
1:
663:Grisak, Amy (24 April 2023).
2610:Mathematics and architecture
271:Victoria & Albert Museum
7:
10:
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750:Metropolitan Museum of Art
731:. The J. Paul Getty Museum
713:Opificio delle pietre dure
498:
419:Opificio delle pietre dure
358:
339:. As a high expression of
255:Metropolitan Museum of Art
2703:Italian words and phrases
2593:Influences on Western art
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386:(though this mainly uses
36:Altar frontal of Italian
649:
127:, were used, along with
78:[ˈpjɛːtreˈduːre]
66:[ˈpjɛːtraˈduːra]
1591:Painting in Hälsingland
837:2 February 2014 at the
135:. It first appeared in
27:Decorative stone inlays
2583:Indo-Saracenic Revival
210:
198:
175:
159:Related arts and terms
52:
44:
2678:Visual arts materials
2538:Empire of the Sultans
644:. Private collection.
335:is essentially stone
204:
181:
166:
50:
35:
2501:Arab World Institute
2311:Ottoman illumination
1611:Pressed flower craft
539:19th century French
115:, is a term for the
1028:Spinning (textiles)
946:Friendship bracelet
570:charms the animals.
476:. In Mughal India,
392:Italian Renaissance
113:Indian Subcontinent
42:Dubrovnik Cathedral
2578:Aniconism in Islam
2516:Toronto (Aga Khan)
2473:Khalili Collection
2338:Geometric patterns
1746:Bahmani and Deccan
780:2009-02-26 at the
707:2009-10-14 at the
696:2011-01-09 at the
415:Galleria di Lavori
211:
199:
195:geometric patterns
189:is decorated with
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2698:Hardstone carving
2673:Visual arts media
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2146:Hardstone carving
2043:Chinese influence
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1880:Stucco decoration
1644:
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1534:Hardstone carving
1482:Balloon modelling
996:Ribbon embroidery
615:Pope Clement VIII
442:Pope Clement VIII
417:in 1588, now the
399:opere di commessi
384:San Marco, Venice
304:using very small
235:hardstone carving
153:hardstone carving
83:intarsia lapidary
38:opera di commessi
16:(Redirected from
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2489:Majorelle Garden
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2018:Hispano-Moresque
1912:
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1711:Anatolian Seljuk
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764:V&A glossary
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671:. Rock & Gem
669:www.rockngem.com
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1517:Faux painting
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775:Is it Marble?
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514:Aelia Eudocia
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491:artifacts in
490:
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480:was known as
479:
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376:Byzantine art
373:
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331:may be used.
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30:
19:
2634:
2630:Pseudo-Kufic
2570:
2550:
2543:
2536:
2459:Kuala Lumpur
2357:
1884:
1736:Indo-Islamic
1726:Great Seljuk
1686:Architecture
1600:
1574:Glass mosaic
1492:Bone carving
1292:Wood carving
1287:Wood burning
1262:Chip carving
1219:Scrapbooking
1204:Papier-mâché
1170:Papercutting
1123:Iris folding
1111:Photomontage
1106:Papier collé
1071:Altered book
931:Cross-stitch
826:
814:. Retrieved
810:
800:
789:
770:
759:
752:
745:
733:. Retrieved
715:in Florence.
685:
673:. Retrieved
668:
658:
641:
621:designed by
618:
599:
547:
488:
486:
482:Parchin kari
481:
477:
463:
460:Parchin kari
423:
414:
413:founded the
407:Ferdinando I
398:
396:
368:opus sectile
363:
362:
332:
329:opus sectile
314:
300:, a form of
298:micromosaics
293:
285:
283:
278:
274:
266:
263:lapis lazuli
258:
257:, New York,
250:
246:
243:Chinese jade
226:
213:
212:
167:
144:
129:semiprecious
97:
96:
92:parchin kari
91:
90:
82:
71:
70:
56:
55:
54:
37:
29:
2708:Islamic art
2562:Principles,
2530:Exhibitions
2483:Marrakech (
2479:Los Angeles
2447:Jerusalem (
2409:collections
2360:Calligraphy
2240:Indo-Muslim
2222:Calligraphy
2156:Mosque lamp
2114:Other media
2033:Mina'i ware
1922:Bangladeshi
1678:Islamic art
1601:Pietra dura
1564:Micromosaic
1497:Doll making
1451:Silversmith
1368:Cameo glass
1325:Earthenware
1297:Woodturning
1209:Pop-up book
1194:Papermaking
1081:Calligraphy
1076:Bookbinding
1006:Rug hooking
976:Needlepoint
956:Lace-making
921:Canvas work
675:9 September
642:Pietre dure
619:pietra dura
600:pietra dura
598:Florentine
584:Agra, India
548:pietra dura
489:pietra dura
478:pietra dura
438:jardinieres
405:Grand Duke
372:cosmatesque
364:Pietra dura
333:Pietra dura
325:Cosmatesque
294:pietra dura
286:pietra dura
279:Pietre dure
275:pietra dura
267:pietre dure
251:pietre dure
247:pietra dura
227:pietra dura
185:'s Tomb in
168:Pietra dura
145:Pietra dura
131:, and even
98:parchinkari
72:pietre dure
57:Pietra dura
18:Pietre dure
2657:Categories
2636:Stilfragen
2564:influences
2436:Istanbul (
2369:The garden
2325:Decoration
2294:Other arts
2189:Miniatures
2074:Embroidery
2028:Lustreware
1887:Decoration
1850:Mashrabiya
1758:Indonesian
1636:Wall decal
1559:Miniatures
1477:Assemblage
1345:Terracotta
1320:Bone china
1199:Paper toys
1165:Papercraft
1091:Cast paper
1086:Cardmaking
1033:String art
1023:Shoemaking
1011:Rug making
981:Needlework
936:Embroidery
926:Crocheting
887:handicraft
794:Medici.org
426:medallions
390:). In the
380:Pala d'Oro
353:bas relief
315:For fixed
223:hardstones
191:arabesques
108:پرچین کاری
89:), called
2693:Taj Mahal
2683:Pavements
2598:Grotesque
2511:Singapore
2495:Melbourne
2333:Arabesque
1762:Malaysian
1631:Taxidermy
1621:Scrimshaw
1596:Pargeting
1522:Grotesque
1502:Dollhouse
1446:Goldsmith
1441:Jewellery
1431:Engraving
1388:Glassware
1373:Chip work
1340:Stoneware
1330:Porcelain
1282:Marquetry
1257:Carpentry
1252:Cabinetry
1229:Wallpaper
1155:Embossing
1148:Moneygami
1101:Decoupage
986:Patchwork
971:Millinery
816:4 October
811:Sotheby's
735:8 January
541:sideboard
474:Taj Mahal
454:souvenirs
450:modernism
349:sculpture
345:jewellery
337:marquetry
310:Byzantine
207:Taj Mahal
174:in Lahore
111:) in the
87:see below
2603:Moresque
2463:London (
2407:Museums,
2392:Paradise
2377:Charbagh
2358:See also
2260:Nastaliq
2250:Muhaqqaq
2181:the book
2093:Woodwork
2052:Textiles
2013:Fritware
1885:See also
1870:Muqarnas
1865:Mocárabe
1822:Elements
1586:Ornament
1549:Lapidary
1544:Lath art
1527:Gargoyle
1487:Beadwork
1461:Ironwork
1277:Intarsia
1272:Fretwork
1267:Ébéniste
1247:Bentwood
1224:Stamping
1214:Quilling
1160:Marbling
1143:Kirigami
1133:Kamikiri
1038:Tapestry
991:Quilting
951:Knitting
835:Archived
778:Archived
705:Archived
694:Archived
564:Florence
341:lapidary
321:intarsia
306:tesserae
269:)". The
141:Florence
62:Italian:
2620:Mudéjar
2521:Tripoli
2499:Paris (
2469:V&A
2397:Persian
2387:Ottoman
2301:Muraqqa
2280:Thuluth
2265:Persian
2212:Persian
2207:Ottoman
2179:Arts of
2164:Shabaka
2038:Persian
2005:Pottery
1990:Turkish
1985:Persian
1960:Carpets
1949:Ottoman
1945:Turkish
1939:Safavid
1927:Persian
1860:Minaret
1835:Banna'i
1807:Umayyad
1802:Timurid
1792:Swahili
1782:Ottoman
1777:Moorish
1767:Iranian
1741:Bengali
1721:Fatimid
1716:Chinese
1706:Ayyubid
1701:Abbasid
1581:Netsuke
1436:Etching
1416:Andiron
1335:Pottery
1315:Azulejo
1307:Ceramic
1175:Chinese
1138:Origami
1128:Jianzhi
1096:Collage
1053:Weaving
1048:Tie-dye
1043:Tatting
966:Macrame
941:Felting
908:Textile
898:History
784:V&A
702:Italian
691:English
568:Orpheus
499:Gallery
466:Mughals
434:plaques
432:, wall
411:Tuscany
359:History
125:marbles
103:Persian
2688:Floors
2505:Louvre
2485:Museum
2432:Ghazni
2417:Berlin
2382:Mughal
2353:Zellij
2285:Tughra
2235:Diwani
2230:Arabic
2202:Mughal
2197:Arabic
2105:Minbar
2100:Khatam
2084:Suzani
2079:Soumak
2064:Damask
1995:Prayer
1978:Motifs
1875:Sitara
1855:Mihrab
1812:Yemeni
1772:Mamluk
1751:Mughal
1569:Mosaic
1426:Enamel
1393:Mirror
1185:Slavic
1180:Jewish
1018:Sewing
1001:Carpet
545:relief
446:Naples
430:cameos
403:Medici
388:enamel
302:mosaic
215:Pietre
149:relief
2422:Cairo
2347:tiles
2343:Girih
2306:Hilya
2275:Taliq
2255:Naskh
2245:Kufic
2141:Glass
2126:Brass
2121:Music
2059:Batik
2023:Iznik
1973:Kilim
1935:Qajar
1931:Early
1830:Ablaq
1797:Tatar
1731:Hausa
1470:Other
1408:Metal
1360:Glass
1118:Decal
1063:Paper
961:Lucet
650:Notes
550:panel
543:with
470:India
317:inlay
290:grout
117:inlay
81:) or
2438:Arts
2427:Doha
2270:Sini
2069:Ikat
1908:Arts
1845:Jali
1840:Iwan
1539:Inro
1350:Tile
1239:Wood
885:and
818:2022
737:2016
700:and
677:2024
493:Agra
233:and
218:dure
193:and
187:Agra
137:Rome
1968:Gul
617:in
468:in
409:of
382:in
95:or
69:),
2659::
2503:,
2487:,
2471:,
2467:,
2451:,
2440:,
1937:,
1933:,
1760:/
809:.
720:^
667:.
566:;
495:.
428:,
355:.
155:.
143:.
105::
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2507:)
2491:)
2475:)
2455:)
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2349:)
2345:(
1951:)
1947:(
1941:)
1929:(
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1656:v
875:e
868:t
861:v
820:.
739:.
679:.
197:.
101:(
85:(
75:(
60:(
20:)
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