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481:-like form. This movement is decidedly jocular in character, with the performance direction at the start of the piano line of "capriccioso scherzando", and delicate, playful duets between the woodwind and piano occurring throughout. The second half of the movement, however, takes a darker turn, when the piano, after concluding the
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After a brief general pause, the whole orchestra resumes, again playing the same theme. Then a cello plays the theme while the piano answers hurriedly with a developmental recitative section. This leads into a passage where solos in the woodwind section play a new theme while the piano plays long
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major scale is played before the orchestra plays the theme of the Adagio in thematic transformation. The piano follows this with a blistering solo octaves passage before joining in duet with various solo woodwind instruments in a dainty, lively section. The movement continues bringing in all the
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are written in a sketchbook dated 1830, when Liszt was nineteen years old. He seems to have completed the work in 1849, yet made further adjustments in 1853. It was first performed at Weimar in 1855, with the composer at the piano and Hector
Berlioz conducting. Liszt made yet more changes before
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to mock the work as a "Triangle
Concerto".) The piano develops the theme further. This occurs throughout the whole movement, however previous themes from the last two movements are reintroduced and combined to give this concerto its unique
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level, before the orchestra plays an ascending chromatic section, leading into a tonal recapitulation of the first theme. The movement ends with very similar music as the first movement begins, with a blistering piano passage ending in an
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style, with the now-familiar downward chromatic octaves theme, played in this recapitulation at breakneck presto speed, before changing to contrary chromatic octaves, reaching the tonic key of E
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dynamic. The orchestra alone has the last two notes, which Liszt carefully utilised to highlight the importance of the orchestra in the piece, not just as an accompanying device for the piano.
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themes from throughout the concerto and combining them sequentially. In the final few passages, a new chromatic theme is introduced in which the piano is playing
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The triangle starts the movement with the string section following it. (The frequent and prominent use of the triangle led the conservative critic
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described it as "the first perfect realisation of cyclic sonata form, with common themes being treated on the variation principle".
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This concerto is scored for a relatively small orchestra and calls for the following instruments:
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passage in the lower registers, with a development of the first theme played above, at
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767:"San Francisco Symphony - Franz (Ferenc) Liszt: Piano Concerto No. 1 in E-flat major"
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date from 1830, while the final version is dated 1849. The concerto consists of four
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dynamic. After this, the downward chromatic octaves reappear, but this time at
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Analysis and description of Franz Liszt's Piano
Concerto No. 1 in E-flat major
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in the left. The passage is ended by the piano and clarinet in duet.
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356:(none of you understand this, ha-ha) to the notes of the opening two
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The orchestra introduces the main theme of the piece with a powerful
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in the right hand. The section reaches a climax where a strong
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A Guide to
Orchestral Music: The Handbook for Non-musicians
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Fantasy on Themes from Mozart's Figaro and Don
Giovanni
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The first entrance in the first movement introduces a
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and lasts approximately 20 minutes. It premiered in
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Piano.ru – Sheet music download (2 piano reduction)
46:. Unsourced material may be challenged and removed.
158:on February 17, 1855, with Liszt at the piano and
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325:The concerto consists of four relatively short
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1711:International Franz Liszt Piano Competition
822:. Cambridge University Press. p. 162.
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414:The cellos and double basses introduce the
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922:International Music Score Library Project
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106:Learn how and when to remove this message
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1734:University of Music Franz Liszt Weimar
1701:Liszthaus Raiding (Liszt's birthplace)
265:3. Allegretto vivace – Allegro animato
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122:The main motif of the first movement
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850:. Oxford University Press. p.
461:Allegretto vivace – Allegro animato
438:is played followed by a descending
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1323:Harmonies poétiques et religieuses
907:Franz Liszt's Piano Concerto No. 1
360:. The piano then comes in with an
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559:at the same time, an exercise in
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182:The main themes of Liszt's first
55:"Piano Concerto No. 1" Liszt
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848:The Concerto: A Listener's Guide
815:The Cambridge Companion to Liszt
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453:in the right hand and spread
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418:section in a serene, unison
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283:4. Allegro marziale animato
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511:diminished seventh chord
131:Piano Concerto No. 1 in
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1286:Années de pèlerinage
1267:Three Concert Études
1224:Piano Concerto No. 3
1219:Piano Concerto No. 2
1214:Piano Concerto No. 1
967:List of compositions
918:Piano Concerto No. 1
375:from earlier in the
40:improve this article
1438:Rhapsodie espagnole
1431:Rondeau fantastique
1424:Glanes de Woronince
1200:Piano and orchestra
229:1. Allegro maestoso
211:I. Allegro maestoso
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1368:La lugubre gondola
1274:Two Concert Études
1059:Les quatre élémens
844:Steinberg, Michael
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96:February 2019
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57: –
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51:Find sources:
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29:This article
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1625:Eduard Reuss
1580:Max Liebling
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1445:Liebesträume
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1316:Consolations
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1093:Les préludes
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1032:Choral works
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774:. Retrieved
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403:Quasi adagio
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307:Antal Dorati
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162:conducting.
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38:Please help
33:verification
30:
1724:(1975 film)
1722:Lisztomania
1660:Karl Tausig
1361:Nuages gris
1022:Sardanapalo
998:Lisztomania
958:Franz Liszt
550:semiquavers
195:Description
189:BĂ©la BartĂłk
127:Franz Liszt
1799:Categories
1685:GĂ©za Zichy
1495:(daughter)
1487:Adam Liszt
1240:Solo piano
1156:Die Ideale
1121:Festklänge
1107:Prometheus
1052:Via crucis
1015:Don Sanche
986:Late works
753:References
690:Percussion
573:major and
561:polyrhythm
487:tremolando
440:diminuendo
436:fortissimo
318:media help
66:newspapers
1230:Totentanz
680:trombones
633:clarinets
607:Woodwinds
513:(r.h.: F–
424:una corda
420:cantabile
389:arpeggios
369:chromatic
327:movements
152:movements
1752:Category
1489:(father)
1184:Symphony
1176:Symphony
1135:Hungaria
878:(1986).
846:(2000).
812:(2005).
708:Triangle
673:♭
668:trumpets
645:bassoons
638:♭
570:♭
544:♭
518:♭
479:rhapsody
428:nocturne
399:volume.
377:movement
301:and the
136:♭
1694:Related
1545:Amy Fay
1410:Csárdás
1114:Mazeppa
1100:Orpheus
776:19 June
724:violins
715:Strings
703:Cymbals
698:Timpani
615:Piccolo
565:bravura
557:quavers
554:triplet
483:scherzo
381:G major
373:section
365:passage
166:History
80:scholar
1775:Portal
1503:Pupils
1480:Family
1295:Sonata
1142:Hamlet
1007:Operas
886:
858:
826:
796:uh.edu
744:
734:Cellos
729:Violas
678:Three
621:flutes
455:chords
451:trills
432:melody
416:Adagio
362:octave
176:motive
156:Weimar
148:themes
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1762:Audio
1293:Dante
1182:Dante
1174:Faust
974:Music
661:horns
652:Brass
627:oboes
600:piano
598:Solo
526:–F).
443:scale
346:motif
144:S.124
139:major
87:JSTOR
73:books
884:ISBN
856:ISBN
824:ISBN
778:2022
670:in B
666:Two
663:in F
659:Two
643:Two
635:in B
631:Two
625:Two
619:Two
552:and
385:harp
358:bars
59:news
852:238
577:fff
395:ppp
42:by
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522:–
515:A
508:F
501:p
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