Knowledge

The Phoenician Women

Source 📝

1138: 1150: 40: 292:
Creon and his son were pure-blooded descendants of the men who sprouted from the ground, Menoeceus was the only choice. Creon is told he can only save the city by sacrificing his son, and instructs Menoeceus to flee to the oracle at Dodona; Menoeceus agrees but secretly goes to the serpent's lair to sacrifice himself and appease Ares.
316:
The text of the play is very poor, and scholars have detected several interpolations in the text. Over the centuries large and small interpolations have been inserted into this tragedy. Some scholars even believe that the whole play is post-Euripidean, written in the style of the late Euripides. For
291:
Teiresias reveals that Creon must kill his son Menoeceus. He explains that when the city was founded, it was by men who had sprung from the ground where Cadmus sowed the teeth of a serpent he had killed, but the serpent was sacred to Ares, who would punish Thebes unless a sacrifice was made. As only
303:
Antigone enters, lamenting the fate of her brothers; Oedipus emerges from the palace and she tells him what has happened. After he has a little while to mourn, Creon banishes him from the country and orders Eteocles but not Polynices to be buried in the city. Antigone fights him over the order and
276:
She converses with Polynices about what his life in exile was like, and then listens to both of their arguments. Polynices re-explains the situation, and that he is the rightful king. Eteocles replies, saying that he desires power above all else and will not surrender it unless forced to. Jocasta
264:
locked him away in hopes that the people might forget what had happened. He cursed them, proclaiming that neither would rule without killing his brother. To avert this, they have agreed to split the country – Polynices allows Eteocles to rule for one year. When the year expired, Eteocles was to
299:
go to try to stop them. Shortly after they depart, Creon hears about how the duel has gone. Eteocles mortally wounded Polynices, who was able to deliver a fatal blow to his brother; the two died at the same instant. Jocasta, overcome with grief, kills herself immediately.
235:
by the war. Unlike some of Euripides' other plays, the chorus does not play a significant role in the plot, but represents the innocent and neutral people who very often are found in the middle of war situations. Patriotism is a significant theme in the story, as
527:
It participated in the 19th Bharat Rang Mahotsav and 8th Theatre Olympic with the play Hojang Taret directed by Oasis Sougaijam. Recently, the play has won three Mahindra Excellency in Theatre Awards 2018.
277:
reprimands them both, telling Eteocles his ambition may destroy the city and criticizing Polynices for bringing an army to sack the city he loves. They argue, but are unable to reach any agreement.
284:, to plan for the coming battle; since the Argives are sending one company against each gate, the Thebans select one company to defend each of the seven gates. Eteocles also asks Creon to ask 240:
talks a great deal about his love for the city of Thebes but has brought an army to destroy it; Creon is also forced to make a choice between saving the city and saving the life of his son.
295:
Jocasta then receives a messenger, who tells her about the progress of the war and that her sons are both alive, but have agreed to fight one-on-one for the throne. She and her daughter
273:, king of the Argives. He then persuaded Adrastus to send a force to help him reclaim the city. Jocasta has arranged for a cease-fire so that she can mediate between her two sons. 333: 369: 1745: 256:, who in this version has not committed suicide. She explains that after her husband blinded himself upon discovering that he was her son, his sons 218: 384:
Liz Lochhead, 2003 – dramatic adaptation as "Thebans", comprising Oedipus the King and Antigone by Sophocles and The Phoenician Women by Euripides
265:
abdicate, allowing his brother to rule for a year. He refused to do so, forcing his brother into exile instead. While exiled, Polynices went to
1775: 853: 557: 375: 414:, shown in multiple theatrical events of India, including but not limited to Mahindra Excellence in Theatre Awards (META), 19th 1695: 1760: 1187: 1770: 1587: 1212: 862: 1001: 846: 550: 1571: 805: 338: 492: 342: 1755: 1740: 1405: 1765: 991: 631: 17: 1750: 1654: 1343: 1317: 1035: 1027: 749: 407: 318: 308:. She decides to accompany her father into exile, and the play ends with them departing for Athens. 1718: 1011: 839: 638: 543: 288:
for advice, and gives the order that anyone who buries Polynices in Theban soil is to be executed.
232: 167: 1482: 344:
The Plays of Euripides Translated into English Prose From the Text of Paley by Edward P. Coleridge
1579: 1563: 1547: 1445: 1437: 1397: 427: 391: 181: 1419: 1389: 1180: 1153: 1141: 1637: 1611: 1555: 1453: 1305: 1122: 1093: 1051: 819: 645: 603: 415: 206: 471: 379: 8: 1498: 1491: 1350: 1065: 896: 784: 735: 728: 659: 48: 1701: 1474: 1331: 1223: 1072: 927: 770: 763: 701: 493:"Hojang Taret- A Greek Tragedy brought to Life - Mahindra Excellence in Theatre Awards" 1668: 1648: 1149: 1006: 617: 610: 497:
Hojang Taret- A Greek Tragedy brought to Life - Mahindra Excellence in Theatre Awards
1521: 1369: 1229: 1173: 1100: 777: 756: 742: 652: 356: 212: 136: 1506: 1712: 1707: 1690: 1685: 1528: 1241: 969: 963: 948: 938: 798: 589: 281: 98: 1595: 1117: 916: 905: 687: 582: 1734: 1603: 1514: 708: 624: 363: 266: 146: 516: 1643: 1412: 673: 596: 447: 411: 224: 223:
With this trilogy, Euripides won the second prize. The title refers to the
1661: 1324: 1079: 1044: 694: 1277: 1271: 980: 666: 1630: 1259: 954: 812: 567: 535: 403: 347:. Vol. II. London: G. Bell and Sons, Ltd. 1913. pp. 217–273 285: 261: 237: 201: 197: 106: 102: 90: 69: 59: 1253: 1247: 996: 985: 975: 958: 911: 891: 876: 791: 296: 270: 257: 94: 86: 39: 831: 1235: 1197: 943: 901: 253: 249: 193: 156: 114: 80: 1265: 886: 881: 305: 228: 1217: 1058: 932: 922: 472:"WHAT TO EXPECT FROM 10 META PLAYS? - Art Culture Festival" 1165: 227:, which is composed of Phoenician women on their way to 45:
Farewell of Oedipus to the Corpses of His Wife and Sons
448:"Hojang Taret - Mahindra Excellence in Theatre Awards" 452:
Hojang Taret - Mahindra Excellence in Theatre Awards
397: 517:"AHAL AMADI EPAK – 20th Bharat Rang Mahotsav 2019" 951:(second rule) (regent for Eteocles and Polynices) 1732: 248:The play opens with a summary of the story of 1181: 847: 551: 210:. It was presented along with the tragedies 317:more about interpolations in the text, see 1188: 1174: 854: 840: 558: 544: 38: 1746:Phoenician characters in Greek mythology 1294: 387:John Davie, 2005 – Penguin Books – prose 304:breaks off her engagement with his son 14: 1733: 565: 1696:Feminist views on the Oedipus complex 1169: 835: 539: 418:, 8th Theatre Olympics, among many. 1244:(Jocasta's brother/Laius' successor) 280:Eteocles then meets with his uncle, 861: 269:, where he married the daughter of 24: 1776:Plays based on classical mythology 1238:/Epicaste (biological mother/wife) 966:(third rule) (regent for Laodamas) 390:George Theodoridis, 2012 – prose, 27:Ancient Greek tragedy by Euripides 25: 1787: 1148: 1137: 1136: 398:Remakes and literary adaptations 1213:Theban kings in Greek mythology 327: 509: 485: 464: 440: 13: 1: 433: 200:, based on the same story as 7: 1761:Plays set in ancient Greece 1195: 421: 311: 166:Before the royal palace of 10: 1792: 904:(regent for Labdacus) and 410:version of a play, titled 252:and its aftermath told by 185: 1678: 1655:The Gods Are Not to Blame 1622: 1539: 1467: 1429: 1381: 1287: 1205: 1131: 1110: 1020: 869: 718: 574: 408:classical Meitei language 162: 152: 142: 132: 120: 76: 65: 55: 37: 32: 402:The Phoenician Women of 339:"The Phoenician Maidens" 168:Ancient Thebes (Boeotia) 1771:Women in ancient Greece 1580:Funeral Parade of Roses 428:Papyrus Oxyrhynchus 224 319:Donald J. Mastronarde, 243: 1268:(half sister/daughter) 1250:(half sister/daughter) 988:(regent for Tisamenus) 1420:The Gospel at Colonus 1154:Portal:Ancient Greece 1142:Category:Theban kings 908:(regent for Labdacus) 124:daughter of Teiresias 1454:The Burial at Thebes 1406:The Infernal Machine 1358:The Phoenician Women 1306:Seven Against Thebes 1123:Necklace of Harmonia 1094:Seven Against Thebes 1087:The Phoenician Women 681:The Phoenician Women 604:Children of Heracles 416:Bharat Rang Mahotsav 207:Seven Against Thebes 177:The Phoenician Women 33:The Phoenician Women 1220:(biological father) 736:Alcmaeon in Psophis 729:Alcmaeon in Corinth 660:Iphigenia in Tauris 334:Edward P. Coleridge 231:who are trapped in 1756:Plays about incest 1741:Plays by Euripides 1702:Hamlet and Oedipus 1393:(Dryden & Lee) 1332:Oedipus at Colonus 1262:(half brother/son) 1256:(half brother/son) 1224:Polybus of Corinth 1206:Titles and lineage 1073:Oedipus at Colonus 928:Amphion and Zethus 919:(regent for Laius) 702:Iphigenia in Aulis 406:was produced in a 1766:Delphi in fiction 1728: 1727: 1649:Lille Stesichorus 1463: 1462: 1232:(adoptive mother) 1226:(adoptive father) 1163: 1162: 829: 828: 721:fragmentary plays 370:Elizabeth Wyckoff 173: 172: 143:Original language 16:(Redirected from 1783: 1751:Theban mythology 1572:Oedipus the King 1430:Other (Antigone) 1292: 1291: 1200: 1190: 1183: 1176: 1167: 1166: 1152: 1140: 1139: 1111:Related articles 1039:(Euripides play) 856: 849: 842: 833: 832: 653:The Trojan Women 560: 553: 546: 537: 536: 530: 529: 524: 523: 513: 507: 506: 504: 503: 489: 483: 482: 480: 479: 468: 462: 461: 459: 458: 444: 378:, 1994 – prose: 360: 357:Internet Archive 354: 352: 336:, 1891 – prose: 187: 112:Second Messenger 49:Édouard Toudouze 42: 30: 29: 21: 1791: 1790: 1786: 1785: 1784: 1782: 1781: 1780: 1731: 1730: 1729: 1724: 1713:Phaedra complex 1708:Jocasta complex 1691:Electra complex 1686:Oedipus complex 1674: 1618: 1535: 1459: 1425: 1382:Other (Oedipus) 1377: 1283: 1201: 1196: 1194: 1164: 1159: 1127: 1106: 1016: 865: 863:Kings of Thebes 860: 830: 825: 720: 714: 570: 564: 534: 533: 521: 519: 515: 514: 510: 501: 499: 491: 490: 486: 477: 475: 470: 469: 465: 456: 454: 446: 445: 441: 436: 424: 400: 350: 348: 337: 330: 314: 246: 133:Place premiered 127: 125: 113: 111: 110:First Messenger 109: 105: 101: 97: 93: 89: 85: 83: 51: 28: 23: 22: 15: 12: 11: 5: 1789: 1779: 1778: 1773: 1768: 1763: 1758: 1753: 1748: 1743: 1726: 1725: 1723: 1722: 1715: 1710: 1705: 1698: 1693: 1688: 1682: 1680: 1676: 1675: 1673: 1672: 1665: 1658: 1651: 1646: 1641: 1634: 1626: 1624: 1620: 1619: 1617: 1616: 1608: 1600: 1592: 1584: 1576: 1568: 1560: 1552: 1543: 1541: 1537: 1536: 1534: 1533: 1525: 1518: 1511: 1503: 1495: 1492:Œdipe à Colone 1488: 1480: 1471: 1469: 1465: 1464: 1461: 1460: 1458: 1457: 1450: 1442: 1433: 1431: 1427: 1426: 1424: 1423: 1416: 1409: 1402: 1394: 1385: 1383: 1379: 1378: 1376: 1375: 1374: 1373: 1363: 1362: 1361: 1354: 1347: 1337: 1336: 1335: 1328: 1321: 1311: 1310: 1309: 1298: 1296: 1289: 1285: 1284: 1282: 1281: 1275: 1269: 1263: 1257: 1251: 1245: 1239: 1233: 1227: 1221: 1215: 1209: 1207: 1203: 1202: 1193: 1192: 1185: 1178: 1170: 1161: 1160: 1158: 1157: 1145: 1132: 1129: 1128: 1126: 1125: 1120: 1114: 1112: 1108: 1107: 1105: 1104: 1097: 1090: 1083: 1076: 1069: 1062: 1055: 1048: 1041: 1033: 1024: 1022: 1018: 1017: 1015: 1014: 1009: 1004: 999: 994: 989: 983: 978: 973: 967: 961: 952: 946: 941: 936: 930: 925: 920: 914: 909: 899: 894: 889: 884: 879: 873: 871: 867: 866: 859: 858: 851: 844: 836: 827: 826: 824: 823: 816: 809: 802: 795: 788: 781: 774: 767: 760: 753: 746: 739: 732: 724: 722: 716: 715: 713: 712: 705: 698: 691: 684: 677: 670: 663: 656: 649: 642: 635: 632:The Suppliants 628: 621: 614: 607: 600: 593: 586: 578: 576: 572: 571: 563: 562: 555: 548: 540: 532: 531: 508: 484: 463: 438: 437: 435: 432: 431: 430: 423: 420: 399: 396: 395: 394: 388: 385: 382: 373: 372:, 1958 – verse 367: 366:, 1912 – verse 361: 329: 326: 313: 310: 245: 242: 171: 170: 164: 160: 159: 154: 150: 149: 144: 140: 139: 134: 130: 129: 122: 118: 117: 78: 74: 73: 67: 63: 62: 57: 53: 52: 43: 35: 34: 26: 9: 6: 4: 3: 2: 1788: 1777: 1774: 1772: 1769: 1767: 1764: 1762: 1759: 1757: 1754: 1752: 1749: 1747: 1744: 1742: 1739: 1738: 1736: 1720: 1716: 1714: 1711: 1709: 1706: 1704: 1703: 1699: 1697: 1694: 1692: 1689: 1687: 1684: 1683: 1681: 1677: 1671: 1670: 1666: 1664: 1663: 1659: 1657: 1656: 1652: 1650: 1647: 1645: 1642: 1640: 1639: 1635: 1633: 1632: 1628: 1627: 1625: 1621: 1614: 1613: 1609: 1606: 1605: 1604:Oedipus Mayor 1601: 1598: 1597: 1593: 1590: 1589: 1588:Night Warning 1585: 1582: 1581: 1577: 1574: 1573: 1569: 1566: 1565: 1561: 1558: 1557: 1553: 1550: 1549: 1545: 1544: 1542: 1538: 1531: 1530: 1526: 1524: 1523: 1519: 1517: 1516: 1512: 1509: 1508: 1504: 1501: 1500: 1496: 1494: 1493: 1489: 1487: 1485: 1481: 1479: 1477: 1473: 1472: 1470: 1466: 1456: 1455: 1451: 1448: 1447: 1443: 1440: 1439: 1435: 1434: 1432: 1428: 1422: 1421: 1417: 1415: 1414: 1410: 1408: 1407: 1403: 1400: 1399: 1395: 1392: 1391: 1387: 1386: 1384: 1380: 1372: 1371: 1367: 1366: 1364: 1360: 1359: 1355: 1353: 1352: 1348: 1346: 1345: 1341: 1340: 1338: 1334: 1333: 1329: 1327: 1326: 1322: 1320: 1319: 1315: 1314: 1312: 1308: 1307: 1303: 1302: 1300: 1299: 1297: 1293: 1290: 1286: 1279: 1276: 1273: 1270: 1267: 1264: 1261: 1258: 1255: 1252: 1249: 1246: 1243: 1240: 1237: 1234: 1231: 1228: 1225: 1222: 1219: 1216: 1214: 1211: 1210: 1208: 1204: 1199: 1191: 1186: 1184: 1179: 1177: 1172: 1171: 1168: 1156: 1155: 1151: 1146: 1144: 1143: 1134: 1133: 1130: 1124: 1121: 1119: 1116: 1115: 1113: 1109: 1103: 1102: 1098: 1096: 1095: 1091: 1089: 1088: 1084: 1082: 1081: 1077: 1075: 1074: 1070: 1068: 1067: 1063: 1061: 1060: 1056: 1054: 1053: 1049: 1047: 1046: 1042: 1040: 1038: 1034: 1032: 1030: 1026: 1025: 1023: 1021:In literature 1019: 1013: 1010: 1008: 1005: 1003: 1000: 998: 995: 993: 990: 987: 984: 982: 979: 977: 974: 971: 968: 965: 962: 960: 956: 953: 950: 947: 945: 942: 940: 937: 935:(second rule) 934: 931: 929: 926: 924: 921: 918: 915: 913: 910: 907: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 878: 875: 874: 872: 868: 864: 857: 852: 850: 845: 843: 838: 837: 834: 822: 821: 817: 815: 814: 810: 808: 807: 803: 801: 800: 796: 794: 793: 789: 787: 786: 782: 780: 779: 775: 773: 772: 768: 766: 765: 761: 759: 758: 754: 752: 751: 747: 745: 744: 740: 738: 737: 733: 731: 730: 726: 725: 723: 717: 711: 710: 706: 704: 703: 699: 697: 696: 692: 690: 689: 685: 683: 682: 678: 676: 675: 671: 669: 668: 664: 662: 661: 657: 655: 654: 650: 648: 647: 643: 641: 640: 636: 634: 633: 629: 627: 626: 622: 620: 619: 615: 613: 612: 608: 606: 605: 601: 599: 598: 594: 592: 591: 587: 585: 584: 580: 579: 577: 573: 569: 561: 556: 554: 549: 547: 542: 541: 538: 528: 518: 512: 498: 494: 488: 473: 467: 453: 449: 443: 439: 429: 426: 425: 419: 417: 413: 409: 405: 393: 389: 386: 383: 381: 377: 376:Andrew Wilson 374: 371: 368: 365: 364:Arthur S. Way 362: 358: 346: 345: 340: 335: 332: 331: 325: 323: 322: 309: 307: 301: 298: 293: 289: 287: 283: 278: 274: 272: 268: 263: 259: 255: 251: 241: 239: 234: 230: 226: 222: 220: 215: 214: 209: 208: 203: 199: 195: 191: 183: 182:Ancient Greek 179: 178: 169: 165: 161: 158: 155: 151: 148: 147:Ancient Greek 145: 141: 138: 135: 131: 123: 119: 116: 108: 104: 100: 96: 92: 88: 82: 79: 75: 71: 68: 64: 61: 58: 54: 50: 46: 41: 36: 31: 19: 1700: 1667: 1660: 1653: 1644:Theban Cycle 1636: 1629: 1610: 1602: 1594: 1586: 1578: 1570: 1562: 1554: 1546: 1527: 1520: 1513: 1505: 1502:(Stravinsky) 1497: 1490: 1486:(Mysliveček) 1483: 1475: 1452: 1444: 1436: 1418: 1411: 1404: 1396: 1388: 1368: 1357: 1356: 1349: 1342: 1330: 1323: 1316: 1304: 1288:Theban plays 1280:(later wife) 1147: 1135: 1099: 1092: 1086: 1085: 1078: 1071: 1064: 1057: 1050: 1043: 1036: 1028: 1002:Damasichthon 818: 811: 804: 797: 790: 783: 776: 769: 762: 755: 748: 741: 734: 727: 707: 700: 693: 686: 680: 679: 672: 665: 658: 651: 644: 637: 630: 623: 616: 609: 602: 595: 588: 581: 575:Extant plays 526: 520:. Retrieved 511: 500:. Retrieved 496: 487: 476:. Retrieved 474:. 2018-03-21 466: 455:. Retrieved 451: 442: 412:Hojang Taret 401: 355:– via 349:. Retrieved 343: 328:Translations 320: 315: 302: 294: 290: 279: 275: 247: 225:Greek chorus 217: 211: 205: 189: 176: 175: 174: 44: 1662:Oedipus Tex 1623:Other works 1564:Oedipus Rex 1548:Oedipus Rex 1499:Oedipus rex 1339:Euripides: 1325:Oedipus Rex 1313:Sophocles: 1301:Aeschylus: 1101:La Thébaïde 1080:Oedipus Rex 1045:The Bacchae 1031:(Sophocles) 806:Philoctetes 771:Cresphontes 764:Bellerophon 1735:Categories 1401:(Voltaire) 1278:Astymedusa 1274:(2nd wife) 1272:Euryganeia 981:Thersander 618:Andromache 611:Hippolytus 522:2023-08-24 502:2023-08-24 478:2023-08-24 457:2023-08-24 434:References 351:2 November 321:Phoenissae 190:Phoinissai 128:attendants 77:Characters 70:Phoenician 56:Written by 18:Phoenissae 1669:Home Fire 1631:Oedipodea 1478:(Traetta) 1449:(Anouilh) 1441:(Cocteau) 1295:Antiquity 1260:Polynices 992:Tisamenus 972:(usurper) 955:Polynices 897:Polydorus 813:Theristai 778:Hypsipyle 757:Archelaus 743:Andromeda 568:Euripides 566:Plays by 404:Euripides 392:full text 380:full text 286:Teiresias 262:Polynices 238:Polynices 213:Hypsipyle 202:Aeschylus 198:Euripides 186:Φοίνισσαι 107:Menoeceus 103:Teiresias 91:Polynices 60:Euripides 1612:Antigone 1556:Antigone 1522:Edipo re 1510:(Enescu) 1484:Antigona 1476:Antigona 1446:Antigone 1438:Antigone 1365:Seneca: 1344:Antigone 1318:Antigone 1254:Eteocles 1248:Antigone 1052:Herakles 1037:Antigone 1029:Antigone 997:Autesion 986:Peneleos 976:Laodamas 970:Lycus II 959:Eteocles 912:Labdacus 892:Pentheus 877:Calydnus 820:Thyestes 799:Phaethon 792:Peliades 750:Antigone 719:Lost and 646:Herakles 590:Alcestis 422:See also 312:The text 297:Antigone 271:Adrastus 258:Eteocles 95:Eteocles 87:Antigone 1719:The End 1679:Related 1638:Thebaid 1596:Voyager 1529:Oedipus 1398:Oedipus 1390:Oedipus 1370:Oedipus 1351:Oedipus 1236:Jocasta 1198:Oedipus 1066:Oedipus 1012:Xanthos 1007:Ptolemy 944:Oedipus 917:Lycus I 906:Lycus I 902:Nycteus 785:Oedipus 695:Bacchae 688:Orestes 639:Electra 583:Cyclops 254:Jocasta 250:Oedipus 219:Antiope 204:' play 194:tragedy 192:) is a 163:Setting 157:Tragedy 115:Oedipus 81:Jocasta 1615:(2019) 1607:(1996) 1599:(1991) 1591:(1982) 1583:(1969) 1575:(1968) 1567:(1967) 1559:(1961) 1551:(1957) 1532:(Rihm) 1468:Operas 1266:Ismene 1230:Merope 1118:Thebes 887:Cadmus 882:Ogyges 709:Rhesus 625:Hecuba 306:Haemon 233:Thebes 229:Delphi 137:Athens 126:guards 66:Chorus 1540:Films 1515:Greek 1507:Œdipe 1413:Greek 1242:Creon 1218:Laius 1059:Iliad 964:Creon 949:Creon 939:Creon 933:Laius 923:Laius 870:Kings 674:Helen 597:Medea 282:Creon 267:Argos 153:Genre 99:Creon 84:Tutor 72:Women 957:and 353:2020 260:and 244:Plot 216:and 121:Mute 667:Ion 196:by 47:by 1737:: 525:. 495:. 450:. 341:. 324:. 188:, 184:: 1721:" 1717:" 1189:e 1182:t 1175:v 855:e 848:t 841:v 559:e 552:t 545:v 505:. 481:. 460:. 359:. 221:. 180:( 20:)

Index

Phoenissae

Édouard Toudouze
Euripides
Phoenician
Jocasta
Antigone
Polynices
Eteocles
Creon
Teiresias
Menoeceus
Oedipus
Athens
Ancient Greek
Tragedy
Ancient Thebes (Boeotia)
Ancient Greek
tragedy
Euripides
Aeschylus
Seven Against Thebes
Hypsipyle
Antiope
Greek chorus
Delphi
Thebes
Polynices
Oedipus
Jocasta

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.