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and
Domenico Ferri, both of whom designed for the main opera houses and theatres of Paris. He spent two years in Spain from 1847 to 1849. He had originally gone there to work on the decor for a theatre in Barcelona, but on Ciceri's suggestion he travelled around Spain painting and sketching scenes of
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In 1895, Rubé left the atelier to form a new partnership with his grandson Marcel
Moisson who had worked at Rubé et Chaperon. Chaperon carried on the atelier, joined by his son Émile, and together they produced designs for many opera and theatre productions in Paris that included
243:. Rubé and Chaperon formed their own atelier, "Rubé et Chaperon", in 1864 and over the next 30 years produced numerous set designs as well as interior decor for theatres throughout France and in Belgium. In 1875 they created the
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231:). He later exhibited landscape paintings of cities and villages and the interiors of churches. However, it was as a scenic designer that he achieved his primary fame. He studied the craft from 1842 under
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which opened in 1883. In addition to his theatre work with Rubé, Chaperon produced decorative paintings and interior designs for churches, public buildings, and private mansions such as the
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villages and towns. Spanish subjects were coming into vogue in opera and his paintings would later serve as inspirations for
Chaperon's stage sets.
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387:(1857–1938), a painter and illustrator who specialised in military subjects, and the writer Philippe Auguste Théophile Chaperon (1853–c. 1938).
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in the suburbs of Paris 1905. He died there in 1906 at the age of 83. After his death, the painter and politician
644:, Vol. 2, pp. 279–346. Éditions de la Bibliothèque nationale de France. Online version retrieved 4 February 2019
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After his father died, Émile
Chaperon continued working as a designer and later set up an art gallery on the
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This beautiful theater reminded him of some of his happiest and most admired inspirations – the temple of
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Chaperon came from a modest background. He was born in Paris, where his father was an employee at the
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117:. He produced stage designs for the premieres of numerous 19th-century operas, including Verdi's
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In 1851 he joined Cicéri's old atelier which at that point was being run by Cicéri's son-in-law
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Many of his paintings were influenced by his architecture studies. He made his debut at the
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The production was never realized as the theatre was destroyed by fire on 25 May 1887.
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in 1900, and interior decor for numerous provincial theatres as well as the
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Histoire de l'école française de paysage depuis
Chintreuil jusqu'Ă 1900
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799:, pp. 12–13. Librairie Raphaël Thomas. Retrieved 7 February 2019
844:. Association l'Art Lyrique Français. Retrieved 4 February 2019
771:, pp. 44–46. Published in facsimile by Georg Olms Verlag, 1987.
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as well as the painting on the dome over the main auditorium of
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109:(2 February 1823 – 21 December 1906) was a French painter and
821:, p. 43. Librairie Raphaël Thomas. Retrieved 7 February 2019
704:"Stage Painters at the Paris Opéra in the Nineteenth Century"
356:, for example, or the unforgettable esplanade of Elsinore in
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Dictionnaire biographique international des Ă©crivains
638:"DĂ©corateurs et Costumiers: Chaperon, Philippe-Marie"
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where he studied painting and architecture. He won a
348:. Émile spoke at its dedication on 5 December 1910:
680:The Keys to French Opera in the Nineteenth Century
662:Notice de personne: Chaperon, Philippe (1823–1906)
212:where he received guidance from Riesener's cousin
204:. He also studied architecture in the atelier of
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147:and the first performances in France of Verdi's
376:in 1946. Philippe Chaperon had two other sons:
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683:, p. 57. University of California Press.
200:scholarship and spent three years at the
113:, particularly known for his work at the
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658:Bibliothèque nationale de France
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745:"Philippe Chaperon (1823–1906)"
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208:and painting in the atelier of
16:French painter and scenographer
527:L'Ă©glise Saint-Etienne-du-Mont
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360:– he loved music passionately.
225:Ruines d'un Temple dans l'Inde
37:c. 1900 photograph by Atelier
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50:Philippe-Marie Emile Chaperon
972:19th-century French painters
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249:curtain for the newly built
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257:. Chaperon also designed a
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886:Works by Philippe Chaperon
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229:Ruins of a Temple in India
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344:which was placed in the
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177:Portrait of Chaperon by
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952:French scenic designers
712:(subscription required)
677:Lacombe, Hervé (2001).
587:Basilique Sainte-Sophie
796:Dessins d'Architecture
702:Beudert, Peter (2006)
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342:Charles-Henri Pourquet
322:which opened in 1901.
305:Exposition Universelle
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636:Wild, Nicole (1993).
366:Faubourg Saint-Honoré
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904:at Wikimedia Commons
765:"Chaperon, Phillipe"
572:Intérieur d'un salon
542:Bajada de San Miguel
455:Haydée, ou Le secret
372:in 1932 and died in
368:. He left Paris for
325:Chaperon retired to
194:École des Beaux-Arts
967:Painters from Paris
838:"Philippe Chaperon"
506:Théâtre de la Gaîté
241:Auguste Alfred Rubé
862:"Théâtre musical:
188:. He attended the
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396:Set designs
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276:La favorite
267:HĂ´tel GoĂĽin
221:Paris Salon
179:Paul Mathey
144:Les Troyens
115:Paris Opera
88:Occupations
946:Categories
777:3487410583
689:0520217195
615:References
370:Saint-Maur
288:Frédégonde
255:La Monnaie
162:Tannhäuser
138:Henri VIII
120:Don Carlos
56:1823-02-02
513:Paintings
436:(Act III)
433:Rigoletto
374:Confolens
156:Rigoletto
815:(2017).
793:(2019).
574:(1897),
458:(Act II)
320:Biarritz
300:Messidor
82:, France
910:Portals
888:in the
544:(1847)
502:(Act V)
499:Dimitri
391:Gallery
94:Painter
864:Obéron
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589:(1893)
559:(1849)
529:(1842)
477:Oberon
358:Hamlet
294:Hamlet
150:Otello
132:Le Cid
936:opera
595:Notes
385:]
338:]
316:]
39:Nadar
835:s.n.
813:s.n.
791:s.n.
773:ISBN
742:s.n.
685:ISBN
411:Aida
354:Aida
297:and
153:and
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69:Died
46:Born
924:art
318:in
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