Knowledge

Philip Kubicki Factor Bass

Source 📝

431:'s band, toured internationally playing his Ex Factor bass. By this point, production of the Factor bass could not meet demand. In 1988, a licensing agreement between Kubicki and Fender Musical Instruments was established for the manufacture and sale of the Factor bass by Fender that lasted until 1991. During this period, the main emphasis was on the development of the Key Factor 4 and 5 string basses as well as other prototypes. As soon as the Fender contract ended Kubicki was immediately back in production selling its Factor bass line. 31: 606: 459: 273: 342:
on TV and then saw his first guitar on family visits to his grandparents' house. "For some reason my grandfather had a guitar in the closet," recalls Philip. "And that's where I'd head: to play with that guitar. It had one string that was a mile off the fingerboard. I think all of us instrument
415:. Until 1985, the primary products were guitar-making supplies that evolved into the manufacture of bodies and necks emulating the Fender design. Short-scale guitars called the "Arrow" and "Express" were a major effort during this period resulting in 275 numbered instruments. 350:, a friend introduced him to Ernie Drumheller. "His hobby was making guitars. He invited my friend and me to come to his shop on Saturdays, and he taught us how to make guitars. I took off with it and built a half dozen classical guitars during my high school years." 370:
to work with him in his Acoustic Guitar Division. Rossmeisl then became head of the Research & Development for acoustic and electric guitars and asked Phil to be his assistant. The R&D position led to many prototypical, experimental instruments like the
434:
Until recently, Phil Kubicki concentrated on filling special orders making custom Ex Factor basses with deluxe wood veneers. Factor basses are made in America and sold factory direct.
143: 437:
Philip Kubicki was a renowned guitar designer and builder who was active in the musical-instrument industry for more than 50 years. He died March 18, 2013, at his home in
427:, winner of the Bass Players' Best Bassist in both jazz and rock, gave more credence to the instrument. Worldwide recognition began when Vail Johnson, playing in 423:
The ambition to make a line of original instruments began in 1983, culminating in the Factor bass. The first production model was sold in January 1985.
726:
integrated multi-function, 18V powered circuit board that uses a rotary switch to select one of the six positions available from the humbucking pick-ups
678: 627: 531: 480: 579:
Had a neck that was more stable than solid wood without resorting to the heavy, cold, non-adjustable, and expensive graphite alternative
650: 503: 657: 510: 664: 517: 757: 646: 499: 395:– which was the last guitar Fender made for Jimi Hendrix. In late 1973, Kubicki left Fender to start his own business. 777: 697: 550: 316: 635: 488: 298: 833: 631: 484: 283: 225: 117: 563:
Human factors were the inspiration for the Factor bass. The design criteria were to develop a bass that:
671: 524: 247:
made in America and sold factory-direct. Bass guitars designed by Kubicki are distinguished by a unique
372: 363: 290: 616: 469: 359: 620: 473: 294: 438: 574: 408: 347: 343:
makers have had that kind of fascination - some little spark, back at the very beginning."
8: 255:, as seen on most bass guitars today. The design criteria are based on human factors, or 573:
Offered a quick way to "D" tune the bass without changing string tension or having to
334:
Phil Kubicki (correct pronunciation: ) first became interested in guitars when he saw
773: 753: 442: 567:
Was balanced to naturally rest in playing position and was absolutely not head heavy
335: 339: 259:, and the belief that a musical instrument should be inspirational to the player. 404: 384: 376: 367: 729:
unique neck side dashes that eliminate and replace fingerboard position markers
407:
and various guitar-making supplies. During this time, an acoustic guitar and a
248: 827: 412: 392: 388: 366:, Kubicki took a factory tour, filled out an application, and was hired by 176: 72: 424: 244: 30: 591:
Had an original outward appearance that would be aesthetically pleasing
380: 256: 166: 62: 252: 231: 142: 123: 605: 458: 301:. Statements consisting only of original research should be removed. 205: 770:
Guitar Legends, The Evolution of the Guitar from Fender to G&L
428: 732:
all in-house designed knobs, pick-ups, bridge tuner parts, etc.
251:
module located in the body of the bass guitar rather than the
441:. He was 69 years old and had been diagnosed with stage four 201: 191: 97: 87: 750:
American Basses, An Illustrated History & Player's Guide
379:, the LTD and Montego Jazz guitars, and the first rosewood 398: 818: 582:
Used only unique, in house-designed electronic components
329: 710:
The design criteria resulted in these unique features:
346:
A few years later, while Kubicki was in high school in
403:
The early products created after leaving Fender were
418: 717:
a patented string clasp "D" string tuning mechanism
720:a design patent for the overall Factor bass design 825: 353: 570:Could be fine-tuned with a body-mounted tuner 723:a 32 piece rotary-cut laminated veneer neck 634:. Unsourced material may be challenged and 487:. Unsourced material may be challenged and 595: 141: 29: 698:Learn how and when to remove this message 551:Learn how and when to remove this message 317:Learn how and when to remove this message 772:, CENTERSTREAM Publishing, 1993, p. 49; 585:Eliminated fingerboard position markers 399:Early independent career – 1973 to 1982 826: 330:First classical guitars – 1959 to 1961 632:adding citations to reliable sources 599: 485:adding citations to reliable sources 452: 266: 13: 448: 14: 845: 812: 419:The Factor Bass – 1983 to present 752:, Backbeat Books, 2003, p. 107; 604: 457: 271: 800: 791: 782: 762: 742: 714:a patented bridge tuner device 1: 788:U.S Patent Utility #4,712,463 736: 647:"Philip Kubicki Factor Bass" 500:"Philip Kubicki Factor Bass" 7: 806:U.S Patent Design #D362,262 797:U.S Patent Design #D286,892 354:Fender years – 1964 to 1973 297:the claims made and adding 112:Fixed, with tuning machines 10: 850: 373:Fender Telecaster Thinline 364:Fender Musical Instruments 262: 241:Philip Kubicki Factor Bass 16:Electric bass guitar brand 358:In 1964, while attending 224: 216: 211: 197: 187: 182: 172: 162: 157: 149: 140: 133: 116: 108: 103: 93: 83: 78: 68: 58: 53: 45: 37: 28: 21: 819:Official Kubicki website 360:Fullerton Junior College 596:Patents and innovations 387:and the first rosewood 243:is a brand of electric 588:Used no retrofit parts 439:Laconia, New Hampshire 834:Electric bass guitars 628:improve this section 481:improve this section 348:Whittier, California 768:George Fullerton, 282:possibly contains 135:Key Factor 4 and 5 708: 707: 700: 682: 561: 560: 553: 535: 443:pancreatic cancer 327: 326: 319: 284:original research 237: 236: 129: 128: 841: 807: 804: 798: 795: 789: 786: 780: 766: 760: 746: 703: 696: 692: 689: 683: 681: 640: 608: 600: 556: 549: 545: 542: 536: 534: 493: 461: 453: 445:in mid January. 405:acoustic guitars 340:classical guitar 322: 315: 311: 308: 302: 299:inline citations 275: 274: 267: 145: 136: 131: 130: 33: 24: 19: 18: 849: 848: 844: 843: 842: 840: 839: 838: 824: 823: 815: 810: 805: 801: 796: 792: 787: 783: 767: 763: 747: 743: 739: 704: 693: 687: 684: 641: 639: 625: 609: 598: 557: 546: 540: 537: 494: 492: 478: 462: 451: 449:Design criteria 421: 401: 385:George Harrison 377:electric violin 368:Roger Rossmeisl 356: 332: 323: 312: 306: 303: 288: 276: 272: 265: 134: 22: 17: 12: 11: 5: 847: 837: 836: 822: 821: 814: 813:External links 811: 809: 808: 799: 790: 781: 761: 758:978-0879307219 740: 738: 735: 734: 733: 730: 727: 724: 721: 718: 715: 706: 705: 612: 610: 603: 597: 594: 593: 592: 589: 586: 583: 580: 577: 571: 568: 559: 558: 465: 463: 456: 450: 447: 420: 417: 411:were made for 400: 397: 355: 352: 336:Andrés Segovia 331: 328: 325: 324: 279: 277: 270: 264: 261: 235: 234: 228: 222: 221: 218: 214: 213: 209: 208: 199: 195: 194: 189: 185: 184: 180: 179: 174: 170: 169: 164: 160: 159: 155: 154: 151: 147: 146: 138: 137: 127: 126: 120: 114: 113: 110: 106: 105: 101: 100: 95: 91: 90: 85: 81: 80: 76: 75: 70: 66: 65: 60: 56: 55: 51: 50: 49:1983 - present 47: 43: 42: 39: 35: 34: 26: 25: 23:Ex Factor Bass 15: 9: 6: 4: 3: 2: 846: 835: 832: 831: 829: 820: 817: 816: 803: 794: 785: 779: 778:0-931759-69-2 775: 771: 765: 759: 755: 751: 748:Jim Roberts, 745: 741: 731: 728: 725: 722: 719: 716: 713: 712: 711: 702: 699: 691: 680: 677: 673: 670: 666: 663: 659: 656: 652: 649: –  648: 644: 643:Find sources: 637: 633: 629: 623: 622: 618: 613:This section 611: 607: 602: 601: 590: 587: 584: 581: 578: 576: 572: 569: 566: 565: 564: 555: 552: 544: 533: 530: 526: 523: 519: 516: 512: 509: 505: 502: –  501: 497: 496:Find sources: 490: 486: 482: 476: 475: 471: 466:This section 464: 460: 455: 454: 446: 444: 440: 435: 432: 430: 426: 416: 414: 413:Joni Mitchell 410: 406: 396: 394: 390: 386: 382: 378: 374: 369: 365: 361: 351: 349: 344: 341: 337: 321: 318: 310: 300: 296: 292: 286: 285: 280:This section 278: 269: 268: 260: 258: 254: 250: 246: 242: 233: 229: 227: 223: 219: 215: 210: 207: 203: 200: 196: 193: 190: 186: 181: 178: 175: 171: 168: 165: 161: 156: 152: 148: 144: 139: 132: 125: 121: 119: 115: 111: 107: 102: 99: 96: 92: 89: 86: 82: 77: 74: 71: 67: 64: 61: 57: 52: 48: 44: 40: 36: 32: 27: 20: 802: 793: 784: 769: 764: 749: 744: 709: 694: 688:January 2015 685: 675: 668: 661: 654: 642: 626:Please help 614: 562: 547: 541:January 2015 538: 528: 521: 514: 507: 495: 479:Please help 467: 436: 433: 422: 402: 393:Jimi Hendrix 389:Stratocaster 357: 345: 333: 313: 304: 281: 240: 238: 158:Construction 150:Manufacturer 54:Construction 38:Manufacturer 425:Stuart Hamm 362:, close to 245:bass guitar 737:References 658:newspapers 511:newspapers 381:Telecaster 307:March 2015 291:improve it 257:ergonomics 232:humbucking 173:Neck joint 124:humbucking 69:Neck joint 615:does not 575:transpose 468:does not 295:verifying 253:headstock 226:Pickup(s) 198:Fretboard 163:Body type 118:Pickup(s) 94:Fretboard 59:Body type 828:Category 409:dulcimer 338:playing 212:Hardware 206:rosewood 104:Hardware 672:scholar 636:removed 621:sources 525:scholar 489:removed 474:sources 429:Kenny G 289:Please 263:History 177:Bolt-on 153:Kubicki 73:Bolt-on 41:Kubicki 776:  756:  674:  667:  660:  653:  645:  527:  520:  513:  506:  498:  375:, the 249:tuning 217:Bridge 109:Bridge 46:Period 679:JSTOR 665:books 532:JSTOR 518:books 220:Fixed 202:maple 192:maple 183:Woods 167:Solid 98:ebony 88:maple 79:Woods 63:Solid 774:ISBN 754:ISBN 651:news 619:any 617:cite 504:news 472:any 470:cite 391:for 383:for 239:The 230:two 188:Neck 122:two 84:Neck 630:by 483:by 293:by 204:or 830:: 701:) 695:( 690:) 686:( 676:· 669:· 662:· 655:· 638:. 624:. 554:) 548:( 543:) 539:( 529:· 522:· 515:· 508:· 491:. 477:. 320:) 314:( 309:) 305:( 287:.

Index


Solid
Bolt-on
maple
ebony
Pickup(s)
humbucking

Solid
Bolt-on
maple
maple
rosewood
Pickup(s)
humbucking
bass guitar
tuning
headstock
ergonomics
original research
improve it
verifying
inline citations
Learn how and when to remove this message
Andrés Segovia
classical guitar
Whittier, California
Fullerton Junior College
Fender Musical Instruments
Roger Rossmeisl

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.