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180:. Seats were generally made from an elm board, or from woven rush. While rush-seated ladderback chairs are his most well-known output, he also made spindleback chairs which are often stamped with his initials. Clissett is often referred to as a
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with a large number of his chairs which can still be seen today. These chairs have been "highly influential", having been "seen by almost everyone involved in art and design from the late 1880s". They particularly influenced
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has been described as "undoubtedly a seminal point in the subsequent development of the Arts and Crafts
Movement", and led to the furnishing of the meeting room of the
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The following is a list of more or less well-known people who are known to have had
Clissett's ladderback chairs amongst the furnishings in their home:
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By the late 1890s, Clissett was well-known enough for his portrait, by
Maxwell Balfour, to appear in a prestigious arts journal,
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Clissett's chairs are now widely collected, and can be found in various museums and collections, including:
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at Mary Ward House, 5 Tavistock Place, London by the architects A. Dunbar Smith and C. Cecil Brewer.
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Clissett made chairs in the West
Midlands tradition, turning the parts from fresh, unseasoned ash (
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77:. Clissett's chairs were popular with the Arts and Crafts cognoscenti, and were used by
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385:. Coopers Hill, Englefield Green, Surrey: Shoreditch Training College (dissertation).
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but this is incorrect as he made entire chairs rather than just turned parts.
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Good
Citizens Furniture: the Arts and Crafts Collection at Cheltenham
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through various architects and designers. His chance meeting with
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89:. They were also used as part of the original furnishing of the
320:. Woodbridge, Suffolk: Antique Collectors Club. p. 287ff.
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421:
Philip
Clissett Research Website - much more detail and images
345:. Cheltenham: Cheltenham Art Gallery & Museum. p. 81.
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who, in 1890, spent six weeks with
Clissett learning to make
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in early commissions, and by the architectural team of
383:The Cotswold Tradition in a Contemporary Workshop
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245:Butcher Row House Museum, Ledbury, Herefordshire
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140:, Cecil Hignett (probable; architect of the
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172:. Other parts were sawn and shaped with a
360:. Stroud: Sutton Publishing. p. 43.
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266:Crab Tree Farm, Lake Bluff, Illinois, USA
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56:who influenced and inspired the English
25:Philip Clissett by Maxwell Balfour, 1898
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291:"Philip Clissett, Chairmaker 1817-1913"
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228:Cheltenham Art Gallery & Museum
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251:, nr Cirencester, Gloucestershire
40:, England; died 17 January 1913,
261:Los Angeles County Museum of Art
216:Hunterian Museum and Art Gallery
240:Hereford Museum and Art Gallery
136:, Wilson Bidwell (architect of
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381:Griffith, David W.J. (1954).
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230:, Cheltenham, Gloucestershire
397:"The Quarto, v4 (1898), p81"
341:Carruthers, Annette (1994).
236:, Hartlebury, Worcestershire
234:Worcestershire County Museum
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441:19th-century English people
316:Cotton, Bernard D. (1990).
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91:Passmore Edwards Settlement
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318:The English Regional Chair
192:Victoria and Albert Museum
446:People from Herefordshire
79:Charles Rennie Mackintosh
461:Arts and Crafts movement
436:British furniture makers
358:Gimson and the Barnsleys
356:Greensted, Mary (1980).
58:Arts and Crafts Movement
150:Charles Canning Winmill
16:Arts and Crafts artisan
204:William Morris Gallery
32:(born 8 January 1817,
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210:7 Hammersmith Terrace
206:, Walthamstow, London
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138:Letchworth Town Hall
83:Richard Barry Parker
165:Fraxinus excelsior
130:Philip Burne-Jones
126:Edward Burne-Jones
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98:Dugald S. MacColl
75:ladderback chairs
66:Art Workers Guild
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118:George Frampton
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106:Ernest Barnsley
102:Sidney Barnsley
30:Philip Clissett
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294:. Retrieved
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152:(probable).
122:Emery Walker
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456:1913 deaths
451:1817 births
224:, Leicester
178:shave horse
34:Birtsmorton
430:Categories
402:28 January
296:28 January
271:References
242:, Hereford
170:pole lathe
157:The Quarto
146:Letchworth
144:Building,
54:chairmaker
218:, Glasgow
174:drawknife
168:) with a
50:Victorian
212:, London
200:, London
194:, London
142:Spirella
52:country
48:) was a
42:Bosbury
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182:bodger
263:, USA
404:2022
362:ISBN
322:ISBN
298:2022
85:and
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