88:, they charged the crowd, causing a panic which resulted, according to Arnold, in the death of eleven people and injuries to 400 more. Arnold wrote that "This Overture attempts to portray these happenings musically, but after a lament for the killed and injured, it ends in triumph, in the firm belief that all those who have suffered and died in the cause of unity amongst mankind, will not have died so in vain". He also noted that he "tried to draw a parallel with the riots I see happening today".
193:, in a book-length study of his music, noted that Arnold had intended it for a non-specialist audience, and wrote that "the message is forcefully put over in terms even the tone-deaf could hardly mistake". He acknowledged that "there is considerable skill in the way in which the forces of evil are stage-managed, and in which episode succeeds episode so that the impetus is never lost", but he thought that the lack of interaction between good and evil in the work meant that "the return of the
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175:
judged that "it lacks any recognizable coherence that could focus and purge the emotions in the depiction of tragedy. It might have been serviceable as film music, but I see no future for the piece in the concert hall."
106:
scored for unison strings harmonized by trombones, tuba, harp and basses. It then moves to a second theme for woodwind and harp before reprising the first one. A jarring percussion rhythm makes itself heard over this
183:
Reviews of recordings have been similarly varied. One critic wrote that the overture's rhetoric does not quite come off, but that "the feeling of approaching menace at the opening is unforgettable".
1502:
180:, conceding that "the music certainly makes up in fervour what it lacks in depth", called it "a romantic overture as good as most and better than some very popular examples of the kind".
140:
stroke introduces a short lament. The third part of the overture reprises first the woodwind theme of the first part and then the whole of the first part, ending in a triumphal mood.
209:, and on the "chilling and terrifying" central section, with its "cluster chords on the brass vividly portray the screams of the crowd, the whinnying of the horses and the chaos", as
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197:
theme comes as something of an anticlimax – it has been nowhere, experienced nothing, since we first met it, and there seems no good musical reason why it should sail home in
1017:
111:
theme, and ushers in the work's second part, which comprises a struggle between various short and violent themes in which brass and percussion figure prominently. The
1043:"University Of Wisconsin Milwaukee Wind Ensemble, University Of Wisconsin Milwaukee Symphony Band, Thomas Dvorak – Classics For Wind Ensemble/Symphony Band Volume One"
187:
considered, as
Banfield had, that it might have worked better as film music, but it has also been called "a highly effective encore" and "first-rate programme music".
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48:
of 1819. It was given a mixed reception by critics, but has nevertheless become one of Arnold's best-known works, being arranged several times for
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1256:"University Of Illinois Symphonic Band, James F. Keene – In Concert With The University Of Illinois Symphonic Band Recording #127"
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1985:
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80:, where a peaceful outdoor meeting called to debate the subject of political reform was interrupted by the
201:
triumph". Paul R. W. Jackson, in 2003, identified the major influences on the first and last sections as
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84:, a cavalry force which had been sent in by local magistrates. Attempting to arrest the speaker,
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2003:
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The United States Air Force
Tactical Air Command Band, Virginia Air Force Base, Va., In Concert
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958:
896:
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246:
152:
37:
1281:"The United States Air Force Tactical Air Command Band, Major Lowell E. Graham – In Concert"
1961:
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to commemorate the 100th anniversary of its first meeting. It was first performed by the
8:
1905:
1881:
1865:
1569:
1179:
210:
160:
2019:
1969:
1929:
1801:
1503:"USAF Heritage of America Band, Langley Air Force Base, Virginia Discography 1985–2017"
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1118:"Malcolm Arnold, Tokyo Kosei Wind Orchestra, Douglas Bostock – An Arnold Celebration"
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229:, by Charles Sayre, Hisaatsu Kondo, Munetoshi Senoo, and Terry Vosbein; also one for
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1093:"Various – WASBE Concerts, 1995 (The 7th WASBE Conference, Hamamatsu, Japan)"
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60:, once in its original form and once in a choral arrangement to words by Sir
41:
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1018:"Malcolm Arnold, The BBC Concert Orchestra, Vernon Handley – Malcolm Arnold"
930:"Sir Malcolm Arnold – The Composer, The Conductor - A 75th Birthday Tribute"
522:
429:
United States Air Force
Tactical Air Command Band, cond. Lowell E. Graham.
214:
202:
620:. Bio-Bibliographies in Music, 69. Westport: Greenwood Press. p. 28.
266:
Sir
Malcolm Arnold – The Composer, The Conductor – A 75th Birthday Tribute
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36:
written in 1968 to commemorate the centenary of the first meeting of the
25:
415:
In
Concert With The University Of Illinois Symphonic Band Recording #127
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230:
96:
The overture has a tripartite structure. The first part begins with a
77:
53:
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311:
University Of
Wisconsin Milwaukee Wind Ensemble, cond. Thomas Dvorak.
776:"Wind Symphony, Symphonic Band to perform British, American classics"
226:
190:
57:
49:
1476:
The Life and Music of Sir
Malcolm Arnold: The Brilliant and the Dark
130:(a conventional way of representing galloping cavalry) and rises to
1937:
717:
238:
61:
738:"Review of Sir Malcolm Arnold (1921–2006): Arnold conducts Arnold"
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320:
University of
Evansville Wind Ensemble, cond. Kenneth Steinsultz.
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793:
775:
338:
WASBE Concerts, 1995 (The 7th WASBE Conference, Hamamatsu, Japan)
198:
103:
963:. Beverly Hills: Theodore Front Musical Literature. p. 17.
233:
by Andrew Duncan. An arrangement for chorus and orchestra by
1205:"Wind band masterworks. Vol. 2 [electronic resource]"
413:
University of
Illinois Symphonic Band, cond. James F. Keene.
395:
Texas A&M University
Symphonic Band, cond. Timothy Rhea.
273:
City of Birmingham Symphony Orchestra, cond. Malcolm Arnold.
297:
The BBC Concert Orchestra, Vernon Handley – Malcolm Arnold
585:
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379:
Bunkyo University Wind Orchestra, cond. Munetoshi Senoo.
1068:"Wind Ensemble, Kenneth Steinsultz – Hail To Evansville"
898:
BBC Proms: The Official Guide: 18 July–13 September 2014
570:
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495:"The joy of Malcolm Arnold's optimistic, hummable tunes"
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Hamamatsu Symphonic Wind Orchestra, cond. Toru Asada.
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72:
The overture depicts the events of 16 August 1819 in
1428:
The New Penguin Guide to Compact Discs and Cassettes
1231:"Harmonie St. Caecilia Geulle – Caecilia In Concert"
816:
1332:
755:
345:Tokyo Kosei Wind Orchestra, cond. Douglas Bostock.
313:
Classics For Wind Ensemble/Symphony Band Volume One
806:
804:
802:
800:
798:
796:
2080:
1455:"Vintage Brass Band Recordings – Compact Discs"
960:20th Century British Music: A Collector's Guide
286:BBC Philharmonic Orchestra, cond. Rumon Gamba.
225:There have been at least four arrangements for
56:, recorded many times, and played twice at the
523:"Arnold's Peterloo Overture: The Binaural Mix"
264:BBC Symphony Orchestra, cond. Malcolm Arnold.
1687:Concerto for Two Violins and String Orchestra
1539:
295:BBC Concert Orchestra, cond. Vernon Handley.
1389:Malcolm Arnold: An Introduction to His Music
354:Kansai Wind Orchestra, cond. Toshiyuki Ise.
445:Williams Fairey Band, cond. James Gourlay.
423:Terry Vosbein arrangement for wind ensemble
2032:
1546:
1532:
687:
373:Munetoshi Senoo arrangement for wind band
1355:
773:
589:
439:Andrew Duncan arrangement for brass band
330:Hisaatsu Kondo arrangement for wind band
171:Early reviews of the score were mixed.
2047:Category:Compositions by Malcolm Arnold
1501:Landon, Raymond S. (21 February 2018).
1472:
1166:
1143:"[CD] Blessed Promising Future"
901:. London: BBC Books. 2014. p. 58.
574:
305:Charles Sayre arrangement for wind band
16:1968 concert overture by Malcolm Arnold
2081:
2037:List of compositions by Malcolm Arnold
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1316:
1304:
825:
613:
492:
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990:
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774:Goodrich, Robbie (17 November 2015).
735:
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363:JSB Band, cond. Ken-Ichiro Masumori.
1697:Concerto for Harmonica and Orchestra
1385:
761:
601:
470:Leyland Band, cond. Michael Fowles.
159:, conducted by the composer, in the
151:was commissioned from Arnold by the
724:Greenfield, Layton & March 1988
676:Greenfield, Layton & March 1988
493:Bratby, Richard (19 October 2019).
241:was first performed in 2014 at the
13:
2109:Funerary and memorial compositions
1553:
780:Stephen F. Austin State University
617:Malcolm Arnold: A Bio-Bibliography
548:"Peterloo: Overture for orchestra"
464:Unknown arrangement for brass band
389:Unknown arrangements for wind band
299:. Conifer Classics. 75605 51298 2.
268:. BBC Radio Classics. 15656 91817.
14:
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275:Malcolm Arnold – Symphony No. 5,
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729:
681:
220:
2124:Works about the labor movement
2099:Compositions by Malcolm Arnold
1874:The Inn of the Sixth Happiness
1453:Holman, Gavin (January 2021).
641:
607:
540:
515:
486:
404:Harmonie St. Caecilia Geulle.
1:
1473:Jackson, Paul R. W. (2019) .
1326:
474:. Faber Music. 0 571 52287 4.
397:Wind Band Masterworks. Vol. 2
383:. Brain Music. OSBR 20026/27.
252:
2094:British trade unions history
1850:The Bridge on the River Kwai
1335:"Malcolm Arnold Discography"
991:Quinn, John (5 April 2005).
736:Quinn, John (7 April 2007).
479:
166:
157:Royal Philharmonic Orchestra
91:
67:
7:
1826:The Night My Number Came Up
1818:The Sea Shall Not Have Them
651:(October 1980). "Review of
614:Craggs, Stewart R. (1998).
258:Original orchestral version
143:
10:
2140:
1810:The Belles of St Trinian's
1342:The Malcolm Arnold Society
447:Bridgewater Hall Live 2000
324:. Mark Records. 54594 MCD.
163:, London, on 7 June 1968.
2028:
2012:
1996:
1794:You Know What Sailors Are
1721:
1705:
1679:
1586:
1561:
417:. Mark Records. MCD 1458.
399:. Mark Records. 5982 MCD.
358:. Brain Music. BOCD 7175.
245:, London, as part of the
1359:(July 1982). "Review of
1180:"Bunkyo Sound Selection"
993:"Recording of the Month"
433:. Mark Records. MCC 558.
356:Blessed Promising Future
288:Malcolm Arnold Overtures
1692:Clarinet Concerto No. 2
1479:. Abingdon: Routledge.
472:The Alchymist's Journal
408:. Eurosound. ES 47.182.
247:Last Night of the Proms
2004:Malcolm Arnold Academy
1954:The Heroes of Telemark
1770:The Captain's Paradise
1762:It Started in Paradise
1670:Tam O'Shanter Overture
997:MusicWeb International
742:MusicWeb International
381:Bunkyo Sound Selection
365:Japan Band Festival 93
340:. Kosei. KOCD-4551/60.
290:. Chandos. CHAN 10293.
2119:Works about massacres
1898:Whistle Down The Wind
1754:The Holly and the Ivy
1379:10.1093/ml/63.3-4.374
1211:. Stanford University
347:An Arnold Celebration
237:setting words by Sir
153:Trades Union Congress
38:Trades Union Congress
1962:Sky West and Crooked
1713:The River Kwai March
1656:Four Scottish Dances
1906:No Love for Johnnie
1858:The Roots of Heaven
1570:Homage to the Queen
1431:. London: Penguin.
1386:Cole, Hugo (1989).
1366:Music & Letters
1209:SearchWorks Catalog
604:, pp. 154–156.
406:Caecilia in Concert
349:. Kosei. KOCD 8000.
161:Royal Festival Hall
86:Henry "Orator" Hunt
2020:Curse of the ninth
1970:Africa Texas Style
1930:Nine Hours to Rama
1802:The Sleeping Tiger
1415:Greenfield, Edward
693:"[Review]"
689:MacDonald, Malcolm
367:. Sony. SRCR 9421.
322:Hail to Evansville
44:which depicts the
2114:Peterloo massacre
2104:Concert overtures
2089:1968 compositions
2054:
2053:
1986:David Copperfield
1738:The Sound Barrier
1392:. London: Faber.
1361:Peterloo Overture
1357:Banfield, Stephen
872:(choral version)"
658:The Musical Times
653:Peterloo Overture
277:Peterloo Overture
243:Royal Albert Hall
185:Malcolm MacDonald
74:St Peter's Fields
46:Peterloo Massacre
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2013:Related articles
1997:Named for Arnold
1946:The Chalk Garden
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1618:Symphony No. 5
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1612:Symphony No. 4
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1606:Symphony No. 3
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1600:Symphony No. 2
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552:Faber ff Music
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1978:The Reckoning
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1939:
1935:
1932:
1931:
1927:
1924:
1923:
1919:
1916:
1915:
1914:The Inspector
1911:
1908:
1907:
1903:
1900:
1899:
1895:
1892:
1891:
1887:
1884:
1883:
1879:
1876:
1875:
1871:
1868:
1867:
1863:
1860:
1859:
1855:
1852:
1851:
1847:
1844:
1843:
1839:
1836:
1835:
1831:
1828:
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1815:
1812:
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1807:
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1710:
1708:
1706:Miscellaneous
1704:
1698:
1695:
1693:
1690:
1688:
1685:
1684:
1682:
1678:
1672:
1671:
1667:
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1634:
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1616:
1613:
1610:
1607:
1604:
1601:
1598:
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1589:
1585:
1579:
1578:
1574:
1572:
1571:
1567:
1566:
1564:
1560:
1556:
1549:
1544:
1542:
1537:
1535:
1530:
1529:
1526:
1511:
1504:
1499:
1488:
1486:9780367174613
1482:
1478:
1477:
1471:
1460:
1456:
1451:
1440:
1434:
1430:
1429:
1424:
1420:
1416:
1412:
1401:
1399:9780571100712
1395:
1391:
1390:
1384:
1380:
1376:
1372:
1368:
1367:
1362:
1358:
1354:
1343:
1336:
1331:
1330:
1318:
1313:
1306:
1301:
1286:
1282:
1276:
1261:
1257:
1251:
1236:
1232:
1226:
1210:
1206:
1200:
1185:
1181:
1175:
1169:, p. 72.
1168:
1163:
1148:
1144:
1138:
1123:
1119:
1113:
1098:
1094:
1088:
1073:
1069:
1063:
1048:
1044:
1038:
1023:
1019:
1013:
998:
994:
987:
972:
966:
962:
961:
956:
950:
935:
931:
925:
910:
908:9781849908108
904:
900:
899:
892:
877:
873:
871:
863:
848:
844:
842:
834:
828:, p. 10.
827:
822:
820:
813:, p. 18.
812:
807:
805:
803:
801:
799:
797:
781:
777:
770:
763:
758:
743:
739:
732:
726:, p. 11.
725:
720:
704:
700:
699:
694:
691:(June 1990).
690:
684:
678:, p. 10.
677:
672:
664:
660:
659:
654:
650:
644:
629:
627:9780313292545
623:
619:
618:
610:
603:
598:
591:
590:Banfield 1982
586:
584:
576:
571:
569:
553:
549:
543:
528:
524:
518:
502:
501:
500:The Spectator
496:
489:
485:
473:
468:
467:
466:
465:
457:
452:
448:
443:
442:
441:
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432:
427:
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416:
411:
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402:
398:
393:
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382:
377:
376:
375:
374:
366:
361:
357:
352:
348:
343:
339:
334:
333:
332:
331:
323:
318:
314:
309:
308:
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298:
293:
289:
284:
280:
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271:
267:
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261:
260:
259:
250:
248:
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236:
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228:
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179:
174:
164:
162:
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150:
141:
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134:
124:
114:
110:
105:
101:
100:
89:
87:
83:
79:
75:
65:
63:
59:
55:
51:
47:
43:
39:
35:
31:
27:
23:
22:
2040:
2030:
1984:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1920:
1912:
1904:
1896:
1888:
1880:
1872:
1864:
1856:
1848:
1840:
1832:
1824:
1816:
1808:
1800:
1792:
1784:
1776:
1768:
1760:
1752:
1744:
1736:
1728:
1668:
1662:
1661:
1654:
1647:
1577:Sweeney Todd
1575:
1568:
1513:. Retrieved
1509:
1490:. Retrieved
1475:
1462:. Retrieved
1458:
1442:. Retrieved
1427:
1403:. Retrieved
1388:
1370:
1364:
1360:
1345:. Retrieved
1341:
1312:
1300:
1288:. Retrieved
1284:
1275:
1263:. Retrieved
1259:
1250:
1238:. Retrieved
1234:
1225:
1213:. Retrieved
1208:
1199:
1187:. Retrieved
1183:
1174:
1167:Jackson 2019
1162:
1150:. Retrieved
1146:
1137:
1125:. Retrieved
1121:
1112:
1100:. Retrieved
1096:
1087:
1075:. Retrieved
1071:
1062:
1050:. Retrieved
1046:
1037:
1025:. Retrieved
1021:
1012:
1000:. Retrieved
996:
986:
974:. Retrieved
959:
949:
937:. Retrieved
933:
924:
912:. Retrieved
897:
891:
879:. Retrieved
875:
869:
862:
850:. Retrieved
846:
840:
833:
783:. Retrieved
779:
769:
757:
745:. Retrieved
741:
731:
719:
707:. Retrieved
702:
696:
683:
671:
665:(1652): 653.
662:
656:
652:
643:
631:. Retrieved
616:
609:
597:
575:Jackson 2019
555:. Retrieved
551:
542:
530:. Retrieved
526:
517:
505:. Retrieved
498:
488:
471:
463:
462:
455:
446:
438:
437:
430:
422:
421:
414:
405:
396:
388:
387:
380:
372:
371:
364:
355:
346:
337:
329:
328:
321:
312:
304:
303:
296:
287:
278:
274:
265:
257:
256:
224:
221:Arrangements
211:Shostakovich
194:
189:
182:
170:
148:
147:
131:
122:
108:
97:
95:
71:
20:
19:
18:
1778:Albert R.N.
1746:Stolen Face
1680:Concertante
1423:March, Ivan
1317:Holman 2021
1305:Holman 2021
1147:Brain Music
843:brass band"
826:Landon 2018
40:. It is a
2083:Categories
1722:Film score
1438:0140468293
1327:References
970:0934082022
698:Gramophone
253:Recordings
231:brass band
133:fortissimo
78:Manchester
54:brass band
762:Cole 1989
705:(805): 41
602:Cole 1989
480:Footnotes
235:Ben Parry
227:wind band
191:Hugo Cole
167:Reception
102:theme in
92:Structure
68:Programme
28:97, is a
1938:Tamahine
1922:The Lion
1663:Peterloo
1425:(1988).
957:(1980).
870:Peterloo
841:Peterloo
503:. London
239:Tim Rice
149:Peterloo
144:Premiere
115:becomes
82:Yeomanry
62:Tim Rice
21:Peterloo
1882:The Key
1866:Dunkirk
1842:Trapeze
1515:14 June
1464:12 June
1444:11 June
1405:10 June
1347:11 June
1290:14 June
1285:Discogs
1265:14 June
1260:Discogs
1240:14 June
1235:Discogs
1215:12 June
1189:13 June
1152:13 June
1127:12 June
1122:Discogs
1102:14 June
1097:Discogs
1077:14 June
1072:Discogs
1052:14 June
1047:Discogs
1027:12 June
1022:Discogs
1002:12 June
976:12 June
939:12 June
934:Discogs
914:11 June
881:11 June
785:11 June
747:11 June
709:11 June
633:11 June
557:11 June
532:14 June
507:14 June
456:Victory
199:G major
138:tam-tam
104:C major
2059:Portal
1989:(1969)
1981:(1969)
1973:(1967)
1965:(1966)
1957:(1965)
1949:(1964)
1941:(1963)
1933:(1963)
1925:(1962)
1917:(1962)
1909:(1961)
1901:(1961)
1893:(1960)
1885:(1958)
1877:(1958)
1869:(1958)
1861:(1958)
1853:(1957)
1845:(1956)
1837:(1956)
1829:(1955)
1821:(1954)
1813:(1954)
1805:(1954)
1797:(1954)
1789:(1954)
1781:(1953)
1773:(1953)
1765:(1952)
1757:(1952)
1749:(1952)
1741:(1952)
1733:(1952)
1644:(1986)
1638:(1978)
1632:(1973)
1626:(1967)
1620:(1961)
1614:(1960)
1608:(1957)
1602:(1953)
1596:(1949)
1562:Ballet
1492:21 May
1483:
1435:
1396:
967:
905:
852:22 May
624:
207:Walton
195:nobile
109:nobile
99:nobile
1506:(PDF)
1338:(PDF)
203:Elgar
58:Proms
1834:1984
1517:2022
1494:2022
1481:ISBN
1466:2022
1459:ibew
1446:2022
1433:ISBN
1407:2022
1394:ISBN
1349:2022
1292:2022
1267:2022
1242:2022
1217:2022
1191:2021
1154:2021
1129:2022
1104:2022
1079:2022
1054:2022
1029:2022
1004:2022
978:2022
965:ISBN
941:2022
916:2022
903:ISBN
883:2022
854:2022
811:2015
787:2022
749:2022
711:2022
635:2022
622:ISBN
559:2022
534:2022
509:2022
215:Ives
213:and
205:and
50:wind
1375:doi
1363:".
1184:FC2
663:121
655:".
527:BBC
52:or
32:by
26:Op.
2085::
1508:.
1457:.
1421:;
1417:;
1371:63
1369:.
1340:.
1283:.
1258:.
1233:.
1207:.
1182:.
1145:.
1120:.
1095:.
1070:.
1045:.
1020:.
995:.
932:.
874:.
845:.
818:^
795:^
778:.
740:.
703:68
701:.
695:.
661:.
582:^
567:^
550:.
525:.
497:.
249:.
217:.
76:,
64:.
24:,
2061::
1547:e
1540:t
1533:v
1519:.
1496:.
1468:.
1448:.
1409:.
1381:.
1377::
1351:.
1294:.
1269:.
1244:.
1219:.
1193:.
1156:.
1131:.
1106:.
1081:.
1056:.
1031:.
1006:.
980:.
943:.
918:.
885:.
868:"
856:.
839:"
789:.
751:.
713:.
637:.
561:.
536:.
511:.
315:.
123:8
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