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complained that Ravel's playing of the work was "unutterably slow". However, the composer was not impressed by interpretations that plodded. After a performance by
Charles Oulmont, Ravel mentioned to him that the piece was called "Pavane for a dead princess", not "dead pavane for a princess". When
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This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for
Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably
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229:] might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries.
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called the work "most beautiful" and added, "The piece is hardly representative of the composer, with whom elusive harmonies woven in rapid figuration are the usual medium of expression. In the
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gave the first performance on 5 April 1902. The work soon became very popular, although Ravel came to think of it as "poor in form" and unduly influenced by the music of
304:, Ravel smiled coyly and replied, "Do not be surprised, that title has nothing to do with the composition. I simply liked the sound of those words and I put them there,
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on his eponymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic version by
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was made in 1921 in Paris. A later recording, made in Paris in 1932 is sometimes thought to have been conducted by the composer, but was actually conducted by
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replaced it as the official horn of primary instruction. The orchestral score was published in 1910. The premiere was given on 27 February 1911 in
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Ravel intended the piece to be played extremely slowly – more slowly than almost any modern interpretation, according to his biographer
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in 1910, he gave the lead melody to the horn, and specified a non-generic instrument: the score calls for "2 Cors simples en sol" (two
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523:(1979) and the all-female synthesizer quartet Hello, Wendy (2014). Edgar Meyer recorded a version for double bass and piano on his CD
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we get normal, almost archaic harmonies, subdued expression, and a somewhat remote beauty of melody."
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In addition to numerous recorded performances within the classical repertoire, the
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Andres, Robert. "An introduction to the solo piano music of
Debussy and Ravel"
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maintains a significant presence in popular music. In particular, the song "
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751:"Allmusic listing of popular albums containing "Pavane for a Dead Princess""
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in G). The teaching of the valveless hand-horn had persisted longer in the
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Introduction and
Allegro for Harp, Flute, Clarinet, and String Quartet
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in 1900, but it attracted little attention until the
Spanish pianist
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Maurice Ravel: Pavane for a Dead
Princess (program notes)
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in 2015 by David
Hernando Vitores and Kayoko Morimoto
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than in other
European centers; only in 1903 had the
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When Ravel published his orchestrated version of the
938:. Eric Kujawsky, Peter Stahl, Wyatt Doug (eds.).
692:"Allmusic listing of classical albums containing
575:, Oxford Music Online, accessed 15 November 2011
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221:Ravel described the piece as "an evocation of a
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484:Arranged for saxophone and piano, performed at
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969:International Music Score Library Project
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1474:Solo piano compositions by Maurice Ravel
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560:, BBC Radio 3, accessed 17 November 2011
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527:(1990), a solo bass guitar version by
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425:As of 2020 it is ranked 230th in the
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391:. Reviewing the concert, the critic
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680:Classic FM. Ultimate Hall of Fame.
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932:Heninger, Barbara (2001-11-23).
907:Pavane pour une infante défunte
496:Problems playing this file? See
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417:recording of the piece in 1922.
358:Problems playing this file? See
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296:asked by the composer-conductor
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728:Pavane pour une Infante Defunte
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153:Pavane pour une infante défunte
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1309:Valses nobles et sentimentales
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1379:Pierre-Joseph Ravel (father)
655:"The Gentlemen's Concerts",
300:how he arrived at the title
225:that a little princess [
27:Composition by Maurice Ravel
7:
1216:Sonata for Violin and Cello
905:Simpson, Carl, ed. (2004).
869:. London: Faber and Faber.
797:"Allmusic listing of album
10:
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1041:L'enfant et les sortilèges
831:. New York: Welcome Rain.
773:"Biography of Isao Tomita"
771:Stevenson, Joseph (1979).
434:aggregated over 25 years.
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61:Pavane for a Dead Princess
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1283:Menuet sur le nom d'Haydn
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1355:Trois poèmes de Mallarmé
1341:Don Quichotte à Dulcinée
661:, 28 February 1911, p. 6
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516:Pieces in a Modern Style
387:, England, conducted by
145:Piano (later: orchestra)
1484:Compositions in G major
865:Nichols, Roger (1987).
846:Larner, Gerald (1996).
825:Ivry, Benjamin (2000).
658:The Manchester Guardian
577:(subscription required)
408:Pedro de Freitas Branco
1489:Music with dedications
1389:Impressionism in music
1384:Close and open harmony
1269:Le Tombeau de Couperin
1098:Le Tombeau de Couperin
912:. Boca Raton: Kalmus.
828:Maurice Ravel – A Life
646:(Sunday, 8 March 1970)
587:Larner, pp. 60 and 227
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173:Conservatoire de Paris
115:5 April 1902
1211:Piano Trio in A minor
1084:Alborada del gracioso
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262:Princesse de Polignac
106:Princesse de Polignac
1348:Histoires naturelles
1049:L'éventail de Jeanne
1016:List of compositions
803:. Allmusic data base
753:. Allmusic data base
732:. Allmusic data base
698:. Allmusic data base
298:Manoah Leide-Tedesco
256:Ravel dedicated the
1494:William Orbit songs
1327:Chansons madécasses
1231:String Quartet in F
1226:Violin Sonata No. 2
1221:Violin Sonata No. 1
1183:Piano Concerto in G
850:. London: Phaidon.
644:Rocky Mountain News
505:It was recorded by
260:to his patron, the
161:for a Dead Princess
1255:Gaspard de la nuit
1147:Rapsodie espagnole
890:. Mineola: Dover.
777:Allmusic data base
573:Grove Music Online
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377:Paris Conservatory
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244:Rapsodie espagnole
1469:1899 compositions
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1057:L'heure espagnole
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670:Orenstein, p. 536
634:in Nichols, p. 84
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848:Maurice Ravel
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291:. The critic
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289:Benjamin Ivry
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948:. Retrieved
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531:(1995), and
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1406:Les Apaches
1171:Concertante
1154:Shéhérazade
909:Study Score
612:Ivry, p. 23
521:Isao Tomita
507:Pedro Aznar
438:Adaptations
1463:Categories
1400:The Bolero
1394:Ravel Peak
1262:Jeux d'eau
1247:Solo piano
1076:Orchestral
950:2008-08-17
819:References
807:2011-06-08
782:2012-04-27
757:2011-04-12
736:2011-04-12
702:2011-04-12
529:Jimmy Earl
498:media help
427:Classic FM
421:Popularity
415:piano roll
385:Manchester
381:valve horn
373:hand-horns
360:media help
306:c'est tout
165:solo piano
119:1902-04-05
102:Dedication
918:181658212
283:Beginning
189:clarinets
127:Published
112:Performed
1424:Category
1303:Sonatine
1105:La valse
1068:(ballet)
1052:(ballet)
1036:(ballet)
630:Oulmont
541:(2004).
519:(2000),
274:Chabrier
247:and the
199:bassoons
194:♭
87:Composed
77:Based on
1372:Related
1290:Miroirs
1237:Tzigane
1199:Chamber
1189:Tzigane
1126:Miroirs
1060:(opera)
1044:(opera)
239:Albéniz
235:Debussy
227:Infanta
217:History
211:strings
197:), two
142:Scoring
132: (
117: (
92: (
71:G major
57:English
1437:Portal
1091:Boléro
916:
894:
873:
854:
835:
632:quoted
470:(5:32)
444:Pavane
404:Pavane
397:Pavane
369:Pavane
350:, 1976
332:(5:08)
258:Pavane
250:Boléro
223:pavane
209:, and
201:, two
187:, two
181:flutes
175:under
159:Pavane
81:Pavane
1319:Vocal
1025:Stage
545:Notes
203:horns
191:(in B
183:, an
914:OCLC
892:ISBN
871:ISBN
852:ISBN
833:ISBN
799:Pure
538:Pure
237:and
207:harp
185:oboe
134:1900
130:1900
94:1899
90:1899
513:in
167:by
67:Key
40:by
1465::
775:.
592:^
312:.
276:.
253:.
213:.
205:,
1439::
997:e
990:t
983:v
953:.
920:.
900:.
879:.
860:.
841:.
810:.
801:"
785:.
760:.
739:.
730:"
705:.
696:"
500:.
362:.
156:(
136:)
121:)
96:)
20:)
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