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182:. His father, Charles Biva (1821 Mulhouse – 1884 Paris) was a graphic designer and entrepreneur. In 1845 he opened a wallpaper factory in Montmartre. Very young, the two brothers, Paul and Henri Biva, learned to draft designs for the family business. Biva's delicacy and sureness of line features, colors and compositions of bouquets and still lifes comes in part from this particular training—also in the artistic context of Montmartre at the time.
343:—he subsequently explored other paths and other subjects. His flowers became more expressive, vigorous yet delicate and full of freshness, while Henri Biva's landscapes offered an intimate glimpse of a specific locale, characterized by intricate strokes and a pure palette bathed with warm natural light. Both Bivas devoted great attention to light effects.
31:
302:
M. Paul Biva, landscape artist with a particular preference for flowers, was in the genre one of the most skilled and brightest artists of our time; his colorations are always, without ever exceeding the threshold of the natural world, vivid and explosive , and his motifs harmoniously composed many
260:
From
Romanticism of the 1830s to Surrealism of the 1820s, we can state that Montmartre was at the origin, or at least involved in the creative period of the various successive movements. And especially, from 1850 to 1914, assembled here was an ensemble of painters and artists, poets, writers and
297:
tradition, Paul Biva's favorite subjects were flowers, especially roses and peonies in full bloom. He paid great attention to the subtly nuanced variations of direct and reflected light on flower petals, while using vivid contrasts to highlight the expressive colors of his subject matter.
400:(1878-1965), also a painter, emigrated to the United States in 1919 where he continued to paint and work as an ornamental designer for textile fabrics and similar articles of manufacture, patenting over 80 designs between 1920 and 1950. He became an American citizen in 1928.
448:
281:
From Biva's first exhibition at the Salon des artistes français of 1878 until his death, the works of Paul Biva had been recognized and appreciated by the public and critics, as evidenced by articles commenting on the numerous exhibitions in which he participated.
327:
The literature in the press often confuses the two brothers, Paul's work is sometimes likened to that of Henri Biva, the elder who lived 30 years longer, and whose production was therefore much more abundant. The "Causerie" of
Jacques Mauprat, published in
542:
482:
418:
497:
433:
512:
307:
Aside from his paintings, the illustrative skills of Paul Biva are revealed in his drawings that he realized for the illustrated catalogs of the Salon des artistes français between 1878 and 1901.
463:
606:
200:
In addition to the burden of work for the family business, Paul Biva enlisted in the Garde
Nationale for compulsory military service during a difficult political and social period: the
1292:
527:
336:
repeatedly mention "Biva", without specifying a first name to distinguishing between the two, even though several of their paintings are discussed and reproduced in the ouvrage.
393:
of
Suzanne and Gigi Coutant, then at the École des beaux-arts de Paris, and exhibited at the Salon des artistes français and in several other Salons in Paris and Province.
233:
Paul Biva lived at 128, rue du
Faubourg-Poissonnière, and from 1897 at 12, rue d'Hauteville, according to the catalogue of 1912 Salon de la Société des artistes français.
332:(18 February 1894) mentions 'the flowers of both Biva's' exhibited at the Salon Lyonnais, and in 1993, Élisabeth Hardouin-Fugier and Étienne Grafe, in their book titled
1305:
1921 Catalogue of the Fifth Annual exhibition of The
Society of Independent Artists: no jury, no prizes" The Waldorf Astoria, New York, 26 February – 24 March, 1921
1077:
303:
landscapes of always fresh tonality, flowers and fruits, are highly acclaimed and sought after by collectors. (Bulletin des Sociétés artistiques de l’est, 1900)
1212:
339:
If at first, from 1873, the young Paul Biva was influenced by the zeitgeist for genre scenes and landscapes—electing to paint landscapes that evoke those of
588:
1373:
1105:
359:
358:) at the Salon in 188 Their daughter, Jeanne Biva, a student of Victor Marec and Paul Biva, was in one of the first coeducational classes at
873:, Volume 3, Université de Toulouse. Conseil de l'université, Association Pyrénéenne, Toulouse, Union des sociétés savantes du Midi, 1891
269:
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163:
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265:. They lived in an artistic atmosphere and intellectual ferment which undoubtedly will never exist again with such intensity.
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Charles Biva, Henri Biva, Paul Biva, Julienne
Jouatte, Lucien Biva and Huguette Berthoux-Graux are mentioned in the
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630:
597:
256:
The influence of the artistic environment in
Montmartre also played a vital role, as expressed by André Roussard:
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Actes de l'Académie nationale des sciences, belles-lettres et arts de
Bordeaux, Hotel des sociétés savantes, 1901
242:
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1019:
212:
185:
1454:
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923:, Société des artistes français. Salon, Société nationale des beaux-arts (France). Salon, Goupil & Cie
1304:
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1038:
930:
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205:
1326:
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Ellis Island, The Statue of Libert–Ellis Island
Foundation, Inc. Passenger record, Lucien Felix Biva
976:
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575:
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970:
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634:
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245:(1699–1779), rediscovered at the time by the artistic community, and the energy of painters
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8:
455:
Nature morte avec fleurs, pĂŞches et raisins (Still life with flowers, peaches and grapes)
351:
347:
340:
911:, La Chronique des arts et de la curiosité, supplément à la Gazette des beaux-arts, 1897
241:
His artistic legacy mixes the baroque tradition of Dutch still lifes, the simplicity of
1327:
Annual report of the Commissioner of Patents, United States. Patent Office, G.P.O. 1922
363:
315:
123:
1295:, Garches, France, 1 September 1919, age 41, ship of arrival Rochambeau, from Le Havre
956:
815:
230:, exhibited by Paul Biva at the Salon of 1893 and donated to the Musée de Saint-Malo.
1341:
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1014:, Volume 1, Comité des travaux historiques et scientifiques, Éditions du CTHS, 1999,
966:
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249:
painting after the biennial Salon of 1850. Thereafter, Paul Biva became sensitive to
201:
1316:
Lucien Biva, Design for a textile fabric or similar article, Patented 4 October 1921
261:
musicians unparalleled in history, who revolutionized the arts and particularly the
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30:
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or elaborate flower settings, much as the work of his older brother, the artist
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1000:, Les Éditions de l’Amateur, 1993, pp. 177, 199, 240, 248, 304, 315, 349
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155:
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119:
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949:, Académie nationale des sciences, belles-lettres et arts de Bordeaux, 1901
294:
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397:
1338:
Benezit Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs
286:
159:
135:
1376:, 31 Jan. 2009, Paul Biva, Still Life with Flowers, Peaches and Grapes
1200:, Éditions de l’Amateur, 1993, pp. 177, 199, 240, 248, 304, 315, 349
366:. She exhibited pastels at the Salon des artistes français in 1908 (
211:
After the Salon of 1878, Paul Biva almost continuously exhibited to
262:
216:
179:
143:
1137:
Dictionnaire des peintres à Montmartre, aux XIX|e et XX|e siècle
893:, Volume 11, Société de l'histoire de l'art français Paris, 1894
991:
Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs
867:, Volume 10, Eugène Véron, Paul Leroi, Librairie de l'art, 1890
610:
175:
1005:
Dictionnaire des peintres paysagistes français du XIX° siècle
897:
La Revue du siècle, littéraire, artistique & scientifique
549:
Bouquet de fleurs dans une coupe en bronze sur un entablement
853:
Catalogue illustré du Salon (Société des artistes français)
1241:
Les femmes peintres dans la seconde moitié du XIX|e siecle
1154:
Gallica, Bulletin des Sociétés artistiques de l’est, 1900
1109:, Volume 100, Benj. Duprat, Libraire de l'Institut, 1937]
427:, oil on canvas, 54.2 Ă— 73.4 cm, private collection
607:
Musée des beaux-arts et d'archéologie Joseph-Déchelette
551:, oil on canvas, 114 x 145 cm, private collection
506:, oil on canvas, 78 Ă— 52.5 cm, private collection
425:
Nature morte (Still life of roses in a cut-glass bowl)
1192:
1190:
837:, Volumes 5-6, Association horticole lyonnaise., 1883
162:(1848–1929). Paul Biva was a distinguished member of
1198:
Les Peintres de Fleurs en France, de Redouté à Redon
536:, oil on canvas, 60 x 74 cm, private collection
334:
Les Peintres de Fleurs en France, de Redouté à Redon
204:
just ended, initiating the insurgency period of the
166:
from 1898 until his untimely death two years later.
1374:
Sotheby's, Old Master and 19th Century European Art
1187:
1042:, Société nationale d'horticulture de France, 1900
940:, Société nationale d'horticulture de France, 1900
1259:Catalogue Illustré du Salon des Artistes Français
1228:Catalogue Illustré du Salon des Artistes Français
1166:Catalogue Illustré du Salon des Artistes Français
474:catalogue illustré du Salon des Artistes Français
293:representing the western suburbs of Paris in the
174:Biva Paul was raised in a family originally from
1381:
1210:Janet Whitmore, Ph.D., a biography of Henri Biva
998:Peintres de Fleurs en France, de Redouté à Redon
354:(1827-1892), exhibited a still-life with fruit (
1131:
1129:
819:(Paris. 1861). Bibliothèque nationale de France
440:Roses in a vase with a silver casket on a ledge
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1149:
1147:
1145:
645:
504:Nature morte avec des fleurs (Blumenstilleben)
154:in effect, principally represented intricate
1286:
1196:Élisabeth Hardouin-Fugier et Étienne Grafe,
1126:
963:Journal des débats politiques et littéraires
697:Dans le parc de Villeneuve l’Étang, le matin
1142:
931:Bulletin artistique de l'Est: Volumes 5 Ă 6
861:, Volume 1, Aux bureaux de L'Artiste., 1890
1271:Huguette Graux-Berthoux, amlaures.chez.com
996:Elisabeth Hardouin-Fugier, Etienne Grafe,
975:Maîtres et petits Maîtres du XIXe siècle,
909:Beaux-arts: revue d'information artistique
29:
1106:L'Intermédiaire des chercheurs et curieux
917:, Volumes 1-2, Beaumont-la-Ferriere, 1897
891:Revue de l'art français ancien et moderne
625:Works by Paul Biva are also conserved at
589:Musée d'art et d'histoire de Saint-Brieuc
489:Pivoines et mimosa dans un vase en cuivre
275:A basket of roses (Fresh from the garden)
98:Pivoines et mimosa dans un vase en cuivre
314:
268:
184:
164:National Horticultural Society of France
1112:
1078:Journal Officiel de la Commune de Paris
926:La Quinzaine, 1898, Lyon Public Library
1382:
1119:Janet Whitmore, Ph.D., a biography of
849:, Volume 6, 1884, Lyon (France), 1884
605:, Salon des artistes français, 1898,
556:
1007:, Ides et Calendes, 1985, p. 60
887:, Volume 1, Librairie de l'Art, 1894
457:, oil on canvas, 91.4 Ă— 73.7 cm
442:, oil on canvas, 53.3 Ă— 46.3 cm
1089:L'Art: revue hebdomadaire illustrée
878:L'Art: revue hebdomadaire illustrée
13:
521:, oil on canvas, 38.5 x 55 cm
491:, oil on canvas, 114 x 163 cm
310:
219:until his untimely death in 1900.
138:19 September 1851 – 13 June 1900,
14:
1471:
1367:
1340:, Oxford University Press, 2010,
635:Musée des beaux-arts de Tourcoing
362:in 1897. where she studied under
1460:19th-century French male artists
885:L'art: revue mensuelle illustrée
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277:, oil on canvas, 73.1 x 92.6 cm
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567:Musée des beaux-arts de Troyes
215:and other salons in Paris and
195:musée des beaux-arts de Troyes
1:
1358:La peinture au Musée de Dijon
1246:Clio. Femmes, genre, histoire
1179:Jacques Mauprat, «Causerie»,
1025:
953:Le salon, dix ans de peinture
664:L’Étang de Villeneuve l’Étang
654:Le matin à Villeneuve l’Étang
631:Musée des beaux-arts de Rouen
598:Musée des Beaux-Arts de Dijon
563:Le matin à Villeneuve l’Étang
405:Benezit Dictionary of Artists
360:École des beaux-arts de Paris
191:Le Matin à Villeneuve l’Étang
35:Salon de 1896 exhibition card
1445:19th-century French painters
243:Jean-Baptiste-Siméon Chardin
224:Alphonse James de Rothschild
169:
94:Nature morte avec des fleurs
7:
646:Salon des artistes français
323:, oil on canvas, 46 x 61 cm
213:Salon des artistes français
10:
1476:
1425:Post-Impressionist artists
1415:French still life painters
1012:Mécènes et collectionneurs
905:, Bureau de la revue, 1896
843:, Librairie de l'art, 1883
476:, 1889, private collection
410:
16:French painter (1851–1900)
1405:French landscape painters
640:
372:Boules de neige et muguet
107:
87:
79:
63:
58:Montmartre, Paris, France
40:
28:
21:
1410:French landscape artists
1139:, Montmartre, March 1999
713:Dans la vallée de Brunoy
576:Barbezieux-Saint-Hilaire
236:
803:Pavots au clair de lune
574:, 1889, Musée Gétraud,
396:The son of Henri Biva,
389:(1917–2003) studied at
387:Huguette Graux-Berthoux
356:Nature morte aux fruits
350:, niece of the painter
253:movement of the 1870s.
1435:French modern painters
324:
305:
278:
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146:. His paintings, both
1430:Impressionist artists
1054:"Musée de Montmartre"
993:, Vol. 2, p. 356
983:, Paris, October 1942
981:Le Chemin en campagne
585:Corbeille de Pivoines
385:Their granddaughter,
318:
300:
289:focused primarily on
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258:
188:
102:Fresh from the Garden
1455:People of Montmartre
1450:French male painters
797:Floraison d’un matin
321:Paysage (La rivière)
285:Whereas his brother
140:Avon, Seine-et-Marne
74:Avon, Seine-et-Marne
1400:Painters from Paris
1181:Le Progrès Illustré
1010:Jean Yves Ribault,
977:Galerie René Drouin
787:Fleurs de Printemps
767:Fleurs de printemps
745:Fleurs de printemps
472:. Published in the
341:Jean-Baptiste Corot
330:Le Progrès Illustré
156:landscape paintings
1215:2011-11-05 at the
1183:, 18 February 1894
1003:Lydia Harambourg,
915:Revue du Nivernais
903:La Revue du siècle
871:Revue des Pyrénées
841:Chronique de l'art
557:Public collections
364:William Bouguereau
346:Paul Biva's wife,
325:
279:
198:
124:Post-Impressionism
1282:l'Ecole de dessin
1040:Jardins de France
938:Jardins de France
899:, Volume 10, 1896
865:Courrier de l'art
627:Château de Dieppe
596:, Salon de 1896,
391:l'Ecole de dessin
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55:19 September 1851
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691:Fleurs et fruits
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348:Julienne Jouatte
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89:Notable work
69:(1900-06-13)
67:13 June 1900
1395:1900 deaths
1390:1851 births
1168:, 1878–1901
934:, 1899-1900
618:, Mairie d’
398:Lucien Biva
319:Paul Biva,
273:Paul Biva,
202:War of 1870
189:Paul Biva,
1384:Categories
1064:2014-03-07
1026:References
1020:2735504050
847:Lyon-revue
685:Provisions
603:Les Pavots
376:Renoncules
291:landscapes
287:Henri Biva
226:purchased
222:The Baron
160:Henri Biva
152:Naturalist
136:Montmartre
116:Naturalism
51:1851-09-19
1121:Paul Biva
971:1770-619X
859:L'Artiste
827:1150-1073
670:(gouache)
594:Les Roses
374:), 1912 (
370:), 1910 (
295:plein-air
263:Fine arts
170:Biography
132:Paul Biva
45:Paul Biva
23:Paul Biva
1213:Archived
817:Le Temps
725:Pivoines
709:Pivoines
668:Anémones
616:Pivoines
580:Charente
380:Anémones
217:Province
193:(1873),
108:Movement
83:Painting
675:Pensées
633:and at
411:Gallery
247:Realist
180:Grisons
148:Realist
144:painter
112:Realism
1344:
1091:, 1894
1018:
969:
881:, 1894
855:, 1884
825:
801:1901,
795:1900,
791:Pavots
785:1899,
781:Pavots
775:1898,
771:Pavots
765:1897,
761:Pavots
755:1896,
751:Pavots
749:1895,
739:1894,
735:Pavots
729:1893,
723:1892,
717:1891,
707:1890,
701:1889,
695:1884,
689:1883,
681:Fruits
679:1881,
673:1880,
658:1879,
652:1878,
641:Salons
611:Roanne
519:Fleurs
470:Pavots
176:Alsace
947:Actes
757:Roses
731:Roses
703:Roses
572:Roses
237:Ĺ’uvre
1342:ISBN
1016:ISBN
967:ISSN
830:ISSN
823:ISSN
178:and
64:Died
41:Born
382:).
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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