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Patrick Gleeson

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949: 161:) and subsequent tours, pioneering synthesizers as a live instrument. Hancock initially hired Gleeson as a synthesizer technician and instructor, but ended up asking him to become a full-time band member, expanding the ensemble from six to seven musicians. Hancock has credited Gleeson with introducing him to synthesizers and teaching him technique. 670:
Yes, I used until I went with Herbie (Hancock) in 1970. Then I used a 2600 because I couldn't use the Moog on stage. It was too big and cranky; every time we transported it, we would have to pull a module out, and I knew I couldn't do that on the road, so I started using
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in the 1960s to teach in the English Department at San Francisco State. Gleeson began experimenting with electronic music in the mid-'60s at the
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in 1976, to which Carlos contributed the sleeve notes. The album was nominated for a "best engineered recording-classical" Grammy in 1976.
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In 2017 Gleeson retired from film and television scoring and returned to live performance, both as a solo artist and with a trio (
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were both recorded in part at Different Fur studios. Gleeson has subsequently worked with many other Jazz musicians, including
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synth and other devices. He resigned his teaching position to become a full-time musician. In 1968, "upon hearing
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Gleeson has been involved in the scoring of a number of film soundtracks, including
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Patrick Gleeson's Computer Realization of Vivaldi's The Four Seasons
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Beyond the Sun - An Electronic Portrait of Holst's "The Planets"
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Beyond the Sun - An Electronic Portrait of Holst's "The Planets"
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Danny Sofer and Doug Lynner, Interview with Patrick Gleeson,
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Gleeson recorded a number of solo albums, starting with
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A: We Are Devo! 149:in the early 1970s on two albums ( 14: 1026: 940: 104:pioneer, composer, and producer. 947: 881:"Different Fur Studios: History" 118:San Francisco Tape Music Center 903: 873: 855: 765: 313:, reissued on Anthology, 2007) 274: 1: 758: 963:Patrick Gleeson MySpace page 389:As sideman (partial listing) 7: 299:Patrick Gleeson's Star Wars 211:Patrick Gleeson's Star Wars 10: 1031: 836:"Jazzing it up at the NCC" 107: 82: 74: 66: 45: 27: 20: 914:The Art of Digital Music 535:Actual Sounds + Voices 302:(Mercury), reissued on 280:As leader or co-leader 1005:American keyboardists 427:The Dynamite Brothers 891:on December 3, 2011 659:on January 13, 2012 527:Meat Beat Manifesto 435:Leaving This Planet 354:Driving While Black 323:Original Soundtrack 812:on January 7, 2012 772:Gleeson, Patrick. 613:Synapse (magazine) 383:Moogfest Live 2019 251:The Bedroom Window 806:endlessgroove.com 802:"Patrick Gleeson" 800:Maygarden, Tony. 717:on April 25, 2012 691:on April 25, 2012 498:(Capricorn, 1974) 347:Ewoks (1985-1987) 112:Gleeson moved to 92: 91: 1022: 957: 955:Biography portal 952: 951: 950: 934: 933: 917: 907: 901: 900: 898: 896: 887:. 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Index

Jazz
electronic music
synthesizer
San Francisco
San Francisco Tape Music Center
Buchla
Wendy Carlos
Switched-On Bach
Moog synthesizer
Different Fur
Herbie Hancock
Crossings
Sextant
Sextant
Headhunters
Julian Priester
Lenny White
Freddie Hubbard
Charles Earland
Eddie Henderson
Joe Henderson
Patrick Gleeson's Star Wars
Devo
Q: Are We Not Men? A: We Are Devo!
The Plague Dogs
Apocalypse Now
Crossroads
The Bedroom Window
Knots Landing
Michael Shrieve

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