512:
3110:
1069:, complemented with recitatives and turba choruses by the characters and groups having direct speech in the text, are presented in parts of a few verses, alternating with commenting chorales and/or arias with a free verse text. In most cases the arias are preceded by non-Gospel accompagnato recitatives. Apart from these sections, Bach composed grand choral movements with which to open or close the two parts of his Passions.
3120:
1046:, which contained a lot of such paraphrasing loosely based on all four Gospel texts of Christ's Passion, was not possible, although Bach returned often to Brockes' text, choosing parts of its poetry as lyrics for commenting arias after recitations of the Gospel text. For this reason Bach's Passions for Leipzig are named after the Evangelist from whose Gospel the Passion text is used.
1130:, with its double choir and orchestra, was most likely written for the St. Thomas Church while it had two organ lofts, although Bach later also produced a version where the continuo instrument of the second choir was a harpsichord (instead of organ), so that a performance in St. Nicolas (with only one organ) was possible.
1142:
in St. Nicolas, despite it being the turn of that church to host the Good Friday service. Having announced the plan, sharp communications between Bach and the official bodies of the town ensued, with Bach having announcements printed that the service was going to be held at St. Thomas. Ultimately the
1049:
Another characteristic of Bach's
Passions are the chorales set in four-part harmony that recur often throughout the compositions. These chorales, representing a Lutheran tradition, were highly recognizable, both the text and the melody, by the audience for which he wrote his Passions. It is even
1041:
A first feature of the structure of the
Passions Bach wrote for Leipzig follows from the order of service: the Passions needed to be in two parts, for performance before and after the sermon. A second structural feature specific for Leipzig is the recitation of the unaltered Gospel text, as in
1342:"VI. Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschafften; C. Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsicher Hofcompositeur, und Musikdirector in Leipzig"
638:). This is exemplified by a manuscript copy by Bach and one of his principal copyists dating from 1746 to 1748. Bach is known to have performed this work on Good Friday 1746, and used 7 arias from it in his last Passion-Pasticcio on the Hamburg St. Mark Passion (BNB I/K/2).
1053:
Bach's
Passions are set for an orchestra with strings, woodwind instruments such as oboes and flutes, and a continuo including organ. The Lenten period did however not allow usage of (festive) brass instruments like trumpets. The vocal forces include SATB choir (or
294:
repeats what is in the "Nekrolog" regarding the number of
Passions composed by Bach. In his 1850 Bach-biography Carl L. Hilgenfeldt attempts to identify all five of the Passions mentioned in the "Nekrolog" and by Forkel. After mentioning the
2325:
314:
Thus the "fifth" Passion possibly refers to
Passion music Bach composed before his tenure as Thomaskantor in Leipzig, parts of which may have been recuperated in his extant Passions. It may also refer to one of the Passion oratorio
2318:
1676:
1227:
2311:
1137:
of 1724, led to his first documented conflict with the
Leipzig Town Council. Because of the bad state of the organ loft and its instruments (the organ and an harpsichord), Bach did not want to stage his
2773:
453:, but there is no indication he set anything else of this libretto. As such the Passion libretto was classified among the works spuriously attributed to Bach in the Anhang (Appendix) of the
171:
245 is the first
Passion Bach composed during his tenure as Thomaskantor in Leipzig, a tenure that started after the Easter season of 1723. Apart from the German translation of parts of the
574:
2789:
2695:
2668:
2334:
1612:
3123:
580:
2293:
1350:
1126:
Bach was
Thomaskantor in Leipzig from late May 1723 until his death in 1750. The Passion music he programmed for the Good Friday services is largely documented. The
1858:
3144:
2539:
2674:
71:
124:
likely contains little or no music composed by Bach. Which Bach compositions, apart from the known ones, may have been meant in the obituary remains uncertain.
2529:
382:
1143:
Town
Council decided to pay for emergency reparations at St. Nicolas, and for a reprint of the announcements where the service was announced for St. Nicolas.
3068:
2702:
449:
was published around the time (or shortly before) Bach started his collaboration with this librettist. Bach used six parts of this
Passion libretto in his
598:
269:
2688:
2554:
2534:
2291:
Chronologie der durch Bach aufgefĂĽhrten Passionsmusiken, eigene Kompositionen sowie Werke anderer Komponisten in der durch Bach eingerichteten Fassungen
391:
2709:
2784:
2681:
1693:"Die leidende und am Creutz sterbende Liebe Jesu / "Ein Lämmlein geht und trägt die Schuld" / Ein Passionsoratorium von Gottfried Heinrich Stölzel"
3062:
2624:
533:
424:
288:
2779:
2641:
2591:
2544:
2716:
1877:
1062:) and vocal soloists. In Bach's time none of the vocalists were women: the high voice parts were traditionally sung by treble choristers.
546:
2199:
in Sankt Petersburg: Neue Quellen zur Leipziger Musikgeschichte sowie zur Kompositions- und Aufführungstätigkeit Johann Sebastian Bachs"
1457:(=Christian Friedrich Henrici). "Erbauliche Gedanken auf den GrĂĽnen Donnerstag und Charfreitag ĂĽber den Leidenden Jesum" pp. 293ff in
2821:
1680:
1619:
511:
1692:
2379:
2761:
2663:
2549:
2211:: New sources on Leipzig's music history, including on Johann Sebastian Bach's compositional and performatory practices]. In
550:
1009:, Bach's predecessor, was given permission to perform the Passion he had composed in the St. Thomas Church. Four years earlier,
2417:
375:
1085:
Reading of a few verses from the Gospel text as a (secco) recitative, concluded by turba, chorale and/or (recitative and) aria
2993:
2250:
2175:
237:
Complete Works (vol. xlv/2) but is regarded as spurious, with the possible exception of the introduction to the second half.
2831:
2569:
2389:
2290:
2136:[Is there another cantata cycle by Gottfried Heinrich Stölzel that belonged to Bach’s performance repertoire?]. In
1424:
1042:
Leipzig it was not allowed to paraphrase the Gospel in Passion presentations: for this reason an unaltered setting of the
2617:
2394:
1855:
19:
This article is about the settings by Johann Sebastian Bach. For the settings by his son, Carl Phillip Emanuel Bach, see
311:, Hilgenfeldt mentions a Passion Bach would have composed in 1717, which was the last year Bach was employed in Weimar.
3083:
836:
261:
2303:
1406:
3073:
2911:
2278:
1914:
1390:
492:
2488:
1434:
474:
468:
1005:
The first time a concerted Passion in two parts was performed according to this order of service was in 1721, when
96:, Bach wrote "five Passions, of which one is for double chorus". The double chorus one is easily identified as the
2495:
1814:
Klaus Steffen . "Ein Passionsoratorium von Carl Heinrich Graun in der Notenbibliothek Johann Sebastian Bachs?" in
2985:
2743:
2348:
578:
sometime in the 1730s-1740s, and even had a copy of the score in his library. The same with his "Great Passion"
557:
3113:
2610:
2523:
2466:
1744:
2916:
2754:
1408:
Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts
445:
528:
516:
352:
D 1, refers to the 1717 Passion mentioned by Hilgenfeldt. It appears to have been performed at the court in
2461:
1036:
663:
360:
26 March 1717. Bach appears to have recuperated some of its material in later compositions, notably in his
2061:
1760:
1591:
1570:
1548:
1498:
1471:
2447:
2372:
2234:
2159:
927:
430:
3037:
1461:. Leipzig: 1725 (collection of various texts by Picander published between Advent 1724 and Advent 1725)
1355:
1015:
950:
659:
483:
143:
has been described as more realistic, faster paced and more anguished than the reflective and resigned
132:
1781:
209:
for Good Friday of 1727 and/or 1729. After revision the Passion was performed again in 1736 and 1742.
2442:
2367:
1362:
1341:
1333:
1329:
1032:
798:
627:
399:
93:
89:
2481:
2474:
1592:
Erbauliche Gedanken auf den GrĂĽnen Donnerstag und Charfreitag ĂĽber den Leidenden Jesum BWV Anh. 169
617:
419:
254:
248:
220:
120:
110:
20:
2921:
2362:
1943:
1630:
1345:
1050:
surmised Bach intended the audience to participate by singing along with the chorales they knew.
438:
114:
was published in Bach's time, allowing reconstruction based on the pieces Bach is known to have
2886:
2856:
2650:
1874:
1526:
1219:
1010:
623:
593:
291:
3027:
1736:
500:). The pasticcio may have been performed in Leipzig in the late 1740s and/or the early 1750s.
264:, but the recovered copy seems to show that the work was a parody of music from the so-called
3022:
2972:
2658:
2633:
2339:
2230:
2194:
2155:
2133:
1218:
1733 (April 3): no Passion performed due to the Saxon mourning period following the death of
414:
260:
for 1731. Picander's libretto for the Passion was once thought to have been destroyed in the
31:
556:. This arrangement, dated around 1742–1743, was possibly part of a cantata for the feast of
2901:
2134:"Ein weiterer Kantatenjahrgang Gottfried Heinrich Stölzels in Bachs Aufführungsrepertoire?"
1634:
1020:
990:
718:
696:
2216:
2141:
1854:
Ordnung der Vesper an den Leipziger Hauptkirchen am Karfreitag. Taken 23 April 2016 from
1088:
Reading of the next section of Gospel text in the same way, and concluded in the same way.
8:
3006:
3000:
2936:
2871:
875:
569:
2861:
2896:
2846:
2515:
2455:
2333:
1337:
276:
196:
79:
48:
3032:
1856:
http://www.s-line.de/homepages/bachdiskographie/liturgie_bach/vesp_ord_karfreitag.html
725:
A more detailed layout of the Order of Service for Good Friday Vespers is as follows:
432:
Erbauliche Gedanken auf den GrĂĽnen Donnerstag und Charfreitag ĂĽber den Leidenden Jesum
325:
Erbauliche Gedanken auf den GrĂĽnen Donnerstag und Charfreitag ĂĽber den Leidenden Jesum
185:
for its arias. The Passion was performed on Good Friday of 1724, 1725, 1730 and 1749.
2963:
2586:
2384:
2274:
2256:
2246:
2181:
2171:
1910:
1740:
1661:
1386:
1066:
234:
172:
1094:
Last recitative of Part One: this unit is always concluded by a movement with chorus
2795:
2429:
2238:
2208:
2163:
857:
344:
338:
3088:
2926:
2561:
2436:
2357:
2297:
2269:
2082:
1881:
1862:
1730:
1438:
1428:
633:
403:
395:
349:
181:
158:
54:
35:
2106:
2027:
2006:
1971:
1421:
602:, there is evidence that Bach performed the original (Hamburg) version of his ''
2906:
2881:
1459:
Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage
933:
596:(his friend and Godfather to Carl Philipp Emanuel). In addition to Telemann's
115:
2851:
1829:
549:". Bach arranged one of its arias, "Dein Kreuz, o Bräutgam meiner Seelen", as
3138:
3093:
3053:
2866:
2841:
2260:
2226:
2185:
2151:
1379:
1006:
542:
541:
in 1720, is also known after the incipit of its opening chorus, a setting of
497:
486:, contains a few movements attributed to Bach, including the arioso for bass
2979:
2956:
2931:
2891:
2876:
2738:
2212:
2137:
27:
2816:
1906:
1431:
711:
701:
655:
367:
357:
39:
2602:
1665:
1290:
1747 (March 31) or 1748 (April 12): pasticcio Passion oratorio based on
413:, BC 5b, in Leipzig in 1726, and finally, expanded with some arias from
3058:
2767:
2242:
2167:
1115:
Closing movement(s) of the Passion including a grand choral movement.
479:
410:
316:
104:
is the only extant other one that is certainly composed by Bach. The
1677:
Ein Lämmlein geht und trägt die Schuld (Stölzel, Gottfried Heinrich)
1631:
Ein Lämmlein geht und trägt die Schuld: Passions-Oratorio di Stölzel
3078:
2722:
1454:
1191:
1173:
975:
503:
487:
320:
206:
105:
85:
59:
1023:, was the first Passion Oratorio that had been staged in Leipzig.
563:
971:
707:
651:
647:
387:
176:
43:
2111:
2090:
2032:
2011:
1976:
1948:
1531:
1082:
Grand opening chorus with all forces from orchestra and chorus
3119:
1645:
1643:
1886:
1732:
Deutschsprachige Oratorienlibretti: von den Anfängen bis 1730
1361:, Volume IV No. 1. Leipzig, Mizlerischer BĂĽcherverlag, 1754,
691:
538:
353:
2066:
1786:
1765:
1596:
1575:
1553:
1503:
1476:
537:
on Good Friday of 1734. This Passion oratorio, composed for
2669:
Masses, Mass movements, Magnificats, Passions and Oratorios
1640:
1107:
Movement with chorus and/or vocal soloist opening Part Two
386:, a St Mark Passion, in Weimar. Bach added some of his own
2083:
G.F. Telemann-C.H. Graun-J.S. Bach-J.C. Altikol-J. Kuhnau
1830:"Lutheran Church Year Dates of "Karfreitag" (Good Friday)"
65:
1802:
1072:
Schematically, this is the structure of Bach's Passions:
230:
168:
2042:
1442:
482:
Passion oratorio possibly compiled by Bach's son-in-law
390:
settings to that Passion which was probably composed by
1712:
1710:
1065:
The Gospel readings, set as a secco recitative for the
605:
Seliges Erwägen des Leidens und Sterbens Jesu Christi''
72:
List of Passions and Oratorios by Johann Sebastian Bach
2830:
2418:
Jesus Christus ist um unsrer Missetat willen verwundet
1292:
Jesus Christus ist um unsrer Missetat willen verwundet
1163:
Jesus Christus ist um unsrer Missetat willen verwundet
383:
Jesus Christus ist um unsrer Missetat willen verwundet
369:
Jesus Christus ist um unsrer Missetat willen verwundet
1707:
515:
First page of a manuscript copy from around 1750 of
279:. There are several reconstructions of the Passion.
1992:
Wolff, Christoph. Bach, the Learned Musician. 2000
568:Bach also knew a few passion-oratorios composed by
1378:
641:
1412:Leipzig: Friedrich Hofmeister, 1850, pp. 113–114.
460:
3136:
658:, alternating between the principal churches of
409:He staged a new version of this St Mark Passion
394:(older attributions of the original work are to
3145:Passions and oratorios by Johann Sebastian Bach
587:
564:Graun's passion-oratorios (or passion-cantatas)
534:Die leidende und am Creutz sterbende Liebe Jesu
496:(an arrangement of a SSATB motet attributed to
275:, and that some choruses were used also in the
1280:, pasticcio containing some movements by Bach.
2618:
2592:List of compositions by Johann Sebastian Bach
2319:
1939:
1937:
1935:
1933:
1931:
1929:
1927:
592:Bach also knew of a few passion-oratorios by
439:Picander § Sammlung Erbaulicher Gedanken
2991:
2970:
2961:
2202:
1808:
1606:
1225:1734 (April 23): Stölzel's passion-oratorio
1165:, with additional chorales composed by Bach.
611:
319:Bach was involved in and/or to a setting of
77:
1522:
1520:
1518:
1516:
2625:
2611:
2335:Masses, magnificat, passions and oratorios
2326:
2312:
2192:
2048:
1924:
1649:
2632:
2002:
2000:
1998:
1967:
1965:
1963:
1961:
1728:
1681:International Music Score Library Project
1620:International Music Score Library Project
1527:Friedrich Nicolaus Brauns: Markus-Passion
1493:
1491:
1489:
1283:1746 (April 8): George Frideric Handel's
2131:
1716:
1513:
1312:, 4th version. (probably led by Prefect)
1110:(...sequence of units as in Part One...)
878:from the section on the Burial of Jesus
666:(even years). The order of service was:
510:
443:The Passion text included in Picander's
205:, BWV 244 was composed on a libretto by
2054:
1415:
1133:Bach's first Passion presentation, the
423:, again in the last years of his life (
66:Passions composed and/or staged by Bach
3137:
2100:
2021:
1995:
1958:
1944:Barthold Heinrich Brockes (Librettist)
1903:The True Life of Johann Sebastian Bach
1486:
1372:
1370:
1228:Ein Lämmlein geht und trägt die Schuld
575:Ein Lämmlein geht und trägt die Schuld
547:Ein Lämmlein geht und trägt die Schuld
521:Ein Lämmlein geht und trägt die Schuld
506:Ein Lämmlein geht und trägt die Schuld
376:St Mark Passion (attributed to Keiser)
118:for its composition, while the extant
2994:Internationale Bachakademie Stuttgart
2606:
2307:
2076:
1900:
1381:Oxford Composer Companions J. S. Bach
188:
16:Compositions by Johann Sebastian Bach
2762:Performance practice of Bach's music
1376:
307:and Picander's libretto of the lost
3074:Bach Prize (Royal Academy of Music)
1828:Fischer, Dr. Georg and Aryeh Oron.
1827:
1616:by Johann Christoph Altnikol et al.
1367:
1091:(...continue with similar units...)
402:). This Weimar version is known as
330:
271:LaĂź, FĂĽrstin, laĂź noch einen Strahl
13:
837:Herr Jesu Christ, dich zu uns wend
626:'s setting of the Passion text by
262:bombing of Dresden in World War II
240:
212:
150:
14:
3156:
2284:
1735:(in German). Schöningh. pp.
1443:San Francisco Bach Choir website.
282:
3118:
3109:
3108:
2380:Kyrie–Gloria masses, BWV 233–236
1248:1739 (March 27): (?) Telemann's
608:TWV 5:2a between 1732 and 1735.
398:, Gottfried's son, and later to
2986:Johann Sebastian Bach Institute
2273:Oxford University Press, 2005.
1986:
1894:
1867:
1848:
1821:
1796:
1775:
1753:
1722:
1685:
1670:
1655:
1624:
1585:
1563:
1294:with seven arias from Handel's
642:Good Friday services in Leipzig
558:Purification of the Virgin Mary
380:In the early 1710s Bach staged
2774:Printed during Bach's lifetime
2489:Wer ist der, so von Edom kömmt
1614:Wer ist der, so von Edom kömmt
1541:
1464:
1448:
1399:
1323:
1278:Wer ist der, so von Edom kömmt
552:Bekennen will ich seinen Namen
475:Wer ist der, so von Edom kömmt
469:Wer ist der, so von Edom kömmt
462:Wer ist der, so von Edom kömmt
1:
1432:"J.S. BACH: Johannes-Passion"
1316:
1121:
446:Sammlung Erbaulicher Gedanken
2193:Schabalina, Tatjana (2008).
1273:, BWV 246 (revised version).
1266:, BWV 247 (revised version).
1259:, revised version (BWV 244).
1245:, revised version (BWV 244).
1037:St Matthew Passion structure
1026:
1019:, TWV 5:1, performed in the
762:Da Jesus an dem Kreuze stund
672:Da Jesus an den Kreuze stund
588:Telemann's passion-oratorios
225:Bach's copy of an anonymous
7:
2494:includes BWV 1088 and
2300:at bachdiskographie website
2235:Evangelische Verlagsanstalt
2229:(in German). Vol. 94.
2160:Evangelische Verlagsanstalt
2154:(in German). Vol. 95.
1729:Scheitler, Irmgard (2005).
1377:Boyd, Malcolm, ed. (1999).
928:Ecce quomodo moritur justus
650:Passions were performed at
131:is shorter and has simpler
10:
3161:
3038:St. Thomas Church, Leipzig
2755:Bach's choir and orchestra
2132:Glöckner, Andreas (2009).
2125:
1030:
951:O Traurigkeit, o Herzeleid
872:Reading of the Sermon text
615:
529:Gottfried Heinrich Stölzel
517:Gottfried Heinrich Stölzel
484:Johann Christoph Altnickol
466:
436:
373:
336:
246:
233:246, was published in the
218:
194:
156:
69:
18:
3104:
3046:
3015:
2949:
2809:
2731:
2649:
2640:
2582:
2507:
2406:
2347:
1695:. Sing-Akademie zu Berlin
1422:Amati-Camperi, Alexandra.
1334:Johann Friedrich Agricola
1330:Carl Philipp Emanuel Bach
1033:St John Passion structure
799:O Lamm Gottes, unschuldig
739:
736:
733:
730:
628:Barthold Heinrich Brockes
612:Handel's passion-oratorio
400:Friedrich Nicolaus Brauns
90:Johann Friedrich Agricola
2270:Hearing Bach's Passions.
2107:Johannes-Passion BWV 245
1972:Matthäus-Passion BWV 244
819:Priest enters the pulpit
618:Brockes Passion (Handel)
249:St Mark Passion, BWV 247
221:St Luke Passion, BWV 246
21:Passions (C. P. E. Bach)
2571:Ascension Oratorio
2517:Christmas Oratorio
1875:"The Passion Tradition"
1351:Musikalische Bibliothek
1346:Lorenz Christoph Mizler
823:Announcement of Sermon
740:Preacher and Ministers
572:. He performed Graun's
523:Passion oratorio (1720)
92:and the composer's son
2992:
2971:
2962:
2675:Chorale harmonisations
2423:includes BWV 1084
2203:
2028:Markus-Passion BWV 247
1220:Augustus II the Strong
1011:Georg Philipp Telemann
624:George Frideric Handel
594:Georg Philipp Telemann
524:
455:Bach-Werke-Verzeichnis
292:Johann Nikolaus Forkel
179:, it used text of the
78:
3023:Bach House (Eisenach)
2973:Neue Bachgesellschaft
2744:Church music in Latin
2634:Johann Sebastian Bach
2340:Johann Sebastian Bach
2231:Neue Bachgesellschaft
2156:Neue Bachgesellschaft
2007:Lukas-Passion BWV 246
1901:Eidam, Klaus (2001).
1834:Bach Cantatas Website
1405:Carl L. Hilgenfeldt.
1269:1745 (April 16): (?)
1211:1732 (April 11): (?)
1179:1728 (March 26): (?)
980:
962:
940:
917:
905:
890:Sermon (about 1 Hr.)
514:
493:Der Gerechte kömmt um
327:, published in 1725.
175:and several Lutheran
32:Johann Sebastian Bach
3069:Bach Prize (Hamburg)
3001:J.S. Bach Foundation
2563:Easter Oratorio
1635:Berlin State Library
991:Nun danket alle Gott
893:
881:
863:
848:
826:
810:
788:
770:
743:
719:Nun danket alle Gott
697:Ecce quomodo moritur
581:Kommt her und schaut
94:Carl Philipp Emanuel
3028:Bach House (Köthen)
3007:List of Bach choirs
2267:Daniel R. Melamed.
2237:. pp. 99–122.
2162:. pp. 95–115.
1782:D-B N. Mus. ms. 307
1058:SATB choir for the
876:Johannes Bugenhagen
874:Passion Harmony by
662:(uneven years) and
570:Carl Heinrich Graun
457:, as BWV Anh. 169.
289:1802 Bach-biography
145:St. Matthew Passion
2689:Organ compositions
2456:St Matthew Passion
2349:Latin church music
2296:2014-04-18 at the
2243:10.13141/bjb.v2008
2223:Bach Yearbook 2008
2218:Bach-Jahrbuch 2008
2168:10.13141/bjb.v2009
2148:Bach Yearbook 2009
2143:Bach-Jahrbuch 2009
2085:Passions-Pasticcio
2060:Bach Digital Work
1880:2015-07-16 at the
1861:2016-03-04 at the
1816:Bach-Jahrbuch 2008
1759:Bach Digital Work
1569:Bach Digital Work
1547:Bach Digital Work
1497:Bach Digital Work
1470:Bach Digital Work
1437:2015-07-12 at the
1427:2015-07-10 at the
1344:), pp. 158–176 in
1257:St Matthew Passion
1243:St Matthew Passion
1188:St Matthew Passion
1170:St Matthew Passion
1128:St Matthew Passion
1060:St Matthew Passion
622:Bach also knew of
525:
451:St Matthew Passion
277:Christmas Oratorio
203:St Matthew Passion
201:The double chorus
197:St Matthew Passion
190:St Matthew Passion
137:St Matthew Passion
98:St Matthew Passion
76:According to his "
62:composed by Bach.
49:St Matthew Passion
3132:
3131:
2964:Bach Gesellschaft
2945:
2944:
2805:
2804:
2696:Keyboard and lute
2600:
2599:
2252:978-3-374-02668-5
2177:978-3-374-02749-1
1652:, pp. 77–84.
1308:1750 (March 27):
1262:1744 (March 27):
1255:1742 (March 23):
1241:1736 (March 30):
1204:1731 (March 23):
1186:1729 (April 15):
1168:1727 (April 11):
1161:1726 (April 19):
1154:1725 (March 30):
1003:
1002:
235:Bach Gesellschaft
173:Gospel of St John
3152:
3122:
3112:
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2997:
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2967:
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2798:
2796:New Bach Edition
2776:
2764:
2757:
2719:
2712:
2710:Orchestral works
2705:
2698:
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2684:
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2613:
2604:
2603:
2430:Weimarer Passion
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2209:Saint Petersburg
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1679:: Scores at the
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1618:: Scores at the
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1301:1749 (April 4):
1276:after 1745: (?)
1234:1735 (April 8):
1197:1730 (April 7):
1147:1724 (April 7):
912:Passion, Part II
902:Pulpit blessing
860:prayed silently
748:Ringing of Bells
728:
727:
392:Gottfried Keiser
345:Weimarer Passion
339:Weimarer Passion
332:Weimarer Passion
83:
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3089:Bach quadrangle
3042:
3033:Café Zimmermann
3011:
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2887:Riemenschneider
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2794:
2785:Reconstructions
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2682:Songs and arias
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2482:St Mark Passion
2475:St Luke Passion
2437:St John Passion
2402:
2401:
2358:Mass in B minor
2343:
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2298:Wayback Machine
2287:
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2204:Texte zur Music
2197:Texte zur Music
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2049:Schabalina 2008
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1393:
1375:
1368:
1353:
1340:" (full title:
1328:
1324:
1319:
1310:St John Passion
1303:St John Passion
1296:Brockes Passion
1285:Brockes Passion
1271:St Luke Passion
1264:St Mark Passion
1250:Brockes Passion
1236:St Luke Passion
1213:St John Passion
1206:St Mark Passion
1199:St Luke Passion
1181:St John Passion
1156:St John Passion
1149:St John Passion
1140:St John Passion
1135:St John Passion
1124:
1044:Brockes Passion
1039:
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1016:Brockes Passion
986:
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832:
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821:Pulpit greeting
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634:Brockes Passion
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599:Brockes Passion
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527:Bach performed
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420:Brockes Passion
396:Reinhard Keiser
378:
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362:St John Passion
341:
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253:Bach wrote the
251:
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242:St Mark Passion
227:St Luke Passion
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182:Brockes Passion
165:St John Passion
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152:St John Passion
141:St John Passion
129:St John Passion
121:St Luke Passion
111:St Mark Passion
102:St John Passion
74:
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55:St John Passion
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2565:, BWV 249
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2519:, BWV 248
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2285:External links
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2120:
2114:.bach-cantatas
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2035:.bach-cantatas
2020:
2014:.bach-cantatas
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1979:.bach-cantatas
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1951:.bach-cantatas
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1873:Edward McCue.
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1534:.bach-cantatas
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1305:, 4th version.
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1215:, 3rd version.
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1183:, 3rd version.
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46:. The extant
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36:Passion music
33:
29:
22:
3047:Other topics
3003:(St. Gallen)
2980:Bach Archive
2957:Bach Society
2835:and scholars
2748:
2739:Bach cantata
2642:Compositions
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2069:.bachdigital
2056:
2044:
2023:
1988:
1921:Chapter XVI.
1905:. New York:
1902:
1896:
1869:
1850:
1838:. Retrieved
1833:
1823:
1815:
1810:
1805:1998, p. 202
1798:
1789:.bachdigital
1777:
1768:.bachdigital
1755:
1731:
1724:
1697:. Retrieved
1687:
1672:
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1626:
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1608:
1599:.bachdigital
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1578:.bachdigital
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664:St. Nicholas
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84:", the 1754
75:
58:are Passion
53:
47:
42:services in
28:Thomaskantor
25:
3063:Competition
2988:(Göttingen)
2832:Biographers
2717:Fugal works
2524:discography
2467:discography
2448:discography
2395:discography
2373:discography
2233:. Leipzig:
2158:. Leipzig:
1907:Basic Books
1445:March 2008.
1354: [
712:Benediction
702:Jacob Handl
656:Good Friday
358:Good Friday
88:written by
40:Good Friday
3059:Bach Medal
2768:BACH motif
2587:Evangelist
2385:Magnificat
1840:24 January
1746:3506729551
1317:References
1252:, TWV 5:1.
1238:, BWV 246.
1208:, BWV 247.
1201:, BWV 246.
1122:Chronology
1067:Evangelist
1031:See also:
1021:New Church
754:de Tempore
704:'s setting
660:St. Thomas
504:Stölzel's
437:See also:
317:pasticcios
297:St Matthew
266:Trauer-Ode
70:See also:
3084:Portraits
3065:(Leipzig)
2982:(Leipzig)
2897:Schmieder
2780:Reception
2732:More info
2508:Oratorios
2462:structure
2443:structure
2368:structure
2261:0084-7682
2186:0084-7682
1666:452511199
1287:, HWV 48.
1027:Structure
783:), Part I
777:Passion (
554:, BWV 200
480:pasticcio
411:pasticcio
273:, BWV 198
258:, BWV 247
135:than the
60:oratorios
34:provided
3139:Category
3114:Category
3079:Three Bs
2917:Williams
2862:Glöckner
2847:Dadelsen
2822:Students
2749:Passions
2659:Cantatas
2408:Passions
2294:Archived
1878:Archived
1859:Archived
1699:14 March
1637:website.
1455:Picander
1435:Archived
1425:Archived
1338:Nekrolog
1192:BWV 244b
1174:BWV 244b
1102:Part Two
1077:Part One
976:Blessing
688:, part 2
679:, part 1
488:BWV 1088
427:I/K/2).
321:Picander
207:Picander
177:chorales
116:parodied
106:libretto
86:obituary
80:Nekrolog
2937:Zehnder
2902:Schulze
2882:Neumann
2867:Hofmann
2528:Parts:
2225:].
2215:(ed.).
2150:].
2140:(ed.).
2126:Sources
1737:338–345
1385:. OUP.
972:Collect
780:figural
708:Collect
686:Passion
677:Passion
652:Vespers
648:Leipzig
646:Bach's
388:chorale
309:St Mark
305:St Luke
301:St John
287:In his
108:of the
44:Leipzig
3094:crater
3016:Places
2932:Wollny
2907:Spitta
2857:Forkel
2817:Family
2810:People
2664:Motets
2651:by BWV
2277:
2259:
2249:
2184:
2174:
1913:
1743:
1664:
1389:
1363:p. 168
1056:double
924:Motet
757:" song
737:Choir
716:Hymn:
710:&
682:Sermon
670:Hymn:
490:, and
415:Handel
303:, the
299:, the
139:. The
100:. The
3124:Audio
2927:Wolff
2912:Terry
2872:Jones
2842:Basso
2221:[
2201:[
2146:[
2062:00313
1761:00250
1571:01680
1549:01535
1499:01534
1472:01533
1358:]
692:Motet
539:Gotha
354:Gotha
3061:and
2922:Wolf
2892:Rust
2877:Maul
2852:DĂĽrr
2723:Anh.
2496:1149
2275:ISBN
2257:ISSN
2247:ISBN
2182:ISSN
2172:ISBN
2116:.com
2095:.com
2037:.com
2016:.com
1981:.com
1953:.com
1911:ISBN
1889:.org
1842:2017
1741:ISBN
1701:2018
1662:RISM
1536:.com
1387:ISBN
1332:and
1035:and
985:Song
945:Song
831:Song
793:Song
751:As "
545:'s "
478:, a
406:5a.
163:The
127:The
52:and
38:for
2540:III
2337:by
2239:doi
2207:in
2164:doi
2112:www
2109:at
2091:www
2088:at
2071:.de
2067:www
2033:www
2030:at
2012:www
2009:at
1977:www
1974:at
1949:www
1946:at
1884:at
1803:BWV
1791:.de
1787:www
1784:at
1770:.de
1766:www
1763:at
1633:at
1601:.de
1597:www
1594:at
1580:.de
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1348:'s
1336:. "
1013:'s
932:by
700:in
654:on
531:'s
519:'s
425:BNB
417:'s
356:on
323:'s
231:BWV
169:BWV
26:As
3141::
2555:VI
2545:IV
2535:II
2255:.
2245:.
2180:.
2170:.
2064:at
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1832:.
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1356:de
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1172:,
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350:BC
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