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that when the paper is pressed between them, the raised die forces the stock into the recessed die and creates the embossed impression. A specific level of pressure is applied to the dies in order to squeeze the fibers of the paper, which results in a permanently raised area in the paper. When the dies are produced, a die maker engraves the desired image into several metal plates, which are the embossing dies for use on an embossing press. A thorough understanding of the process will enable a more successful result. Generally, embossing is the process most often employed to attract attention or convey a high quality textural contrast in relation to the surrounding area of the paper stock.
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219:"Debossing" is similar to embossing, but recesses the design rather than raising it. Rather than the paper being raised in specific areas, it is indented. The process involves applying pressure to the front side of a substrate and forcing the material down from the surface. Although it is not as common as embossing, it is occasionally used to provide a different effect or appearance that fits a particular theme. Embossing and debossing on digitally printed applications is an off-line process, which may add a significant cost to the job.
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shaded appearance. It is best to use a lighter colored stock for this procedure in order to provide a unique two-toned appearance. Caution should be used in requesting this effect, since it is easy to burn the stock if too much heat is used. If scorching occurs too close to the printed copy, it can interfere with the clarity of the printed copy; however, this may be the effect that is desired for a particular application.
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Glazing refers to an embossed area that has a shiny or polished appearance. Most often this process is accomplished with heat that is applied with pressure in order to create a shiny impression on the stock. Dark colored heavy weight stocks generally work best with glazing because the polished effect
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Pastelling is also referred to as tint leaf embossing. It involves the process of using a combination die to provide a subtle antique appearance to a substrate that is embossed and foil stamped. Pearl finishes, clear gloss, or similar pastel foil finishes can be selected that provide a soft two-color
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Blind embossing does not include the use of ink or foil to highlight the embossed area. The change in the dimensional appearance of the material is the only noticeable difference resulting from the embossing. The blind embossing process provides a clean and distinctive or subtle image on paper stock.
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Embossing involves a separate stage in the production process, after any varnishing and laminating. It requires a separate press run, and is priced accordingly. In addition to being used as a design element, embossing can be used to improve the performance of paper products like napkins, diapers, and
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Die depth: the client's artwork or the engraver's efforts will initially determine the die depth, however, if by looking at the artwork it appears that an adjustment of the die depth may be necessary, the die may need to be retooled to achieve a greater depth. Most types of paper can be embossed, and
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Embossing is basically used to create a distinctive effect. The greatest concern and emphasis on the client’s behalf should be placed on the outcome of the embossed effect. In order to achieve the best possible effect, it is important to understand the embossing process and the types of dies that are
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Often used in combination with foil stamping, embossing alters the surface of paper stock or other substrates by providing a three-dimensional or raised effect on selected areas. The procedure requires the use of two dies: one that is raised and one that is recessed. The dies fit into each other so
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Scorching is similar to glazing except that it is not used to polish the stock. Instead, scorching does what it implies: as the temperature of the die heating plate is increased beyond a normal temperature range, a scorched effect is created in the embossed image, which results in an antique or
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Combination embossing is the process of embossing and foil stamping the same image. It involves imprinting and aligning foil over an embossed image to create a foil emboss. A sculptured die, generally made of brass is used for this procedure. The process requires close registration that must be
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controlled to keep the image and foil matched precisely. The process of embossing and foil stamping is accomplished in one operation with the use of a combination die. The combination die has a cutting edge around the perimeter to cleanly break the excess foil away from the embossed area.
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size is not normally a consideration. Embossing without ink, so that the image is raised but not colored, is called "blind embossing". Embossing used in conjunction with ink, so that the raised area is coloured, is called "colour register embossing". Embossing used in conjunction with
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is much more noticeable and the dark color of the stock helps to eliminate or soften any burned appearance that may result from the application of the heat. When used in conjunction with foil, the process can provide the foil with a slightly brighter appearance.
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may use an embossed seal to mark legal papers, either in the form of an adhesive seal, or using a clamp-like embossing device, to certify a signature on a document, contract, etc., or cause to become certified through a notary public or bill.
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also use embossing seals to certify drawings, thereby guaranteeing to the recipient that due diligence has been exercised in the design. Government agencies use embossed seals to certify that an important document, such as a
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The metals most often used for die construction are zinc, magnesium, copper, and brass. The material used for a specific application depends upon a number of factors.
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Registered embossing is a process that places the embossed image in alignment with another element created with ink, foil, punching, or with a second embossed image.
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It is best used to create a subtle impression or low level of attention to the piece, yet provide some slight form of differentiation for the finished work.
391:, and Switzerland, as well as the early high values of Great Britain (1847–54). Modern stamps still sometimes use embossing as a design element.
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antique look (without scorching) to the embossed image. Lighter colored stocks work best to provide this soft contrasting effect.
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pattern is sunken into the surface of the material but might protrude somewhat on the reverse side.
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used for embossing. The three factors that need to be controlled during the embossing process are:
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are the processes of creating either raised or recessed relief images and designs in
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Stanley
Gibbons Stamp Catalogue: Commonwealth and British Empire Stamps 1840–1970
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Pressure: the intensity of the impact on the weight of the stock being embossed.
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Heat: the ability to maintain a consistent heat level for the best impression.
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An embossed postcard, Carnegie
Library, Houston, Texas (circa 1900-1924).
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387:. Notable early examples include some of the earliest stamps of Italy,
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347:, etc., is an authentic, original copy, rather than a
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is called "combination stamping" or "combo stamping".
375:and other types of stamps. The embossed paper of a
56:. Unsourced material may be challenged and removed.
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203:pattern is raised against the background, while a
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351:that could be altered in the copying process.
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16:Process to create reliefs in paper materials
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116:Learn how and when to remove this message
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371:Embossing has been used regularly on
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54:adding citations to reliable sources
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336:Registered professional engineers
1096:Bronze and brass ornamental work
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168:Hand-operated embossing machine
41:needs additional citations for
176:Hand-operated embossing for a
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462:. 111th edition. London:
431:List of stationery topics
272:Blind embossed stationary
19:For embossing metal, see
199:and other materials. An
1231:Painting in Hälsingland
325:Document authentication
447:References and sources
426:List of art techniques
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148:A debossed map of the
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487:Library of Technology
421:List of art movements
406:Creativity techniques
363:Embossing on an 1886
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271:
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1251:Pressed flower craft
160:, published in 1877.
50:improve this article
21:Repoussé and chasing
668:Spinning (textiles)
586:Friendship bracelet
158:Light for the Blind
132:Embossed paper seal
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289:Combination emboss
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186:
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1174:Hardstone carving
1122:Balloon modelling
636:Ribbon embroidery
416:List of art media
367:of Great Britain.
341:birth certificate
281:Registered emboss
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65:"Paper embossing"
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1256:Qing handicrafts
1061:Chemical milling
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466:, 2009, p. GB7.
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441:Slate and stylus
381:stamped envelope
182:copyright notice
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556:Banner-making
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331:notary public
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251:Die materials
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67: –
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61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
1214:Glass mosaic
1132:Bone carving
932:Wood carving
927:Wood burning
902:Chip carving
859:Scrapbooking
844:Papier-mâché
810:Papercutting
794:
763:Iris folding
751:Photomontage
746:Papier collé
711:Altered book
571:Cross-stitch
459:
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401:Art movement
377:letter sheet
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328:
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264:Blind emboss
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245:tissue paper
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178:photographer
157:
154:William Moon
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103:
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60:
48:Please help
43:verification
40:
1241:Pietra dura
1204:Micromosaic
1137:Doll making
1091:Silversmith
1008:Cameo glass
965:Earthenware
937:Woodturning
849:Pop-up book
834:Papermaking
721:Calligraphy
716:Bookbinding
646:Rug hooking
616:Needlepoint
596:Lace-making
561:Canvas work
345:court order
1291:Categories
1276:Wall decal
1199:Miniatures
1117:Assemblage
985:Terracotta
960:Bone china
839:Paper toys
805:Papercraft
731:Cast paper
726:Cardmaking
673:String art
663:Shoemaking
651:Rug making
621:Needlework
576:Embroidery
566:Crocheting
527:handicraft
472:0852596839
298:Pastelling
211:Techniques
106:April 2008
76:newspapers
1302:Paper art
1271:Taxidermy
1261:Scrimshaw
1236:Pargeting
1162:Grotesque
1142:Dollhouse
1086:Goldsmith
1081:Jewellery
1071:Engraving
1028:Glassware
1013:Chip work
980:Stoneware
970:Porcelain
922:Marquetry
897:Carpentry
892:Cabinetry
869:Wallpaper
795:Embossing
788:Moneygami
741:Decoupage
626:Patchwork
611:Millinery
355:On stamps
349:photocopy
316:Scorching
193:debossing
189:Embossing
1226:Ornament
1189:Lapidary
1184:Lath art
1167:Gargoyle
1127:Beadwork
1101:Ironwork
917:Intarsia
912:Fretwork
907:Ébéniste
887:Bentwood
864:Stamping
854:Quilling
800:Marbling
783:Kirigami
773:Kamikiri
678:Tapestry
631:Quilting
591:Knitting
395:See also
385:indicium
205:debossed
201:embossed
1221:Netsuke
1076:Etching
1056:Andiron
975:Pottery
955:Azulejo
947:Ceramic
815:Chinese
778:Origami
768:Jianzhi
736:Collage
693:Weaving
688:Tie-dye
683:Tatting
606:Macrame
581:Felting
548:Textile
538:History
481:Sources
411:Gilding
373:postage
307:Glazing
152:, from
90:scholar
1209:Mosaic
1066:Enamel
1033:Mirror
825:Slavic
820:Jewish
658:Sewing
641:Carpet
470:
436:Relief
92:
85:
78:
71:
63:
1110:Other
1048:Metal
1000:Glass
758:Decal
703:Paper
601:Lucet
389:Natal
197:paper
97:JSTOR
83:books
1179:Inro
990:Tile
879:Wood
525:and
468:ISBN
191:and
69:news
379:or
180:'s
156:'s
52:by
1293::
343:,
329:A
247:.
515:e
508:t
501:v
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113:(
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104:(
94:·
87:·
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46:.
23:.
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