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Palladium Ballroom

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Another popular act was the groups of The Mambo and Cha-Cha Aces Carlos and Mike-Aces with Andy and Tina Vasquez. Joe Vega and Freddie Rios did their side by side act. Marilyn Winters covered the entire floor in her one-woman show, as did Carmen Cruz. The Palladium became a showcase for the
307:. The Palladium's top dancers, Augie and Margo RodrĂ­guez were the mambo dancing champions. Carlos Arroyo, who partnered with Mike Ramos as The Cha Cha Taps, and also known as Mr Cha Cha Taps is featured in the 1955 short film 303:
The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the
240: 506:, Casa Blanca, Caboroeno, Broadway 96, Trudiheller's Trix, Peppermint Lounge, Les Violins, Village Gate Nightclub, The Roseland, Manhattan Center, The 3 In One In Brooklyn Heights 717: 510:, St. George Hotel, La Epoca, Cerromar, Nightclub, Hippocampo, Caravana Club, Hunt's Point Palace, Bronx Casino, La Campana Bar Restaurant, and Carlos Ortiz El Tropicoro 359:. Jazz musicians and some celebrities sat in and played with the Latin bands. Others watched and enjoyed the show. Examples of notables who went to the ballroom include 502:
Torin and Joe Gaines. Federico Pagani offered a Latin Night at various clubs, including Tony Roma's El Corso on 86th Street andThird Avenue, Barney Googles, and the
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At its height, the Palladium attracted Hollywood and Broadway stars, especially on Wednesday nights, which included a free dance lesson. Dance instructors such as
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By the early 1960s, tastes had shifted, ending the Palladium's run in 1966. Dancers' and music fans' enthusiasm for the music was not diminished. The
470:, who lived in the New York City area during the ballroom's heyday, composed a piece during the 1970s called "Palladium" while he was a member of the 663: 522:) at the Cheetah and The Red Garder with Symphony Sid Torrin.('Mambo Kings'). Pagani produced and was responsible for all the Latin concerts In 722: 331:— who briefly served as master of ceremonies when Federico Pagani was not available — Augie and Margo were featured dancers there. 259:
craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and
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offered Latin Night on Mondays and Wednesdays. Federico Pagani started Latin Nights with radio host
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Hutchinson, Sydney (2004). "Mambo On 2: The birth of a new form of dance in New York City".
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hits such as "Asia Minor" and "Babarabatiri", "Picadillo", "Ran Kan Kan", and "Mambo Mona".
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The Book of Salsa: A Chronicle of Urban Music from the Caribbean to New York City
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In 1948, the Palladium Ballroom gained in stature because of the Big Three acts:
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appeared internationally. Carmen Marie Padilla offered mass dance lessons.
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Arsenio RodrĂ­guez and the transnational flows of Latin popular music
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Hispanic and Latino American culture in New York City
638: 613: 591: 694: 589: 573: 585:. Vol. XVI, no. 1. pp. 154–175. 657:Cf. pp. 1–6 and various (see book index) 618:. Vol. 16, no. 2. pp. 109–137. 610:Cf. p. 64 and various (see book index). 96:introducing citations to additional sources 343:Jazz musicians, celebrities and Latin bands 57:Learn how and when to remove these messages 708:Cuban-American culture in New York (state) 558: 347:The Palladium was near jazz clubs on West 598:. Philadelphia: Temple University Press. 227:Learn how and when to remove this message 209:Learn how and when to remove this message 324:. These became as popular as the mambo. 238: 172:This article includes a list of general 86:Relevant discussion may be found on the 482:, and features a driving Latin rhythm. 695: 723:Puerto Rican culture in New York City 298: 158: 63: 22: 13: 552: 478:. The song appears on their album 335:, better known as Cuban Pete, and 178:it lacks sufficient corresponding 14: 744: 485: 38:This article has multiple issues. 16:For the later downtown club, see 574:GarcĂ­a, David F. (Spring 2004). 163: 79:relies largely or entirely on a 68: 27: 295:" (1952) was a cross-over hit. 46:or discuss these issues on the 559:Conzo, Joe (October 9, 2004). 536: 1: 639:RondĂłn, CĂ©sar Miguel (2008). 529: 266: 7: 632:Public Broadcasting Service 10: 749: 15: 590:GarcĂ­a, David F. (2006). 18:Palladium (New York City) 545:, March 14, 1946; p. 35 193:more precise citations. 703:Ballrooms in Manhattan 355:, CuBop City, and the 244: 679:40.76333°N 73.98278°W 634:: WGBH. October 2009. 524:Madison Square Garden 242: 728:Music of Puerto Rico 107:"Palladium Ballroom" 92:improve this article 684:40.76333; -73.98278 675: /  566:Times Herald-Record 255:night club. The US 299:Dancers and dances 289:Dámaso PĂ©rez Prado 249:Palladium Ballroom 245: 243:Palladium Ballroom 733:Midtown Manhattan 652:978-0-8078-5859-2 496:Greenwich Village 329:"Killer Joe" Piro 237: 236: 229: 219: 218: 211: 157: 156: 142: 61: 740: 690: 689: 687: 686: 685: 680: 676: 673: 672: 671: 668: 656: 635: 619: 609: 597: 586: 580: 570: 546: 540: 232: 225: 214: 207: 203: 200: 194: 189:this article by 180:inline citations 167: 166: 159: 152: 149: 143: 141: 100: 72: 64: 53: 31: 30: 23: 748: 747: 743: 742: 741: 739: 738: 737: 693: 692: 683: 681: 677: 674: 669: 666: 664: 662: 661: 653: 628:Latin Music USA 622: 606: 578: 555: 553:Further reading 550: 549: 541: 537: 532: 520:Our Latin Thing 488: 460:Arturo Sandoval 444:George Shearing 400:Dizzy Gillespie 396:Ella Fitzgerald 385:Sammy Davis Jr. 345: 305:social currency 301: 269: 233: 222: 221: 220: 215: 204: 198: 195: 185:Please help to 184: 168: 164: 153: 147: 144: 101: 99: 85: 73: 32: 28: 21: 12: 11: 5: 746: 736: 735: 730: 725: 720: 715: 710: 705: 659: 658: 651: 636: 620: 616:Centro Journal 611: 604: 587: 583:Centro Journal 571: 554: 551: 548: 547: 534: 533: 531: 528: 487: 486:Mambo declines 484: 476:Weather Report 404:Billie Holiday 392:Duke Ellington 344: 341: 309:Mambo Madness. 300: 297: 277:Tito RodrĂ­guez 268: 265: 235: 234: 217: 216: 171: 169: 162: 155: 154: 90:. 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Palladium (New York City)
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New York City
mambo
53rd Street
Tito Puente
Tito RodrĂ­guez
Machito
mambo
Dámaso Pérez Prado

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