1139:
828:
632:
1238:
Throughout their partnership, the designs for churches were mainly in Gothic
Revival style. After the arrival of Austin, there was much greater use of Perpendicular features. Brandwood et al. see the practice as national pioneers in this trend, saying "the firm can be seen as a true pioneer in the rehabilitation of Perpendicular architecture after its ecclesiological exile for a quarter of a century". Early examples of what the authors consider to be part of what they call "the Perpendicular revival in the North" are the rebuilding of the bodies of
311:
1063:
1130:, and were constructed in or about 1919. Work continued to be carried out at Sedbergh, Giggleswick, and Leeds Grammar Schools, and on the Royal Lancaster Infirmary. The practice continued to be active until the 1940s. It is uncertain when Harry Paley retired, and it is possible that some work was carried out by his assistants after his retirement. The practice had certainly closed by 1945, when the offices were sold to Lancaster Corporation and the records of the firm were destroyed. Harry Paley died on 19 April 1946.
247:
1223:
739:
40:
939:
322:
Sharpe's youngest sister, Frances, Sharpe formally withdrew from the practice, although it continued to be known as Sharpe and Paley until 1856. Being the only major architect practising in the area between
Preston and Carlisle, Paley took on commissions of all sizes and types but, like Sharpe, his major designs were for churches. Between 1851 and 1867 he designed or rebuilt about 36 new churches, almost all of them for the
542:
1026:(1914). In the commercial field the firm designed workshops and a showroom for William Atkinson, which were among the earliest motor garages and showrooms in the provinces. The practice continued to carry out work for the Lancaster and Skerton Cooperative Society, designing numerous shops in the local area. The partners also carried out work on schools, in particular for Sedbergh School. They designed an extension to
1335:
460:
158:
909:(1892–97), which is considered to be the solely the work of Austin. Brandwood et al. describe it as "the largest, grandest and most expensive church the practice ever built and is the masterwork of Hubert Austin". Hartwell et al. say it is "a church on a splendid scale". Another ecclesiastical project was the chapel at the Royal Albert Asylum (1886–80).
1380:, which possibly led to the commission for the series of churches along the Weaver Navigation. Sharpe had hoped to gain commissions from the Earl of Derby, but was successful only in his design for St Mary, Knowsley. The relationship the practice developed with the major entrepreneurs in Barrow-in-Furness,
1438:
The firm was a "provincial architectural practice" in the strict use of the term; sited as it was in a town some distance from any major city. Its output was almost entirely in North West
England, particularly in Lancashire and in the southern part of what is now Cumbria. Nevertheless, the practice
1376:, whose diocese at that time included Lancashire as well as Cheshire. He was a member of the Church Building Commission, and it is likely that he played a part in Sharpe's involvement in designing Commissioners' Churches. Family connections led to an association with the Greenall family, brewers in
1325:
detailing, while other country houses, such as
Sedgwick House, incorporate Gothic features. Thurland Castle has features of both Elizabethan and late Gothic styles. Motifs taken from the Aesthetic Movement can be found in both the exterior and the interior of their new wing at Holker Hall, and from
1021:
Although church work dominated the work of the practice there were also some secular commissions. There was no work on country houses during this period, nor were there any commissions for public buildings, other than an expansion of the Storey
Institute (1906–08). The last public building designed
848:
In 1886 Edward Paley's son, Henry (who was and is usually known as Harry), became a partner in the practice, which continued to work much as before, with ecclesiastical and secular commissions. New churches were built in villages and towns, and older churches were restored or altered. The first new
753:
Meanwhile, the town of Barrow was continuing to grow, and this resulted in many commissions for the practice. In order to deal with this they opened a sub-office in the town, run by John
Harrison (1837–96), which continued to exist until the late 1880s. The first major commission in the town was to
1479:
churches designed by the practice, Pevsner stated that they were "of the highest
European standard of their years". Of the partners, Pevsner had highest regard for Hubert Austin, whom he called a "genius", saying that it was he "it seems, who was responsible for the firm's masterpieces". The title
1401:
in
Lancaster. He was also an accomplished sportsman and musician. Edward Paley also took an active part in the civil life of Lancaster, while Hubert Austin had a more retiring personality, concentrating more on his work in the practice and with his family. By the time Harry Paley came to run the
1073:
Hubert Austin died on 22 March 1915 leaving Harry Paley as the sole principal, but the practice continued to be known as Austin and Paley. Helped by assistants and clerks Paley continued to work until the 1940s, but without appointing another partner. He continued to work on churches, repairing and
949:
Edward Paley died on 23 January 1895 at the age of 71, and the remaining partners continued the practice under the title Austin and Paley. It is not clear how much Edward Paley had been contributing to the work of the practice in his later years; it is likely that by then Austin had been "the
762:
mill for James
Ramsden (1870–72). Other secular buildings included banks, cemetery buildings (including a large gateway), ten large tenement blocks, schools, villas, meeting halls, and the School of Art. For the Furness Railway they designed stations, goods sheds, workers' cottages and, probably,
467:
Paley continued to work from the offices in St Leonard's Gate after Sharpe's resignation, but in 1860 he moved to offices in Castle Hill, where the practice remained throughout the rest of its existence. During the 1850s he designed St Peter, Lancaster, a Roman
Catholic church that later
1417:
sympathies, and most of the commissions throughout the life of the practice were for the churches of low church or middle-of the-road patrons. This was consistent with the state of Anglicanism generally in Lancashire, possibly a reaction against the strong presence of Catholicism in the county.
1396:
As the office records have been destroyed there is no detailed account of how the office was run, or how the partners related to each other in business matters. Sharpe was a man of many interests and talents. In addition to him being an entrepreneur, establishing a practice that lasted for more
321:
Sharpe appointed Paley as his partner in 1845, and then took an increasing interest in activities outside the practice. By 1847 Paley was responsible for most of the work in the practice, certainly carrying out independent commissions from at least 1849. In 1851, the year of Paley's marriage to
281:
of the gaol (1844). In 1838 he was appointed as architect to what was then called the County Lunatic Asylum (later Lancaster Moor Hospital). Here, in addition to carrying out minor repairs, he added a chapel and six additional wings for the residents. Other duties in this post included work on
171:
Edmund Sharpe established an architectural practice in his mother's house in Penny Street, Lancaster, in late 1835. He had received no formal training in architecture, gaining his knowledge from studying and drawing buildings during a tour of Germany and France between 1832 and 1835. In 1838 he
1237:
During the Paley and Austin partnership, the architectural styles used by the practice changed and developed. In church architecture, Paley had already started to introduce Perpendicular features in some of his designs, and this trend was to continue and increase after the arrival of Austin.
416:
peninsular, and the development of industries using iron as a raw material resulted in many commissions for the practice. The population of Barrow doubled between 1851 and 1861, and doubled again in the next decade. The major figure in the development of the town and the railway was
1050:. Austin's youngest son, Geoffrey Langshaw (1884–1971), also worked with the practice from 1907, and was made a junior partner in January 1914, when the practice became known as Austin, Paley and Austin. However the partnership was short-lived as Geoffrey enlisted to serve in the
1173:(later named the Ecclesiological Society), of which Sharpe was a member, he introduced more "correct" Gothic features into his designs, which he continued to use throughout the rest of his career. In 1844 he was praised by the society for his design of the new steeple at
1265:
identify two other, potentially incompatible, stylistic changes in the firm's designs during this period. The first is what they describe as "a greater muscularity ...at times accompanied by continental overtones". Examples are in the restoration of the tower of
584:. Pollard describes St Chad as one of the partnership's "most powerful churches", Brandwood et al. consider that St John the Evangelist is the practice's "most important church in Manchester. These were followed by the rebuilding, other than the tower, of
149:. The history of the practice, and the works produced during each stage, are described under the titles used by the practice. As there are two periods when the practice worked under the title Austin and Paley, the relevant dates have been added to these headings.
1246:(1870–72). The Perpendicular "would become the stock-in-trade style for some of the most admired buildings as the years rolled on". However they did continue to use features from the Early English and Decorated styles, sometimes together in the same church, as in
912:
During this time much less work was carried out in the secular sphere. There were no new substantial country houses designed during this time, the largest being the "rather plain, four-square" Hampsfield House. The only major public buildings were the
294:, in which role he cared for the roads and bridges in north Lancashire, including building at least two new bridges. He had also become involved with the development of railways in the region, initially by designing bridges and a viaduct for the
257:
In addition to Edward Paley, Sharpe took on other pupils, some of whom later established their own architectural practices. One of these was Thomas Austin (1822–67), who joined Sharpe in 1841 and left in 1852 to set up his practice in
137:. Not all the firm's work was on a large scale; as the major architectural practice in North West England they also undertook work on schools, vicarages, hospitals, factories, hotels, shops, railway stations, and war memorials.
721:(1879–81) is described by Pollard as one of Paley and Austin's "most radical and thrilling churches". Meanwhile, in rapidly growing Barrow, they had built four smaller churches to a common design, each dedicated to one of the
596:(1870–72) was rebuilt in Perpendicular style. Meanwhile the practice was designing new churches or rebuilding old churches for villages in the countryside. Some of these were small, others larger and more impressive, such as
729:
cathedral in Liverpool. Their plan was placed in the top twelve, but failed to make the next round of the competition. In the event the project was abandoned in 1888, the cathedral being built later and on a different site.
70:(1859–1946), son of Edward, usually known as Harry Paley; and, for a very brief period, Geoffrey Langshaw Austin (1884–1971), son of Hubert. The firm's commissions were mainly for buildings in Lancashire and what is now
234:
in the structure of his churches; not just for decoration, as had been done before, but for the whole structure of the church, other than the foundations and rubble infill. The churches resulting from this project were
1505:
In the cases of Edmund Sharpe, and Sharpe and Paley the words "Architect" and "Architects" have been omitted. From 1916 until his death, Harry Paley ran the practice alone, but continued to use the title Austin and
502:(1867–71) with its northwest tower rising to 180 feet (55 m), is considered by Brandwood et al. to be "Paley's other great independent church project". Hartwell et al. refer to it as a "formidable new church".
421:(1822–96), who eventually became managing director of the railway, the Barrow Haematite Steel Company, and the Barrow Shipbuilding Company. The largest deposits of iron ore had been discovered in about 1850 by
117:
elements, and Perpendicular became the dominant style used by the practice following the arrival of Hubert Austin, to such a degree that the firm became regarded as the regional leader in the use of that style.
1439:
did achieve national recognition, especially in the later part of the 19th century, and in particular for its churches. A contemporary opinion of the practice was given by the German architect and critic
555:
On 28 January 1867 Hubert Austin joined Paley in the practice as a partner. He was the half-brother of Thomas Austin, who had been a pupil of Sharpe. Hubert Austin had worked for three years in the office of
472:(1857–59). This is regarded by Brandwood et al. as his "masterwork as an independent church architect". Hartwell et al. agree, calling this church, with its northwest steeple 240 feet (73 m) high, his
54:, Lancashire, England, between 1835 and 1946, working either alone or in partnership. The full names of the principals in their practice, which went under various names during its life, are
273:
Sharpe's architectural works were not limited to churches, nor was his practice confined to architecture. His most important architectural work in the domestic field was his remodelling of
3770:
3755:
921:(1893–96). Work was carried out on school buildings, including extensions at Lancaster Royal Grammar School and Christ Church School, Lancaster (both 1887), and a new building for the
172:
moved his office to Sun Street, and that year Edward Paley, then aged 15, joined him as a pupil. The following year Sharpe moved his office again, this time to St Leonard's Gate.
1346:
3765:
3750:
1402:
practice alone there was less work available. As he was relatively comfortable financially, he was also able to take part in the life of the town and in his sporting interests.
1054:
in February 1915. He saw active service in the First World War, leaving the army in 1919, but did not return to the practice, nor did he continue with an architectural career.
775:
in 1871–75 to replace a wing severely damaged by fire; this was the largest project undertaken by the partners. The next major country house commission was the restoration of
690:, also in Atherton (1878–79), of which Pollard says "The whole is monumental, one of Paley and Austin's best", with a tower that is "magnificently mighty". In Astley Bridge,
1046:
Hubert Austin's eldest son, Bernard Tate (1873–1955), studied architecture in the firm, but had a disagreement with his father and left in 1902 to work as an architect for
950:
chief creative force". The church commissions continued much as before, particularly with new churches, and also with church restorations. New country churches included
525:) in Lancaster (1868–73); it was in Gothic Revival style, and had an E-shaped plan. It has a central French-type tower, with a steeply pitched pyramidal roof flanked by
486:
style was becoming popular elsewhere, it played little part in Paley's designs, other than more elaborate decorative features, such as the embellishment of the principal
3670:
1581:
This is also described by Brandwood et al as "a magnificent essay in space and light, equal to, if very different from, the best churches of the time by masters such as
215:
to build three (or four) churches along its route for their employees. By 1842 he was designing his 31st church, including a long hoped for commission from the
901:
sandstone from Cheshire, Pevsner considered that it was "completely alien in Herts". This period also saw the finest church design to be executed by the practice,
1302:. What became a "favourite feature" for Austin and Paley were carved inscriptions, usually black, sometimes in Latin and sometimes in English; examples can be in
207:, so-called because it was partly financed by a grant from the Church Building Commissioners. In all, Sharpe designed six Commissioner's churches, including
105:
style, except for some of Sharpe's earliest churches and a few designed later by the practice. Within the Gothic Revival style, the practice initially used
1471:. He was particularly impressed by St Peter, Lancaster, and by the village churches designed by the practice. Writing in 1969 the architectural historian
3740:
715:
236:
1011:
925:(1893–94). Commercial buildings included shops for the Lancaster and Skerton Cooperative Society, including a large store in the middle of Lancaster.
433:, and who also played a part in the industry. All three men commissioned the practice to design a variety of buildings. In addition Paley designed a
1475:
said "this Lancaster dynasty of architects did more work in the county, and for a time more outstanding work, than any other". Referring to the late
1184:
style, mainly reflecting features of the 13th and early 14th centuries, with open roofs, benches for the congregation, stalls for the choir, the
3801:
1303:
886:
679:
3735:
815:(1879–85) following severe damage by fire. The practice continued to design new schools, and in the 1870s they began to design new buildings for
3730:
3663:
581:
529:. Paley designed stations for the Furness Railway, starting with the Strand Station in Barrow (1863); he probably also designed the station at
3811:
3791:
609:
1079:
991:
129:
elements as well as Gothic. Other features were incorporated towards the end of the 19th century similar to those in works produced by the
3696:
853:(1888–89). Brandwood et al. describe the 1890s as "something of a golden decade for the firm's country churches". The first of these was
663:
647:
494:. During this decade, before the arrival of Austin, he designed churches for the industrial towns of Lancashire, one of the largest being
646:
They also designed about 23 urban churches of varying sizes and styles. Most were in the industrial towns of Lancashire, except for
3725:
1010:(1911–13). Brandwood et al. describe two further buildings as the partnership's "last two major urban churches". The first of these is
959:
188:
568:(1855–56). Following his arrival, the work of the practice continued much as before, with both ecclesiastical and secular commissions.
3796:
3656:
31:
3760:
1103:
979:
687:
426:
478:. During the 1860s, Paley began to design churches with bare brick interior walls, rather than plastered walls, the earliest being
3745:
3506:
1051:
216:
3806:
2954:
2927:
1201:
335:
290:. Sharpe's other business interests were in the field of engineering. By 1837 he had been appointed Bridgemaster for the South
1110:
and monuments. Two of Paley's war memorials are considered to be sufficiently notable to have been designated as Grade II
869:(1894). The 1890s was also a prolific period for new town churches but, before the start of that decade, the firm had designed
145:
During the life of the practice its title varied according to the names of the architects who ran it, either individually or in
999:
897:(1893–95). Brandwood et al. say that it is a "Perpendicular building entirely characteristic of the firm" but, being built in
635:
621:
517:(1864–65). The largest building designed by Paley, and indeed by the practice, was the Royal Albert Asylum (later renamed the
295:
1230:
1197:
1018:(1908–10). Further ecclesiastical works were the chapels built for Sedbergh School (1895–97) and for St Bees' School (1906).
114:
106:
3621:
3536:
3518:
3452:
1239:
1226:
1216:
858:
703:
585:
955:
1193:
110:
3816:
1038:(1913–14), and extra buildings for St Bees School, Rossall School, and the Clergy Daughters' School at Casterton (1896).
850:
819:, creating an association with the school that was to produce commissions throughout the remaining life of the practice.
1443:
who was present in England between 1896 and 1904. He commented on English architecture and architects, and in his book
1138:
2932:
1247:
1007:
854:
514:
208:
1989:
3718:
3639:
3603:
3585:
3563:
3496:
3478:
1255:
1251:
995:
975:
951:
605:
597:
530:
353:
between 1847 and 1852, including its "expansive" symmetrical frontage. The next commission was the conversion of a
1291:
1243:
1095:
1083:
922:
878:
593:
522:
263:
17:
893:(near Liverpool) (1891–99). During this time the partnership produced their only church in the south of England,
1299:
1267:
1174:
1154:
1146:
1099:
1091:
1003:
902:
894:
870:
831:
707:
479:
180:
1603:
1166:
1142:
987:
495:
382:
366:
302:). He was also becoming involved in the civic life of Lancaster, having been elected as a councillor in 1841.
278:
250:
200:
176:
1274:, Cumbria (1869–70). The other stylistic factor was the use of "gentler, less ornate" motifs taken from the
1250:. Away from the Gothic Revival style, Norman or Norman transitional features were occasionally used, as in
1075:
1066:
874:
655:
601:
339:
220:
2928:"War memorial, cross and enclosing walls approximately 40m north of Church of St Michael, Beetham (1086538)"
1599:
1157:
style, as according to Sharpe "no style can be worked so cheap as Romanesque". He then started to include
971:
862:
683:
651:
499:
184:
1317:
In their secular commissions the practice used a variety of styles. Their new wing at Holker Hall was in
1515:
This term was chosen because terracotta is commonly used as a material for the manufacture of plant pots.
1307:
1271:
1181:
1158:
1087:
1015:
963:
942:
890:
695:
577:
102:
1165:
churches, being an approximation rather than an accurate (or "correct") representation. Influenced by
1162:
967:
714:(1879–81) is considered by Hartwell et al. as "a masterly performance for relatively little cash", and
506:
385:
in Lancaster (1851–52), and eight village schools. Paley's main domestic works were the rebuilding of
287:
918:
784:
718:
381:, including the chapel (1861–62), and the east range (1867). He designed new schools, including the
350:
314:
240:
1204:(1852–53). During the 1850s Paley introduced what was to become one of his favourite features, the
694:, they built two churches, which are described by Hartwell et al. as being "remarkable"; these were
1538:
1468:
1456:
1422:
for many years. Nevertheless, the practice did design churches and other buildings for Catholics,
1318:
1279:
1170:
1023:
962:(1897–1900), the last of which incorporated Romanesque features. After 1900 the practice designed
764:
204:
134:
122:
1541:
in 1871. It was demolished in 1932 and replaced by a new building, also called the Midland Hotel.
686:(1875–77), considered by Pollard to be one of Paley and Austin's "most stimulating churches", and
1586:
1524:
1856 was the year in which Sharpe moved with his family to North Wales to design what is now the
1448:
1192:, steps leading up to the chancel, and no side chapels. Most of the designs were largely in the
827:
804:
780:
365:
starting in 1847. Other secular commissions around this time were for two vicarages and for the
196:
1357:
1338:
561:
83:
779:(1876–78) for Sir Henry de Hoghton. Other work on country houses included building
3470:
1423:
1322:
1208:
788:
742:
518:
510:
483:
394:
327:
126:
94:
1397:
than 100 years, he was a railway engineer and developer, a public figure who pioneered
1373:
1212:
1027:
589:
557:
343:
299:
1388:, resulted in the many commissions for buildings in the town and for the Furness Railway.
1106:(1935–37). A major source of commissions following the First World War was the design of
8:
3708:
1582:
1464:
1295:
469:
454:
438:
362:
259:
59:
631:
592:
style, generally unfashionable at the time, was used throughout. Similarly the body of
121:
The practice used a greater variety of styles when working on country houses, including
1611:
1569:
1031:
442:
430:
374:
227:
101:, and made alterations to existing houses. Almost all their churches were designed in
51:
885:(1899–90, now redundant). Major town churches of the first half of the 1890s include
3635:
3617:
3599:
3581:
3559:
3532:
3514:
3492:
3474:
3448:
1525:
1440:
1410:
1381:
1369:
1365:
1349:
1035:
994:(1899–1900). These were followed in the 20th century by new churches including
625:
418:
405:
323:
3648:
857:(1892–93), mainly Perpendicular in style, but with some rounded arches, followed by
43:
Offices of the practice in Castle Hill, Lancaster, from 1860 until it closed in 1946
3462:
3444:
2923:
1472:
866:
808:
803:(1887). New houses included Oak Lea for Henry Schneider (1874, since demolished),
800:
722:
699:
613:
291:
283:
211:(1838–40). In the early 1840s Sharpe gained a commission from the trustees of the
1062:
576:
Two early large churches in industrial areas in Lancashire were built in 1869–71:
2473:
1427:
1385:
1111:
816:
812:
796:
639:
422:
409:
386:
331:
274:
246:
3067:
2720:
2718:
2705:
2703:
2403:
2401:
310:
1789:
1787:
1047:
378:
3365:
3314:
2892:
2880:
2844:
2832:
2820:
2808:
2254:
2065:
2063:
1014:(1906–08). The other, described as the partners' "last great masterpiece" is
317:
to which Sharpe and Paley made additions and alterations between 1847 and 1852
3785:
3703:
3691:
3577:
3232:
3230:
3228:
3226:
2781:
2769:
2757:
2715:
2700:
2637:
2601:
2589:
2577:
2553:
2524:
2512:
2500:
2461:
2449:
2437:
2398:
2326:
1476:
1460:
1452:
1222:
1161:
features, which often did not accurately reflect the features to be found in
1119:
792:
776:
768:
675:
550:
490:
at Quernmore. He never used the more blatant features of the style, such as
434:
358:
166:
98:
87:
63:
55:
3290:
3278:
3266:
3175:
3091:
3055:
3031:
3019:
2798:
2796:
2735:
2733:
2690:
2688:
2543:
2541:
2539:
2490:
2488:
2314:
2114:
1784:
1757:
1074:
restoring older churches, and designing new ones. His new churches include
811:(1880–82). Their last major work on a country house was the remodelling of
349:
The first secular work undertaken during this period was the remodelling of
3355:
3353:
2302:
2266:
2230:
2208:
2206:
2191:
2167:
2145:
2143:
2141:
2126:
2104:
2102:
2087:
2075:
2060:
2048:
2026:
2024:
1995:
1970:
1934:
1924:
1922:
1895:
1835:
1799:
1774:
1772:
1747:
1745:
1419:
1275:
1127:
1107:
711:
667:
212:
130:
3338:
3302:
3254:
3242:
3223:
3211:
3199:
3139:
2983:
2971:
2904:
2868:
2856:
1718:
1694:
1682:
1670:
1660:
1658:
604:(1878–79). In 1872–73 the partners built their only new church in Wales,
533:(1866). Overlooking the latter town he designed the Grange Hotel (1866).
243:(1845–46). These were nicknamed by Sharpe himself as "the pot churches".
226:
Sharpe was persuaded by his future brother-in-law John Fletcher, owner of
93:
The practice specialised in work on churches; the design of new churches,
39:
3713:
3598:, The Buildings of England, New Haven and London: Yale University Press,
3558:, The Buildings of England, New Haven and London: Yale University Press,
3531:, The Buildings of England, New Haven and London: Yale University Press,
3513:, The Buildings of England, New Haven and London: Yale University Press,
3491:, The Buildings of England, New Haven and London: Yale University Press,
3187:
3163:
3103:
3079:
2995:
2793:
2745:
2730:
2685:
2673:
2661:
2649:
2613:
2565:
2536:
2485:
2338:
1907:
1406:
1368:
and members of the aristocracy. Sharpe's work came to the notice of the
1283:
882:
843:
772:
726:
473:
390:
354:
146:
97:
older churches, and making additions or alterations. They also designed
67:
3416:
3350:
3326:
2290:
2203:
2179:
2138:
2099:
2021:
2009:
1946:
1919:
1883:
1847:
1823:
1769:
1742:
738:
437:, Abbot's Wood (1857–59) for Ramsden, a large and complex building with
1706:
1655:
1615:
1414:
1398:
1377:
1311:
914:
746:
617:
505:
Secular commissions during this period included the restoration of the
491:
231:
3632:
Sharpe, Paley and Austin: a Lancaster architectural practice 1836–1942
2955:"War Memorial south of Church of St Cuthbert, Great Salkeld (1145370)"
1643:
1361:
1321:
style, as were the additions to Underley Hall. Witherslack Hall has
1123:
983:
938:
906:
865:(1894–96) (Perpendicular again), and a mission church seating 150 at
835:
671:
370:
75:
1345:
526:
398:
79:
3439:
Brandwood, Geoff; Austin, Tim; Hughes, John; Price, James (2012),
2413:
2386:
2218:
541:
1607:
1326:
the Arts and Crafts Movement in the interior of Thurland Castle.
1287:
1205:
1189:
1177:(1843–44), which was described as being "beautiful and correct".
1115:
898:
413:
267:
192:
175:
Sharpe's earliest commissions were for churches, the first being
71:
2625:
1356:
Sharpe's earliest commissions were promoted by his older cousin
1334:
1185:
861:(1892–94), also in Perpendicular style. Smaller churches were
691:
487:
459:
157:
2242:
2155:
1958:
1196:
style, although Paley did occasionally introduce 15th-century
30:
For lists of works by the practice in its various phases, see
2425:
2374:
2362:
2350:
2278:
1480:
of the introduction to the book by Brandwood et al. entitled
1447:(1901) he placed the works of Austin and Paley on a par with
662:, Cheshire. Notable among the Lancashire urban churches are
659:
1730:
771:. The most important commission was to build a new wing at
3007:
1602:
of Lancashire, which was then much larger than the present
1568:
Holker Hall was the seat of William Cavendish, by then the
759:
755:
565:
560:, and before he joined the Lancaster practice had designed
3614:
600 New Churches: the Church Building Commission 1818-1856
3504:
3487:
Hartwell, Clare; Hyde, Matthew; Pevsner, Nikolaus (2004),
3438:
3422:
3371:
3359:
3344:
3332:
3320:
3308:
3296:
3284:
3272:
3260:
3248:
3236:
3217:
3205:
3193:
3181:
3169:
3145:
3109:
3097:
3085:
3073:
3061:
3037:
3025:
3001:
2989:
2977:
2910:
2898:
2886:
2874:
2862:
2850:
2838:
2826:
2814:
2802:
2787:
2775:
2763:
2751:
2739:
2724:
2709:
2694:
2679:
2667:
2655:
2643:
2619:
2607:
2595:
2583:
2571:
2559:
2547:
2530:
2518:
2506:
2494:
2479:
2467:
2455:
2443:
2407:
2344:
2332:
2320:
2308:
2296:
2272:
2260:
2236:
2212:
2197:
2185:
2173:
2149:
2132:
2120:
2108:
2093:
2081:
2069:
2054:
2030:
2015:
1976:
1952:
1940:
1928:
1913:
1901:
1889:
1853:
1841:
1829:
1805:
1793:
1778:
1763:
1751:
1724:
1712:
1700:
1688:
1676:
1664:
1649:
1391:
1352:, Barrow-in-Furness businessman and patron of the practice
838:, (1892–97) considered to be Hubert Austin's finest church
393:. Other varies commissions included the restoration of a
3382:
3380:
1859:
1012:
St Michael and All Angels, Ashton-on-Ribble, Preston
974:(1909–10). There were many new town churches, including
3771:
Non-ecclesiastical works by Austin and Paley (1916–1944)
3756:
Non-ecclesiastical works by Austin and Paley (1895–1914)
1364:. Whittaker had connections with major figures in the
412:
following the discovery of deposits of iron ore in the
3404:
3392:
3377:
849:
country church resulting from the partnership was the
767:. The partners were also involved with work at large
3678:
3634:, Lancaster: Centre for North-West Regional Studies,
1871:
1811:
725:. In 1884 the partnership submitted plans for a new
3766:
Ecclesiastical works by Austin and Paley (1916–1944)
3751:
Ecclesiastical works by Austin and Paley (1895–1914)
3151:
3127:
3115:
3043:
749:, to which Paley and Austin made alterations in 1870
674:(1870–75), described by Pollard as "one of the best
620:, and by the rebuilding of the old parish church of
3486:
2952:
2922:
2419:
2392:
2224:
2036:
1409:, and most of the church commissions came from the
195:. Larger and grander churches followed, including
62:(1823–95), who practised as E. G. Paley;
3469:, The Buildings of England, New Haven and London:
266:(1830–1911), who created a successful practice in
1631:
3783:
397:(1853), and cemetery buildings in Lancaster and
183:(1836–37). He then designed two small chapels,
50:are the surnames of architects who practised in
3526:
2248:
2161:
1964:
1559:This is the highest church tower in Lancashire.
3593:
2431:
2380:
2368:
2356:
2284:
3664:
3460:
2631:
1418:Henry Austin was a keen churchman, and was a
1278:, or motifs that could "pass muster as proto-
237:St Stephen and All Martyrs, Lever Bridge
3741:Non-ecclesiastical works by Paley and Austin
3594:Pollard, Richard; Pevsner, Nikolaus (2006),
3527:Hartwell, Clare; Pevsner, Nikolaus (2009) ,
3441:The Architecture of Sharpe, Paley and Austin
1482:The Architecture of Sharpe, Paley and Austin
113:features. E. G. Paley introduced
3576:, The Buildings of England, Harmondsworth:
1200:features, for example in his rebuilding of
1041:
680:St Michael and All Angels, Howe Bridge
650:(1877–78) in Scotland, a mission chapel in
3671:
3657:
1994:, Midland Hotel, Morecambe, archived from
822:
706:(1882–85), which was demolished in 1975.
608:. This was followed by an estate church,
377:(1850–51). Paley also carried out work at
277:(1844–48), and in Knutsford he designed a
32:Lists of works by Sharpe, Paley and Austin
3489:Lancashire: Manchester and the South-East
1445:Die neuere kirchliche Baukunst in England
1114:. They are both in villages in Cumbria,
992:St Thomas, St Anne's-on-the-Sea
3802:Companies based in Lancaster, Lancashire
3736:Ecclesiastical works by Paley and Austin
3596:Lancashire: Liverpool and the South-West
1344:
1333:
1221:
1137:
1080:St Stephen on-the-Cliffs, Blackpool
1061:
937:
826:
737:
630:
540:
458:
309:
245:
156:
38:
3731:Non-ecclesiastical works by E. G. Paley
3571:
3553:
3410:
3398:
3386:
1392:Practice organisation and personalities
1133:
571:
14:
3784:
3616:(2nd ed.), Reading: Spire Books,
3544:
1877:
1865:
1817:
1180:Almost all of Paley's designs were in
1153:Sharpe's first three churches were in
296:Lancaster and Preston Junction Railway
3812:British companies established in 1835
3792:Architecture firms based in Lancaster
3652:
3629:
3157:
3133:
3121:
3049:
3013:
2042:
1637:
1270:, (1868–70) and in the new church of
648:St John the Evangelist, Greenock
582:St John the Evangelist, Cheetham
3611:
1736:
1606:; it included parts of what are now
1598:The county referred to here was the
1550:Abbot's Wood was demolished in 1960.
1233:style by Paley and Austin in 1871–73
429:, who was at that time the 2nd
140:
3726:Ecclesiastical works by E. G. Paley
2420:Hartwell, Hyde & Pevsner (2004)
2393:Hartwell, Hyde & Pevsner (2004)
2225:Hartwell, Hyde & Pevsner (2004)
1188:to the side of the entrance to the
1096:St Barbara, Earlsdon, Coventry
1052:King's Own Royal Lancaster Regiment
1008:St Margaret, Halliwell, Bolton
1004:St Andrew, Starbeck, Harrogate
980:St John the Divine, Sandylands
928:
851:Church of the Good Shepherd, Tatham
636:St Mary's Church, Dalton-in-Furness
536:
334:. Among his earlier churches were
305:
253:, (1837–48) Sharpe's largest church
199:(1839–40), and his largest church,
24:
2959:National Heritage List for England
2933:National Heritage List for England
1358:Revd J. W. Whitaker
1227:St Mary the Virgin's Church, Leigh
783:(1868–69), adding an extension to
515:Lancaster Carriage and Wagon Works
25:
3828:
3797:People from Lancaster, Lancashire
3761:Works by Austin, Paley and Austin
1374:Rt Rev John Bird Sumner
664:St Matthew and St James
658:(1884–85) in the railway town of
3746:Works by Paley, Austin and Paley
3505:Hartwell, Clare; Hyde, Matthew;
2946:
2916:
1592:
1575:
1202:St Patrick, Preston Patrick
1102:(1930–32), and his last church,
923:Keswick School of Industrial Art
917:(1887–91) in Lancaster, and the
871:St Mary, Ince-in-Makerfield
733:
523:Jamea Al Kauthar Islamic College
404:The rapid growth of the town of
389:(1855–56), and a smaller house,
336:St Patrick, Preston Patrick
230:, to experiment with the use of
152:
3547:Edmund Sharpe: Man of Lancaster
1982:
1562:
1553:
1544:
1531:
1518:
1509:
1484:is "A practice like no other".
990:(1898–1901 now redundant), and
638:, (1884–85) a new church with
191:(both 1837–38), in what is now
179:(1836–38), quickly followed by
3807:1835 establishments in England
1499:
1413:. Sharpe, in particular, had
859:St Peter, Field Broughton
513:(1859), and buildings for the
498:(1863–66). The rebuilding of
448:
251:Holy Trinity Church, Blackburn
13:
1:
3509:; Pevsner, Nikolaus (2011) ,
2249:Hartwell & Pevsner (2009)
2162:Hartwell & Pevsner (2009)
1965:Hartwell & Pevsner (2009)
1487:
1282:work". Features "verging on
1167:A. W. N. Pugin
1067:All Saints Church, Becconsall
787:(1870), making extensions to
594:All Saints' Church, Daresbury
203:(1837–48). The latter was a
2432:Pollard & Pevsner (2006)
2381:Pollard & Pevsner (2006)
2369:Pollard & Pevsner (2006)
2357:Pollard & Pevsner (2006)
2285:Pollard & Pevsner (2006)
1991:History of the Midland Hotel
1537:Its name was changed to the
1469:George Gilbert Scott, junior
1433:
1229:, the body being rebuilt in
933:
832:St George's Church, Heaviley
763:the circular water tower at
652:Scarborough, North Yorkshire
181:St Saviour's Church, Cuerden
7:
3554:Pevsner, Nikolaus (2002) ,
2632:Cherry & Pevsner (1977)
1570:7th Duke of Devonshire
1339:Revd John William Whittaker
1248:New St Leonard, Langho
1217:St James, Wrightington
1143:St Mark's Church, Blackburn
976:St Barnabas, Morecambe
887:St John, Crawshawbooth
855:St Bartholomew, Barbon
610:St John the Evangelist
209:St George, Stalybridge
10:
3833:
3817:Architects from Lancashire
3572:Pevsner, Nikolaus (1969),
1329:
1256:St Peter, Finsthwaite
1252:St Mary, Betws-y-Coed
1057:
996:St Michael, Middleton
952:St Mark, Dolphinholme
841:
606:St Mary, Betws-y-Coed
598:St Peter, Finsthwaite
548:
452:
408:, the construction of the
326:, with a small number for
164:
29:
3687:
1300:St George, Heaviley
1084:St Hilda, Bilsborrow
1034:, North Wales (1901–03),
919:Lancaster Royal Infirmary
873:(1887, demolished 1974),
708:St James, Daisy Hill
521:which is currently named
500:St Peter's Church, Bolton
135:Arts and Crafts Movements
3681:Sharpe, Paley and Austin
3545:Hughes, John M. (2010),
1405:All the principals were
1286:" are present in window
1268:St Peter, Heversham
1175:St Michael, Kirkham
1171:Cambridge Camden Society
1092:St Stephen, Whelley
1042:Austin, Paley and Austin
1024:Hornby Village Institute
960:St John, Flookburgh
943:St Mary's Church, Widnes
903:St George, Heaviley
879:St John, Cloughfold
716:St Peter, Westleigh
698:(1878–81), which is now
688:St John the Baptist
588:(1871–73), in which the
496:St James, Poolstock
480:St Peter, Quernmore
373:(1847), and for work at
48:Sharpe, Paley and Austin
3423:Brandwood et al. (2012)
3372:Brandwood et al. (2012)
3360:Brandwood et al. (2012)
3345:Brandwood et al. (2012)
3333:Brandwood et al. (2012)
3321:Brandwood et al. (2012)
3309:Brandwood et al. (2012)
3297:Brandwood et al. (2012)
3285:Brandwood et al. (2012)
3273:Brandwood et al. (2012)
3261:Brandwood et al. (2012)
3249:Brandwood et al. (2012)
3237:Brandwood et al. (2012)
3218:Brandwood et al. (2012)
3206:Brandwood et al. (2012)
3194:Brandwood et al. (2012)
3182:Brandwood et al. (2012)
3170:Brandwood et al. (2012)
3146:Brandwood et al. (2012)
3110:Brandwood et al. (2012)
3098:Brandwood et al. (2012)
3086:Brandwood et al. (2012)
3074:Brandwood et al. (2012)
3062:Brandwood et al. (2012)
3038:Brandwood et al. (2012)
3026:Brandwood et al. (2012)
3002:Brandwood et al. (2012)
2990:Brandwood et al. (2012)
2978:Brandwood et al. (2012)
2911:Brandwood et al. (2012)
2899:Brandwood et al. (2012)
2887:Brandwood et al. (2012)
2875:Brandwood et al. (2012)
2863:Brandwood et al. (2012)
2851:Brandwood et al. (2012)
2839:Brandwood et al. (2012)
2827:Brandwood et al. (2012)
2815:Brandwood et al. (2012)
2803:Brandwood et al. (2012)
2788:Brandwood et al. (2012)
2776:Brandwood et al. (2012)
2764:Brandwood et al. (2012)
2752:Brandwood et al. (2012)
2740:Brandwood et al. (2012)
2725:Brandwood et al. (2012)
2710:Brandwood et al. (2012)
2695:Brandwood et al. (2012)
2680:Brandwood et al. (2012)
2656:Brandwood et al. (2012)
2644:Brandwood et al. (2012)
2620:Brandwood et al. (2012)
2608:Brandwood et al. (2012)
2596:Brandwood et al. (2012)
2584:Brandwood et al. (2012)
2572:Brandwood et al. (2012)
2560:Brandwood et al. (2012)
2548:Brandwood et al. (2012)
2531:Brandwood et al. (2012)
2519:Brandwood et al. (2012)
2507:Brandwood et al. (2012)
2495:Brandwood et al. (2012)
2480:Brandwood et al. (2012)
2468:Brandwood et al. (2012)
2456:Brandwood et al. (2012)
2444:Brandwood et al. (2012)
2408:Brandwood et al. (2012)
2345:Brandwood et al. (2012)
2333:Brandwood et al. (2012)
2321:Brandwood et al. (2012)
2309:Brandwood et al. (2012)
2297:Brandwood et al. (2012)
2273:Brandwood et al. (2012)
2261:Brandwood et al. (2012)
2237:Brandwood et al. (2012)
2213:Brandwood et al. (2012)
2198:Brandwood et al. (2012)
2186:Brandwood et al. (2012)
2174:Brandwood et al. (2012)
2150:Brandwood et al. (2012)
2133:Brandwood et al. (2012)
2121:Brandwood et al. (2012)
2109:Brandwood et al. (2012)
2094:Brandwood et al. (2012)
2082:Brandwood et al. (2012)
2070:Brandwood et al. (2012)
2055:Brandwood et al. (2012)
2031:Brandwood et al. (2012)
2016:Brandwood et al. (2012)
1977:Brandwood et al. (2012)
1953:Brandwood et al. (2012)
1941:Brandwood et al. (2012)
1929:Brandwood et al. (2012)
1914:Brandwood et al. (2012)
1902:Brandwood et al. (2012)
1890:Brandwood et al. (2012)
1854:Brandwood et al. (2012)
1842:Brandwood et al. (2012)
1830:Brandwood et al. (2012)
1806:Brandwood et al. (2012)
1794:Brandwood et al. (2012)
1779:Brandwood et al. (2012)
1764:Brandwood et al. (2012)
1752:Brandwood et al. (2012)
1739:, pp. 331, 334–335
1725:Brandwood et al. (2012)
1713:Brandwood et al. (2012)
1701:Brandwood et al. (2012)
1689:Brandwood et al. (2012)
1677:Brandwood et al. (2012)
1665:Brandwood et al. (2012)
1650:Brandwood et al. (2012)
1341:, Sharpe's early patron
1308:Christ Church, Waterloo
1094:(1928–30 and 1937–38),
1022:by the partnership was
988:St Anne, Hindsford
891:Christ Church, Waterloo
875:St John, Birkdale
823:Paley, Austin and Paley
678:churches in Liverpool,
217:13th Earl of Derby
201:Holy Trinity, Blackburn
197:Christ Church, Walmsley
3719:Sharpe and Paley works
2668:Hartwell et al. (2011)
2482:, pp. 90, 125–126
1353:
1342:
1304:St John, Crawshawbooth
1234:
1150:
1076:All Saints, Becconsall
1070:
946:
839:
750:
643:
602:St Peter, Scorton
562:Christ Church, Ashford
546:
482:(1860). Although the
464:
357:close to the ruins of
340:St Anne, Thwaites
318:
279:house for the governor
254:
241:Holy Trinity, Rusholme
221:St Mary, Knowsley
162:
44:
3630:Price, James (1998),
3471:Yale University Press
1348:
1337:
1292:All Saints, St Helens
1244:All Saints, Daresbury
1225:
1141:
1065:
982:(1898–1901) (also in
972:St Mark, Natland
941:
863:St Mary, Borwick
830:
741:
634:
544:
519:Royal Albert Hospital
462:
313:
262:. Another pupil was
249:
205:Commissioners' church
189:St John, Cowgill
185:Holy Trinity, Howgill
160:
42:
3714:Henry Anderson Paley
3612:Port, M. H. (2006),
3549:(CD), John M. Hughes
3076:, pp. 56–58, 92
3016:, pp. 38–39, 41
1272:St Mary, Walton
1213:Christ Church, Bacup
1134:Architectural styles
1100:St Thomas, Blackpool
1090:(1927–28 and 1938),
1088:St Luke, Orrell
1028:Leeds Grammar School
1016:St Mary, Widnes
1000:St Mary, Walney
964:All Saints, Barnacre
895:All Saints, Hertford
578:St Chad, Kirkby
572:Ecclesiastical works
558:George Gilbert Scott
395:music hall in Settle
383:Royal Grammar School
344:Christ Church, Bacup
300:West Coast Main Line
177:St Mark, Witton
68:Henry Anderson Paley
3709:Edward Graham Paley
3704:Hubert James Austin
2263:, pp. 2, 85–87
1583:Giles Gilbert Scott
1240:St Mary, Leigh
1104:St John, Abram
968:St John, Ellel
956:St Luke, Slyne
586:St Mary, Leigh
470:Lancaster Cathedral
455:Edward Graham Paley
367:North Western Hotel
363:Furness Abbey Hotel
260:Newcastle upon Tyne
109:and, particularly,
86:, North Wales, and
64:Hubert James Austin
60:Edward Graham Paley
3374:, pp. 162–187
2953:Historic England,
2901:, pp. 179–180
2889:, pp. 180–187
2853:, pp. 174–177
2841:, pp. 146–147
2829:, pp. 165–167
2817:, pp. 164–165
2790:, pp. 160–161
2778:, pp. 143–145
2766:, pp. 139–142
2727:, pp. 171–173
2712:, pp. 168–171
2646:, pp. 153–157
2634:, pp. 185–186
2610:, pp. 150–151
2598:, pp. 149–150
2586:, pp. 148–149
2562:, pp. 138–139
2533:, pp. 132–133
2521:, pp. 129–131
2509:, pp. 127–129
2470:, pp. 122–125
2458:, pp. 119–121
2446:, pp. 118–119
2410:, pp. 112–113
2335:, pp. 101–102
1868:, pp. 316–341
1612:Greater Manchester
1424:Congregationalists
1354:
1343:
1294:, and on the gate-
1276:Aesthetic Movement
1235:
1169:(1812–52) and the
1151:
1071:
1032:Llandovery College
947:
840:
751:
644:
547:
465:
431:Earl of Burlington
375:Giggleswick School
328:Congregationalists
319:
255:
228:Ladyshore Colliery
163:
45:
27:Architectural firm
3779:
3778:
3623:978-1-904965-08-4
3538:978-0-300-12667-9
3529:Lancashire: North
3520:978-0-300-17043-6
3463:Pevsner, Nikolaus
3461:Cherry, Bridget;
3454:978-1-84802-049-8
3323:, p. 188–196
2323:, pp. 99–101
2123:, pp. 19, 55
1796:, pp. 19, 32
1766:, pp. 29, 31
1604:ceremonial county
1526:Conwy Valley Line
1441:Hermann Muthesius
1411:Church of England
1370:Bishop of Chester
1366:Church of England
1350:Sir James Ramsden
1280:Arts & Crafts
1126:in the form of a
1036:Shrewsbury School
958:(1898–1900), and
626:Dalton-in-Furness
531:Grange-over-Sands
427:William Cavendish
425:in land owned by
406:Barrow-in-Furness
401:(1855 and 1856).
324:Church of England
298:(now part of the
213:Weaver Navigation
141:History and works
16:(Redirected from
3824:
3673:
3666:
3659:
3650:
3649:
3644:
3626:
3608:
3590:
3574:South Lancashire
3568:
3556:North Lancashire
3550:
3541:
3523:
3501:
3483:
3457:
3445:English Heritage
3426:
3420:
3414:
3408:
3402:
3396:
3390:
3384:
3375:
3369:
3363:
3357:
3348:
3342:
3336:
3330:
3324:
3318:
3312:
3306:
3300:
3299:, pp. 71–75
3294:
3288:
3287:, pp. 28–29
3282:
3276:
3275:, pp. 1, 20
3270:
3264:
3258:
3252:
3246:
3240:
3234:
3221:
3215:
3209:
3203:
3197:
3191:
3185:
3184:, pp. 91–92
3179:
3173:
3167:
3161:
3155:
3149:
3143:
3137:
3131:
3125:
3119:
3113:
3107:
3101:
3100:, pp. 94–97
3095:
3089:
3083:
3077:
3071:
3065:
3064:, pp. 57–58
3059:
3053:
3047:
3041:
3040:, pp. 56–57
3035:
3029:
3028:, pp. 33–34
3023:
3017:
3011:
3005:
2999:
2993:
2987:
2981:
2975:
2969:
2968:
2967:
2965:
2950:
2944:
2943:
2942:
2940:
2924:Historic England
2920:
2914:
2908:
2902:
2896:
2890:
2884:
2878:
2872:
2866:
2860:
2854:
2848:
2842:
2836:
2830:
2824:
2818:
2812:
2806:
2800:
2791:
2785:
2779:
2773:
2767:
2761:
2755:
2749:
2743:
2737:
2728:
2722:
2713:
2707:
2698:
2692:
2683:
2677:
2671:
2665:
2659:
2653:
2647:
2641:
2635:
2629:
2623:
2617:
2611:
2605:
2599:
2593:
2587:
2581:
2575:
2569:
2563:
2557:
2551:
2545:
2534:
2528:
2522:
2516:
2510:
2504:
2498:
2492:
2483:
2477:
2471:
2465:
2459:
2453:
2447:
2441:
2435:
2429:
2423:
2417:
2411:
2405:
2396:
2390:
2384:
2378:
2372:
2366:
2360:
2354:
2348:
2342:
2336:
2330:
2324:
2318:
2312:
2311:, pp. 94–96
2306:
2300:
2294:
2288:
2282:
2276:
2275:, pp. 92–94
2270:
2264:
2258:
2252:
2246:
2240:
2239:, pp. 75–77
2234:
2228:
2222:
2216:
2210:
2201:
2200:, pp. 66–68
2195:
2189:
2183:
2177:
2176:, pp. 62–63
2171:
2165:
2159:
2153:
2147:
2136:
2135:, pp. 59–61
2130:
2124:
2118:
2112:
2106:
2097:
2096:, pp. 74–75
2091:
2085:
2084:, pp. 71–73
2079:
2073:
2072:, pp. 68–70
2067:
2058:
2057:, pp. 70–71
2052:
2046:
2040:
2034:
2028:
2019:
2013:
2007:
2006:
2005:
2003:
1998:on 7 August 2011
1986:
1980:
1979:, pp. 40–41
1974:
1968:
1962:
1956:
1950:
1944:
1943:, pp. 57–59
1938:
1932:
1926:
1917:
1911:
1905:
1904:, pp. 2, 55
1899:
1893:
1887:
1881:
1875:
1869:
1863:
1857:
1851:
1845:
1844:, pp. 38–42
1839:
1833:
1827:
1821:
1815:
1809:
1808:, pp. 34–37
1803:
1797:
1791:
1782:
1776:
1767:
1761:
1755:
1749:
1740:
1734:
1728:
1727:, pp. 26–27
1722:
1716:
1710:
1704:
1703:, pp. 23–24
1698:
1692:
1686:
1680:
1679:, pp. 12–17
1674:
1668:
1662:
1653:
1647:
1641:
1635:
1619:
1596:
1590:
1579:
1573:
1566:
1560:
1557:
1551:
1548:
1542:
1535:
1529:
1522:
1516:
1513:
1507:
1503:
1473:Nikolaus Pevsner
1242:, (1871–73) and
1149:church by Sharpe
1112:listed buildings
929:Austin and Paley
915:Storey Institute
867:Sunderland Point
809:Hampsfield House
805:Witherslack Hall
801:Whittington Hall
723:Four Evangelists
656:St Barnabas
537:Paley and Austin
306:Sharpe and Paley
292:Lonsdale Hundred
284:Lancaster Castle
21:
18:Paley and Austin
3832:
3831:
3827:
3826:
3825:
3823:
3822:
3821:
3782:
3781:
3780:
3775:
3683:
3677:
3647:
3642:
3624:
3606:
3588:
3566:
3539:
3521:
3507:Hubbard, Edward
3499:
3481:
3455:
3429:
3421:
3417:
3409:
3405:
3397:
3393:
3385:
3378:
3370:
3366:
3358:
3351:
3343:
3339:
3331:
3327:
3319:
3315:
3307:
3303:
3295:
3291:
3283:
3279:
3271:
3267:
3259:
3255:
3247:
3243:
3235:
3224:
3216:
3212:
3204:
3200:
3192:
3188:
3180:
3176:
3168:
3164:
3156:
3152:
3144:
3140:
3132:
3128:
3120:
3116:
3108:
3104:
3096:
3092:
3084:
3080:
3072:
3068:
3060:
3056:
3048:
3044:
3036:
3032:
3024:
3020:
3012:
3008:
3000:
2996:
2988:
2984:
2976:
2972:
2963:
2961:
2951:
2947:
2938:
2936:
2921:
2917:
2909:
2905:
2897:
2893:
2885:
2881:
2873:
2869:
2861:
2857:
2849:
2845:
2837:
2833:
2825:
2821:
2813:
2809:
2801:
2794:
2786:
2782:
2774:
2770:
2762:
2758:
2750:
2746:
2738:
2731:
2723:
2716:
2708:
2701:
2693:
2686:
2678:
2674:
2666:
2662:
2654:
2650:
2642:
2638:
2630:
2626:
2618:
2614:
2606:
2602:
2594:
2590:
2582:
2578:
2570:
2566:
2558:
2554:
2546:
2537:
2529:
2525:
2517:
2513:
2505:
2501:
2493:
2486:
2478:
2474:
2466:
2462:
2454:
2450:
2442:
2438:
2430:
2426:
2418:
2414:
2406:
2399:
2391:
2387:
2379:
2375:
2367:
2363:
2355:
2351:
2343:
2339:
2331:
2327:
2319:
2315:
2307:
2303:
2295:
2291:
2283:
2279:
2271:
2267:
2259:
2255:
2247:
2243:
2235:
2231:
2223:
2219:
2211:
2204:
2196:
2192:
2184:
2180:
2172:
2168:
2160:
2156:
2148:
2139:
2131:
2127:
2119:
2115:
2107:
2100:
2092:
2088:
2080:
2076:
2068:
2061:
2053:
2049:
2041:
2037:
2029:
2022:
2014:
2010:
2001:
1999:
1988:
1987:
1983:
1975:
1971:
1963:
1959:
1951:
1947:
1939:
1935:
1927:
1920:
1912:
1908:
1900:
1896:
1888:
1884:
1876:
1872:
1864:
1860:
1852:
1848:
1840:
1836:
1828:
1824:
1816:
1812:
1804:
1800:
1792:
1785:
1777:
1770:
1762:
1758:
1750:
1743:
1735:
1731:
1723:
1719:
1711:
1707:
1699:
1695:
1691:, p. 20–23
1687:
1683:
1675:
1671:
1663:
1656:
1648:
1644:
1636:
1632:
1623:
1622:
1600:historic county
1597:
1593:
1580:
1576:
1567:
1563:
1558:
1554:
1549:
1545:
1536:
1532:
1523:
1519:
1514:
1510:
1504:
1500:
1490:
1436:
1399:sanitary reform
1394:
1386:Henry Schneider
1332:
1254:(1872–73), and
1136:
1060:
1044:
1006:(1909–10), and
970:(1906–07), and
936:
931:
889:(1890–92), and
877:(1899–90), and
846:
825:
817:Sedbergh School
813:Thurland Castle
799:(1875–76), and
797:Capernwray Hall
736:
704:St Saviour
574:
553:
539:
457:
451:
423:Henry Schneider
410:Furness Railway
387:Wennington Hall
342:(1853–54), and
332:Roman Catholics
308:
288:Judges Lodgings
275:Capernwray Hall
239:(1842–44), and
169:
155:
143:
35:
28:
23:
22:
15:
12:
11:
5:
3830:
3820:
3819:
3814:
3809:
3804:
3799:
3794:
3777:
3776:
3774:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3733:
3728:
3722:
3721:
3716:
3711:
3706:
3701:
3700:
3699:
3688:
3685:
3684:
3676:
3675:
3668:
3661:
3653:
3646:
3645:
3640:
3627:
3622:
3609:
3604:
3591:
3586:
3569:
3564:
3551:
3542:
3537:
3524:
3519:
3502:
3497:
3484:
3479:
3458:
3453:
3435:
3428:
3427:
3415:
3411:Pevsner (1969)
3403:
3399:Pevsner (1969)
3391:
3387:Pevsner (2002)
3376:
3364:
3349:
3337:
3325:
3313:
3311:, pp. 5–6
3301:
3289:
3277:
3265:
3253:
3241:
3222:
3210:
3198:
3186:
3174:
3162:
3150:
3138:
3126:
3114:
3102:
3090:
3078:
3066:
3054:
3042:
3030:
3018:
3006:
2994:
2982:
2970:
2945:
2915:
2903:
2891:
2879:
2867:
2855:
2843:
2831:
2819:
2807:
2792:
2780:
2768:
2756:
2744:
2729:
2714:
2699:
2684:
2672:
2660:
2648:
2636:
2624:
2612:
2600:
2588:
2576:
2564:
2552:
2535:
2523:
2511:
2499:
2484:
2472:
2460:
2448:
2436:
2424:
2412:
2397:
2385:
2373:
2361:
2349:
2337:
2325:
2313:
2301:
2289:
2277:
2265:
2253:
2241:
2229:
2217:
2202:
2190:
2178:
2166:
2154:
2137:
2125:
2113:
2098:
2086:
2074:
2059:
2047:
2035:
2020:
2008:
1981:
1969:
1957:
1945:
1933:
1918:
1906:
1894:
1882:
1870:
1858:
1846:
1834:
1822:
1810:
1798:
1783:
1768:
1756:
1741:
1729:
1717:
1705:
1693:
1681:
1669:
1654:
1642:
1629:
1621:
1620:
1591:
1574:
1561:
1552:
1543:
1530:
1517:
1508:
1497:
1496:
1489:
1486:
1435:
1432:
1393:
1390:
1331:
1328:
1182:Gothic Revival
1145:, (1836–38) a
1135:
1132:
1059:
1056:
1048:Lever Brothers
1043:
1040:
935:
932:
930:
927:
842:Main article:
824:
821:
781:Sedgwick House
769:country houses
735:
732:
600:(1873–74) and
573:
570:
549:Main article:
538:
535:
484:High Victorian
453:Main article:
450:
447:
379:Rossall School
307:
304:
165:Main article:
154:
151:
142:
139:
103:Gothic Revival
99:country houses
74:, but also in
26:
9:
6:
4:
3:
2:
3829:
3818:
3815:
3813:
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3793:
3790:
3789:
3787:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3723:
3720:
3717:
3715:
3712:
3710:
3707:
3705:
3702:
3698:
3695:
3694:
3693:
3692:Edmund Sharpe
3690:
3689:
3686:
3682:
3674:
3669:
3667:
3662:
3660:
3655:
3654:
3651:
3643:
3641:1-86220-054-8
3637:
3633:
3628:
3625:
3619:
3615:
3610:
3607:
3605:0-300-10910-5
3601:
3597:
3592:
3589:
3587:0-300-09617-8
3583:
3579:
3575:
3570:
3567:
3565:0-300-09617-8
3561:
3557:
3552:
3548:
3543:
3540:
3534:
3530:
3525:
3522:
3516:
3512:
3508:
3503:
3500:
3498:0-300-10583-5
3494:
3490:
3485:
3482:
3480:0-14-071007-8
3476:
3472:
3468:
3467:Hertfordshire
3464:
3459:
3456:
3450:
3446:
3442:
3437:
3436:
3434:
3433:
3424:
3419:
3412:
3407:
3400:
3395:
3388:
3383:
3381:
3373:
3368:
3361:
3356:
3354:
3347:, p. 4–5
3346:
3341:
3334:
3329:
3322:
3317:
3310:
3305:
3298:
3293:
3286:
3281:
3274:
3269:
3263:, p. 126
3262:
3257:
3251:, p. 129
3250:
3245:
3239:, p. 131
3238:
3233:
3231:
3229:
3227:
3220:, p. 149
3219:
3214:
3208:, p. 150
3207:
3202:
3195:
3190:
3183:
3178:
3171:
3166:
3159:
3154:
3148:, p. 101
3147:
3142:
3135:
3130:
3123:
3118:
3111:
3106:
3099:
3094:
3087:
3082:
3075:
3070:
3063:
3058:
3051:
3046:
3039:
3034:
3027:
3022:
3015:
3010:
3003:
2998:
2992:, p. 187
2991:
2986:
2980:, p. 180
2979:
2974:
2960:
2956:
2949:
2935:
2934:
2929:
2925:
2919:
2913:, p. 249
2912:
2907:
2900:
2895:
2888:
2883:
2877:, p. 178
2876:
2871:
2865:, p. 177
2864:
2859:
2852:
2847:
2840:
2835:
2828:
2823:
2816:
2811:
2805:, p. 164
2804:
2799:
2797:
2789:
2784:
2777:
2772:
2765:
2760:
2754:, p. 135
2753:
2748:
2742:, p. 174
2741:
2736:
2734:
2726:
2721:
2719:
2711:
2706:
2704:
2697:, p. 167
2696:
2691:
2689:
2682:, p. 146
2681:
2676:
2670:, p. 609
2669:
2664:
2658:, p. 153
2657:
2652:
2645:
2640:
2633:
2628:
2622:, p. 151
2621:
2616:
2609:
2604:
2597:
2592:
2585:
2580:
2574:, p. 139
2573:
2568:
2561:
2556:
2550:, p. 137
2549:
2544:
2542:
2540:
2532:
2527:
2520:
2515:
2508:
2503:
2497:, p. 125
2496:
2491:
2489:
2481:
2476:
2469:
2464:
2457:
2452:
2445:
2440:
2434:, p. 230
2433:
2428:
2422:, p. 676
2421:
2416:
2409:
2404:
2402:
2395:, p. 150
2394:
2389:
2383:, p. 136
2382:
2377:
2371:, p. 141
2370:
2365:
2359:, p. 439
2358:
2353:
2347:, p. 103
2346:
2341:
2334:
2329:
2322:
2317:
2310:
2305:
2298:
2293:
2287:, p. 213
2286:
2281:
2274:
2269:
2262:
2257:
2251:, p. 405
2250:
2245:
2238:
2233:
2227:, p. 137
2226:
2221:
2214:
2209:
2207:
2199:
2194:
2187:
2182:
2175:
2170:
2164:, p. 369
2163:
2158:
2151:
2146:
2144:
2142:
2134:
2129:
2122:
2117:
2110:
2105:
2103:
2095:
2090:
2083:
2078:
2071:
2066:
2064:
2056:
2051:
2044:
2039:
2032:
2027:
2025:
2017:
2012:
1997:
1993:
1992:
1985:
1978:
1973:
1967:, p. 347
1966:
1961:
1954:
1949:
1942:
1937:
1930:
1925:
1923:
1916:, p. 194
1915:
1910:
1903:
1898:
1891:
1886:
1880:, p. 412
1879:
1878:Hughes (2010)
1874:
1867:
1866:Hughes (2010)
1862:
1855:
1850:
1843:
1838:
1831:
1826:
1820:, p. 243
1819:
1818:Hughes (2010)
1814:
1807:
1802:
1795:
1790:
1788:
1780:
1775:
1773:
1765:
1760:
1753:
1748:
1746:
1738:
1733:
1726:
1721:
1714:
1709:
1702:
1697:
1690:
1685:
1678:
1673:
1666:
1661:
1659:
1651:
1646:
1639:
1634:
1630:
1628:
1627:
1617:
1613:
1609:
1605:
1601:
1595:
1588:
1584:
1578:
1571:
1565:
1556:
1547:
1540:
1539:Midland Hotel
1534:
1527:
1521:
1512:
1502:
1498:
1495:
1494:
1485:
1483:
1478:
1474:
1470:
1466:
1462:
1461:J. D. Sedding
1458:
1454:
1450:
1446:
1442:
1431:
1429:
1428:Presbyterians
1425:
1421:
1416:
1412:
1408:
1403:
1400:
1389:
1387:
1383:
1382:James Ramsden
1379:
1375:
1371:
1367:
1363:
1359:
1351:
1347:
1340:
1336:
1327:
1324:
1320:
1315:
1313:
1309:
1305:
1301:
1297:
1293:
1289:
1285:
1281:
1277:
1273:
1269:
1264:
1259:
1257:
1253:
1249:
1245:
1241:
1232:
1231:Perpendicular
1228:
1224:
1220:
1218:
1214:
1210:
1207:
1203:
1199:
1198:Perpendicular
1195:
1191:
1187:
1183:
1178:
1176:
1172:
1168:
1164:
1160:
1156:
1148:
1144:
1140:
1131:
1129:
1125:
1121:
1120:Great Salkeld
1117:
1113:
1109:
1108:war memorials
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1077:
1068:
1064:
1055:
1053:
1049:
1039:
1037:
1033:
1029:
1025:
1019:
1017:
1013:
1009:
1005:
1001:
997:
993:
989:
985:
981:
978:(1898–1900),
977:
973:
969:
965:
961:
957:
953:
944:
940:
926:
924:
920:
916:
910:
908:
904:
900:
896:
892:
888:
884:
880:
876:
872:
868:
864:
860:
856:
852:
845:
837:
833:
829:
820:
818:
814:
810:
806:
802:
798:
794:
793:Underley Hall
790:
786:
785:Leighton Hall
782:
778:
777:Hoghton Tower
774:
770:
766:
761:
757:
748:
744:
740:
734:Secular works
731:
728:
724:
720:
717:
713:
709:
705:
701:
697:
693:
689:
685:
681:
677:
673:
669:
665:
661:
657:
653:
649:
641:
637:
633:
629:
627:
624:(1884–85) at
623:
619:
615:
612:(1882–84) at
611:
607:
603:
599:
595:
591:
590:Perpendicular
587:
583:
579:
569:
567:
563:
559:
552:
551:Hubert Austin
545:Hubert Austin
543:
534:
532:
528:
524:
520:
516:
512:
511:Dalton Castle
508:
503:
501:
497:
493:
489:
485:
481:
477:
476:
475:chef d'oeuvre
471:
461:
456:
446:
444:
440:
436:
435:country house
432:
428:
424:
420:
419:James Ramsden
415:
411:
407:
402:
400:
396:
392:
388:
384:
380:
376:
372:
368:
364:
360:
359:Furness Abbey
356:
352:
351:Hornby Castle
347:
345:
341:
337:
333:
329:
325:
316:
315:Hornby Castle
312:
303:
301:
297:
293:
289:
285:
280:
276:
271:
269:
265:
261:
252:
248:
244:
242:
238:
233:
229:
224:
222:
218:
214:
210:
206:
202:
198:
194:
190:
186:
182:
178:
173:
168:
167:Edmund Sharpe
161:Edmund Sharpe
159:
153:Edmund Sharpe
150:
148:
138:
136:
132:
128:
124:
119:
116:
115:Perpendicular
112:
108:
107:Early English
104:
100:
96:
91:
89:
88:Hertfordshire
85:
84:West Midlands
81:
77:
73:
69:
66:(1841–1915);
65:
61:
57:
56:Edmund Sharpe
53:
49:
41:
37:
33:
19:
3680:
3631:
3613:
3595:
3573:
3555:
3546:
3528:
3510:
3488:
3466:
3440:
3431:
3430:
3418:
3413:, p. 44
3406:
3401:, p. 45
3394:
3389:, p. 31
3367:
3340:
3328:
3316:
3304:
3292:
3280:
3268:
3256:
3244:
3213:
3201:
3196:, p. 92
3189:
3177:
3172:, p. 91
3165:
3160:, p. 82
3158:Price (1998)
3153:
3141:
3136:, p. 80
3134:Price (1998)
3129:
3124:, p. 85
3122:Price (1998)
3117:
3112:, p. 97
3105:
3093:
3088:, p. 94
3081:
3069:
3057:
3052:, p. 41
3050:Price (1998)
3045:
3033:
3021:
3014:Price (1998)
3009:
3004:, p. 21
2997:
2985:
2973:
2962:, retrieved
2958:
2948:
2937:, retrieved
2931:
2918:
2906:
2894:
2882:
2870:
2858:
2846:
2834:
2822:
2810:
2783:
2771:
2759:
2747:
2675:
2663:
2651:
2639:
2627:
2615:
2603:
2591:
2579:
2567:
2555:
2526:
2514:
2502:
2475:
2463:
2451:
2439:
2427:
2415:
2388:
2376:
2364:
2352:
2340:
2328:
2316:
2304:
2299:, p. 93
2292:
2280:
2268:
2256:
2244:
2232:
2220:
2215:, p. 66
2193:
2188:, p. 63
2181:
2169:
2157:
2152:, p. 58
2128:
2116:
2111:, p. 74
2089:
2077:
2050:
2045:, p. 77
2043:Price (1998)
2038:
2033:, p. 68
2018:, p. 41
2011:
2000:, retrieved
1996:the original
1990:
1984:
1972:
1960:
1955:, p. 40
1948:
1936:
1931:, p. 56
1909:
1897:
1892:, p. 55
1885:
1873:
1861:
1856:, p. 38
1849:
1837:
1832:, p. 31
1825:
1813:
1801:
1781:, p. 32
1759:
1754:, p. 29
1732:
1720:
1715:, p. 26
1708:
1696:
1684:
1672:
1667:, p. 19
1645:
1638:Price (1998)
1633:
1625:
1624:
1594:
1587:Temple Moore
1577:
1564:
1555:
1546:
1533:
1520:
1511:
1501:
1492:
1491:
1481:
1457:James Brooks
1444:
1437:
1420:churchwarden
1404:
1395:
1355:
1316:
1262:
1260:
1236:
1179:
1152:
1128:Celtic cross
1072:
1045:
1020:
948:
911:
847:
807:(1874), and
752:
712:Westhoughton
668:Mossley Hill
654:(1885), and
645:
622:St Mary
575:
554:
504:
474:
466:
403:
348:
320:
272:
264:John Douglas
256:
225:
174:
170:
144:
120:
92:
47:
46:
36:
3443:, Swindon:
3425:, p. 1
3362:, p. 3
3335:, p. 6
1737:Port (2006)
1652:, p. 2
1640:, p. 5
1465:Norman Shaw
1360:, vicar of
1319:Elizabethan
1284:Art Nouveau
1258:(1873–74).
1215:(1854) and
1211:window, in
1098:(1930–31),
1086:(1926–27),
1082:(1925–27),
1078:(1925–26),
1030:(1904–05),
1002:(1907–08),
998:(1901–02),
966:(1905–06),
954:(1897–98),
883:Rawtenstall
844:Henry Paley
789:Walton Hall
773:Holker Hall
743:Walton Hall
640:chequerwork
616:, south of
463:E. G. Paley
449:E. G. Paley
391:The Ridding
355:manor house
338:(1852–53),
223:(1843–44).
147:partnership
123:Elizabethan
58:(1809–77);
3786:Categories
2002:8 February
1616:Merseyside
1488:References
1415:low church
1378:Warrington
1312:Merseyside
1261:Brandwood
1155:Romanesque
1147:Romanesque
1122:, both in
747:Warrington
642:decoration
618:Warrington
492:polychromy
445:features.
232:terracotta
219:to design
3679:Works of
3465:(1977) ,
1626:Citations
1477:Victorian
1434:Appraisal
1407:Anglicans
1362:Blackburn
1310:(both in
1206:traceried
1194:Decorated
1124:sandstone
1069:(1925–26)
984:Morecambe
945:(1908–10)
934:1895–1914
907:Stockport
836:Stockport
754:design a
700:redundant
696:All Souls
676:Victorian
672:Liverpool
527:pinnacles
509:tower at
371:Morecambe
361:into the
131:Aesthetic
111:Decorated
95:restoring
76:Yorkshire
52:Lancaster
3511:Cheshire
2964:13 March
2939:13 March
1323:Jacobean
1298:outside
1219:(1857).
1163:medieval
795:(1872),
791:(1870),
765:Seascale
727:Anglican
684:Atherton
507:medieval
399:Stalmine
346:(1854).
286:and the
133:and the
127:Jacobean
80:Cheshire
3578:Penguin
3432:Sources
1608:Cumbria
1330:Patrons
1288:tracery
1190:chancel
1116:Beetham
1058:1915–44
899:Runcorn
745:, near
488:rafters
468:became
414:Furness
268:Chester
193:Cumbria
72:Cumbria
3638:
3620:
3602:
3584:
3562:
3535:
3517:
3495:
3477:
3451:
1506:Paley.
1467:, and
1453:Garner
1449:Bodley
1384:, and
1306:, and
1209:oculus
1186:pulpit
1159:Gothic
702:, and
692:Bolton
614:Walton
580:, and
439:Gothic
187:, and
82:, the
3697:works
1493:Notes
1296:piers
1263:et al
881:, in
719:Leigh
660:Crewe
443:Tudor
3636:ISBN
3618:ISBN
3600:ISBN
3582:ISBN
3560:ISBN
3533:ISBN
3515:ISBN
3493:ISBN
3475:ISBN
3449:ISBN
2966:2012
2941:2013
2004:2013
1614:and
1585:and
1451:and
1426:and
1118:and
760:jute
758:and
756:flax
566:Kent
441:and
330:and
125:and
1314:).
1290:in
986:),
905:in
369:in
3788::
3580:,
3473:,
3447:,
3379:^
3352:^
3225:^
2957:,
2930:,
2926:,
2795:^
2732:^
2717:^
2702:^
2687:^
2538:^
2487:^
2400:^
2205:^
2140:^
2101:^
2062:^
2023:^
1921:^
1786:^
1771:^
1744:^
1657:^
1610:,
1589:".
1463:,
1459:,
1455:,
1430:.
1372:,
834:,
710:,
682:,
670:,
666:,
628:.
564:,
270:.
90:.
78:,
3672:e
3665:t
3658:v
1618:.
1572:.
1528:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
