204:
as an architectural marvel but as a haven of safety and refinement in a troubled world. In this poem it symbolizes the order and stability of an ideal society, particularly through the poet's imagery of the symmetrical construction of the hall. Such a picture of
Sycharth could hardly have been painted during Glyndŵr's revolt, during which it was burned to the ground, nor during the period of discontent which led up to it. The poem was probably written around 1390.
29:
110:'s court and announces his intention of honouring it, especially in view of Owain's known hospitality to the old and to bards. He goes on to describe the splendour of the buildings, beginning with the moat, bridge and gate, then singling out for especial praise the symmetry and interconnectedness with which the outer buildings are constructed. He compares them to the bell-tower of
203:
Iolo's depiction of the hall and estate has been variously described as impressionistic or almost photographically immediate. He emphasises the resemblance of the hall to recent masterpieces of church-building, and dwells lovingly on its many luxurious features. Yet he values
Sycharth not so much
245:". The critic David Johnston suggests that this is evidence that Iolo had faith in the vitality of the Welsh language, and did not feel it to be threatened by English. Iolo also uses an English street-name when he compares Sycharth's wardrobes to the shops of
216:
area, where there was much
English settlement, Iolo doubtless had some knowledge of the English language. This is confirmed by the large number of English loan-words in his poems. In "Owain Glyndŵr's Court" several of the architectural terms – such as
134:
is praised for her nobility of ancestry and conduct, and likewise his children. So free is the hospitality here that there are few locks or latches, and no hunger or thirst. Owain is the best of
Welshmen, and his home a splendid place.
130:'s shops. Then he turns his attention outward to the rabbit warren, deer park, hayfields, mill, dovecote and fishpond. Next come the servants, and the food and various alcoholic drinks they buy for the court.
271:
In 2019, Toby Niesse of the firm Vivid
Virtual Reality created a video tour of Sycharth, basing his reconstruction of it on Iolo's poem and his own knowledge of medieval housebuilding techniques.
155:, a slim and strong man. Glyndŵr's wife, praised by Iolo as "the best woman of all women...dignified and noble by nature", was Margaret, daughter of a prominent judge, Sir
850:
260:'s poem "Sycharth", an evocation of bardic Wales, was included alongside Iolo's poem in a limited edition pamphlet published in 2015 by
249:, "London's Cheapside". Other Welsh poets of Iolo's era make similar comparisons, Cheapside being for them the very model of opulence.
569:. Translated by Loomis, Richard; Johnston, Dafydd. Binghamton: Medieval & Renaissance Texts & Studies. 1992. pp. 99–101.
1398:
818:. Translated by Loomis, Richard; Johnston, Dafydd. Binghamton: Medieval & Renaissance Texts & Studies. 1992. p. 99.
1391:
191:. Iolo mentions in passing two of Glyndŵr's remote forerunners, Pywer Lew and Maig Myngfras, both heroes associated with the
491:
126:. He describes the cruciform shape of the hall, using the image of a church with chapels, and mentions wardrobes as fine as
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386:
353:
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160:
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1207:
440:
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147:
against the
English crown, was at the period this poem was written a peaceful minor nobleman enjoying his
1421:
376:
187:; Margaret, whose husband's name is recorded as Monington; and Gwenllian, who married Philip ab Rhys of
180:
693:
192:
184:
789:
1358:
1431:
176:
123:
33:
521:
412:
281:
1235:
1052:
894:: Poets contemporary with Dafydd ap Gwilym". In Jarman, A. O. H.; Hughes, Gwilym Rees (eds.).
540:
468:
1315:
994:
940:
813:
652:
564:
416:
309:
1359:"More than "skimble-skamble stuff": The medieval Welsh poetry associated with Owain Glyndŵr"
19:
This article is about the poem by Iolo Goch. For the motte-and-bailey castle in Powys, see
8:
1151:
455:
This version was written in Borrow's youth, c. 1820, though only published posthumously.
996:
Rivals of Dafydd ap Gwilym: A Treasury of
Fourteenth and Fifteenth Century Welsh Verse
654:
Rivals of Dafydd ap Gwilym: A Treasury of
Fourteenth and Fifteenth Century Welsh Verse
1336:
1273:
1060:
1000:
954:
901:
819:
658:
603:
570:
382:
349:
319:
115:
144:
95:
148:
851:"A Welsh Classical Dictionary: People in History and Legend up to about A.D. 1000"
107:
83:
82:. It describes and celebrates the hall and household of his patron, the nobleman
37:
1330:
1267:
944:
887:
511:
343:
313:
289:
131:
1296:"Iolo Goch and the English: Welsh poetry and politics in the fourteenth century"
1177:
785:
261:
257:
1415:
1231:
1203:
846:
464:
436:
285:
118:. His eye is drawn up to the lofts and roofs of the main hall at the top of
1405:
242:
156:
94:. It cannot be dated exactly, but was probably written about 1390, before
52:
1263:
1099:
517:
950:
222:
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against the
English crown. It survives in as many as 24 manuscripts.
127:
79:
119:
87:
41:
20:
213:
188:
167:, who was captured and imprisoned during his father's rebellion;
163:. Glyndŵr's children, "a fine nestful of chieftains", included
230:
71:
791:
Dictionary of
National Biography. Vol. XXI: Garnett–Gloucester
694:"Llys Owain Glyndŵr (The court of Owain): A poem by Iolo Goch"
541:"The poem by Iolo Goch on Owain Glyndwr's palace of Sycharth"
91:
1053:"William Salesbury and Welsh printing in London before 1557"
1032:
76:
28:
1178:"Virtual reality recreates Owain Glyndwr's Sycharth home"
1020:
921:
729:
727:
1237:
Wild Wales: Its People, Language, and Scenery. Volume II
756:
754:
470:
Wild Wales: Its People, Language, and Scenery. Volume II
1057:
Authority and Subjugation in Writing of Medieval Wales
974:
724:
712:
1080:
868:
766:
751:
739:
630:
Owain Glyndŵr and His Uprising – Interpretation Plan
280:
348:. Caerdydd: Gwasg Prifysgol Cymru. pp. 45–48.
1392:The original Middle Welsh text at Welsh Wikisource
106:The poet begins by recalling his promise to visit
1055:. In Kennedy, Ruth; Meecham-Jones, Simon (eds.).
418:The Bardic Museum of Primitive British Literature
294:. Caerdydd: Gwasg Prifysgol Cymru. pp. 36–38
233:" – are taken from English. So also is the word
151:estate. Physically, the poem describes him as a
1413:
627:
524:. Harmondsworth: Penguin. 1967. pp. 153–156
405:
1059:. New York: Palgrave Macmillan. p. 252.
900:. Swansea: Christopher Davies. p. 158.
856:. The National Library of Wales. p. 507
318:. Oxford: Clarendon Press. pp. 80–83.
56:
635:(Report). Siân Shakespear. pp. 63–66
602:. Llandysul: Gomer. pp. 38, 40, 42.
381:. Llandysul: Gomer. pp. 39, 41, 43.
1356:
1328:
1293:
1038:
1026:
980:
953:. Oxford: Clarendon Press. p. 151.
927:
886:
772:
760:
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733:
718:
341:
27:
1408:, a short BBC video discussing the poem
845:
784:
473:. London: John Murray. pp. 392–394
1414:
1262:
1230:
1202:
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992:
874:
650:
489:
463:
435:
264:. It was reprinted in her collection
67:The Court of Owain Glyndŵr at Sycharth
1050:
939:
897:A Guide to Welsh Literature. Volume 2
538:
496:. London: Macmillan. pp. 135–138
411:
308:
1152:"Llys Glyndwr Owain Glyndwr's Court"
1124:
195:, from which Glyndŵr was descended.
13:
1366:Proceedings of the British Academy
1240:. London: John Murray. p. 394
815:Medieval Welsh Poems: An Anthology
794:. New York: Macmillan. p. 434
700:. Canolfan Owain Glyndŵr Cyf. 2010
566:Medieval Welsh Poems: An Anthology
274:
14:
1448:
1385:
1300:Cambridge Medieval Celtic Studies
445:. London: Jarrold. pp. 27–30
207:
1406:Owain Glyndwr: Last Welsh Prince
1357:Williams, Gruffydd Aled (2012).
1294:Johnston, Dafydd (Winter 1986).
1224:
1196:
1170:
1144:
1118:
1092:
1044:
986:
933:
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513:The Penguin Book of Welsh Verse
839:
806:
778:
686:
628:Penberthy, David (June 2010).
375:Johnston, Dafydd, ed. (1993).
342:Johnston, Dafydd, ed. (1988).
315:The Oxford Book of Welsh Verse
1:
1399:Dafydd Johnston's translation
1320:: CS1 maint: date and year (
1256:
1212:. London: Jarrold. p. 24
946:A History of Welsh Literature
698:Canolfan Owain Glyndŵr Centre
138:
679:
406:Translations and paraphrases
291:Cywyddau Iolo Goch ac eraill
7:
1127:"The Challenge of the Past"
657:. npp: pp. pp. 36–39.
198:
161:Justice of the King's Bench
143:Owain Glyndŵr, who in 1400
101:
10:
1453:
1125:Feay, Suzi (1 June 2018).
490:Clancy, Joseph P. (1965).
18:
1427:Medieval Welsh literature
1329:Johnston, Dafydd (1993).
596:Johnston, Dafydd (1993).
551:: 265, 267, 269, 271, 273
252:
171:, who died in the 1420s;
539:Lloyd, Howel W. (1882).
421:. London: pp. p. 57
1209:Welsh Poems and Ballads
1051:Evans, Geraint (2008).
999:. npp: pp. p. 39.
522:Williams, J. E. Caerwyn
442:Welsh Poems and Ballads
993:Watson, Giles (2016).
651:Watson, Giles (2016).
57:
44:
890:(1979). "The earlier
645:Abridged translation.
493:Medieval Welsh Lyrics
49:Owain Glyndŵr's Court
31:
1437:Works set in castles
1335:. Llandysul: Gomer.
114:and the cloister of
58:"Llys Owain Glyndŵr"
1272:. Bridgend: Seren.
1184:. 12 September 2019
1131:The London Magazine
1041:, pp. 165–166.
284:; Roberts, Thomas;
212:As a native of the
193:royal line of Powys
177:Sir Edmund Mortimer
145:went into rebellion
1422:14th-century poems
237:in the expression
183:, who married Sir
61:), also known as "
45:
1029:, pp. 74–79.
930:, pp. 15–18.
847:Bartrum, Peter C.
594:Revised version:
462:Revised version:
116:Westminster Abbey
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1100:"Llys Glyndŵr"
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1374:. Retrieved
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1316:cite journal
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153:gŵr meingryf
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132:Owain's wife
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53:Middle Welsh
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36:and moat of
25:
1302:(12): 73–98
1269:Welsh Verse
1156:Madoc Books
1087:Conran 1992
875:Conran 1992
555:21 November
545:Y Cymmrodor
1416:Categories
1342:0863837077
1279:1854110810
1257:References
907:0715404571
825:0866981020
609:0863837077
576:0866981020
388:0863837077
355:0708309879
325:0198121296
139:Characters
892:cywyddwyr
680:Footnotes
373:Repr. in
239:tir bwrdd
173:Catharine
128:Cheapside
80:Iolo Goch
1376:1 August
1348:1 August
1306:1 August
1285:1 August
1266:(1992).
1244:1 August
1234:(1862).
1216:1 August
1206:(1915).
1188:1 August
1182:BBC News
1162:1 August
1136:1 August
1110:1 August
1072:1 August
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