599:"There's something about Michael that makes you like him and want to hug him," Tuggle said "but for some reason he seems bent on destroying that part of himself. People respond to his innocence, but he wants to be a cool leading man... It was hard to discuss things rationally with him," recalls Tuggle. âFor instance, there was a scene where he was acting in a cocky manner and I told him, âLook, youâre supposedly alone in this town and youâre scared--I need to see some of those emotions.â He replied, âI donât think in terms of emotions, I think in terms of colors.â At that point I realized I was in big trouble. I considered advising him to play it âtangerine,â but at 3 in the morning with a crew waiting to go home I figured to hell with it, just start shooting film.â
474:"I really wanted to capture the L.A. underground scene-where the runaways come, where the real low-lifes go and where the clubs come and go very fast," said Kayden. "I was always a fan of the punk scene and all the bands, like Suicidal Tendencies, the Gun Club and Tex and the Horseheads. A lot of the kids in the film are loosely based on characters I'd see hanging out around town. There's a very strange, transient sub-culture here made up of kids that come to L.A. for one thing and end up going in a totally different direction."
560:. Siouxsie said, "We all appear in this club scene they're busy shooting at the moment, but they flew us over especially to do it, which is nice...We read the script and really liked it and then thought, 'Yeah, why not do it?' It's basically a cops 'n robbers type thriller, and quite upbeat --the good guy gets the bad guy, and we're featured in a club scene playing one of our songs, 'Cities in Dust.' At least they're just letting us be ourselves, which makes quite a change from the usual offers."
496:"There's no question in my mind that writing is more creative than directing," he says. "A writer is battling himself to make his stuff better. A director is battling the studio, which is trying to spend less; the weather; mechanical problems on the set and other people's creative feelings, not to mention the crazy hours. He ends up spending no more than 20 per cent of his time on artistic decisions. It's exhausting."
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611:"Young actors tend to be more emotional than veteran ones," said Tuggle. "The positive side of that is that they're really giving a lot. The negative is that they often get carried away with their emotions. But when Michael's really cooking, it can be exciting. I almost don't want to calm him down, because you lose a lot of the energy of the performance."
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farm boy whose parents send him to Los
Angeles to live with his brother following their divorce. At the airport, Daryl's suitcase is switched with a drug kingpinâs that is full of heroin . The gangster boss kills Cage's brother and his live-in girlfriend, but Daryl is framed for the crime. He then
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Filming started
December of 1985. Tuggle said, "My hardest decision on the movie had to do with suspense. A comedy director has to choose between actually showing a man slip on a banana peel or concentrating on the anticipation, the knowledge that he's going to slip on it. The same thing happens in
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Tuggle and Hall clashed during filming. The director says the movie "was the story of an innocent farm boy who unknowingly stumbles into a drug deal. When
Michael took the part, I thought he understood the sort of character he was meant to play because the script made it clear. When we started
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Tuggle said the film was "a combination of two genres that I've always been attracted to. One is the fish-out- of-water genre... The other part is basically the innocent person in jeopardy, the
Hitchcockian person-on-the-run kind of suspense."
493:). Tuggle worked on the script with Kayden, changing the hero from a Westchester, N.Y., kid interested in heavy metal to an Iowa farm boy. Tuggle felt that this would give a greater contrast between the hero and the world he fell in to.
518:. Hall said "The so-called Brat Pack is an invention of some journalist and I don't consider those people my peer group. I don't like being lumped in with a group of people... I have my own thing to say."
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to document some behind-the-scenes action, filming a discussion he was having with Tuggle, he was reportedly uncomfortable and unhappy and requested the crew kept away. Several days later, when an
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wrote that the "film wants to be a realistic thriller, but it merely acts out kids' fantasies of heroism and adventure, with drugs and rock music thrown in for a contemporary twist."
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The film was the idea of executive producer John
Tarnoff, who wanted to make a "fish out of water" tale set in the Los Angeles club scene. He hired TV writer Tony Kayden to a script.
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The lead role was given to
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demonstrated the proper throwing motion. Eyeing the young actor with obvious distaste, one crew member grumbled: âGee, I wonder if he learned to do that in a
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was his first non comedy. "I hope it puts an entirely different slant on my career," he said. (At this stage he was also developing a script based on
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680:'s "Wild If I Wanna" appears in a short sequence in the film, but did not make the soundtrack. It eventually appeared on the band's 2003 release
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visited the set, Hall refused to make an appearance as long as any news teams were on hand. Later that day, when Hall saw a video crew, hired by
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Tuggle said Hall was "kind of grown up now; he's taller and bigger, and he has a vulnerable side to him that will appeal to the audience."
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song "Out of Bounds" was written as the title song from the movie, but it did not make it.
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were not well received. Hall talks about that period of his life with considerable regret.
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song "Wild & Innocent Youth" has never appeared on any of the band's albums to date.
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The film performed poorly at the box office, and Hall's appearances on
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plays like an explosion at the cliche factory." Caryn James of
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First he lost his job, then he found directing Yakir, Dan.
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The film received mixed-to-negative reviews upon release.
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stars
Anthony Michael Hall portraying Daryl Cage, an
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489:(Tuggle also directed
286:needs an improved
578:Entertainment Tonight
366:as Lieutenant Delgado
151:Fogbound Productions
149:Delphi V Productions
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480:Escape from Alcatraz
420:as Gil (as Meatloaf)
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798:(July 25, 1986).
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364:Glynn Turman
352:Jenny Wright
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303:October 2015
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293:Please help
288:plot summary
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255:directed by
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195:Running time
172:Release date
102:Glynn Turman
92:Jenny Wright
68:John Tarnoff
36:movie poster
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711:Roger Ebert
693:Mötley CrĂŒe
653:Sammy Hagar
553:suspense."
467:Development
442:David Chung
414:as Mr. Cage
412:Ted Gehring
390:as Marshall
223:$ 9 million
60:Produced by
55:Tony Kayden
42:Directed by
994:1986 films
988:Categories
890:2022-06-07
745:References
697:Nikki Sixx
641:The Smiths
615:Soundtrack
462:Production
424:Allan Graf
384:as Crystal
376:Pepe Serna
358:Jeff Kober
228:Box office
199:93 minutes
183:1986-07-25
142:Production
125:Kent Beyda
97:Jeff Kober
52:Written by
703:Reception
491:Tightrope
486:Tightrope
418:Meat Loaf
378:as Murano
372:as Hurley
144:companies
121:Edited by
949:AllMovie
907:(1986).
733:See also
695:bassist
674:Bon Jovi
645:The Cult
625:Adam Ant
573:Columbia
426:as Biker
396:as Lemar
267:Synopsis
250:neo noir
212:Language
131:Music by
80:Starring
713:of the
691:album,
678:Y&T
548:Filming
504:Casting
215:English
204:Country
181: (
672:, the
659:. The
655:, and
623:&
525:, and
244:action
220:Budget
567:When
247:crime
938:IMDb
586:Brat
483:and
339:Cast
332:Iowa
977:at
966:at
947:at
936:at
596:.â
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