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Os Paralamas do Sucesso

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258:, and performed in small venues. Their setlist was not quite serious (with songs like "Pingüins, Já Não Os Vejo Pois Não Está na Estação", or "I No Longer See Penguins, Because They're Out of Season"), and they tried to create a name for the band in the same spirit, with the first option being "As Cadeirinhas da Vovó", or "Grandma's Little Chairs". The name "Paralamas do Sucesso" (meaning "Mudflaps of Success") was coined by Bi, and adopted because all three of them thought it was really funny. In the beginning, Herbert was only the guitar player, and the group had two lead singers, Ronel e Naldo, both of whom departed in 1982. 31: 728:, which exposed the social and political realities of Brazil. They went even further with "Luís Inácio (300 Picaretas)", which openly criticized the Brazilian Congress. The band faced tragedy following Herbert's accident but remained cohesive and committed to Brazilian rock. In 2011, the band celebrated 25 years together by re-releasing their most influential album, 716:. Movement toward a more Afro-Brazilian sound was also the result of the explosion of funk, hip-hop, and rap internationally. Os Paralamas are best remembered for their reggae-afrobrazilian-ska beats. Throughout its 30 years of existence, the band has continuously produced successful albums as well as controversial discs, like 541:, at the time a Federal Deputy, that the National Congress was formed by some honored men and 300 quacks. The return to easily understandable songs and the pop genre helped the band's comeback to commercial and critical acclaim. This resulted in the best-selling album of their career, with almost a million copies sold. 273:"Vital e sua Moto", which the band sent to FM station Rádio Fluminense, which was the first to broadcast many bands that would eventually achieve national recognition in Brazil. The song received substantial airplay in the summer of 1983, and the Paralamas made their first major appearance opening for 644:
Herbert eventually woke up from his coma, but was left in a wheelchair and battled long-term difficulties with speaking and playing after the accident. After many years of therapy, Herbert has made significant strides in his recovery, despite the permanent damage done to his brain. Even during this
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in 1986. The album opposed the "manipulation" of the band's first release from its cover (featuring Bi's younger brother in the middle of the woods wearing only a shirt around his waist) and incorporated a bold mixture of reggae, rock and African rhythms. Produced by Liminha (former bass player for
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In 1987 and 1988, Afro-Bahian rhythms began to influence the sound of some of the major Brazilian rock bands, most notably Os Paralamas do Sucesso. This created a break with the influence of English-oriented, North American rock groups that originally inspired Brazilian bands. With this new sound,
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magazine as one of the most influential guitarists in the nation's musical history. Bi Ribeiro was also listed as one of the best bass players in Brazil and João Barone is frequently referred as one of Brazil's top drummers. The band celebrated their 30 years together by going on tour in 2012.
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they were able to criticize foreign, mainstream music while simultaneously creating new opportunities for Brazilian rock groups and a more genuinely Brazil-oriented music. This new sound also followed in the tradition of the politically-influenced artists from the 1960s and 1970s, like
235:. Herbert Vianna and Felipe "Bi" Ribeiro were childhood friends and neighbors in that city. Herbert's father was in the military, while Bi's was a diplomat. In 1977, Herbert went to Rio to attend military school, and met Bi once again. They decided to form a band, Herbert with his 544:
Around the same time, the band invested in overtly produced music videos, for which they won eleven MTV Video Music Brasil Awards between 1995 and 1999. Their first two awards were in 1995 for the video for "Uma Brasileira", winning the Best Pop Video and Viewer's Choice Award.
381:, was released in 1988. It introduced the usage of piano, horns and sampling by the band. The album has both social-political focused songs such as "O Beco" and more introspective tracks, such as "Quase Um Segundo" (thought to be about the end of Vianna's relationship with 673:
On 3 March 2015, ex-drummer Vital Dias died of cancer in Rio de Janeiro. In their official Facebook page, the band published a message by the members, stating that they were sending "our higher thoughts for his wife, children and friends in this difficult time".
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in the song "El Vampiro Bajo El Sol". It was even more experimental than the band's last release, with overly elaborate arrangements, and was completely ignored by radio stations and the general public, selling only 55,000 copies—an all-time low for Paralamas.
641:'s house in Angra dos Reis, Rio de Janeiro. Lucy died instantly in the crash and left Herbert in a coma. The crash became front-page news and the entire country followed Herbert’s fight for survival in the hospital Copa D’Or, in Copacabana, Rio de Janeiro. 464:
After a small break, in which Vianna released his first solo album, the trio returned to live performances, which were sold out although the band was under heavy criticism from the press. In late 1993, Herbert, Bi and Barone spent three months in
348:, recorded from their performance in Montreux. It was the first album to feature the band's constant collaborator, keyboard player João Fera, who still tours with the band today. After Montreux, Paralamas also played in 732:(1986) and performing in Brazil, Argentina, Uruguay and Venezuela. In 2011, the song "O Calibre" (Longo Caminho-2002) was included in soundtrack of one of the most successful films in Brazil's history, 589:. Instead of playing their biggest hits, they opted instead for a repertoire dominated by lesser-known songs like, "Bora Bora", "Vai Valer", and "Trem da Juventude". The Paralamas also paid homage to 399:, released in the following year, continued in the same vein, featuring cheerful songs with a deep critical social messages like "Perplexo" and poetical/lyrical ones like "Lanterna dos Afogados". 689:, would take part of a tour promoted by the project Nivea Viva!, which takes place every year and takes artists on Brazilian tours. The series of 7 shows will pay tribute to Brazilian rock. 645:
difficult period, his musical talent was not incapacitated and, in October 2002, he began rehearsing with the band again in his home studio. This led to the recording of a new CD titled
449:, was released in 1991. It contained keyboard-driven songs of minor popular appeal, achieving a low sales record for the band, although it featured two successful tracks: "Trac-Trac", a 1926: 629:
Afterwards, Paralamas announced a six-month vacation and a reformulation in the sound of the group after nearly two decades of collaboration. The plans pointed to a new rock album.
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Behague, Gerard. "Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95)." Latin American Music Review 27, no. 1 (Spring/Summer 2006): 79-90.
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The trio rehearsed in the house of Bi's grandmother (which provided inspiration for the song "Vovó Ondina é Gente Fina", or "Grandma Ondina is Really Cool") and in a farm in
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From then on, the Paralamas produced a string of hits, including: "Lourinha Bombril", "Busca Vida", "Ela Disse Adeus", and "O Amor não Sabe Esperar" (a collaboration with
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s tour was a huge success among the public. A series of three performances, recorded in late 1994, was released the next year as the band's second live album,
1919: 533:), "Saber Amar", "Esta Tarde", and the controversial "Luís Inácio (300 Picaretas)", which drew the spotlight back to the band after it was banished from the 1284: 1698: 1912: 1646: 862: 597:. The live album sold more than 500,000 copies, won the Latin Grammy Award for Best Brazilian Rock Album, and resulted in a sold-out world tour. 947: 1316: 1392: 499:
versions of their hits, was a huge hit in neighboring countries. They were in high demand for live performances, due to the great success of
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As they were being forgotten in their native Brazil, they were also gaining huge popularity in Argentina. In 1992, their compilation
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song, and "Tendo a Lua". Its failure, however, can also be attributed to the deep economic crisis Brazil went through during the
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directed a documentary honoring the group by sharing interviews with the musicians and their fans, and scenes of live shows at
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On February 4, 2001, tragedy struck the band. A plane carrying Herbert and his wife, Lucy Needham Vianna, crashed en route to
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and Legião Urbana. Two new songs were also featured: "Sincero Breu", and "Um Amor Um Lugar", originally recorded by
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would later join them. They parted ways in 1979, around the time all of them were busy studying for their
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gang", because they lived there and were friends with local bands, Paralamas' proper birthplace was
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The band would dedicate the first half of the 1990s to experimentation. The sixth studio album,
1002:: Best Brazilian Contemporary Pop Album - Multishow Ao Vivo Paralamas Brasil Afora (Nomination) 336: 255: 191: 57: 2096: 2358: 415: 269:, which became the drummer after he decided to leave the band. Vital would later inspire the 239:
and Bi, which had no musical training whatsoever, with a bass guitar bought during a trip to
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João Fera: keyboards and backing vocals (1987–present), percussion (1987-1993, 2007–present)
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tour was extended until the end of 2000, when the trio released their second compilation,
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featuring four unreleased tracks: "Uma Brasileira" (a collaboration of Herbert with
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is the first of several attempts by the band to self-produce their recordings.
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song), and sold over 700,000 copies. This led the Paralamas to play in the
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In February 2016, it was announced that the band, together with singers
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The Diary of the Class 1976-1986: The History of the Rock of Brasilia
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with rock, but later added horn arrangements and Latin rhythms.
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O Diário da Turma 1976-1986: A História do Rock de Brasília
979:: Best Brazilian Song "Cuide Bem Do Seu Amor" (Nomination) 421:
In 1990, the Paralamas released their first compilation,
282: 211: 109: 81: 1006: 956:: Best Music Video - "Aonde Quer Que Eu Va" (Nomination) 610:. It featured songs from all the band's albums (except 281:. It was around that time when they signed a deal with 1378: 1376: 962:: Best Brazilian Song "A Lua Q Eu T Dei" (Nomination) 277:, another popular singer of their generation, in the 1373: 1239:(in Portuguese). Photographs by Mauricio Valadares. 342:In 1987, the band released their first live album, 251:tests, but resumed their musical activity in 1981. 622:. The album also included two major hit tracks by 2529: 1647:Latin Grammy Award for Best Brazilian Rock Album 1097:: Best Edited Video - "Depois da Queda o Coice" 194:, in the late 1970s. Its members since 1982 are 2558:Latin Grammy Lifetime Achievement Award winners 1482:http://www.paralamasforever.com/curiosidade.htm 1234: 1064:1996: Best Video Director - "Lourinha Bombril" 632: 1609:Dicionário Cravo Albin Os Paralamas do Sucesso 1215: 1082:1998: Best Video Director - "Ela Disse Adeus" 692: 1920: 1692: 1085:1998: Best Art Direction - "Ela Disse Adeus" 1067:1996: Best Edited Video - "Lourinha Bombril" 206:(drums). In its beginning, the band combined 1476: 1474: 1472: 1470: 1468: 1466: 438: 305:. It spanned the hits "Óculos", "Me Liga", " 263:Universidade Federal Rural do Rio de Janeiro 1706: 1088:1998: Best Photography - "Ela Disse Adeus" 651:, with songs composed before the accident. 299:In 1984, they released their second album, 35:Os Paralamas do Sucesso performing live in 1927: 1913: 1699: 1685: 1548: 1546: 1544: 1542: 1540: 1515: 1513: 1511: 1498: 1496: 1459:http://www.paralamasforever.com/grammy.htm 1447:http://www.paralamasforever.com/grammy.htm 1435:http://www.paralamasforever.com/grammy.htm 1423:http://www.paralamasforever.com/grammy.htm 556:) on their next two studio albums, 1996's 510: 1463: 1091:1998: Best Pop Video - "Ela Disse Adeus" 1061:: Video of the Year - "Lourinha Bombril" 1055:1995: Viewer's Choice - "Uma Brasileira" 1043: 1079:: Video of the Year - "Ela Disse Adeus" 743:. Herbert Vianna was listed in Brazil's 572:sold 250,000 copies in one month, while 1936:Latin Grammy Lifetime Achievement Award 1590:http://www.paralamasforever.com/vmb.htm 1578:http://www.paralamasforever.com/vmb.htm 1566:http://www.paralamasforever.com/vmb.htm 1554:http://www.paralamasforever.com/vmb.htm 1537: 1533:http://www.paralamasforever.com/vmb.htm 1521:http://www.paralamasforever.com/vmb.htm 1508: 1504:http://www.paralamasforever.com/vmb.htm 1493: 1218:Os Paralamas do Sucesso: Vamo Batê Lata 1184:Mattos Nascimento: trombone (1988-1989) 479:. Released in 1994, the album featured 2530: 1168:Bidu Cordeiro: trombone (1997–present) 1165:Monteiro Jr.: saxophone (1989–present) 1039:2006: Best video (top 5) - "Na Pista" 936: 576:sold the equivalent in just one week. 1908: 1861:Acústico MTV: Os Paralamas do Sucesso 1680: 1187:Demétrio Bezerra: trumpet (1988-2002) 1007:Prêmio Multishow de Música Brasileira 916: 894:Acústico MTV: Os Paralamas do Sucesso 583:invited the band to record the album 316:After a national tour, they released 1277: 1211:] (in Portuguese). Conrad. 2001. 1193:Eduardo Lyra: percussion (1993-2007) 1181:George Israel: saxophone (1987-1989) 1178:Leo Gandelman: saxophone (1983-1986) 1052:: Best Pop Video - "Uma Brasileira" 1126: 1073:: Video of the Year - "Busca Vida" 261:In 1982, Vital missed a gig at the 13: 2538:Musical groups established in 1977 1197: 1190:Senô Bezerra: trombone (1989-1997) 1151: 14: 2574: 1597: 515:Despite low sales for the album, 227:Although considered part of the " 1480:Curiosidades - Prêmio Multishow 758: 666:, which was first available for 435:), that got massive radio play. 29: 1582: 1570: 1558: 1525: 1451: 670:and only later released on CD. 294: 1439: 1427: 1415: 1385: 1339: 1309: 1250: 985:: Best Brazilian Rock Album - 968:: Best Brazilian Rock Album - 945:: Best Brazilian Rock Album - 869: 753: 1: 2543:1977 establishments in Brazil 1244: 739:Elite Squad: The Enemy Within 222: 2563:Brazilian reggae rock groups 2269:El Gran Combo de Puerto Rico 1025:2003: Best instrumentalist ( 1015:1999: Best instrumentalist ( 633:An accident, but not the end 402:In 1988 Brazilian filmmaker 285:to record their first album 7: 2011:Richie Ray & Bobby Cruz 693:Influence on Brazilian Rock 525:. It was accompanied by an 375:Their fourth studio album, 10: 2579: 2548:Latin Grammy Award winners 1156: 1147:: drums and backing vocals 1121: 660:and in 2009 they released 217: 198:(guitar and lead vocals), 2401: 2117:/ Las Hermanas Márquez / 2106: 1942: 1884: 1838: 1743: 1714: 1657: 1644: 1630: 1625: 1172: 931: 539:Luiz Inácio Lula da Silva 439:Success in Argentina only 157: 153: 141: 137: 119: 115: 105: 95: 64: 49: 44: 28: 21: 1626:Awards and achievements 1317:"Descanse em paz, Vital" 1235:Dapieve, Arthur (2007). 1135:: lead vocals and guitar 1117:: Best Live Performance 996:: Legend of Latin Music 495:countries, and featured 491:, which was released in 2553:Musicians from Brasília 2041:Os Paralamas do Sucesso 1708:Os Paralamas do Sucesso 1614:Os Paralamas do Sucesso 1321:Página oficial da banda 1237:Os Paralamas do Sucesso 1216:França, Jamari (2003). 654:In 2005, they released 511:Back to the hit parades 431:of the all-female band 176:Os Paralamas do Sucesso 23:Os Paralamas do Sucesso 16:Brazilian pop rock band 1393:"Paralamas do Sucesso" 1044:MTV Video Music Brasil 469:, where they recorded 356:, becoming popular in 337:Montreux Jazz Festival 178:(also known simply as 45:Background information 2071:María Dolores Pradera 2007:César Camargo Mariano 416:Montreux, Switzerland 385:, the lead singer of 2045:Los Tigres del Norte 339:the following year. 265:and was replaced by 2443:Gilberto Santa Rosa 2393:José Luis Rodríguez 2347:José María Napoleón 2097:Marco Antonio Muñiz 1457:Grammy Latino 2007 1445:Grammy Latino 2006 1433:Grammy Latino 2003 1421:Grammy Latino 2000 937:Latin Grammy Awards 352:and toured through 2509:Los Ángeles Azules 2121:/ Joseíto Mateo / 2015:Paloma San Basilio 1885:Compilation albums 1487:2009-05-24 at the 1361:. 23 February 2016 917:Compilation albums 620:Paulo Sérgio Valle 408:Ibirapuera Stadium 39:, in October 2008. 2525: 2524: 2205:Totó la Momposina 2175:Milton Nascimento 2119:Armando Manzanero 1902: 1901: 1675: 1674: 1658:Succeeded by 1640:Charlie Brown Jr. 1355:Rio Grande do Sul 1353:(in Portuguese). 493:Hispanic American 182:) is a Brazilian 173: 172: 2570: 2505:Alejandro Lerner 2453:Myriam Hernández 2415:Martinho da Vila 2377:Lupita D'Alessio 2325:Guadalupe Pineda 2305:Lucecita Benítez 2291:Ricardo Montaner 2201:Roberto Menescal 1977:Generoso Jiménez 1929: 1922: 1915: 1906: 1905: 1875:Rock in Rio 1985 1868:Uns Dias ao Vivo 1701: 1694: 1687: 1678: 1677: 1631:Preceded by 1623: 1622: 1604:Official website 1592: 1586: 1580: 1574: 1568: 1562: 1556: 1550: 1535: 1529: 1523: 1517: 1506: 1500: 1491: 1478: 1461: 1455: 1449: 1443: 1437: 1431: 1425: 1419: 1413: 1412: 1410: 1408: 1399:. 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Index

Os Paralamas do Sucesso performing live in Brasília, in October 2008.
Brasília
Seropédica
RJ
New wave
reggae rock
ska
pop rock
EMI
Herbert Vianna
Bi Ribeiro
João Barone
Vital Dias
osparalamas.com.br
rock
Seropédica
Rio de Janeiro
Herbert Vianna
Bi Ribeiro
João Barone
reggae
ska
Brasília
Seropédica
Gibson guitar
England
Vital Dias
vestibular
Mendes
Universidade Federal Rural do Rio de Janeiro

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