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375:, with "heavy, overlarge features in a U- or V-shaped face with horizontal brow"; these derive from the Near East. The greatest number of examples are from pottery found at sites. There were three types of new motifs: animal, vegetable, and abstract. Much of the vegetable repertoire tended to be highly stylised. Vegetable motifs such as the
458:
also has documented massive overlaps in early Greek mythological themes and Near
Eastern literature, and the influences extend to considerable lexical flows from Semitic languages into early Greek. This overlap also covers a notable range of topical and thematic parallels between Greek epic and the
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pottery, the distinctive
Orientalizing style known as "proto-Attic" was marked by floral and animal motifs; it was the first time discernibly Greek religious and mythological themes were represented in vase painting. The bodies of men and animals were depicted in silhouette, though their heads were
355:
described the new movement in Greek art as a revolution: "With bronze reliefs, textiles, seals, and other products, a whole world of eastern images was opened up which the Greeks were only too eager to adopt and adapt in the course of an 'orientalizing revolution'".
474:, based on the earlier phonetic but unpronounceable Levantine writing, which caused a spectacular leap in literacy and literary production, as the oral traditions of the epic began to be transcribed onto imported Egyptian papyrus (and occasionally leather).
546:
Routledge, 3rd edition (1997), p. 41: "The technique of these works is generally incompetent, their style often a stale and varying medley of the traditional
Hittite, Assyrian and Egyptian elements that were currently available in North
453:
literary classics. Walter
Burkert has argued that it was migrating seers and healers who transmitted their skills in divination and purification ritual along with elements of their mythological wisdom.
221:, the orientalizing influence started earlier, though the tendency there was to produce smaller, highly detailed vases in the "proto-Corinthian" style that prefigured the
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in southern Italy. These interchanges led to a period of intensive borrowing in which the Greeks (especially) adapted cultural features from the East into their art.
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power in the eastern end of the Aegean and in Asia Minor reduced the quantity of eastern goods found in Greek sites, as the
Persians began to conquer Greek cities in
425:
Cultural predominance of the East, identified archaeologically by pottery, ivory and metalwork of eastern origin found in
Hellenic sites, soon gave way to thorough
303:, as a rising economy encouraged Etruscan families to acquire foreign luxury products incorporating Eastern-derived motifs. Similarly, areas of Italy—such as
560:
558:'The Emergence of Orientalizing in Greek Art: Some Observations on the Interchange between Greeks and Phoenicians in the Eighth and Seventh Centuries B.C.'
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Massive imports of raw materials, including metals, and a new mobility among foreign craftsmen caused new craft skills to be introduced in Greece.
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212:, although two schools of thought exist regarding the question of whether or not Geometric art itself was indebted to eastern models. In
687:: Actas del III Simposio Internacional de ArqueologĂa de MĂ©rida, Protohistoria del Mediterráneo Occidental, Vol. 1, 2005, pp. 75–96,
77:
645:: Actas del III Simposio Internacional de ArqueologĂa de MĂ©rida, Protohistoria del Mediterráneo Occidental, Vol. 1, 2005, pp. 47–74,
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Le sepolture principesche nel Latium vetus. Tra la fine della prima etĂ del ferro e l'inizio dell'etĂ orientalizzante
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to a style with
Eastern-inspired motifs. This new style reflected a period of increased cultural interchange in the
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were characteristic of Greek decoration, and through the Greek culture these were transmitted to most of
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drawn in outline; women were drawn completely in outline. At the other important center of this period,
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Considerazioni sul periodo orientalizzante nella penisola
Italica: la documentazione del Latium Vetus
48:
335:—also experienced an Orientalizing phase at this time. There is also an Orientalizing period in the
260:. The new groups started to compete with established Mediterranean merchants. In other parts of the
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367:. Monumental and figurative sculpture was less affected, and there the new style is often called
716:, in « Enciclopedia dell'Arte Antica», V volume, Treccani, Roma 1963, pp. 758–759 (Italian)
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heavily influenced nearby
Mediterranean cultures, most notably in Greece. The main sources were
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The
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The intense encounter during the orientalizing period also accompanied the invention of the
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The period from roughly 750 to 580 BC also saw a comparable Orientalizing phase of
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originated in attempts to interpret and integrate foreign icons in terms of Greek
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period that began during the later part of the 8th century BC, when art of the
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855:"The Age of Homer: An Exhibition of Geometric and Orientalizing Greek Art"
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The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth,
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363:, the main effects are seen in painted pottery and metalwork, as well as
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that continued to be depicted for centuries, and that also spread to
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683:, in Javier Jiménez Avila, Sebastián Celestino Pérez (a cura di),
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181:. Monumental and figurative sculpture in this style may be called
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advanced along the Mediterranean coast, accompanied by Greek and
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led to a great increase in production of figures mainly made as
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19:"Daedalic" redirects here. For the video game publisher, see
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and in western regions of Greece, while Greeks established
681:
L'Orientalizzante in Sardegna: modelli, cifrari, ideologie
992:, Cultural Portal of the Aegean Archipelago, Athens 2007.
592:
Gardner's Art Through the Ages: The Western Perspective
731:
Donne dell'Etruria padana dall'VIII al VII secolo a.C.
964:
561:
Bulletin of the American Schools of Oriental Research
729:
p. 16 in (a cura di) Luana Kruta Poppi, Diana Neri,
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La componente orientalizzante nell'arte delle situle
252:mercenaries, who were also active in the armies of
105:(also spelled "Orientalising") is the cultural and
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391:. Exotic animals and monsters, in particular the
169:ornamental motifs and an interest in animals and
2388:
882:Early Greek Vase Painting: 11th-6th centuries BC
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395:(no longer native to Greece by this period) and
133:. With the spread of Phoenician civilization by
16:Phase in the Archaic period of ancient Greek art
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1025:
607:, L'Erma" di Bretschneider, Roma 2004 (Italian)
1436:
1011:
990:Sideris A., "Orientalizing Rhodian Jewellery"
85:and lid with sphinx-shaped handle, 650–625 BC
975:. New York: The Metropolitan Museum of Art.
371:. A new type of face is seen, especially on
145:, these artistic trends also influenced the
670:, mostra di Padova, Sansoni 1961. (Italian)
1443:
1429:
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1004:
228:From the mid-sixth century, the growth of
264:world similar population moves occurred.
52:Corinthian orientalising jug, c. 620 BC,
768:Boardman (1993), 16 (quoted), 17, 29, 33
733:, All’Insegna del Giglio, Firenze 2015,
414:, the introduction from the east of the
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58:
47:
32:
620:, Roma, L'Erma di Bretschneider, 2003,
449:and practice. Some Greek myths reflect
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805:"The evolution of Greek vase painting"
37:New motifs on an East Greek vase: the
1424:
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339:, in particular in the city-state of
208:is clearly evident at the end of the
206:Orientalizing motifs in Greek pottery
903:, Penguin, 1986 (reprint of 1972),
865:The Oxford History of Classical Art
668:Arte delle situle dal Po al Danubio
13:
2407:Ancient Greek vase-painting styles
2061:Painter of the Berlin Dancing Girl
1609:Class of Cabinet des MĂ©dailles 218
924:
727:Bologna nell'epoca orientalizzante
563:, No. 301 (Feb., 1996), pp. 47–67.
165:During this period there arose in
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236:, along the coast of Asia Minor.
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857:, pdf review, Penn Museum, 1969
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809:Ure Museum of Greek Archaeology
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2296:Painter of the Vatican Mourner
965:Von Bothmer, Dietrich (1987).
811:, 2012. Retrieved 25 May 2012.
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603:Elena Di Filippo Balestrazzi,
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918:Protocorinthian Vase-Painting
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437:Effect on myth and literature
239:
955:Resources in other libraries
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429:of imported features in the
7:
1452:Ancient Greek vase painters
1357:List of Greek vase painters
1027:Ancient Greek vase painting
605:L'orientalizzante adriatico
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685:El periodo orientalizante
666:, pp. 10–11, in A.a.V.v.
643:El periodo orientalizante
2397:8th century BC in Greece
1519:Painter of Acropolis 606
244:During this period, the
103:Orientalizing revolution
54:Antikensammlungen Munich
1754:Painter of Nicosia Olpe
581:Burkert, 128 et passim.
1774:Painter of Palermo 489
1729:Painter of Munich 1410
1574:Painter of Berlin 1686
1569:Painter of Berlin A 34
786:Boardman (1993), 15–16
616:Francesca Fulminante,
543:Greek Painted Pottery,
86:
74:
63:Neck of a Proto-Attic
56:
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21:Daedalic Entertainment
1984:Group of Rhodes 12264
1769:Oxford Palmette Class
853:Bettancourt, Philip,
590:Fred S. Kleiner, ed.
210:Late Geometric Period
143:Western Mediterranean
111:Eastern Mediterranean
80:
62:
51:
36:
2402:8th-century BC works
2301:Villa Giulia Painter
1395:East Greek Bird Bowl
936:Orientalizing period
412:terracotta figurines
329:Nuragic civilization
161:Style and influences
99:Orientalizing period
2281:Triptolemos Painter
2201:Penthesilea Painter
2156:Kleophrades Painter
2136:Ilioupersis Painter
1564:Bellerophon Painter
970:Greek vase painting
795:Boardman (1993), 15
522:East Greek Pottery,
2412:Iron Age Greek art
2286:Underworld Painter
2231:Providence Painter
2221:Pistoxenos Painter
2206:Persephone Painter
2126:Hasselmann Painter
2111:Eucharides Painter
1714:Lysippides Painter
1679:Horse-bird Painter
1674:Heidelberg Painter
1649:Euphiletos Painter
1599:Cerameicus Painter
1594:Castellani Painter
1501:Polyphemos Painter
1141:Stylistic regions
1041:Three-phase firing
679:Paolo Bernardini,
538:Robert Manuel Cook
517:Robert Manuel Cook
399:were added to the
139:Greek colonisation
87:
75:
57:
46:
2384:
2383:
2380:
2379:
2271:Tarquinia Painter
2266:Tarporley Painter
2261:Snub-nose Painter
2191:Oreithyia Painter
2096:Dokimasia Painter
2071:Bryn Mawr Painter
2051:Baltimore Painter
2026:Andokides painter
1992:
1991:
1943:Cavalcade Painter
1819:Princeton Painter
1764:Northampton Group
1759:Nikoxenos Painter
1739:Naucratis Painter
1694:Kassandra Painter
1684:Hypobibazon Class
1639:Edinburgh Painter
1554:Antimenes Painter
1544:Arkesilas Painter
1418:
1417:
1405:Kalos inscription
1375:Adolf Furtwangler
1343:
1342:
1303:
1302:
1162:Pseudo-Chalkidian
1110:Stylistic periods
1105:
1104:
1056:Black-glazed Ware
931:Library resources
662:Giulia Fogolari,
626:978-88-8265-253-1
519:, Pierre Dupont,
337:Iberian peninsula
204:The emergence of
167:ancient Greek art
155:Italian peninsula
115:Ancient Near East
95:ancient Greek art
2419:
2317:
2316:
2276:Tithonos Painter
2251:Sisyphus Painter
2241:Shuvalov Painter
2216:Pisticci Painter
2176:Meleager Painter
2151:Kleophon Painter
2031:Antiphon Painter
2016:Altamura Painter
2006:Achilles Painter
1961:Acheloos Painter
1935:Gorgoneion Group
1890:
1889:
1884:Xenokles Painter
1869:Three Line Group
1859:Taleides Painter
1624:Diosphos Painter
1619:Daybreak Painter
1614:Columbus Painter
1534:Anagyrus Painter
1496:Mesogeia Painter
1491:Honolulu Painter
1486:Analatos Painter
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489:Kore (sculpture)
359:Among surviving
280:, Syria, and in
274:trading colonies
71:Analatos Painter
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2306:Wedding Painter
2291:Varrese Painter
2171:Meidias Painter
2166:Marsyas Painter
2116:Foundry Painter
2106:Eretria Painter
2076:Chrysis Painter
1988:
1970:
1947:
1929:
1911:
1888:
1864:Theseus Painter
1839:Rycroft Painter
1799:Piraeus Painter
1794:Phrynos Painter
1779:Panther Painter
1629:Dodwell Painter
1604:Chimera Painter
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191:Geometric style
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2056:Berlin Painter
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2021:Amykos Painter
2018:
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1879:Tydeus Painter
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1874:Tityos Painter
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1844:Sappho Painter
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1789:Pholoe Painter
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1784:Perizoma Group
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1724:Mastos Painter
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1719:Madrid Painter
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1468:Dipylon Master
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1433:
1425:
1416:
1415:
1413:
1412:
1407:
1402:
1397:
1392:
1386:
1384:
1383:Special topics
1380:
1379:
1377:
1372:
1367:
1365:
1361:
1360:
1355:
1353:
1352:
1351:
1345:
1344:
1341:
1340:
1338:
1337:
1331:
1329:
1323:
1322:
1320:
1319:
1313:
1311:
1305:
1304:
1301:
1300:
1298:
1297:
1295:Centuripe ware
1291:
1289:
1283:
1282:
1280:
1279:
1274:
1268:
1266:
1257:
1256:
1251:
1246:
1240:
1238:
1232:
1231:
1229:
1228:
1223:
1218:
1213:
1208:
1203:
1197:
1195:
1186:
1185:
1180:
1175:
1170:
1165:
1155:
1150:
1144:
1142:
1138:
1137:
1135:
1134:
1129:
1124:
1122:Protogeometric
1119:
1113:
1111:
1107:
1106:
1103:
1102:
1100:
1099:
1093:
1091:
1085:
1084:
1082:
1081:
1075:
1073:
1064:
1063:
1058:
1053:
1048:
1043:
1037:
1035:
1031:
1030:
1023:
1022:
1015:
1008:
1000:
994:
993:
987:
981:
958:
957:
952:
947:
941:
940:
929:
928:
926:
923:
922:
921:
911:
894:
885:
875:
861:Boardman, John
858:
849:
846:
844:
843:
822:
820:Burkert, 41–88
813:
797:
788:
779:
770:
761:
752:
743:
739:978-8878146266
718:
697:
672:
655:
630:
609:
596:
583:
574:
565:
556:Glenn Markoe,
549:
530:
508:
506:
503:
501:
498:
497:
496:
491:
486:
479:
476:
468:Greek alphabet
438:
435:
431:Archaic Period
410:In bronze and
403:, as found at
353:Walter Burkert
348:
345:
325:Venetic region
241:
238:
162:
159:
151:Ancient Romans
107:art historical
15:
9:
6:
4:
3:
2:
2424:
2413:
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2394:
2392:
2373:
2370:
2369:
2367:
2365:
2361:
2355:
2352:
2350:
2347:
2345:
2342:
2340:
2337:
2335:
2332:
2330:
2327:
2326:
2324:
2322:
2321:Pioneer Group
2318:
2312:
2309:
2307:
2304:
2302:
2299:
2297:
2294:
2292:
2289:
2287:
2284:
2282:
2279:
2277:
2274:
2272:
2269:
2267:
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2246:Siren Painter
2244:
2242:
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2144:
2142:
2139:
2137:
2134:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2091:Dinos Painter
2089:
2087:
2084:
2082:
2079:
2077:
2074:
2072:
2069:
2067:
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2003:
2001:
1999:
1995:
1985:
1982:
1981:
1979:
1977:
1973:
1967:
1964:
1962:
1959:
1958:
1956:
1954:
1953:Leagros Group
1950:
1944:
1941:
1940:
1938:
1936:
1932:
1926:
1923:
1922:
1920:
1918:
1914:
1908:
1905:
1903:
1900:
1899:
1897:
1895:
1891:
1885:
1882:
1880:
1877:
1875:
1872:
1870:
1867:
1865:
1862:
1860:
1857:
1855:
1854:Swing Painter
1852:
1850:
1847:
1845:
1842:
1840:
1837:
1835:
1834:Rider Painter
1832:
1830:
1829:Ptoon Painter
1827:
1825:
1822:
1820:
1817:
1815:
1814:Priam Painter
1812:
1810:
1807:
1805:
1804:Polos Painter
1802:
1800:
1797:
1795:
1792:
1790:
1787:
1785:
1782:
1780:
1777:
1775:
1772:
1770:
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1720:
1717:
1715:
1712:
1710:
1707:
1705:
1702:
1700:
1697:
1695:
1692:
1690:
1689:Kabiria Group
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1657:
1655:
1652:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1550:
1547:
1545:
1542:
1540:
1537:
1535:
1532:
1530:
1527:
1525:
1522:
1520:
1517:
1516:
1514:
1512:
1508:
1502:
1499:
1497:
1494:
1492:
1489:
1487:
1484:
1483:
1481:
1479:
1478:Orientalizing
1475:
1469:
1466:
1465:
1463:
1461:
1457:
1453:
1446:
1441:
1439:
1434:
1432:
1427:
1426:
1423:
1411:
1408:
1406:
1403:
1401:
1398:
1396:
1393:
1391:
1388:
1387:
1385:
1381:
1376:
1373:
1371:
1368:
1366:
1362:
1358:
1354:
1350:
1349:
1346:
1336:
1333:
1332:
1330:
1328:
1324:
1318:
1317:Kabiria Group
1315:
1314:
1312:
1310:
1306:
1296:
1293:
1292:
1290:
1288:
1284:
1278:
1277:Gnathia vases
1275:
1273:
1270:
1269:
1267:
1265:
1261:
1255:
1252:
1250:
1247:
1245:
1242:
1241:
1239:
1237:
1236:South Italian
1233:
1227:
1224:
1222:
1219:
1217:
1214:
1212:
1209:
1207:
1204:
1202:
1199:
1198:
1196:
1194:
1190:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1163:
1159:
1156:
1154:
1151:
1149:
1146:
1145:
1143:
1139:
1133:
1132:Orientalizing
1130:
1128:
1125:
1123:
1120:
1118:
1117:Sub-Mycenaean
1115:
1114:
1112:
1108:
1098:
1095:
1094:
1092:
1090:
1086:
1080:
1077:
1076:
1074:
1072:
1068:
1062:
1059:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1038:
1036:
1032:
1028:
1021:
1016:
1014:
1009:
1007:
1002:
1001:
998:
991:
988:
984:
978:
973:
972:
969:
963:
962:
956:
953:
951:
948:
946:
943:
942:
937:
932:
919:
915:
912:
910:
906:
902:
898:
895:
892:
889:
886:
883:
879:
876:
874:
870:
867:, 1993, OUP,
866:
862:
859:
856:
852:
851:
840:
837:
836:
831:
826:
817:
810:
806:
801:
792:
783:
774:
765:
756:
747:
740:
736:
732:
728:
722:
715:
711:
707:
701:
694:
693:84-00-08346-6
690:
686:
682:
676:
669:
665:
659:
652:
651:84-00-08346-6
648:
644:
640:
634:
627:
623:
619:
613:
606:
600:
593:
587:
578:
569:
562:
559:
553:
545:
544:
539:
534:
527:
524:
523:
518:
513:
509:
495:
492:
490:
487:
485:
482:
481:
475:
473:
469:
464:
462:
457:
452:
448:
444:
434:
432:
428:
427:Hellenization
423:
421:
417:
413:
408:
406:
402:
398:
394:
390:
386:
382:
378:
374:
370:
366:
365:engraved gems
362:
357:
354:
347:Orientalizing
344:
342:
338:
334:
330:
326:
322:
321:Ager Faliscus
318:
314:
310:
306:
302:
297:
295:
291:
287:
283:
279:
275:
271:
267:
263:
259:
255:
251:
247:
237:
235:
231:
226:
224:
220:
215:
211:
207:
202:
200:
196:
192:
188:
184:
180:
176:
172:
168:
158:
156:
152:
148:
144:
140:
136:
132:
128:
124:
120:
116:
112:
108:
104:
100:
96:
92:
84:
79:
72:
68:
67:
61:
55:
50:
44:
40:
35:
29:
22:
2236:Reed Painter
2141:Jena Painter
2041:Aristophanes
1894:Comast Group
1809:Pontic Group
1704:Lion Painter
1654:Gela Painter
1634:Duel Painter
1584:Burgon Group
1511:Black-figure
1477:
1370:John Beazley
1335:Pontic Group
1272:Canosa vases
1131:
1071:Black-figure
1051:White-ground
971:
968:
945:Online books
935:
917:
900:
890:
881:
878:Boardman, J.
864:
863:ed. (1993),
834:
825:
816:
800:
791:
782:
773:
764:
755:
750:Burkert, 128
746:
730:
726:
725:Diana Neri,
721:
713:
709:
705:
700:
684:
680:
675:
667:
663:
658:
642:
638:
633:
617:
612:
604:
599:
591:
586:
577:
568:
552:
542:
533:
521:
512:
465:
451:Mesopotamian
440:
424:
409:
383:and tendril
358:
350:
317:Latium vetus
305:Magna Grecia
301:Etruscan art
298:
243:
227:
223:black-figure
203:
195:Aegean world
182:
179:Etruscan art
164:
102:
98:
88:
66:loutrophoros
64:
2372:Pan Painter
2146:Kerch style
2036:Apollodoros
1579:BMN Painter
1206:Klazomenian
888:Burkert, W.
572:Cook, 39–51
443:Greek myths
422:offerings.
268:settled in
266:Phoenicians
225:technique.
28:Orientalism
2391:Categories
2364:Mannerists
2339:Euthymides
2334:Euphronios
2226:Polygnotos
1998:Red-figure
1907:KY Painter
1902:KX Painter
1644:Elbows Out
1400:Hadra vase
1193:East Greek
1183:Thessalian
1158:Chalkidian
1089:Red-figure
1034:Techniques
982:0870990845
909:0140218661
897:Cook, R.M.
873:0198143869
830:M. L. West
704:P. Bocci,
500:References
456:M. L. West
327:, and the
290:Tyrrhenian
288:) off the
286:Pithecusae
240:Background
230:Achaemenid
149:and early
2329:Epiktetos
2196:Pamphaios
1734:N Painter
1589:C Painter
1460:Geometric
1410:Name vase
1348:Painters
1254:Campanian
1221:Wild Goat
1127:Geometric
1046:Bilingual
914:Payne, H.
901:Greek Art
759:Cook, 5–6
741:(Italian)
695:(Italian)
653:(Italian)
628:(Italian)
526:Routledge
505:Citations
361:artefacts
341:Tartessos
292:coast of
254:Psamtik I
246:Assyrians
147:Etruscans
141:into the
127:Phoenicia
93:phase of
2349:Phintias
2311:YZ Group
2186:Onesimos
2131:Hermonax
1849:Sophilos
1744:Nearchos
1699:Kleitias
1524:Affecter
1364:Scholars
1327:Etruscan
1309:Boeotian
1287:Sicilian
1244:Lucanian
1178:Laconian
1168:Cycladic
880:(1998),
777:Cook, 39
594:2010:14.
478:See also
470:and the
397:sphinxes
377:palmette
369:Daedalic
333:Sardinia
294:Campania
187:Daedalus
185:, after
183:Daedalic
171:monsters
135:Carthage
113:and the
39:palmette
2354:Smikros
2256:Skythes
1925:Exekias
1917:Group E
1539:Anakles
1264:Apulian
1249:Paestan
1211:Rhodian
1173:Euboean
893:, 1992.
848:Sources
841:, 1997.
547:Syria."
484:Daidala
405:Knossos
401:griffin
389:Eurasia
313:Picenum
278:Al Mina
219:Corinth
153:in the
123:Assyria
91:Archaic
89:In the
69:by the
2161:Makron
2101:Douris
2046:Asteas
1216:Samian
1148:Argive
979:
933:about
920:, 1933
907:
884:, 1998
871:
737:
710:padana
691:
649:
624:
494:Kouros
461:Tanakh
420:votive
385:volute
323:, the
311:, the
309:Sicily
282:Ischia
270:Cyprus
262:Aegean
250:Carian
129:, and
97:, the
43:volute
2344:Oltos
2011:Aison
1824:Psiax
1709:Lydos
1201:Ionic
1153:Attic
1097:Kerch
1079:Six's
441:Many
416:mould
381:lotus
373:Crete
258:Egypt
234:Ionia
214:Attic
175:Roman
131:Egypt
119:Syria
83:pyxis
977:ISBN
905:ISBN
869:ISBN
735:ISBN
689:ISBN
647:ISBN
622:ISBN
447:cult
393:lion
177:and
137:and
41:and
407:.
331:in
276:at
256:in
101:or
2393::
916:,
899:,
832:,
807:,
712:,
708:,
540:,
463:.
379:,
343:.
319:,
315:,
307:,
201:.
157:.
125:,
121:,
1444:e
1437:t
1430:v
1164:)
1160:(
1019:e
1012:t
1005:v
985:.
284:(
73:.
30:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
