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283:. She used to dance over their demise, and now it is time to dance over her own. The dancer of apparent Spanish/Mexican heritage appears to perform. The seventh dancer is dressed in Polynesian garments. She is a worshiper of snakes, smoke, and flames. A rattlesnake accompanies her dance. The mummy voices his dislike of snakes and recalls the
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Wood allegedly stole money from the film's budget to purchase alcohol for himself. Apostolof remarked later in interviews that Wood was drinking so heavily during the production, at times he was almost unconscious with his eyes rolled up in his head. Bob
Caramico the cameraman, described Wood as just
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Next, the
Emperor expresses his boredom and demands "unusual" entertainment, while the Black Ghoul notes that the night is almost over, and they will be gone at the first sight of the morning sun. They proceed to argue over Shirley's fate. The argument ends with the introduction of the eighth dancer,
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Next, the
Emperor calls for a Slave Girl to be whipped for his amusement. Following her torture session, she breaks free and becomes the fifth dancer. Later, the Black Ghoul exhibits a fascination with Shirley. Drawing a knife, she is about to kill Shirley when the Emperor stops her. The female Ghoul
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A werewolf and a mummy appear and seize the young couple. As ordered by the
Emperor, the intruders are tied up and keep watching the dances. Next, the Black Ghoul introduces a "Cat Woman". This dancer is dressed in a leopard costume. As she dances, a servant follows her around and thrashes her with a
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While driving down a
California desert road, Bob and Shirley argue over the decision to use this night to search for a cemetery. Bob is a horror writer who hopes that the scene of a cemetery at night will bring him inspiration. The conversation ends when Bob accidentally drives the car off the road
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The ninth dancer was a zombie in life and remains zombie-like in death. The tenth and final dancer is introduced as one who died for feathers, fur, and fluff. She starts her dance in clothing matching this style. When the last dance ends, the
Emperor finally offers Shirley to the Ghoul. The Ghoul
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At night, in a fog-shrouded cemetery, the
Emperor sits on a marble altar and summons his "Princess of the Night," the Black Ghoul. She appears and bows before him. If the night's entertainment fails to please him, he will banish the souls of the entertainers to eternal damnation, as he is an
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briefly dances herself as she prepares to claim her prize, but dawn arrives. The
Emperor and all his undead are reduced to bones. Bob and Shirley then wake up at the accident scene, surrounded by paramedics, suggesting it was all a dream. The Emperor offers parting words to the audience.
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Film journalists Andrew J. Rausch and
Charles E. Pratt describe the film's attempt at eroticism as juvenile, with a puerile focus on jiggling breasts. They write that the viewer "just has to sit back in awe and speculate how something like this could come from the mind of a grown man".
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a woman who murdered her husband on their wedding night. She dances with the skeleton of her spouse. The argument over
Shirley then resumes, as the Ghoul claims her for her own. The Emperor feels the need to assert his own authority over the Black Ghoul.
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The Black Ghoul summons the first dancer of the night, a Native American woman who loved fire. She and her lovers died in flames. She dances and strips before the flames of the cemetery. The Black Ghoul then introduces the second dancer of the night, a
469:, who wore a black bouffant wig. The Black Ghoul appears to have "pasty white skin", with red fingernails and lipstick. She wears a black dress, implying the role of a funerary garment. Black, red, and white are the main colors associated with her.
485:"living from day to day". He advised Wood's friend John Andrews, "If I were you, I wouldn't have anything to do with him." The incident caused a falling-out between Apostolof and Wood, and the two men would not collaborate again until 1972.
472:
Wood served as writer, production manager, casting agent, and even held up cue cards on the film, although he did not direct. Apostolof paid Wood $ 400 for the script. Several gaffes typical for Wood-associated projects are present, such as
425:). Criswell reprises his role from the earlier film. Wood persuaded Apostolof to cast his friend Criswell in the film. His lines were written on cue cards, which he had difficulty reading because he wasn't wearing his glasses.
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The Emperor summons the third dancer, a woman who worshiped gold. The Golden Girl dances, and the Emperor instructs his servants to reward her with gold. This is soon revealed to be a punishment, as the servants place her in a
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Two muscle-bound men dressed in loincloths approach a crypt and open the doors, revealing a coffin. They remove the lid and exit the tomb. The coffin's inhabitant, "The Emperor", sits up to deliver an opening narration.
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actress Pat Barrington, billed as Pat Barringer) survive a car crash only to find themselves tied to posts in a misty cemetery, where they are forced to watch dead spirits dance for the Emperor of the Night played by
454:) while her red-headed "Shirley" character watches her perform. The dancing has been described as awkward and wooden, probably exacerbated by Apostolof firing the dance coordinator during the shooting of the film.
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The Emperor is puzzled when a human skull appears instead of the next dancer. The Black Ghoul explains it symbolizes the sixth dancer, who loved bullfighting and
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with liquid gold. What emerges from the pot is a golden statue of the woman which is then transported to a crypt.
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in life. While the woman dances, Bob and Shirley make their way to the cemetery and observe from a distance.
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criticized the film's "boring" striptease performances and music, but praised Wood's dialog as "priceless".
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723:"Orgy of the Dead (1965) - Stephen C. Apostolof, Stephen C. Apostoloff, Edward D. Wood | Review | AllMovie"
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The film's graveyard prologue is a recreation of the opening scene from Wood's then-unreleased 1958 film
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critic Mark Deming stated that the film "moves like molasses on a cold morning", and that
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performances by topless dancers outfitted in various motifs comprise most of this movie.
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An article on the making of this film was published in the June 1998 issue of
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because the film was "relatively very inexpensive" to produce and direct.
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The action begins when a young couple, Bob (William Bates) and Shirley (
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Ed Wood: Nightmare of Ecstasy - The Life and Art of Edward D. Wood, Jr
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201:(under the alias A. C. Stephen) and written by cult film director
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Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr
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Pat Barrington (as Pat Barringer) as Shirley/Golden Girl
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Lorali Hart (credited as Texas Starr) as the Cat dancer
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Crossroad Avenger: The Adventures of the Tucson Kid
836:Ed Wood, Mad Genius: A Critical Study of the Films
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461:consort, Black Ghoul, was allegedly written for
834:Craig, Rob (2009). "Orgy of the Dead (1965)".
776:"DVD and Blu-ray Releases: September 26, 2017"
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642:Rausch, Andrew J.; Pratt, Charles E. (2015).
529:In September 2017, the film was restored in
465:, a.k.a. Vampira, but was instead played by
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644:The Cinematic Misadventures of Ed Wood
349:Nadejda Klein as the Slave girl dancer
1472:Films based on American horror novels
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774:Brickley, Sean (September 26, 2017).
750:"Orgy of the Dead – Vinegar Syndrome"
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604:The Werewolf Filmography: 300+ Movies
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646:. Albany, Georgia: Bearmanor Media.
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880:Thompson, Brett (Director) (1995).
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1497:American supernatural horror films
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1358:Take It Out in Trade: The Outtakes
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346:Stephanie Jones as Mexican dancer
1083:Trick Shooting with Kenne Duncan
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802:Hunter, Rob (October 2, 2017).
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355:Barbara Nordin as Skeleton girl
331:Mickey Jines as Hawaiian dancer
1368:I Woke Up Early the Day I Died
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697:"Orgy Of The Dead | TV Guide"
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343:Dene Starnes as Zombie dancer
328:Bunny Glaser as Indian dancer
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1527:1965 directorial debut films
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1467:American erotic horror films
1362:(filmed 1970, released 1995)
1352:(filmed 1958, released 1984)
1342:(filmed 1956, released 1993)
1334:(filmed 1948, released 1995)
477:issues, poor integration of
334:Rene de Beau as Fluff dancer
252:all-powerful demonic being.
233:Crown International Pictures
121:Crown International Pictures
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1014:Plan 9 from Outer Space
840:McFarland & Company
440:are also tossed in for
422:Plan 9 from Outer Space
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1187:Revenge of the Virgins
1043:The Only House in Town
857:Grey, Rudolph (1994).
667:Grey, Rudolph (1992).
498:Analysis and reception
360:Production and casting
135:June 1, 1965
1522:American zombie films
1537:1960s American films
1502:American ghost films
1462:Erotic fantasy films
1407:Meatcleaver Massacre
1330:Crossroads of Laredo
1075:Short films directed
1034:Take It Out in Trade
1004:Bride of the Monster
976:written and directed
602:Senn, Bryan (2017).
367:is an example of a "
319:William Bates as Bob
199:Stephen C. Apostolof
1542:Films about royalty
1452:1960s fantasy films
1348:Night of the Ghouls
1197:Anatomy of a Psycho
1129:The Sun Was Setting
809:Film School Rejects
583:, pp. 217–241.
555:Ed Wood filmography
401:Night of the Ghouls
396:Night of the Ghouls
276:reluctantly obeys.
190:is a 1965 American
1447:1960s erotic films
1389:Hollywood Rat Race
1159:Films written only
1062:The Young Marrieds
592:Film print credits
313:as The Black Ghoul
285:death of Cleopatra
248:and over a cliff.
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673:Feral House
467:Fawn Silver
463:Maila Nurmi
457:Criswell's
381:frame story
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195:horror film
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39:Directed by
1437:1965 films
1431:Categories
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155:92 minutes
139:1965-06-01
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508:TV Guide
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405:Ghoulies
305:Criswell
281:matadors
266:cauldron
225:Criswell
179:$ 10,000
168:Language
107:Music by
74:Criswell
67:Starring
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539:Blu-ray
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171:English
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1234:(aka
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