25:
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637:) and Lobo (Tor Johnson), the latter of whom returns, his face now half-destroyed from the fire. The narrative notion that the house by Willow Lake is a recently reconstructed building is contradicted by the actual appearance of the house, which seems to be old and in disrepair. Craig suggests that the house would not look out of place in a
760:, the film's associate producer, records some of Wood's plans to re-edit the film, including removing some of Criswell's scenes and replacing them with some Bela Lugosi archive footage, as well as a possible title change. Wood, however, was never able to make the changes since the film's ownership remained under the control of the lab.
571:. In both films the characters gather at an isolated location far from the city, a charismatic deceiver exploits other humans for his own purposes, promising them extraordinary services, undercover agents of the law manage to expose the conspiracies, and the villains meet their fates at the hands of someone they previously exploited.
690:
The séances featured in the film have some atypical elements. Skulls are set on the séance table and skeletons are sitting around it. The sound effects and floating trumpet would not be out of place in a 19th-century séance, though the electronically altered voice of the deceased is a far more modern
322:
and narrates the events of the film. Then a montage starts showing juvenile delinquency, street fighting, and driving under the influence. The sequence ends with the bloody corpse of the drunk driver staring blankly at the camera. According to
Criswell's narration, this is a rather typical end to "a
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efforts actually work. These dead men were restored to life, if only for a few hours, but they intend to take Karl with them in their return to the grave. As Karl dies, Sheila escapes the house to meet her own fate. The Black Ghost, genuinely undead, takes control of the impostor and tells her that
357:
scene establishes that the elderly
Edwards couple had a terrifying encounter with the White Ghost by this house. Having heard the story, Bradford accepts the assignment to investigate the old house. Robbins assigns Kelton to escort the Detective. Kelton has previously dealt with the supernatural in
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by the name of "Karl", as
Bradford suspected earlier, and reveals that the White Ghost is an actress named Sheila. Her role is to scare away intruders. She is concerned by the presence of the Black Ghost which is not part of their hoax, though the cynical Acula dismisses her fears — he does not
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Years later, Kansas City film hobbyist-entrepreneur and Ed Wood fan Wade
Williams managed to locate the film, paid the long overdue bills to the lab, and claimed full ownership of it. He also gave it its first home video release via VHS in 1984. This was the film's world premiere.
776:, critic Bruce Eder reported that the film has "the strangeness, in the dialogue and characterizations, that one expects from one of Wood's movies," that "the edges of Wood's budget show more than ever, both onscreen and even in the music," and that it "isn't nearly as diverting
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and cryptically mentions that there are many already in the house, both living and dead. Bradford convinces Acula that he is just another prospective client, so his entrance is accepted. One of "the many" in the house is a remnant of its past, Lobo. A character from
91:
736:, to reprise his earlier role. Instead, he was given a small supporting role as a frightened motorist who encounters one of the "ghouls". Wood must have written the screenplay for this film before 1956, as he originally planned to star Bela Lugosi in it.
575:
also plays a character called "Lobo" in both films, and both of the Lobo characters are monstrous manservants working for the main villains. Both films were shot around the same time, though it is unclear if one was intentionally modeled after the other.
244:
751:. A December 1958 article about cast member Valda Hansen described the film as being "soon to be released". A contemporary article in "Famous Monsters of Filmland" referred to the soon-to-be-released film as "Night of the Ghouls".
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play. The opening montage of violence and the death of the drunk driver serve to underscore both the randomness and the lack of meaning of human life and death. The fates of Karl and Sheila are clearly meant to serve as a form of
617:
over the mortals trying to exploit it. The final words of
Criswell also serve to remind viewers of the truth, that everyone dies and that Death is destined to triumph over Life. Craig finds the film to be Wood's version of a
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Both
Bradford and Kelton have strange and sometimes violent confrontations within the house, and are eventually joined by reinforcements. As their accomplices fall to the police, Karl and Sheila attempt to escape through a
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recalled in an interview that the film had a preview screening in 1959 at the Vista
Theatre in Hollywood. He said that after watching it on the big screen, Wood felt it needed further editing. A 1959 letter from Wood to
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as one of the undead, while his wife
Margaret Mason played the role of "Martha" (the woman in the car frightened by the White Ghost). In 1992, Margaret Mason was one of the people interviewed for the Ed Wood documentary
382:, Lobo is depicted as disfigured from the flames which once destroyed this house. Outside the house, Kelton arrives late and has brief encounters with both the Black Ghost and the White Ghost. Meanwhile, at a
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In a brief epilogue, the narrator returns to his coffin. Claiming that it is time for both the old dead and the new to return to their graves, he reminds the viewer that they too can soon join them in death.
788:, "Of course it's terrible," that "the acting is bad," and that compared to other films by Wood, "it's fairly coherent but more than a little boring, populated by less interesting characters than usual."
671:, Wood could not get Jeannie Stevens to film these scenes. So he wore the costume and acted as her stand-in. Also, a publicity photo of Wood is seen on a wanted poster on the wall of the police station.
399:. There they are confronted by a group of undead men. Among them is Criswell, who is the only one that can speak, who explains to Karl that the supposedly "fake" psychic does have genuine powers and his
660:. She had reportedly impressed him with her vivacity and allure. David Hogan considered the spookiest scenes to be the ones featuring either Hansen or Jeannie Stevens, playing the film's ghostly
242:
629:, which David Hogan considered to have contributed to making this an "atypically boring" film by Wood. The film's main setting is the rebuilt house on Willows Lake that burned down in
1044:'Night of the Ghouls' is fresh out, with a $ 49.95 suggested retail, and I can't wait to see if it lives up to its billing as one of the worst films ever made in the United States.
538:) and his minions stage an elaborate scheme to extort money from gullible victims. Yomurda and his group use technological means to convince their victims that they are receiving
349:, and he protests the idea of working an unexpected assignment. But Robbins informs him that the case involves the "old house on Willows lake", which played a part in
345:, Inspector Robbins waits for Detective Bradford at his office. Bradford soon arrives, dressed in a formal evening wear. He was called to work while on his way to the
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it is time to join "the others" at the grave. As the police try to understand what happened to the deceased Karl, we see an undead Sheila, now truly a White Ghost.
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creature that lurks in the woods near them, later kills the young couple. The murders receive press attention but are thought to be the work of a maniac.
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and voice-over narration was added to integrate it into the story. As a result, there was no room for Harvey B. Dunn, who played
Captain Tom Robbins in
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Lugosi: His Life on Film, Stage, and in the Hearts of Horror Lovers by Gary D. Rhodes (2006) McFarland & Company, ISBN 978-0786427659
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268:. The film was shot between April and May 1958.The film features some reoccurring cast members and characters from Wood's 1955
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of the film.Another returning character is Police
Captain Robbins of Homicide, although the character was played by
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This film is the third part of what Wood aficionados refer to as "The Kelton Trilogy", a trio of films featuring
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Bradford drives to the house and enters through an open door, to be confronted by Dr. Acula, who is dressed in a
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The formal-wearing police investigator seems a rather anachronistic figure, more reminiscent of a figure from a
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Return of the B Science Fiction and Horror Heroes: The Mutant Melding of Two Volumes of Classic Interviews
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The notion of a genuine ghost and a fake one that are active on the same area is not unique to this film.
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Wood, his face hidden by a dark veil, doubled for the Black Ghost in several shots. According to actor
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534:. The two films have significant similarities in concept. In the earlier film, Swami Yomurda (
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Will Sloan, "Can Your Heart Stand the Shocking Facts About Kelton the Cop A/K/A Paul Marco?"
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Ed Wood and Conrad Brooks as men in fight sequence (footage from Wood's unfinished
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There are also notable similarities of this film with one of its contemporaries,
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as "Officer Kelton", a whining, reluctant policeman. The other two films were
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Rob Craig suggests that the film could be in part based on an earlier work,
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726:. His exploration of Dr. Acula's house was borrowed from Wood's short film
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988:. Vol. 7, no. 16. Long Beach, California. p. 9 – via
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featured only two characters from that film (Kelton and Lobo), and, in a
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353:. The house was destroyed by lightning, but someone rebuilt it. A
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as Capt. Robbins (as John Carpenter) (the character played by
1134:
Nightmare of Ecstasy: The Life and Art of Edward D. Wood, Jr.
499:
Margaret Mason (Tom Mason's real-life wife) as Martha Edwards
346:
597:(1959) has a real ghost residing in a "fake" haunted house.
90:
1203:
Nightmare of Ecstacy: The Life and Art of Edward D. Wood Jr
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Smith, Helen (December 7, 1958). Fred, Taylor Kraft (ed.).
1362:
1049:
1001:
999:
685:
Flying Saucers Over Hollywood: The Plan Nine Companion
633:. There are frequent references to the mad scientist (
1038:. Vol. 75, no. 260. p. 25 – via
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The film then cuts to a teenaged couple kissing in a
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again playing the character of Kelton the cop, while
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Craig considers the film to have elements common in
1583:
Crossroad Avenger: The Adventures of the Tucson Kid
1126:(1996), documentary film directed by Brett Thompson
996:
1356:is available for free viewing and download at the
1156:Ed Wood, Mad Genius: A Critical Study of the Films
1011:
961:
798:
613:, and the finale can also be seen as a triumph of
464:as Patrolman Kelton (reprising his role from both
591:(1957) has a real ghost among several fakes, and
492:as Henry Edwards (Dunn played Captain Robbins in
1873:
656:, who plays the White Ghost, was seen as Wood's
1032:"'Day After' tops latest videocassette entries"
1378:
1247:
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486:Jeannie Stevens as The Black Ghost/Mannequin
330:. When the boy gets too demanding, the girl
585:(1940) has a real ghost appear in the end,
334:him and exits the car. The Black Ghost, an
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1227:Dark Romance: Sexuality in the Horror Film
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674:Tom Mason, who doubled for Bela Lugosi in
519:
89:
1269:"A Thematic Approach to Cinematic Ghosts"
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550:cannot be conceived as a straightforward
69:Learn how and when to remove this message
1124:The Haunted World of Edward D. Wood, Jr.
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913:Challis, Paul, ed. (November 30, 1986).
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351:an earlier case investigated by Bradford
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32:This article includes a list of general
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625:The film makes extensive use of static
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1274:Ghost Images: Cinema of the Afterlife
1248:Rhodes, Gary D.; Weaver, Tom (2015).
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546:. Craig himself, however, notes that
426:as Lt. Dan Bradford (as 'Duke' Moore)
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710:. Although said to be a sequel to
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1952:English-language independent films
1892:American supernatural horror films
1803:Take It Out in Trade: The Outtakes
38:it lacks sufficient corresponding
14:
1963:
1937:Films with screenplays by Ed Wood
1323:
1030:Teets, John (February 10, 1984).
915:"Worst movies get cult following"
508:Tom Mason as undead man in coffin
1528:Trick Shooting with Kenne Duncan
1158:. McFarland & Company, Inc.
1067:
23:
1117:
1087:
1061:
1023:
278:reprising his role of Lobo and
1897:American black-and-white films
1813:I Woke Up Early the Day I Died
1250:Ed Wood's Bride of the Monster
952:
1:
1947:English-language horror films
1817:(written 1974, produced 1999)
791:
432:as Lobo (reprising role from
391:believe in the supernatural.
1922:American haunted house films
1807:(filmed 1970, released 1995)
1797:(filmed 1958, released 1984)
1787:(filmed 1956, released 1993)
1779:(filmed 1948, released 1995)
1070:"Night of the Ghouls (1960)"
747:was originally to be called
343:East Los Angeles, California
7:
1942:Films scored by Jack Beaver
1547:The Night the Banshee Cried
1392:
1150:(April 2005), p. 88-89
10:
1968:
1927:American independent films
986:Independent Press-Telegram
982:"Half Danish 'Ice Maiden'"
739:
477:Don Nagel as Sgt. Crandall
444:as Sheila, the White Ghost
323:drunken holiday weekend".
1907:Films produced by Ed Wood
1902:Films directed by Ed Wood
1843:
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1603:
1567:Television films directed
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594:Ghost of Dragstrip Hollow
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1932:Films set in Los Angeles
1220:Hogan, David J. (1997),
1056:Rhodes & Weaver 2015
940:Craig (2013), p. 135-137
264:written and directed by
1912:Films set in California
1622:The Bride and the Beast
1555:The Encyclopedia of Sex
1459:Plan 9 from Outer Space
1307:McFarland & Company
1279:McFarland & Company
1232:McFarland & Company
1185:McFarland & Company
871:Craig (2009), p.178-199
778:Plan 9 From Outer Space
707:Plan 9 from Outer Space
676:Plan 9 From Outer Space
520:Production and analysis
471:Plan 9 from Outer Space
411:
367:Plan 9 from Outer Space
358:the events depicted in
341:In a police station of
309:
53:more precise citations.
1724:The Cocktail Hostesses
1632:Revenge of the Virgins
1488:The Only House in Town
1201:Grey, Rudolph (1992).
903:Ruffles (2004), p. 211
252:
1887:American sequel films
1267:Ruffles, Tom (2004),
1096:"Night of the Ghouls"
949:Weaver (2000), p. 257
286:plays himself in the
248:
1917:American ghost films
1852:Meatcleaver Massacre
1775:Crossroads of Laredo
1520:Short films directed
1479:Take It Out in Trade
1449:Bride of the Monster
1421:written and directed
1295:Weaver, Tom (2000),
1222:"Edward D. Wood, Jr"
889:Hogan (1997), p. 233
734:Bride of the Monster
724:Bride of the Monster
712:Bride of the Monster
701:Bride of the Monster
631:Bride of the Monster
530:(1933), produced by
494:Bride of the Monster
466:Bride of the Monster
456:Bride of the Monster
435:Bride of the Monster
380:Bride of the Monster
361:Bride of the Monster
296:Bride of the Monster
284:the Amazing Criswell
271:Bride of the Monster
16:1984 film by Ed Wood
1793:Night of the Ghouls
1642:Anatomy of a Psycho
1574:The Sun Was Setting
1353:Night of the Ghouls
1342:Night of the Ghouls
1331:Night of the Ghouls
1252:. BearManor Media.
1173:Craig, Rob (2013),
1154:Craig, Rob (2009).
1036:The Palm Beach Post
749:Revenge of the Dead
745:Night of the Ghouls
716:Night of the Ghouls
680:Night of the Ghouls
548:Night of the Ghouls
304:Night of the Ghouls
257:Night of the Ghouls
250:Night of the Ghouls
167:William C. Thompson
84:Night of the Ghouls
1834:Hollywood Rat Race
1604:Films written only
1507:The Young Marrieds
919:The Daily Spectrum
768:Critical reception
582:The Ghost Breakers
314:At the beginning,
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1754:The Beach Bunnies
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1716:The Undergraduate
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1686:
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1669:One Million AC/DC
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1612:The Violent Years
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1469:The Sinister Urge
1464:
1454:
1444:
1434:
1259:978-1-59393-857-4
1180:It Came from 1957
1165:978-0-7864-3955-3
1142:978-0-922915-24-8
1094:Erickson, Glenn.
602:absurdist fiction
420:as Dr. Karl Acula
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1410:Bibliography
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1297:"Paul Marco"
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1130:Rudolph Grey
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1118:Bibliography
1104:. Retrieved
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1078:. Retrieved
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274:, including
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213:Running time
190:Release date
149:Valda Hansen
137:Kenne Duncan
65:
56:
37:
1405:Filmography
772:Writing in
639:Hooverville
635:Bela Lugosi
573:Tor Johnson
540:audiovisual
536:Mischa Auer
532:Willis Kent
481:Bud Osborne
430:Tor Johnson
401:necromantic
328:convertible
288:frame story
276:Tor Johnson
262:horror film
145:Tor Johnson
119:Produced by
101:Directed by
51:introducing
1882:1959 films
1876:Categories
1497:Necromania
1106:2023-11-02
1080:2023-11-02
1006:Craig 2009
792:References
753:Paul Marco
696:Paul Marco
669:Paul Marco
648:work or a
567:(1957) by
544:otherworld
505:as himself
462:Paul Marco
424:Duke Moore
280:Paul Marco
260:is a 1959
217:69 minutes
153:Paul Marco
141:Duke Moore
111:Written by
59:March 2016
34:references
1439:Jail Bait
1018:Grey 1992
968:Grey 1992
805:Grey 1992
784:wrote in
691:element.
556:melodrama
542:from the
355:flashback
298:, and by
173:Edited by
125:Tom Mason
1784:Hellborn
1742:(a.k.a.
1347:AllMovie
1100:DVD Talk
1074:AllMovie
1034:. TGIF.
786:DVD Talk
774:AllMovie
627:two shot
513:Hellborn
503:Criswell
316:Criswell
230:Language
157:Criswell
133:Starring
1859:Ed Wood
1844:Related
1394:Ed Wood
1148:Filmfax
1136:(1992)
740:Release
658:ingenue
620:requiem
388:psychic
266:Ed Wood
233:English
222:Country
199: (
176:Ed Wood
122:Ed Wood
114:Ed Wood
105:Ed Wood
47:improve
1861:(film)
1758:(1976)
1748:(1974)
1735:(1972)
1727:(1972)
1719:(1972)
1711:(1972)
1703:(1970)
1693:(1970)
1685:(1969)
1672:(1969)
1664:(1965)
1654:(1963)
1646:(1961)
1636:(1959)
1626:(1958)
1616:(1956)
1595:(1953)
1587:(1953)
1577:(1951)
1558:(1975)
1550:(1957)
1542:(1957)
1511:(1972)
1501:(1971)
1491:(1971)
1483:(1970)
1473:(1960)
1463:(1957)
1453:(1955)
1443:(1954)
1433:(1953)
1313:
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1238:
1209:
1191:
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1140:
720:retcon
552:remake
384:séance
375:turban
336:undead
320:coffin
36:, but
1826:Books
1679:(aka
1592:Boots
615:Death
347:opera
332:slaps
1336:IMDb
1311:ISBN
1283:ISBN
1254:ISBN
1236:ISBN
1207:ISBN
1189:ISBN
1160:ISBN
1138:ISBN
704:and
468:and
412:Cast
364:and
310:Plot
201:1959
197:1959
1345:at
1334:at
454:in
302:in
294:in
1878::
1746:)
1683:)
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43:.
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