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tradition the organist is now generally called "Director of Music", although their function is mainly in the training and direction of music rather than actual playing; there will generally be one or more assistant or sub-organists who play for most services and some recitals. Sometimes the organist
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and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship
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Since the strengths and weaknesses of the organ are difficult to understand without a good deal of playing experience, most music composed for organ has been written by organists. Since the majority of pre-twentieth-century organs were installed in churches, classical organ literature was almost
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is an international society that fulfills an educational interest in the organ and is the holding company for regional
Organist Associations, which regulate organ activities at the local level. All these institutions are oriented toward the organist involved in
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has a separate repertoire and playing style, and in its heyday (during the first third of the twentieth century) there were considerable numbers of organists employed, many of whom played on
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rather than as organs, the player interface, and the skills and coordination required to play, mean that it may be effectively regarded by some, as an organ in these respects.
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services; nevertheless, some churches are fortunate to have trained organists capable of more elaborate "voluntaries" (the solo music before, during and after the service) and
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There are many organists employed in the production of popular and jazz music. In the United States most of them play the
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Many composers, therefore, are equally known for their performance talents, some historical examples being
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is the oldest institutions and professional body that regulates organ studies. From that sprang the
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who is the Civic
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Jennifer Medina, "Year That Began Like a Dirge for San Diego's
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501:. IAO
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507:2018
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