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Ora Egaro Jon

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dialogue as actors is quite noticeable. Also, the story slows down a bit in the middle of this almost two-hour film. In some cases, the director has added extra time, which otherwise would not have harmed the film. There was no climax throughout the whole movie. The director must be said to have failed somewhat in creating the necessary excitement in directing the flow of events. But there was enough opportunity to create this tension or climax in the story.
349:. Pak forces killed Parvez's mother and younger brother in front of him as he could not find out the news of the freedom fighters. His sister Sheela was tortured and died later. Mita joined the medical team there to serve the wounded freedom fighters in Bikrampur. One day she was also tortured by Pakistani soldiers. The war ended with the surrender of the enemy and the victory of the freedom fighters. 1754: 704: 610:. He was a student of Dhaka University during Bangladesh Liberation War. After the war, Masud Parvez planned to make a film on the liberation war after returning to the university. The plan to make the film was taken on December 19, 1971. Famous freedom fighter Kamrul Alam Khan Khosru played the lead role in the film. He was the guerrilla commander of 31: 672:
The weapons and ammunition used in the liberation war were also used in the shooting of the movie. Sohel Rana went to Air Vice Marshal AK Khandkar along with his close friend Noore Alam Siddiqui. After hearing that arms and ammunition would be needed to make the movie, he told the then Major Shaukat.
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In fact, this was one of the strengths and weaknesses of this film The actors of the film are all freedom fighters. So their actions and shots on the battlefield were every bit believable and realistic. But the lack of emotion and expression in proportion to the weakness and necessity of their
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Some of the camera work in this black-and-white film was extraordinary. Soldiers running in rows. Scenes of the brutal killing of blindfolded, naked women were artistic. The use of metaphors and montages have played a significant role in establishing the film as a war film. In some cases, the
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Reviews were broadly positive nationwide. The film was discussed or reviewed by many critics and film makers and media. Notable among them is an edited book by Anupam Hayat, an article written by Chinmoy Mutsuddi and a research paper by Dr. Kaveri Gayen.
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was killed. For the sake of the scene, some Razakars detained in Iqbal Hall were caught and taken to the shooting. Sohel Rana said, the Razakars were asked to play death by shooting in water. Another scene also featured real Pakistani soldiers.
1027:"The director of the movie, the producer, the cameraman and most of the artisans made the movie with the experience of the liberation war. They did not erase the horrors of the Liberation war, they were transformed into scenes planning." 1006:
Everyone mentioned this film as a documentary film of the liberation war in their writings. Also, the panelists have given importance to innovation, technical skills and positive representation of women in the editing of the movie.
681:. Arms and ammunition were supplied from Gazipur Cantonment for use in the film. Basically this initiative was taken to make the battle scenes more realistic. Army personnel from Gazipur cantonment also acted in the film. 637:'s first film as a director. Before that he was working as an assistant director. Mustafizul Hoque, one of the famous director at that time wanted to make the film at that time without remuneration. But after hearing that 782:
of the Star Film, suggested adding familiar faces alongside the freedom fighters. So the stars of that time were offered to act. To whom it was said, all agreed unanimously, even without remuneration. later stars like
1051:"Those who played the role of 11 freedom fighters in this film are all freedom fighters but none of them are actors. So while the acting in other scenes is not that great, the battle scenes are realistic enough.” 743:
Another scene was to kill a captured Pakistani soldier. Two Pakistani soldiers, who were trapped during the liberation war were then imprisoned near the film's unit. They have not yet been handed over to the
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The film was a commercial success. It is known that within a week of the release, the production cost of the film had recovered. The opening of the film grossed around
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was funded by many of his friends, relatives and well known personnel. His mother Delwara Begum gave a part of his pension money to his son. The producer also took
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who formed a non-cooperation movement against the ruling party of Pakistan in the pre-Bangladesh Liberation War in 1971. After the release of the film, producer
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After the war, many returned home. For some, family members look out for them but they never came back. Some come back but couldn’t find their families.
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The use of real weapons also entails considerable risk in film shooting. Even cameraman Abdus Samad refused to capture some of the scene.
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Khosru joins the war and forms a guerilla force with ten more companions. The force is led by Khosru. Parvez was captured by the
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However, even 50 years after its release, the film is considered as a masterpiece.It has been selected for preservation by the
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The film was shot for 190 days starting from February 3, 1972 at various locations including Joydebpur, Gazipur Cantonment and
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A major was attached to the shooting team to look after the Pakistan Army and Bangladesh Army uniforms. With the help of Major
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was also joining the project, Mustafiz said, “He has been working for a long time. He can do it." The producer of the film
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including Khusru with 10 other freedom fighters who had returned from the war, a few days before the shooting of the film.
1837: 1784: 669:). It is said that the investment money of the movie came from the advance money from the owners before the release. 1015:
influence of Sergei Eisenstein's war movie 'Battleship Potemkin' is seen in the film's editing and cinematography.
1918: 1083:) was sent to Chashi Nazrul Islam from Star Film. Being dishonored, Chashi Nazrul politely returned the check. 1913: 1830: 454: 748:. The scene is acted out with these two soldiers. They were then handed over to the cantonment authorities. 1777: 1908: 1898: 1868: 615: 603: 335: 307: 292: 653:) given by his sister Ferdous Ara Begum. After the shooting of some scenes, a five-year contract of 745: 1039:
went to his Dhanmondi residence to know about his opinion on the film. Mujib hugged him and said,
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After Bangladesh won their independence, this was the first film about
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All those who acted in this film as freedom fighters were members of
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In the discussion of film critic Chinmoy Mutsuddi, he said,
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Evaluating the film as an important film in the history of
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historical drama film written by Al Masood and directed by
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The music of the film is directed by renowned composer
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Although the movie was planned to be made only with
751:The film also featured some parts of the historic 1855: 1813:This article related to a Bangladeshi film is a 1023:, film analysts and producer Matin Rahman said, 606:leader Md. Masood Parvez, popularly known as 1838: 1785: 1894:Films based on the Bangladesh Liberation War 791:were added to the cast for the film. Beside 985:The film was released on 11 August 1972 in 1845: 1831: 1792: 1778: 326:. Khosru's marriage with neighbor Sheela ( 29: 1760:This article about a war drama film is a 602:and produced by freedom fighter and then 598:The film 'Ora Egaro Jon' was directed by 764:Bangladesh Film Development Organization 1171:"Ora Egaro Jon and Chashi Nazrul Islam" 1856: 1168: 958: 941: 918: 815:, Raj and others starred this film. 318:Khosru (Khosru) and his sister Mita ( 1904:Films scored by Khandaker Nurul Alam 1801: 1748: 1201: 997: 1169:Hassan, Mainul (16 December 2011). 13: 1884:Bengali-language Bangladeshi films 1079:). In return, a check of ā§ŗ1 lakh ( 322:) study at their maternal home in 14: 1930: 1033:Bangabandhu Sheikh Mujibur Rahman 1805: 1752: 702: 693: 295:. Director Islam and lead actor 1716: 1704: 1679: 1651: 1626: 1601: 1576: 1551: 1526: 1501: 1476: 1451: 1426: 1401: 1376: 1351: 1208:[Chashi Nazrul Islam]. 895:Soundtrack â€“ Track listing 1326: 1301: 1276: 1251: 1226: 1195: 1162: 1150: 1125: 900: 628: 1: 1118: 1066: 1031:The film was also praised by 593: 588: 369:, Guerrilla fighter's leader 1879:1970s Bengali-language films 1817:. You can help Knowledge by 1764:. You can help Knowledge by 1724:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻāĻ° āĻĒā§‡āĻ›āĻ¨ā§‡āĻ° āĻ—āĻ˛ā§āĻĒ" 1634:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻāĻ° āĻĒā§‡āĻ›āĻ¨ā§‡āĻ° āĻ—āĻ˛ā§āĻĒ" 1133:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻāĻ° āĻĒā§‡āĻ›āĻ¨ā§‡āĻ° āĻ—āĻ˛ā§āĻĒ" 1086: 1010:Ahmad Zaman Chowdhury said, 992: 726:was shot in these locations. 7: 1889:Bangladeshi war drama films 735:The film had a scene where 10: 1935: 1800: 1747: 1609:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1584:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1559:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1484:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1459:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1434:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 1359:"āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨: āĻ†āĻ˛ā§‹āĻšāĻ¨āĻžāĻ° āĻ†āĻ˛ā§‹āĻ¯āĻŧ" 980: 962:"Ek Sagar Rokter Binimoye" 769: 684: 170:Star Film Corporation Ltd. 1099: 1096: 1093: 913: 910: 907: 904: 899: 873: 863: 855: 850:, Saiful Islam and others 838: 833: 308:Bangladesh Liberation War 293:Bangladesh Liberation War 280: 253: 238: 228: 220: 210: 186: 178: 155: 145: 135: 127: 76: 66: 58: 50: 40: 35:Theatrical release poster 28: 23: 1659: 1204: 945:"Amay Ekti Khudiram dao" 826: 428:Siddique Jamal Nantu as 195:11 August 1972 1711:World of Next Education 1665:Bangladesh Film Archive 1157:World of Next Education 1061:Bangladesh Film Archive 793:Kamrul Alam Khan Khasru 550:Hafizur Rahman Ayek as 510:Kazi Mehfuzul Haque as 363:Kamrul Alam Khan Khasru 355: 313: 297:Kamrul Alam Khan Khasru 1919:Bangladeshi film stubs 1053: 1045: 1043:"Well done, go ahead." 1029: 1017: 182:Star Film Distributors 94:Afroza Sultana Shabana 1687:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1534:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1509:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1384:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1334:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1259:"'āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨' āĻĒāĻžā§āĻšāĻžāĻļā§‡" 1049: 1041: 1025: 1012: 780:Iftekharul Alam Kislu 757:Sheikh Mujibur Rahman 746:Bangladesh government 299:were both members of 18:1972 Bangladeshi film 1914:War drama film stubs 1021:Cinema of Bangladesh 885:Khondaker Nurul Alam 845:Khandaker Nurul Alam 303:(liberation army). 150:Khandaker Nurul Alam 930:Rabindranath Tagore 896: 819:played the role of 639:Chashi Nazrul Islam 635:Chashi Nazrul Islam 600:Chashi Nazrul Islam 560:, Pakistani soldier 442:, Guerrilla fighter 432:, Guerrilla fighter 425:, Guerrilla fighter 418:, Guerrilla fighter 411:, Guerrilla fighter 404:, Guerrilla fighter 397:, Guerrilla fighter 390:, Guerrilla fighter 383:, Guerrilla fighter 376:, Guerrilla fighter 289:Chashi Nazrul Islam 45:Chashi Nazrul Islam 1909:Parvez Films films 1713:, 16 December 2011 1183:on 5 November 2014 1159:, 16 December 2011 924:O Amar Desher Mati 891: 556:Suja Khondokar as 99:Farhana Amin Nuton 84:Kamrul Alam Khasru 1899:Films set in 1971 1826: 1825: 1773: 1772: 1116: 1115: 998:Critical response 977: 976: 881: 880: 813:Khalil Ullah Khan 713:Joydebpur village 564:Khalil Ullah Khan 514:, Parvez's father 471:, Parvez's sister 461:, Khosru's sister 268: 267: 114:Khalil Ullah Khan 1926: 1869:1972 drama films 1847: 1840: 1833: 1809: 1802: 1794: 1787: 1780: 1756: 1749: 1739: 1738: 1736: 1734: 1720: 1714: 1708: 1702: 1701: 1699: 1697: 1683: 1677: 1676: 1674: 1672: 1655: 1649: 1648: 1646: 1644: 1630: 1624: 1623: 1621: 1619: 1605: 1599: 1598: 1596: 1594: 1580: 1574: 1573: 1571: 1569: 1555: 1549: 1548: 1546: 1544: 1530: 1524: 1523: 1521: 1519: 1505: 1499: 1498: 1496: 1494: 1480: 1474: 1473: 1471: 1469: 1455: 1449: 1448: 1446: 1444: 1430: 1424: 1423: 1421: 1419: 1409:"ā§Ģā§Ļ-āĻ āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨" 1405: 1399: 1398: 1396: 1394: 1380: 1374: 1373: 1371: 1369: 1355: 1349: 1348: 1346: 1344: 1330: 1324: 1323: 1321: 1319: 1309:"ā§Ģā§Ļ-āĻ āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨" 1305: 1299: 1298: 1296: 1294: 1284:"ā§Ģā§Ļ-āĻ āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨" 1280: 1274: 1273: 1271: 1269: 1255: 1249: 1248: 1246: 1244: 1234:"ā§Ģā§Ļ-āĻ āĻ“āĻ°āĻž ā§§ā§§ āĻœāĻ¨" 1230: 1224: 1223: 1221: 1219: 1205:āĻšāĻžāĻˇā§€ āĻ¨āĻœāĻ°ā§āĻ˛ āĻ‡āĻ¸āĻ˛āĻžāĻŽ 1199: 1193: 1192: 1190: 1188: 1179:. 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Index

Theatrical release poster
Chashi Nazrul Islam
Masud Parvez
Kamrul Alam Khasru
Abdur Razzak
Afroza Sultana Shabana
Farhana Amin Nuton
Sumita Devi
Rawshan Jamil
Khalil Ullah Khan
ATM Shamsuzzaman
Bashir Hossain
Khandaker Nurul Alam
Bengali
Bengali
Bengali
Chashi Nazrul Islam
Bangladesh Liberation War
Kamrul Alam Khan Khasru
Mukti Bahini
Bangladesh Liberation War
Shabana
Dhaka
Nuton
Razzak
the war
Pakistan army
freedom fighters
Kamrul Alam Khan Khasru
Baby Zaman

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