Knowledge

Option (filmmaking)

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When a work is optioned, the producer has not actually purchased the right to use the source material; they have simply purchased the option to purchase the rights to the work at some point in the future, if they are successful in setting up a deal to actually film a movie (or series) based on it.
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Option agreements detail the rights of the producer and the original author, including how long the agreement lasts, the fees paid to the author, and any plans for rights associated with derivative works (for example, a future prequel to a book). The producer usually has to outline their plan for
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to a source material to a potential film producer. It grants the film producer the exclusive option to purchase rights to the source material if they live up to the terms of the contract and make a film (or series) from it. This is known as
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A portion of the film's financing is usually used to pay the exercise price. This is also called the "purchase price", for obvious reasons. The producer has until the end of the last extension period to exercise the option.
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50,000 to option his script. Many writers are happy to receive a few thousand dollars. Option contracts typically specify the eventual cost of the screenplay, if the producer does end up exercising the option.
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Most option agreements have two option periods, which have separate timelines and fees. The initial option fee is negotiated during the original agreement. They vary greatly from deal to deal.
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The fee for the first option period can be detracted from any income received from the project after the original work is exercised, while the fee for the extension cannot.
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Finalize the screenplay to the agreement of all stakeholders—the exclusivity of the option allows this step without risk of a rival attempt to produce the same property.
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or an individual. Source materials are often a book, theatrical play, or screenplay; however, they may also be articles, video games, songs, or any other work of
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After the option period expires, the producer no longer has an exclusive right to buy the screenplay and the original work's rights are returned to the author.
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If all planning falls into place, actual agreements are signed, financing is secured, and the option fee is paid, then the producer can start pre-production.
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Purchasing the actual rights to a work is called "exercising" the option. This requires another contract, the "Rights Purchase Agreement".
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Film option agreements last for a set amount of time, which is called the "option period" and is often around eighteen months.
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Since optioning a screenplay is far cheaper than buying it, options are very popular in Hollywood for speculative projects.
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Take it to a movie studio or other potential financier and potentially help with distribution (
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Get the screenplay written (if the option was on a book or other work, and not a screenplay);
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Real Options in the Motion Picture Industry: Evidence from Film Marketing and Sequels
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Thomson Reuters Practical Law - Thomson Reuters Practical Law - Media and Telecoms
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Using real options to make decisions in the motion picture industry
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This process can last for a prolonged period of time known as
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financing, writing, casting, and shooting the film or series.
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J. Gong, J. Jianxin, S. Young, and W. Van der Stede (2011).
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Don Chance, Eric Hillebrand and Jimmy Hilliard (2009).
312: 310: 307: 437: 361:S. Young, J. Gong, and W. Van der Stede (2012). 261:"The Screenwriters Guide To An Option Agreement" 69:The term is often used as a verb. For example, " 254: 252: 250: 138:During the option period, the producers often: 178:Options are not expensive by the standards of 247: 258: 96:Financially, the contract qualifies as a 134:Producer's role during the option period 394: 259:Kirkpatrick, Scott (18 December 2021). 173: 14: 438: 290:"How To Option Film Rights To A Book" 429:'s Commentary on DVD Special Edition 145:Obtain informal agreements with the 287: 24: 25: 462: 365:. Strategic finance . pp. 53-59. 395:Schmidt, Silvie (23 May 2020). 344:Pricing options on film revenue 54:Some examples of producers are 414: 368: 355: 336: 107: 100:and may be valued by applying 13: 1: 240: 7: 203: 80: 10: 467: 73:optioned a short story by 318:"Film option agreement" 294:Beverly Boy Productions 118: 102:real options analysis 64:intellectual property 51:the source material. 235:Hollywood accounting 174:Options in Hollywood 60:production companies 27:Filmmaking contract 210:Box office futures 324:. Thomson Reuters 288:Pascual, Ashley. 190:Quentin Tarantino 42:that "rents" the 16:(Redirected from 458: 430: 418: 412: 411: 409: 407: 392: 379: 372: 366: 359: 353: 340: 334: 333: 331: 329: 314: 305: 304: 302: 300: 285: 276: 275: 273: 271: 265:Filmmaking Stuff 256: 180:Hollywood movies 165:development hell 98:financial option 36:option agreement 21: 466: 465: 461: 460: 459: 457: 456: 455: 446:Film production 436: 435: 434: 433: 427:Lawrence Bender 419: 415: 405: 403: 393: 382: 373: 369: 360: 356: 341: 337: 327: 325: 316: 315: 308: 298: 296: 286: 279: 269: 267: 257: 248: 243: 206: 176: 136: 121: 110: 83: 28: 23: 22: 15: 12: 11: 5: 464: 454: 453: 448: 432: 431: 422:Reservoir Dogs 413: 380: 367: 354: 335: 306: 277: 245: 244: 242: 239: 238: 237: 232: 227: 225:Film budgeting 222: 217: 212: 205: 202: 175: 172: 161: 160: 157: 150: 143: 135: 132: 120: 117: 109: 106: 82: 79: 26: 18:Option (films) 9: 6: 4: 3: 2: 463: 452: 449: 447: 444: 443: 441: 428: 424: 423: 417: 402: 401:Raindance.org 398: 391: 389: 387: 385: 377: 371: 364: 358: 351: 350: 345: 339: 323: 319: 313: 311: 295: 291: 284: 282: 266: 262: 255: 253: 251: 246: 236: 233: 231: 228: 226: 223: 221: 218: 216: 213: 211: 208: 207: 201: 198: 195: 191: 187: 186: 181: 171: 168: 166: 158: 155: 151: 148: 144: 141: 140: 139: 131: 127: 124: 116: 113: 105: 103: 99: 94: 90: 87: 78: 76: 72: 67: 65: 61: 57: 52: 50: 45: 41: 37: 33: 32:film industry 19: 451:Real options 420: 416: 404:. Retrieved 400: 370: 357: 348: 338: 326:. Retrieved 321: 297:. Retrieved 293: 268:. Retrieved 264: 230:Film finance 215:Option (law) 199: 185:True Romance 183: 177: 169: 162: 137: 128: 125: 122: 114: 111: 95: 91: 88: 84: 68: 56:film studios 53: 48: 35: 29: 220:Real option 108:Exclusivity 440:Categories 406:25 January 352:22, 80-86. 328:25 January 299:25 January 270:25 January 241:References 75:Ted Chiang 192:received 154:pre-sales 71:Paramount 49:optioning 204:See also 147:director 81:Overview 40:contract 30:In the 182:. For 44:rights 38:is a 34:, an 408:2023 349:Risk 330:2023 301:2023 272:2023 194:US$ 119:Fees 167:. 77:." 66:. 442:: 425:: 399:. 383:^ 346:, 320:. 309:^ 292:. 280:^ 263:. 249:^ 188:, 156:); 104:. 58:, 410:. 332:. 303:. 274:. 20:)

Index

Option (films)
film industry
contract
rights
film studios
production companies
intellectual property
Paramount
Ted Chiang
financial option
real options analysis
director
pre-sales
development hell
Hollywood movies
True Romance
Quentin Tarantino
US$
Box office futures
Option (law)
Real option
Film budgeting
Film finance
Hollywood accounting



"The Screenwriters Guide To An Option Agreement"

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