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50:. The speed at which the exercise ends should be the same speed as the exercise began. The time taken to accelerate to maximum speed should be equal to the time taken to decelerate to the beginning speed so that the exercise is symmetrical. The exercise should last one to two minutes with each individual rudiment, depending on the skill and stamina of the player, so that 30 seconds to one minute consists of acceleration and then a corresponding 30 seconds to one minute consists of deceleration.
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The most difficult rudiments to play in this manner are those with continuous patterns (no breaks or rests) such as the single stroke roll, double stroke roll, and triple stroke roll, due to the requirement for the sound to stay smooth and even while the technique used for playing the strokes changes
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was codifying their 26 rudiments in 1933, there was discussion amongst the original 13 members about whether to recommend open, closed, open or only open to closed in their teaching due to the presence of both methods in the existing literature of the time. Open, closed, open eventually won out and
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It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed
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very slow and controlled, speeding up evenly until at the maximum speed for the drummer, then slowing back down after maintaining that speed. Optimally, the drummer should end on the opposite hand as started, in case of alternating rudiments such as
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Chandler, Eric Alan, "A History of
Rudimental Drumming in America From the Revolutionary War to the Present." (1990). LSU Historical Dissertations and Theses. 4901
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from 1817 recommends that rudiments be played "until perfectly close," but there is no mention of opening them back up again. It wasn't until 1862 that
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Drum
Rudiment Dictionary: A Complete Reference Guide Containing the Percussive Arts Society's 40 International Drum Rudiments.
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41:"Open, closed, open," also referred to as "open to close to open," or "slow, fast, slow," consists of beginning a
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Rudiments were typically practiced open to closed in the early 19th century and before.
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recommended playing rudiments in the open, closed, open method. When the
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has been the standard practice ever since, also appearing on the
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Morphing Double Stroke Rolls with the Open/Close
Technique.
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33:or classical practice routines.
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622:. You can help Knowledge by
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172:The Art of Beating the Drum.
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174:Henry Potter and Co., 1817.
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183:Bruce, G. and Dan Emmett.
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22:is a technique of playing
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29:, especially used during
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303:Charles Stewart Ashworth
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418:George Lawrence Stone
318:George Barrett Bruce
76:George Barrett Bruce
505:Fife and drum corps
500:Marching percussion
679:Music theory stubs
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423:Edward B. Straight
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277:Open, closed, open
20:Open, closed, open
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108:"Rudiments"
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353:H. C. Hart
228:percussion
225:Rudimental
94:References
24:snare drum
515:Pipe band
328:Vic Firth
252:Drum roll
235:Technique
70:'s book,
37:Technique
31:auditions
27:rudiments
488:General
62:History
291:People
614:This
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563:stub
267:Grip
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