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is a style used by
Japanese artists that means “looming picture”. He was very good at capturing the luxury and leisure of his paintings on theatre. He played around and experimented with all kinds of styles on woodprints and was always willing to learn more. By experimenting, he created and is said
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He has a recurring pattern consisting of tan backgrounds and neutral coloring. His pieces capture things and or people in motion. His objects in drawings are always in mid-motion of walking somewhere or doing something. Masanobu was famous for capturing the beauty of nature. He painted and drew
406:. Masanobu was one of the most influential innovators of the ukiyo-e form, introducing the comic album, the pillar, two-colour, and lacquer prints, and popularizing Western-style perspective drawing. His career saw ukiyo-e evolve from its monochromatic origins to the verge of the full-colour
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After 1711 Masanobu's output of book illustrations shriveled as he turned his attention to albums of prints, usually about a dozen per set, on a variety of themes—most outstanding of which were the comic albums. These prints, influenced perhaps by 12th-century
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were mostly produced in the Kyōhō era. They display the printmaker's sense of line, colour, and composition. The subjects are most often humorous and are executed in a lively manner with figures in brightly coloured, fashionable clothing.
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About 1721 Masanobu abandoned the publishers of his earlier works and opened his own wholesaler, Okumura-ya, in Tōri Shio-chō in Edo. His trade mark was a gourd-shaped sign, a mark he thereafter stamped on the works he printed.
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birds, women, men, actors, and warriors. The
Japanese women he draws have the same style and ‘boneless’ structure. The faces show; however, the bodies are covered by long, flowing dresses. This style is referred to as
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Masanobu appears to have been self-taught painter (though he did study poetry under
Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the
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pleasure district is
Masanobu's earliest surviving signed work, followed by a similar work ten months later. Moronobu provided the illustrations, and sometimes text, for at least twenty-two
67:; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the
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Meech, J. & Oliver, J. 2008. Designed for pleasure : the world of Edo Japan in prints and paintings. New York : Asia
Society and Japanese Art Society of America.
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Masanobu was known for staying true to his time and what he was good at. He created many new styles that are used today; without him art wouldn't be the same.
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Okumura
Masanobu's art consists of the insights of stores and theatres. These pieces are large-scale and referred to as uki-e.
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233:: drawing women as full-bodied and round. The tan-e style brings a sense of gentleness and gracefulness to the beauties.
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and has thick black lines. Styles of urushi-e can be found in many works from
Masanobu. The most famous examples are
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168:-sized portraits of courtesans, whose designs had a warmth and humanity largely absent from the earlier Torii and
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While
Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in
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The era
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Kakemono-sized prints measured about 56 × 30 centimetres (22 × 12 in).
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Actor holding folders, Actor as
Wakanoura Osana Komachi, Actors Ôtani Hiroji and Sodesaki Iseno
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475:-sized prints measured about 30 × 15.5 centimetres (11.8 × 6.1 in).
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between 1703 and 1711. These included a modernized illustrated version of the 11th-century
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It is likely that Masanobu died at 78 in 1764; 1769 has also been given as his death date.
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begun in 1717 brought an end to the luxury of these large prints, replaced by smaller
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prints, printed with brass powder sprinkled on the ink, which created a
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Japanese woodblock prints Artists, Publishers and Masterworks 1680-1900
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Or 79 by Japanese reckoning, by which one begins life at age one.
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Large Perspective View of the Interior of Echigo-ya in Suruga-chô
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Rosenberg, K. Diversions and Delights from the Floating World:
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152:(1652–1724), depicted humorous scenes from, or parodies of,
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Artwork images, Exhibitions, and Reviews: Okumura Masanobu
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Encyclopædia Britannica, Inc. Okumura Masanobu Biography
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in eighteen volumes, whose translation was by Masanobu.
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Though less known to the public than masters such as
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27:zu" (Shōki striding), by Okumura Masanobu in
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349:Taking the Evening Cool by Ryōgoku Bridge
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118:. A print album published by
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676:. March 14, 2006.
648:Media related to
629:978-0-87011-564-6
577:, pp. 34–35.
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537:978-4-8053-1055-7
445:James A. Michener
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1809:Tadashi Nakayama
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1889:
1887:
1884:
1882:
1881:
1877:
1875:
1874:
1870:
1868:
1867:Nanpin school
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1834:
1833:
1830:
1829:
1827:
1823:
1815:
1814:Fujio Yoshida
1812:
1810:
1807:
1805:
1802:
1801:
1799:
1795:
1792:
1790:
1789:Tadashige Ono
1787:
1785:
1782:
1780:
1777:
1775:
1774:Suwa Kanenori
1772:
1770:
1769:Tōshi Yoshida
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1729:Saitō Kiyoshi
1727:
1725:
1722:
1720:
1719:Kōshirō Onchi
1717:
1715:
1712:
1710:
1707:
1705:
1702:
1700:
1697:
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1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1667:
1665:
1664:Kitaoka Fumio
1662:
1660:
1657:
1655:
1652:
1650:
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1642:
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1640:
1639:
1638:
1633:
1629:
1626:
1624:
1621:
1619:
1616:
1614:
1613:Torii Kotondo
1611:
1609:
1606:
1604:
1601:
1599:
1598:Ota Masamitsu
1596:
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1489:
1486:
1484:
1481:
1479:
1476:
1474:
1471:
1469:
1466:
1464:
1463:Kanbun Master
1461:
1460:
1458:
1454:
1451:
1449:
1446:
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1439:
1436:
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1336:
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1331:
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1319:
1316:
1315:
1314:
1311:
1307:
1304:
1302:
1299:
1298:
1296:
1292:
1291:Torii Kotondo
1289:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
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1197:
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1190:
1187:
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1177:
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1172:
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1167:
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1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1136:
1135:Osaka school
1134:
1130:
1129:Ōoka Shunboku
1127:
1126:
1124:
1120:
1117:
1116:
1114:
1110:
1107:
1105:
1102:
1100:
1097:
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1087:
1086:
1084:
1080:
1077:
1075:
1072:
1070:
1067:
1066:
1064:
1060:
1057:
1056:
1055:Kitao school
1054:
1050:
1047:
1045:
1042:
1040:
1037:
1036:
1034:
1030:
1027:
1026:
1024:
1020:
1017:
1015:
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1009:
1005:
1002:
1000:
997:
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987:
985:
982:
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977:
973:
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968:
965:
963:
960:
958:
955:
954:
953:
950:
946:
943:
942:
940:
936:
933:
932:
930:
926:
925:Totoya Hokkei
923:
921:
918:
916:
913:
911:
910:Katsushika Ōi
908:
906:
903:
902:
900:
896:
893:
892:
890:
886:
883:
882:
880:
876:
873:
871:
868:
866:
863:
862:
860:
856:
853:
852:
850:
846:
843:
842:
840:
836:
833:
831:
828:
827:
826:Eishi school
825:
821:
818:
817:
815:
814:
812:
808:
804:
799:
789:
786:
784:
781:
779:
776:
775:
773:
769:
760:
755:
753:
748:
746:
741:
740:
737:
730:
725:
720:
718:
708:
706:
696:
695:
692:
685:
682:
679:
677:
675:
670:
668:
665:
663:
660:
658:
655:
654:
653:
651:
646:
631:
625:
621:
620:
614:
613:
601:, p. 40.
600:
595:
589:, p. 35.
588:
583:
576:
571:
565:, p. 34.
564:
559:
552:
547:
539:
533:
529:
522:
516:, p. 33.
515:
510:
508:
506:
504:
502:
497:
481:
474:
469:
460:
456:
448:
446:
442:
438:
434:
430:
426:
422:
417:
415:
411:
410:
405:
401:
397:
393:
392:Ihara Saikaku
389:
385:
365:
359:
354:
350:
344:
339:
336:
330:
325:
322:
321:
310:
304:
299:
296:
290:
285:
282:
276:
271:
268:
267:
261:
258:
253:
250:
248:
244:
243:pillar prints
239:
234:
232:
226:
224:
220:
216:
212:
208:
198:
195:
191:
189:
185:
181:
180:
175:
174:Kyōhō Reforms
171:
167:
163:
159:
155:
151:
147:
141:
139:
138:
137:Tale of Genji
133:
129:
125:
121:
117:
113:
109:
105:
100:
98:
94:
90:
80:
78:
74:
70:
62:
58:
52:
48:
44:
43:Japanese name
30:
26:
21:
1946:Ligne claire
1944:
1912:
1906:
1895:
1886:Shijō school
1878:
1871:
1862:Kyoto school
1837:Rinpa school
1739:Toko Shinoda
1709:Tetsuya Noda
1637:Sosaku-hanga
1635:
1634:
1573:Hasui Kawase
1549:
1548:
1540:20th century
1448:Adachi Ginkō
1241:Torii school
1125:Ōoka school
1118:
1029:Keisai Eisen
673:
642:
618:
594:
582:
570:
558:
546:
527:
521:
480:
472:
468:
459:
418:
407:
388:Matsuo Bashō
381:
364:Shibai Uki-e
363:
348:
334:
308:
294:
280:
254:
251:
235:
227:
222:
218:
214:
204:
196:
192:
177:
142:
135:
104:Torii school
101:
86:
69:Torii school
56:
55:
50:
29:pillar print
1975:1764 deaths
1970:1686 births
1940:Art Nouveau
1852:Hara school
1847:Akita ranga
1842:Kanō school
1784:Reika Iwami
1679:Masao Maeda
1659:Itow Takumi
1593:Ohara Koson
1563:Itō Shinsui
1483:Ogata Gekkō
1473:Sawa Sekkyō
1164:Hirosada II
875:Shiba Kōkan
729:Visual arts
609:Works cited
599:Vergez 1983
587:Vergez 1983
575:Vergez 1983
563:Vergez 1983
551:Vergez 1983
514:Vergez 1983
404:Ogata Kōrin
316: 1725
255:Masanobu's
128:ukiyo-zōshi
1964:Categories
1551:Shin-hanga
1531:Yokohama-e
1526:Nagasaki-e
1521:Kamigata-e
1159:Hirosada I
492:References
398:dramatist
211:woodblocks
201:Art styles
170:Kaigetsudō
1914:Japonisme
1689:Maki Haku
1514:By region
1189:Yoshitaki
1044:Tsukimaro
705:Biography
416:'s time.
409:nishiki-e
335:Morita-za
124:Yoshiwara
1174:Kunimasu
1149:Ashiyuki
207:urushi-e
190:effect.
184:urushi-e
166:kakemono
77:bijin-ga
61:Japanese
41:In this
31:format,
1907:Ukiyo-e
1880:Nihonga
1825:Related
1800:Others
1468:Sharaku
1184:Shunshi
778:Ukiyo-e
771:General
691:Portals
473:Hosoban
425:Hokusai
421:Sharaku
396:bunraku
264:Gallery
257:ukiyo-e
188:lacquer
179:hosoban
73:ukiyo-e
51:Okumura
47:surname
626:
534:
443:, and
394:, the
386:poets
378:Legacy
351:, 1745
221:, and
160:, and
158:kabuki
146:Toba-e
45:, the
1873:Nanga
717:Japan
451:Notes
384:haiku
238:Uki-e
231:tan-e
65:奥村 政信
25:Shōki
1897:Yōga
624:ISBN
532:ISBN
431:and
423:and
390:and
154:Noh
89:Edo
49:is
1966::
500:^
447:.
439:,
368:c.
366:,
313:c.
311:,
217:,
156:,
63::
33:c.
758:e
751:t
744:v
693::
632:.
540:.
59:(
53:.
23:"
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