130:(1931), Chaplin's Tramp is preparing for a boxing match. He asks another boxer a question which the audience is not privy to. He then follows the man's direction off screen, before returning moments later and asking the man to help him remove his boxing gloves – the implication being that he was going to the bathroom. Later, it's shown that he was merely looking for a water fountain.
159:
standards, which dictated that "brutal killings are not to be shown in detail", Browning's offscreen action also maintains the macabre mood of the film. The choice of what the audience is shown in place of the elided action can also contribute to the sense of horror through its symbolic value. In
123:
is asked the name of the baby he recently found abandoned. He quickly ducks into a nearby building, emerges seconds later smoothing the child's blankets, and announces, "John" – implying that he had not even determined the child's sex, much less given it a name, until that moment. In
183:, with the camera panning from the beginnings of a romantic encounter to a symbolic replacement object, such as a roaring fireplace, a lit candle at first tall and then shorter to show the passage of time, or (in
73:, but are merely heard by the audience, or described (or implied) by the characters or narrator. Off-screen action often leaves much to the audience's imagination. As a narrative mode and
113:(1918), Chaplin's character is berated by an abusive wife who is never seen on camera; her presence is merely implied by household objects hurled in Chaplin's direction. In
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155:
uses offscreen action to avoid showing scenes of murder, and obscures the action of
Dracula rising from his grave. While this served to meet
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77:, it may be used for a number of dramatic effects. It may also be used to save time in storytelling, to circumvent technical or
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genre, placing action offstage or offscreen often serves to heighten the dramatic force of a scene. The
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A/V A to Z: An
Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms
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narration continues to be a common tool for conveying information authoritatively.
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Offscreen action may also be used when a scene would otherwise require costly
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The
Essence of Chaplin: The Style, the Rhythm and the Grace of a Master
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made use of offscreen action to humorous effect. In a deleted scene in
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exemplifies this use artistically by incorporating the concepts of
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The Turn to
Gruesomeness in American Horror Films, 1931-1936
141:
theatre in Paris made much use of this technique; in 1901's
208:(the outer domain) from Iranian culture. In his 2006 film
455:
356:
Rayner, Philip; Wall, Peter; Kruger, Stephen (2001).
176:, which acts as an ironic commentary on the action.
166:(1931), during the murder of Ivy Pierson, director
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214:, he critiques traditional norms upheld by the
194:to suggest what is suppressed by authorities.
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359:Media Studies: The Essential Introduction
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429:Darvishzadeh, Navid (March 27, 2023).
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170:focuses his camera on a statuette of
281:Kroon, Richard W. (March 30, 2010).
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431:"The Off-screen Caught in Becoming"
395:Fawell, John (September 17, 2014).
322:Towlson, Jon (September 12, 2016).
27:Fictional events not seen on screen
24:
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190:The off-screen can be employed in
179:Offscreen action is often used in
25:
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258:, alternate modes of storytelling
362:. Psychology Press. p. 51.
452:Peretz, Eyal (March 21, 2017).
328:. McFarland. pp. 171–172.
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173:Psyche Revived by Cupid's Kiss
157:Motion Picture Production Code
13:
1:
458:. Stanford University Press.
267:
187:) a train entering a tunnel.
53:refer to fictional events in
435:In Media Res: The Off-Screen
81:of a production, or to meet
7:
240:
10:
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1318:Film and video terminology
1253:Computer-generated imagery
795:Unchained camera technique
287:. McFarland. p. 465.
32:Offscreen (disambiguation)
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401:. McFarland. p. 89.
237:to present convincingly.
216:Islamic Republic of Iran
204:(the inner domain) and
163:Dr. Jekyll and Mr. Hyde
88:
1323:Television terminology
1046:Dead-character costume
119:(1921), his character
65:which are not seen on
717:multiple-camera setup
79:financial constraints
1328:Cinematic techniques
1313:Narrative techniques
1138:Infrared photography
504:Cinematic techniques
30:For other uses, see
95:ancient Greek drama
1188:Tilted plane focus
1128:Forced perspective
1036:Costumed character
1021:Air bladder effect
640:Wide / Long / Full
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1173:Schüfftan process
1153:Multiple exposure
1066:Prosthetic makeup
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931:Freeze-frame shot
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690:Over-the-shoulder
16:(Redirected from
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1268:Match moving
1076:Pyrotechnics
1026:Animatronics
866:Lens effects
727:Camera angle
715: /
598:Non-diegetic
454:
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412:. Retrieved
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373:. Retrieved
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339:. Retrieved
324:
298:. Retrieved
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276:
220:
209:
205:
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196:Jafar Panahi
189:
178:
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153:Tod Browning
147:
143:Au tėlėphone
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1288:Stop motion
1263:Introvision
1243:Compositing
1233:Bullet time
1215:Stop motion
1203:Slow motion
1198:Fast motion
1143:Lens flares
1118:Bullet time
1091:Sugar glass
1081:Rubber mask
1015:wire-flying
921:Master shot
775:Dutch angle
685:Perspective
151:, director
127:City Lights
85:standards.
1307:Categories
1238:Chroma key
1193:Time-lapse
1158:Filtration
1123:Dolly zoom
1051:Kitbashing
857:Dolly zoom
755:Crane shot
750:Bird's-eye
745:High-angle
633:Field size
608:Film score
550:Lens flare
520:Background
268:References
181:sex scenes
99:voice-over
59:television
47:off-camera
43:off-screen
41:The terms
1258:Go motion
1183:Slit-scan
1105:In-camera
1004:Practical
936:Long take
842:SnorriCam
837:Steadicam
817:Hand-held
765:Low-angle
603:Narration
565:Rembrandt
227:locations
121:The Tramp
51:off-stage
36:Making-of
1071:Puppetry
941:One-shot
827:Tracking
810:Whip pan
760:Jib shot
665:Two shot
655:Close-up
645:American
625:Shooting
593:Diegetic
540:High-key
512:Lighting
262:Dissolve
252:Diegesis
241:See also
201:andaruni
18:Offstage
1333:Theatre
1247:digital
1245: (
1113:Bipacks
1060:hanging
1058: (
1013: (
900:Zooming
888:Shallow
878:Racking
805:Panning
800:Tilting
703:Reverse
660:Italian
555:Low-key
375:15 July
256:mimesis
211:Offside
148:Dracula
133:In the
116:The Kid
55:theatre
1225:Visual
946:Insert
926:B-roll
852:Follow
740:Aerial
713:Single
650:Medium
462:
414:5 July
405:
366:
341:5 July
332:
300:5 July
291:
231:makeup
206:biruni
185:parody
135:horror
69:or in
49:, and
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832:Dolly
822:Shaky
708:Trunk
697:(POV)
585:Sound
570:Stage
535:Flood
525:Cameo
233:, or
71:frame
67:stage
61:, or
893:Deep
735:Tilt
575:Soft
560:Mood
530:Fill
460:ISBN
416:2019
403:ISBN
377:2019
364:ISBN
343:2019
330:ISBN
302:2019
289:ISBN
254:and
223:sets
89:Uses
63:film
34:and
545:Key
93:In
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385:^
310:^
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20:)
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