119:(1931), Chaplin's Tramp is preparing for a boxing match. He asks another boxer a question which the audience is not privy to. He then follows the man's direction off screen, before returning moments later and asking the man to help him remove his boxing gloves – the implication being that he was going to the bathroom. Later, it's shown that he was merely looking for a water fountain.
148:
standards, which dictated that "brutal killings are not to be shown in detail", Browning's offscreen action also maintains the macabre mood of the film. The choice of what the audience is shown in place of the elided action can also contribute to the sense of horror through its symbolic value. In
112:
is asked the name of the baby he recently found abandoned. He quickly ducks into a nearby building, emerges seconds later smoothing the child's blankets, and announces, "John" – implying that he had not even determined the child's sex, much less given it a name, until that moment. In
172:, with the camera panning from the beginnings of a romantic encounter to a symbolic replacement object, such as a roaring fireplace, a lit candle at first tall and then shorter to show the passage of time, or (in
62:, but are merely heard by the audience, or described (or implied) by the characters or narrator. Off-screen action often leaves much to the audience's imagination. As a narrative mode and
102:(1918), Chaplin's character is berated by an abusive wife who is never seen on camera; her presence is merely implied by household objects hurled in Chaplin's direction. In
483:
144:
uses offscreen action to avoid showing scenes of murder, and obscures the action of
Dracula rising from his grave. While this served to meet
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66:, it may be used for a number of dramatic effects. It may also be used to save time in storytelling, to circumvent technical or
135:
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genre, placing action offstage or offscreen often serves to heighten the dramatic force of a scene. The
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A/V A to Z: An
Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms
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narration continues to be a common tool for conveying information authoritatively.
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134:, the violence is presented at the remove of a telephone connection. In 1931's
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Offscreen action may also be used when a scene would otherwise require costly
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The
Essence of Chaplin: The Style, the Rhythm and the Grace of a Master
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made use of offscreen action to humorous effect. In a deleted scene in
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exemplifies this use artistically by incorporating the concepts of
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The Turn to
Gruesomeness in American Horror Films, 1931-1936
130:
theatre in Paris made much use of this technique; in 1901's
197:(the outer domain) from Iranian culture. In his 2006 film
444:
345:
Rayner, Philip; Wall, Peter; Kruger, Stephen (2001).
165:, which acts as an ironic commentary on the action.
155:(1931), during the murder of Ivy Pierson, director
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203:, he critiques traditional norms upheld by the
183:to suggest what is suppressed by authorities.
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348:Media Studies: The Essential Introduction
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418:Darvishzadeh, Navid (March 27, 2023).
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159:focuses his camera on a statuette of
270:Kroon, Richard W. (March 30, 2010).
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420:"The Off-screen Caught in Becoming"
384:Fawell, John (September 17, 2014).
311:Towlson, Jon (September 12, 2016).
16:Fictional events not seen on screen
13:
434:
179:The off-screen can be employed in
168:Offscreen action is often used in
14:
1333:
247:, alternate modes of storytelling
351:. Psychology Press. p. 51.
441:Peretz, Eyal (March 21, 2017).
317:. McFarland. pp. 171–172.
411:
162:Psyche Revived by Cupid's Kiss
146:Motion Picture Production Code
1:
447:. Stanford University Press.
256:
176:) a train entering a tunnel.
42:refer to fictional events in
424:In Media Res: The Off-Screen
70:of a production, or to meet
7:
229:
10:
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1307:Film and video terminology
1242:Computer-generated imagery
784:Unchained camera technique
276:. McFarland. p. 465.
21:Offscreen (disambiguation)
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226:to present convincingly.
205:Islamic Republic of Iran
193:(the inner domain) and
152:Dr. Jekyll and Mr. Hyde
77:
1312:Television terminology
1035:Dead-character costume
108:(1921), his character
54:which are not seen on
706:multiple-camera setup
68:financial constraints
1317:Cinematic techniques
1302:Narrative techniques
1127:Infrared photography
493:Cinematic techniques
19:For other uses, see
84:ancient Greek drama
1177:Tilted plane focus
1117:Forced perspective
1025:Costumed character
1010:Air bladder effect
629:Wide / Long / Full
1289:
1288:
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1162:Schüfftan process
1142:Multiple exposure
1055:Prosthetic makeup
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920:Freeze-frame shot
905:Establishing shot
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679:Over-the-shoulder
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1272:Split screen
1267:Smallgantics
1257:Match moving
1065:Pyrotechnics
1015:Animatronics
855:Lens effects
716:Camera angle
704: /
587:Non-diegetic
443:
423:
413:
401:. Retrieved
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362:. Retrieved
347:
340:
328:. Retrieved
313:
287:. Retrieved
272:
265:
209:
198:
194:
188:
185:Jafar Panahi
178:
167:
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142:Tod Browning
136:
132:Au tėlėphone
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1277:Stop motion
1252:Introvision
1232:Compositing
1222:Bullet time
1204:Stop motion
1192:Slow motion
1187:Fast motion
1132:Lens flares
1107:Bullet time
1080:Sugar glass
1070:Rubber mask
1004:wire-flying
910:Master shot
764:Dutch angle
674:Perspective
140:, director
116:City Lights
74:standards.
1296:Categories
1227:Chroma key
1182:Time-lapse
1147:Filtration
1112:Dolly zoom
1040:Kitbashing
846:Dolly zoom
744:Crane shot
739:Bird's-eye
734:High-angle
622:Field size
597:Film score
539:Lens flare
509:Background
257:References
170:sex scenes
88:voice-over
48:television
36:off-camera
32:off-screen
30:The terms
1247:Go motion
1172:Slit-scan
1094:In-camera
993:Practical
925:Long take
831:SnorriCam
826:Steadicam
806:Hand-held
754:Low-angle
592:Narration
554:Rembrandt
216:locations
110:The Tramp
40:off-stage
25:Making-of
1060:Puppetry
930:One-shot
816:Tracking
799:Whip pan
749:Jib shot
654:Two shot
644:Close-up
634:American
614:Shooting
582:Diegetic
529:High-key
501:Lighting
251:Dissolve
241:Diegesis
230:See also
190:andaruni
1322:Theatre
1236:digital
1234: (
1102:Bipacks
1049:hanging
1047: (
1002: (
889:Zooming
877:Shallow
867:Racking
794:Panning
789:Tilting
692:Reverse
649:Italian
544:Low-key
364:15 July
245:mimesis
200:Offside
137:Dracula
122:In the
105:The Kid
44:theatre
1214:Visual
935:Insert
915:B-roll
841:Follow
729:Aerial
702:Single
639:Medium
451:
403:5 July
394:
355:
330:5 July
321:
289:5 July
280:
220:makeup
195:biruni
174:parody
124:horror
58:or in
38:, and
862:Focus
821:Dolly
811:Shaky
697:Trunk
686:(POV)
574:Sound
559:Stage
524:Flood
514:Cameo
222:, or
60:frame
56:stage
50:, or
882:Deep
724:Tilt
564:Soft
549:Mood
519:Fill
449:ISBN
405:2019
392:ISBN
366:2019
353:ISBN
332:2019
319:ISBN
291:2019
278:ISBN
243:and
212:sets
78:Uses
52:film
23:and
534:Key
82:In
1298::
422:.
374:^
299:^
218:,
214:,
46:,
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