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flanking that central note contains both the minor and major third. The row in fact includes four of the six possible permutations of this core trichord, guaranteeing a permanent atonal equilibrium.
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used was nontraditional in construction in several respects including number of pitches and consistent emphasis on intervals of
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The
Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred
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Probasco, Robert C. 1968. "A Study of Some
Performance Problems in Contemporary Music: An Oboist's View of Berio,
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292:. Cambridge Introductions to Music. New York: Cambridge University Press.
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Quattro versioni originali della "Ritirata notturna di Madrid"
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317:, translated by David Osmond-Smith. New York: Marion Boyars.
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Two
Interviews with Rossana Dalmonte and Bálint András Varga
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Audio playback is not supported in your browser. You can
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232:(Summer 1989). "Exorcism and Epiphany: Luciano Berio's
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53:in texture and formally consists of an approximate
45:, inspired by the poem, representing not only the
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338:". M.A. Thesis. Lincoln: University of Nebraska.
136:Berio's row is symmetrical around the central A
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270:(January 1958). "Current Chronicle: Italy".
126:Webern's tone row for the Concerto, Op. 24,
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323:. 1978. "Un inedito di Bruno Maderna".
290:The Cambridge Introduction to Serialism
41:, and was originally intended to be an
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128:from which Berio derived the row for
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325:Nuova Rivista Musicale Italiana
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801:. You can help Knowledge by
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239:Perspectives of New Music
672:Thema (Omaggio a Joyce)
313:Berio, Luciano. 1985 .
268:Smith Brindle, Reginald
117:download the audio file
57:created by "theme" and
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790:This article about a
696:Recital I (for Cathy)
273:The Musical Quarterly
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647:A Garland for Dr. K.
382:List of compositions
192:, pp. 254, 267.
858:Serial compositions
732:(completed in 2002)
664:Other compositions
490:Instrumental music
327:12, no. 4:517–520.
214:Smith Brindle 1958
166:Smith Brindle 1958
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21:(1954) is a
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795:composition
723:Tempo Reale
713:Polystylism
556:Vocal music
466:Différences
389:Stage works
336:Stockhausen
142:, and each
39:W. H. Auden
29:scored for
23:composition
863:Variations
842:Categories
564:Folk Songs
190:Hicks 1989
178:Hicks 1989
154:References
148:hexachords
144:trichordal
86:Stravinsky
59:variations
792:classical
452:Due pezzi
434:Rendering
31:orchestra
747:Category
729:Turandot
679:Epifanie
571:Sinfonia
505:Sequenza
288:(2008).
139:♭
97:tone row
82:Concerto
66:tone row
51:punctual
43:oratorio
583:A-Ronne
473:Circles
223:Sources
758:Portal
480:Kol-Od
334:, and
332:Carter
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260:833415
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78:Webern
37:", by
797:is a
422:Nones
256:JSTOR
234:Nones
130:Nones
101:Nones
99:from
70:major
35:Nones
18:Nones
799:stub
590:Coro
294:ISBN
72:and
64:The
55:arch
544:XII
532:VII
248:doi
236:".
80:'s
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