1631:. The audience saw him sit at the piano, and close the lid of the piano. Some time later, without having played any notes, he opened the lid. A while after that, again having played nothing, he closed the lid. And after a period of time, he opened the lid once more and rose from the piano. The piece had passed without a note being played, in fact without Tudor or anyone else on stage having made any deliberate sound, although he timed the lengths on a stopwatch while turning the pages of the score. Only then could the audience recognize what Cage insisted upon: that there is no such thing as silence. Noise is always happening that makes musical sound. In 1957,
937:. In electronics noise can refer to the electronic signal corresponding to acoustic noise (in an audio system) or the electronic signal corresponding to the (visual) noise commonly seen as 'snow' on a degraded television or video image. In signal processing or computing it can be considered data without meaning; that is, data that is not being used to transmit a signal, but is simply produced as an unwanted by-product of other activities. Noise can block, distort, or change the meaning of a message in both human and electronic communication.
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3513:, he outlined the fundamentals of his own experimentation: "I have suggested to change the gramophone from a reproductive instrument to a productive one, so that on a record without prior acoustic information, the acoustic information, the acoustic phenomenon itself originates by engraving the necessary Ritchriftreihen (etched grooves)." He presents detailed descriptions for manipulating discs, creating "real sound forms" to train people to be "true music receivers and creators" (
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795:. Writing about Japanese noise music, Hegarty suggests that "it is not a genre, but it is also a genre that is multiple, and characterized by this very multiplicity ... Japanese noise music can come in all styles, referring to all other genres ... but crucially asks the question of genreâwhat does it mean to be categorized, categorizable, definable?" (Hegarty 2007:133).
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made no distinction, in his view all sounds have the potential to be used creatively. His aim was to capture and control elements of the sonic environment and employ a method of sound organisation, a term borrowed from Varese, to bring meaning to the sound materials. Cage began in 1939 to create a series of works that explored his stated aims, the first being
1076:(1917) was met with strong disapproval and violence from the audience, as Russolo himself had predicted. None of his intoning devices have survived, though recently some have been reconstructed and used in performances. Although Russolo's works bear little resemblance to contemporary noise music such as
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In an essay written in 1937, Cage expressed an interest in using extra-musical materials and came to distinguish between found sounds, which he called noise, and musical sounds, examples of which included: rain, static between radio channels, and "a truck at fifty miles per hour". Essentially, Cage
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At first the art of music sought purity, limpidity and sweetness of sound. Then different sounds were amalgamated, care being taken, however, to caress the ear with gentle harmonies. Today music, as it becomes continually more complicated, strives to amalgamate the most dissonant, strange and harsh
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consisted of a set of recordings made at the train station Gare des
Batignolles in Paris that included six steam locomotives whistling and trains accelerating and moving over the tracks. The piece was derived entirely from recorded noise sounds that were not musical, thus a realization of Russolo's
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was held at the
Graphisches Kabinett, KurfĂŒrstendamm 232, at 7:45 PM. The printed program lists five numbers: "Proclamation dada 1919" by Huelsenbeck, "Simultan-Gedicht" performed by seven people, "Bruitistisches Gedicht" performed by Huelsenbeck (these latter two pieces grouped together under the
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as a point of departure and further abstracted the noise aesthetic by freeing the sound from guitar based feedback alone. According to
Hegarty (2007), "in many ways it only makes sense to talk of noise music since the advent of various types of noise produced in Japanese music, and in terms of
1051:, stating that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining and envisioned noise music as its future replacement. He designed and constructed a number of noise-generating devices called
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explores the relationship between noise music and the future of society by considering noise music as not merely reflective of, but importantly prefigurative of social transformations. He indicates that noise in music is a predictor of social change and demonstrates how noise acts as the
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performed industrial noise music mixing loud metal percussion, guitars, and unconventional "instruments" (such as jackhammers and bones) in elaborate stage performances. These industrial artists experimented with varying degrees of noise production techniques. Interest in the use of
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and through their work traces the history of "noise". He defines noise at different times as "intrusive, unwanted", "lacking skill, not being appropriate" and "a threatening emptiness". He traces these trends starting with 18th-century concert hall music. Hegarty contends that it is
1672:. These recordings made use of a mixture of traditional musical instruments along with a vacuum cleaner, a radio, an oil drum, a doll, and a set of dishes. Moreover, the speed of the tape recording was manipulated, further distorting the sounds being recorded. Canada's
2966:'s Antisymphonie in 3 movements, subtitled "Musikalische Kriegsguillotine". The three movements of Golyscheff's piece are titled "provokatorische Spritze", "chaotische Mundhöhle oder das submarine Flugzeug", and "zusammenklappbares Hyper-fis-chendur".
1676:, the world's longest-running noise act, was formed in 1965 in London, Ontario, and continues to perform and record to this day, having survived to work with many of the newer generation which they themselves had influenced, such as Thurston Moore of
1575:, a work for twelve radio receivers, was premiered in New York. Performance of the composition necessitated the use of a score that contained indications for various wavelengths, durations, and dynamic levels, all of which had been determined using
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there are four types of noise: unwanted noise, unmusical sound, any loud sound, and a disturbance in any signaling system (such as static on a telephone). Definitions regarding what is considered noise, relative to music, have changed over time.
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experimented with records, playing them backwards, and at varying speeds. Varese had earlier used sirens to create what he called a "continuous flowing curve" of sound that he could not achieve with acoustic instruments. In 1931, Varese's
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of societyâvalidating and testing new social and political realities. His disruption of the standard history of music and his inclusion of noise in an attempt to theorize culture cleared the way for many noise music theoretical studies.
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using contact microphones on such "non-musical" objects as panes of glass and motor oil cans that was recorded at the
Akademie der Kunste in Berlin. At the end of the sixties, they took part in the collective noise action called
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quantity this is really to do with the 1990s onwards ... with the vast growth of
Japanese noise, finally, noise music becomes a genre". Other key Japanese noise artists that contributed to this upsurge of activity include
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I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments which will make available for musical purposes any and all sounds that can be
749:(1825) "sounded like noise" to his audience at the time. Indeed, Beethoven's publishers persuaded him to remove it from its original setting as the last movement of a string quartet. He did so, replacing it with a sparkling
1316:, and used 37 percussion instruments to create a repertoire of unpitched sounds making it the first musical work to be organized solely on the basis of noise. In remarking on Varese's contributions the American composer
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involved navy ship sirens and whistles, bus and car horns, factory sirens, cannons, foghorns, artillery guns, machine guns, hydro-airplanes, a specially designed steam-whistle machine creating noisy renderings of
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embraced and extended the most dissonant and least approachable aspects of these musical/spatial concepts. Around the same time, the first postmodern wave of industrial noise music appeared with the Pop Group,
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releases often featured zany tape editing, stark percussion and repetitive loops distorted to the point where they may degrade into harsh noise. In the 1970s and 1980s, industrial noise groups like
783:, is that music made up of incidental sounds that represent perfectly the tension between "desirable" sound (properly played musical notes) and undesirable "noise" that make up all noise music from
1439:, Studio d'Essai became a hub for musical development centered around implementing electronic devices in compositions. It was from this group that musique concrĂšte was developed. A type of
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stated that Varese had "established the present nature of music" and that he had "moved into the field of sound itself while others were still discriminating 'musical tones' from noises".
1023:
328:
Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical
1443:, musique concrĂšte is characterized by its use of recorded sound, electronics, tape, animate and inanimate sound sources, and various manipulation techniques. The first of Schaeffer's
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in 1991. The CD version includes the original nine-section "Sea Stones" (42:34) from
February 1975, and a live, previously unreleased, six-section version (31:05) from December 1975.
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According to Danish noise and music theorist Torben
Sangild, one single definition of noise in music is not possible. Sangild instead provides three basic definitions of noise: a
313:. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of
779:, in which an audience sits through four and a half minutes of "silence" (Cage 1973), that represents the beginning of noise music proper. For Hegarty, "noise music", as with
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1552:, conceived 1947â1948), a 40-minute orchestral piece that consisted of a single 20-minute sustained chord (followed by a 20-minute silence) â showing how the sound of one
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906:
1568:. John Cage had been pushing music in even more startling directions during the war years, writing for prepared piano, junkyard percussion, and electronic gadgetry.
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D. Teruggi, "Technology and
Musique Concrete: The Technical Developments of the Groupe de Recherches Musicales and Their Implication in Musical Composition",
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identifies the "primacy of
Japanese Noise artists like Merzbow, Hijokaidan and Incapacitants" as one of the major developments in noise music since 1990.
2009:(1975) is cited as containing the primary characteristics of what would in time become a genre known as noise music. The album, recorded on a three speed
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soon followed. The sudden post-industrial affordability of home cassette recording technology in the 1970s, combined with the simultaneous influence of
360:, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as
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Like much of modern and contemporary art, noise music takes characteristics of the perceived negative traits of noise mentioned below and uses them in
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in his use of both discordance and feedback. Cale and Conrad have released noise music recordings they made during the mid-sixties, such as Cale's
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recording that was produced by playing the master tape back both forward and backward, and by flipping the tape over. Reed was well aware of the
2077:, and others. The Theatre of Eternal Music's discordant sustained notes and loud amplification had influenced Cale's subsequent contribution to
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to noise, usually with recognizable "rock" instrumentation, but with greater use of distortion and electronic effects, varying degrees of
1414:) percussion ensembles, scouring junkyards and Chinatown antique shops for appropriately tuned brake drums, flower pots, gongs, and more.
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5773:, 2nd English edition, translated by Alexander J. Ellis. New York: Longmans & Co. 1885. Reprinted New York: Dover Publications, 1954.
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to refer to the peculiar nature of sounds on tape, separated from the source that generated them initially. Pierre
Schaeffer helped form
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in 1923 recognized the unprecedented efforts of the Italian Futurists to broaden our perception of sound using noise. In an article in
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Since the early 1980s, Japan has produced a significant output of characteristically harsh artists and bands, sometimes referred to as
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Contemporary noise music is often associated with extreme volume and distortion. Notable genres that exploit such techniques include
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for phono cartridges with foreign objects replacing the 'stylus' and small sounds amplified by contact microphones. Also in 1960,
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980:. Many artists not only build their own noise-generating devices, but even their own specialized recording equipment and custom
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Following the wake of industrial noise, noise rock, no wave, and harsh noise, there has been a flood of noise musicians whose
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of a tape recorder and then spooling a continuous loop of tape through the machine while recording, the tape would constantly
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offering free releases. Steve Goodman characterizes this widespread outpouring of free noise based media as a "noise virus".
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released an album of electronic noise music full of spacey rumblings and atmospherics filled with burps and bleeps entitled
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1131:, combined conventional orchestral music set against the famous noise machines and is the only surviving sound recording.
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725:(what is noise to one person can be meaningful to another; what was considered unpleasant sound yesterday is not today).
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5556:. Barcelona: International Computer Music Conference; International Computer Music Association; SuviSoft Oy Ltd., 2005.
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6012:. Brain, Robert, R.W. Flint, J.C. Higgitt, and Caroline Tisdall, trans. New York: Viking Press, pp. 31â38. 1973.
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created on tape an extended piece of electronic music using noises created by scraping, thumping and blowing titled
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2152:). Marc Masters, in his book on the No Wave, points out that aggressively innovative early dark noise groups like
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movement and describes it as an "aesthetic of failure". Some of this music has seen wide distribution thanks to
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In attempting to define noise music and its value, Paul Hegarty (2007) cites the work of noted cultural critics
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3843:, original recording, edited with an introduction by Marc Dachy. Compact Disc (Sub Rosa/aural documents, 1995).
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for fixed tape and hand-controlled tape playback head. On May 8, 1960, six young Japanese musicians, including
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1504:, composed significant electronic, vocal, and instrumental works, sometimes using found sounds. In late 1947,
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5502:, edited by Anthony and Mattin Iles, 104â20. Kritika Series. Donostia-San SebastiĂĄn: Arteleku Audiolab, 2009.
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1153:(With Hidden Noise), was a collaborative work that created a noise instrument that Duchamp accomplished with
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6118:) by Pierre Schaeffer, was issued by ORTF (French Broadcasting Authority) as a long-playing record in 1967.
1843:
1146:
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6535:'s spatiodynamic sculptures sourced from the DVD of an exhibition at Espace Gantner, France, 2004, titled
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Goodman, Steve. "Contagious Noise: From Digital Glitches to Audio Viruses", in Parikka and Sampson (eds.)
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s in 1910, wrote on the problems of the instrumentation of noise music. and developed a notation system.
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In "Futurism and Musical Notes", Daniele Lombardi discussed the French composer Carol-BĂ©rard; a pupil of
17:
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5982:, 2nd edition. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press, 1999.
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The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900â1933
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Dempsey, Amy. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams, 2002.
5616:(ed.) "Leonardo Music Journal" Vol 13: "Groove, Pit and Wave: Recording, Transmission and Music" 2003.
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issues # 74 & 75 (21 Jan & 4 Feb, 1971). "John Lennon: The Rolling Stone Interview" by editor
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1607:. Cage's early radical phase reached its height that summer of 1952, when he unveiled the first art "
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and noise music, writing that "noise bands owe it to themselves to check out their primary source."
625:. Other notable examples of composers and bands that feature noise based materials include works by
456:. VarĂšse thought that "to stubbornly conditioned ears, anything new in music has always been called
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had "entered a situation the logical conditions of which can no longer be described as modernist."
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1601:, which was made up of some six hundred tape fragments arranged according to the demands of the
1177:, a performance produced at the Chatelet Theatre, Paris, on May 18, 1917, that was conceived by
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5498:. "Noise as Permanent Revolution: or, Why Culture Is a Sow Which Devours Its Own Farrow". In
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The Originality of the Avant Garde and Other Modernist Myths: Sculpture in the Expanded Field
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also developed at this time, particularly evident in the recordings and live performances of
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376:. In many instances, conventional use of melody, harmony, rhythm or pulse is dispensed with.
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225:
4122:"Frank Zappa & The Mothers of Invention: The Freak Out Gatefold â Green and Black Music"
1069:(The Meeting of Aeroplanes and Automobiles) were both performed for the first time in 1914.
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1910:
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1688:, a live acoustic/electronic improvisational group formed in Rome, made a recording titled
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Hinant, Guy-Marc. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments". In
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being the alternative name given by Cale and Conrad to their collective work with Young).
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noise musicians are excited by the archaic audio technologies such as wire-recorders, the
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The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture
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The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture
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The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture
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2017:, is an early, well-known example of commercial studio noise music that the music critic
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3788:"A Chronology / History of Electronic and Computer Music and Related Events 1906â2011"
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musical composition that imitates the sound of a steam locomotive. Another example is
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for a piece conducted by a team using flags and pistols when performed in the city of
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Goodman, Steve. 2009. "Contagious Noise: From Digital Glitches to Audio Viruses". In
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4995:
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4986:, edited by Christoph Cox and Dan Warner, pp. 22â24. New York: Continuum, 2004.
4962:
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Atton, Chris (2011). "Fan Discourse and the Construction of Noise Music as a Genre".
4776:"The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music"
4515:
4456:
4361:: "Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music".
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Stuart, Caleb. "Damaged Sound: Glitching and Skipping Compact Discs in the Audio of
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Hensley, Chad. "The Beauty of Noise: An Interview with Masami Akita of Merzbow". In
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4595:"The Oral History of the Pop Group: The Noisy Brits Who Were Too Punk for the Punks"
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The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music
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1995 Brian Duguid, esp. chapter "Organisational Autonomy / Extra-Musical Elements".
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has sarcastically called the "greatest album ever made in the history of the human
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for instruments including two variable speed turntables with frequency recordings.
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concert performed on April 30, 1919, in Berlin). In the 1920s, the French composer
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2741: â Unpitched, indeterminate, uncontrolled, loud, unmusical, or unwanted sound
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Ruhrberg, Karl, Manfred Schneckenburger, Christiane Fricke, and Ingo F. Walther.
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was recorded in Cologne in 1967 by Bryant, Curran, Rzewski, Teitelbaum and Vandor
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manifesto) was important for the development of the noise aesthetic, as was the
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Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society
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5348:. Alfred, New York: Institute for Electronic Arts, School of Art & Design,
5191:(DVD). Event occurs at Special Features, Back at Abbey Road May 1995, 0:12:17.
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Goodman, Steve. "Contagious Noise: From Digital Glitches to Audio Viruses", in
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3397:(Alfred, New York: Institute for Electronic Arts, School of Art & Design,
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5623:. London: Soul Jazz Publishing, in association with Soul Jazz Records, 2007.
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Chris Atton, "Fan Discourse and the Construction of Noise Music as a Genre",
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aesthetic, and instigated what is commonly referred to as noise music today.
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Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music
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23 VIII 64 2:50:45 â 3:11 am The Volga Delta From Studies In The Bowed Disc
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On the Sensations of Tone as a Physiological Basis for the Theory of Music
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Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure
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Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure
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or disturbance of a communicative signal, and a third definition based in
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The Secret History of Rock: The Most Influential Bands You'Ve Never Heard
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responded to this conjuncture in terms of intense noise, for example the
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elements, mixed with the noise of alarming human cries, screams, grunts,
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806:(1999), discusses the use of noise as a medium and explores the ideas of
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Music in Transition: A Study of Tonal Expansion and Atonality, 1900â1920
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6178:. White Plains, New York: Excelsior; New York: Gordon and Breach, 1988.
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Cobussen, Marcel. "Noise and Ethics: On Evan Parker and Alain Badiou".
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Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic
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Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic
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would incorporate noise into their compositions. Roni Sarig, author of
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as a musical resource was starting to be explored. An early example is
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art movement played an important role, specifically the Fluxus artists
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Common Tones: Selected Interviews with Artists and Musicians 1995-2020
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Common Tones: Selected Interviews with Artists and Musicians 1995-2020
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category "DADA-machine"), "Seelenautomobil" by Hausmann, and finally,
1765:(1960) was composed for amplified percussion and window panes and his
1461:(1948), makes use of sounds recorded from sauce pans and canal boats.
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Paul Hegarty, "Full With Noise: Theory and Japanese Noise Music", in
3138:(London: Continuum International Publishing Group, 2007), pp. 189â92.
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experimented with modifying the physical contents of record grooves.
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3497:(London: Continuum International Publishing Group, 2007), pp. 13â14.
3470:
Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook
3067:(San Diego: San Diego State University Press, 1998), pp. 7 & 82.
2693: â Modification of an electronic device to create an instrument
460:", and he posed the question: "what is music but organized noises?"
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A New Musical Reality: Futurism, Modernism, and 'The Art of Noises'
5798:. Donostia-San SebastiĂĄn: Arteleku Audiolab (Kritika series). 2009.
5621:
New York Noise: Art and Music from the New York Underground 1978â88
5124:
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and Tony D. Sampson, 125â40.. Cresskill, New Jersey: Hampton Press.
4357:
Indeed, Reed mentions (and misspells) Young's name on the cover of
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2332:
2300:
2000:
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1664:, formed the Group Ongaku with two tape recordings of noise music:
1457:(1948) consisted of transformed locomotive sounds. The last Ă©tude,
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composer, produced a recording of two works featuring the original
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is a genre of music that is characterised by the expressive use of
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6053:(London); Paperback reprint, New York: Thames & Hudson, 1997.
5313:
5098:
Experimentalism Otherwise: The New York Avant-Garde and Its Limits
3919:(Middletown, Connecticut: Wesleyan University Press, 1961), p. 59.
3514:
3414:(Valencia, Spain: Museo de Bellas Artes de Valencia, 2008), p. 80.
3329:
3123:
Experimentalism Otherwise: The New York Avant-Garde and Its Limits
3089:
2717: â Music genre that melds hardcore punk with electronic music
1727:
found itself in the same condition, but with an added emphasis on
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6190:
Listening to Noise and Silence: Towards a Philosophy of Sound Art
5080:
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In the 1970s, the concept of art itself expanded and groups like
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1995:
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949:. In other words, the signal contains equal power within a fixed
670:
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100:
6029:. New York: Harry N. Abrams; London: Thames & Hudson, 1993.
5529:
Van Nort, Doug. (2006), Noise/music and representation systems,
4147:'s Workat the Frist Center for the Visual Arts by Robert Stalker
1205:
machine, sirens, steam engine, airplane motor, and typewriters.
1142:
also worked with noise, but in an almost silent way. One of the
953:
at any center frequency. White noise is considered analogous to
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5071:. 2004. "Full with Noise: Theory and Japanese Noise Music". In
3991:(Los Angeles: Getty Research Institute, 2007), pp. 13 & 16.
2918:(London: Continuum International Publishing Group, 2007): 3â19.
2902:
1891:
itself, creating a saturation effect, a technique also used in
1769:(1960) used the sounds of furniture scraping across the floor.
1750:
1465:
was premiered via a radio broadcast on October 5, 1948, titled
1198:
823:
513:
245:
6547:
Classic Tellus Noise MP3s (Controlled Bleeding, Merzbow, etc.)
1873:-inch audio tape loops he had made at home after listening to
1621:, the so-called controversial "silent piece". The premiere of
495:
conviction that noise could be an acceptable source of music.
10919:
10842:
10349:
10219:
9583:
9359:
5692:
3251:(Durham, North Carolina: Duke University Press, 1995), p. 90.
1411:
1290:, but in 1926 it premiered independently as a concert piece.
985:
930:
310:
265:
5201:
Revolution in the Head: The Beatles' Records and the Sixties
5139:
The Originality of the Avant Garde and Other Modernist Myths
5022:
Art, Time and Technology: Histories of the Disappearing Body
4322:
Art, Time and Technology: Histories of the Disappearing Body
2979:(April 1966b). "VarĂšse: A Sketch of the Man and His Music".
1520:), an audio piece full of the seemingly random cacophony of
11036:
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10560:
8852:
8329:
8000:
7158:
6569:
6394:
6147:
Venus in Exile: The Rejection of Beauty in 20th-Century Art
4226:"The Grateful Dead | Bio, Pictures, Videos | Rolling Stone"
3375:, Torben Sangild, "The Aesthetics of Noise", Datanom, 2002.
2400:
2295:
art movements influential to post-industrial noise art are
2094:
1279:
1227:
1135:
1084:
and broaden the perception of sound as an artistic medium.
501:
premiered via a radio broadcast on October 5, 1948, called
403:
66:
6469:
General Ecology of Sound: Japanese Noise Music as Low Form
5581:
Reprinted Berkeley: University of California Press, 1991.
5152:. New York and London: Continuum International Publishing.
4955:
Electronic Sound: The Past and Promise of Electronic Music
4887:
The Dada Cyborg: Visions of the New Human in Weimar Berlin
4812:. Cresskill, New Jersey: Hampton Press. 2009. pp. 129â130.
3356:"Catharsis in Cacophony: The Necessity of a 'Noise Phase'"
3098:"UI Press | Robert Wannamaker | The Music of James Tenney"
2946:
The Dada Cyborg: Visions of the New Human in Weimar Berlin
5093:. London: Continuum International Publishing Group, 2007.
348:, and other randomly produced electronic signals such as
6515:
Recorded in 1960 & 1961 at Sogetsu Art Center, Tokyo
5711:
Art in Theory, 1900â2000: An Anthology of Changing Ideas
4625:
1995 Brian Duguid, esp. chapter "Access to Information".
3046:
3044:
3042:
1946:
sound and featured guest performances by members of the
1564:, who was visiting Paris to do research on the music of
6310:
Information base with links to noise artists and labels
6166:
Groove, Pit and Wave: Recording, Transmission and Music
5962:
Library's Scholarly Publishing Office. Ann Arbor. 2011.
5789:
Twilight Memories: Marking Time in a Culture of Amnesia
5782:
Groove, Pit and Wave: Recording, Transmission and Music
4041:(Cambridge, Massachusetts: MIT Press, 1986), pp. 30â44.
3070:
3020:
3001:
717:
definition, a second communicative definition based on
5830:
Wireless Imagination: Sound, Radio and the Avant-Garde
5484:. Cambridge and New York: Cambridge University Press.
5387:
A Brief History of Anti-Records and Conceptual Records
4799:. Cresskill, New Jersey: Hampton Press. 2009. pp. 128.
4762:(Cambridge, Massachusetts: MIT Press, 2009), pp. 6â24.
4497:
4272:
4270:
3695:
A Brief history of Anti-Records and Conceptual Records
3154:(Cambridge, Massachusetts: MIT Press, 2009), pp. 6â10.
2113:"as close as it ever got to avant-garde noise music."
1301:
recycled records to create sound montages and in 1936
5697:
Sonic Warfare: Sound, Affect, and the Ecology of Fear
5405:
The Rest Is Noise: Listening to the Twentieth Century
4697:
4695:
4044:
3978:. Chicago: University Of Chicago Press, 2004. p. 185.
3930:
The Rest Is Noise: Listening to the Twentieth Century
3889:
The Rest Is Noise: Listening to the Twentieth Century
3675:
3052:
The Rest Is Noise: Listening to the Twentieth Century
3039:
1826:
as an early noise band: "the three squalling bits of
1742:
culture and the process by which it is made. Serious
1278:. The work was originally conceived as music for the
1080:, his efforts helped to introduce noise as a musical
432:, conceived of the elements of his music in terms of
5657:. Oxford and New York: Oxford University Press, 2002
5637:. Englewood Cliffs, New Jersey: Prentice-Hall, 1975.
4170:
3932:(New York: Farrar, Straus and Giroux, 2007), p. 401.
3891:(New York: Farrar, Straus and Giroux, 2007), p. 365.
3658:. Chicago: University Of Chicago Press, 2004. p. 386
3596:
3594:
3551:. Chicago: University Of Chicago Press, 2004. p. 174
3345:, 4th edition (Boston: Pearson Education, 2001), p.
3054:(New York: Farrar, Straus and Giroux, 2007), p. 369.
2878:
23, no. 3 (September 2011): 324â42. Citation on 326.
2651:
2566:(CD reissue 1995 on Atavistic #ALP39CD), producers:
1863:
effects. For the track, McCartney supplied a bag of
1435:
in Paris during World War II. Initially serving the
6339:
Noise generator to explore different types of noise
6236:119 mins 2004 documentary film by Tom Hovinbole at
5203:(Second Revised ed.). London: Pimlico (Rand).
5079:
and Marilouise Kroker, 86â98. Victoria, Canada: NWP
4889:. Minneapolis: University of Minnesota Press, 2009.
4868:, Volume 23, Issue 3, pages 324â42, September 2011.
4267:
3894:
3760:
3736:
1644:In 1960, John Cage completed his noise composition
1258:playback of a nightingale recording. Also in 1924,
321:creative practices that feature noise as a primary
6248:A short noise music documentary film by N.O. Smith
6010:Documents of 20th-century Art: Futurist Manifestos
5811:6/7. San Francisco: RE/Search Publications, 1983.
5452:
5108:Noise, Water, Meat: A History of Sound in the Arts
4692:
4680:"Full With Noise: Theory and Japanese Noise Music"
804:Noise, Water, Meat: A History of Sound in the Arts
8974:
5930:1, no. 3 (September 1994): 129â51. Reprinted at
5917:Sound Unbound: Sampling Digital Music and Culture
5720:. Berkeley: University of California Press, 1996.
5159:, Cambridge, Massachusetts: MIT Press, xiv, 303p.
5100:. Berkeley: University of California Press, 2012.
4583:(London: Black Dog Publishing, 2007), pp. 170â71.
3781:
3779:
3777:
3775:
3748:
3724:
3700:
3591:
2418:). In the late 1970s and early 1980s, Akita took
1895:. The Beatles would continue these efforts with "
1583:methods to tape-based composition. Also in 1952,
1345:(for tape) by sampling and manipulating a famous
11680:
6277:Full With Noise: Theory and Japanese Noise Music
6218:Undercurrents: The Hidden Wiring of Modern Music
5958:. Open Humanities Press in conjunction with the
5533:, 11(2), Cambridge University Press, pp 173â178.
4736:, japanoise noisicians profiled at japnoise.net.
4554:(London: Black Dog Publishing, 2007), pp. 42â44.
3637:: CS1 maint: bot: original URL status unknown (
3229:(Ann Arbor: Open Humanities Press, 2012), p. 19.
1341:(for tape) using computer synthesized noise and
6142:. Chicago: Northwestern University Press, 2000.
5065:, 4th edition. Boston: Pearson Education, 2001.
4061:liner notes (New York: Harvestworks ed., 2001).
3712:
2975:
2539:(2001â2008) Volumes 1â9, various artists, Paris
1855:with major contributions to the arrangement by
5883:U B U W E B :: Futurism and Musical Notes
5447:. San Diego: San Diego State University Press.
3772:
2377:Merzbow, prominent Japanoise musician, in 2007
11240:
11082:
8960:
8474:
7668:
6585:
6092:. New York: W. W. Norton & Company, 1977.
5030:Modern Music and After: Directions Since 1945
4923:From Modernism to Postmodernism: An Anthology
4833:. Chicago: University Of Chicago Press, 2004.
4749:, Rob Young, ed., London: Verso, 2009, p. 29.
4208:"Grateful Dead Family Discography: Seastones"
3560:Chilvers, Ian & Glaves-Smith, John eds.,
2687: â Style of synthesized electronic music
1814:made their first recording while produced by
753:. They subsequently published it separately.
11096:
6022:. Cambridge: MIT Press/Leonardo Books, 2007.
5554:ICMC 2005: Free Sound Conference Proceedings
3837:
3012:sfn error: no target: CITEREFOuellette1973 (
2837:"A Look into Indonesia's Insane Noise Scene"
2526:An Anthology of Noise & Electronic Music
1510:
1472:Following musique concrĂšte, other modernist
6314:White noise in wave(.wav) format (1 minute)
5869:Sound Art: Beyond Music, between Categories
5848:Background Noise: Perspectives on Sound Art
5359:Pitchfork net. (Accessed 13 September 2009)
5157:Understanding the Art of Sound Organization
5150:Background Noise: Perspectives on Sound Art
4831:Modernism and Music: An Anthology of Source
3976:Modernism and Music: An Anthology of Source
3656:Modernism and Music: An Anthology of Source
3549:Modernism and Music: An Anthology of Source
3207:. Copenhagen: Datanom, 2002. pp. 12â13
2753: â Process of creating phonetic sounds
1089:sounds. In this way we come ever closer to
11247:
11233:
11089:
11075:
8967:
8953:
8481:
8467:
7675:
7661:
6592:
6578:
6378:created by noise artists for noise artists
6176:A History of "Consonance" and "Dissonance"
5912:. Ithaca: Cornell University Press, 1991.
5674:, second edition. London: Reaktion, 2000.
5644:. New York: Oxford University Press. 2010.
3620:. Archived from the original on 2008-12-05
2729: â An A-Z list of Japanoise musicians
2611:(2013) venting gallery SLV DC 780.905 SU7S
1773:assessed 1960s English experimental group
1595:. Cage's work resulted in his famous work
436:; writing in the first half of the 1920s,
11042:Music technology (electronic and digital)
7682:
7588:Estorick Collection of Modern Italian Art
6448:Torben Sangild: "The Aesthetics of Noise"
6353:Torben Sangild: "The Aesthetics of Noise"
5524:The Wire Primers: A Guide To Modern Music
5195:
5186:
5027:
4930:The Wire Primers: A Guide to Modern Music
4747:The Wire Primers: A Guide to Modern Music
4706:The Wire Primers: A Guide To Modern Music
4639:The Wire Primers: A Guide To Modern Music
4568:The Wire Primers: A Guide To Modern Music
4158:"The Godz Biography, Songs, & Albums"
3900:
3766:
3742:
3562:Dictionary of Modern and Contemporary Art
3473:. Bloomsbury Academic. pp. 415â419.
3031:sfn error: no target: CITEREFVarĂšse1966 (
3007:
2811:"Musician collective to talk about noise"
2609:$ un of the $ eventh $ ister 80 hour disc
2499:-based work is often subtler to the ear.
2395:(pseudonym for the Japanese noise artist
2025:". It has also been cited as one of the "
1985:
1830:noise/junk they recorded from 1966â1968.
1767:Poem for Tables, Chairs and Benches, Etc.
1579:. A year later in 1952, Cage applied his
705:'s bowed gong works from the late 1960s.
6360:, mp3 audio files of the noise music of
5662:Confusion Is Next: The Sonic Youth Story
5362:Priest, Eldritch. "Music Noise". In his
5247:. Los Angeles: Getty Research Institute.
5220:Summer of Love: The Making of Sgt Pepper
3423:
2699: â Power spectrum of a noise signal
2372:
1021:
406:art movement (a prime example being the
6210:. Melbourne and Cologne: Extreme, 1999.
5761:Audio Culture: Readings in Modern Music
5729:. Talk given to Visual Arts Society at
5115:Cracked Media: The Sound of Malfunction
4984:Audio Culture. Readings in Modern Music
4949:
4760:Cracked Media: The Sound of Malfunction
4510:. Watson-Guptill Publications. p.
4446:
3811:(New York: Continuum, 2004), pp. 22â24.
3809:Audio Culture: Readings in Modern Music
3754:
3730:
3706:
3681:
3600:
3152:Cracked Media: The Sound of Malfunction
3081:sfn error: no target: CITEREFKahn2012 (
2929:Cracked Media: The Sound of Malfunction
2362:
1808:The Return of the Son of Monster Magnet
1735:became the terms used to describe this
14:
11681:
8488:
7281:Futurist Painting: Technical Manifesto
7225:Drama in the Futurists' Cabaret No. 13
6110:), a sound recording that accompanied
5801:Juno, Andrea, and Vivian Vale (eds.).
5407:. New York: Farrar, Straus and Giroux.
5217:
4932:, Rob Young, ed., London: Verso, 2009.
3839:Pour en finir avec le jugement de dieu
3785:
3466:
3424:Lombardi, Daniele (January 10, 1981).
3095:
3026:
2723: â An A-Z list of noise musicians
2543:Independent Dark Electronics Volume #1
2045:and cites him as a major influence on
1759:Poem For Chairs, Tables, Benches, Etc.
1512:Pour en Finir avec le Jugement de dieu
1266:with instrumentation that included 16
1169:In the same period the utilisation of
332:, physically manipulated audio media,
11228:
11070:
8948:
8462:
7656:
7274:Dynamism of a Speeding Horse + Houses
6573:
6376:List of noise bands in the Noise Wiki
6192:. London: Continuum. 2010. Chapter 2
6068:. Cologne and London: Taschen, 2000.
5944:Mix Tape: The Art of Cassette Culture
5839:. Boston: Blackwell Publishing, 2005.
5837:Theory in Contemporary Art Since 1985
5740:. New York, London: Continuum, 2007.
5713:. Oxford: Blackwell Publishing, 1992.
5664:. New York: St. Martin's Press, 1994.
5450:
5323:. London: Studio Vista. p. 196.
5318:
5250:
5141:. Cambridge: MIT Press. Reprinted as
4842:Noise: The Political Economy of Music
4503:
4176:
3718:
2759: â Vocal technique used in music
2615:Women take back the Noise Compilation
2472:
1518:To Have Done with the Judgment of God
1352:
1111:, Luigi's brother and fellow Italian
1061:to perform with them. Works entitled
856:Noise: The Political Economy of Music
8924:List of experimental music festivals
6326:89 VI 8 c. 1:42â1:52 AM Paris Encore
6128:Rochester, Vt: Destiny Books, 1993.
5718:1910: The Emancipation of Dissonance
5516:. Durham NC: Duke University Press.
5507:Factory Made: Warhol and the Sixties
5307:Towards a Sound Ecstatic Electronica
5291:. Ann Arbor: Open Humanities Press.
4912:Documentary Monographs in Modern Art
4592:
4541:website. (Accessed 20 October 2009).
4422:Factory Made: Warhol and the Sixties
4094:
3612:
3076:
2132:. One notable band of this genre is
1755:89 VI 8 C. 1:42â1:52 AM Paris Encore
1711:argued that by 1968 artists such as
1398:in San Francisco in the late 1940s,
1312:for 13 players featured 2 sirens, a
11254:
7379:Unique Forms of Continuity in Space
6208:Merzbook: The Pleasuredome of Noise
5980:Experimental Music: Cage and Beyond
5890:Malaspina, Cecile. Introduction by
5433:, and Elmer Peterson (eds.). 1989.
5391:Unfiled: Music under New Technology
5321:Experimental Music: Cage and Beyond
4925:. Cambridge, Mass: Blackwell, 1996.
4782:24, no. 4 (Winter 2002): pp. 12â18.
4251:was re-released in stereo on CD by
4097:"Ammmusic Review by Brian Olewnick"
3867:"An account and sound recording of
3438:
3173:. 17 September 2007. Archived from
2861:Priest, Eldritch. "Music Noise" in
2785:"Samarinda noise music makes waves"
2643:hour music video television program
2204:
1433:Radiodiffusion-Télévision Française
1067:Convegno d'aeroplani e d'automobili
24:
8929:List of electronic music festivals
6203:. Mandaluyong: Summit Books, 1989.
6185:. Cambridge, Ma.: MIT Press, 2002.
5970:: Music at the Edge of Circulation
5919:. Cambridge, Ma.: MIT Press, 2008.
5832:. Cambridge, Ma.: MIT Press, 1992.
5709:Harrison, Charles, and Paul Wood.
5699:. Cambridge, Ma.: MIT Press, 2010.
5688:. New York: Harry N. Abrams, 1998.
5635:Aspects of Twentieth-Century Music
5538:
5445:Fluxus: The History of an Attitude
5243:Mereweather, Charles (ed.). 2007.
4424:(2003) Pantheon, New York, p. 157.
4308:, ed. (1988) Anchor Press, p. 200.
3412:Observatori 2008: After The Future
3065:Fluxus: The History of an Attitude
2633:The Japanese-American Noise Treaty
2583:B00009OYSE, B000CHYHOG, B000HEZ5CC
1851:song, it was written primarily by
1417:In Europe, during the late 1940s,
886:
872:
576:(1961) by Fluxus-related composer
25:
11705:
11047:Recording studio as an instrument
6265:playing and discussing his noise
6225:
6149:. New York: The Free Press, 2001.
6020:From Technological to Virtual Art
5794:Iles, Anthony & Mattin (eds)
4908:The Future of Music: Credo (1937)
4593:Gehr, Richard (7 November 2014).
4072:"Sculpture in the Expanded Field"
3165:"Pitchfork: Interviews: Lou Reed"
1810:". The same year, art rock group
1806:âparticularly the closing track "
1197:sounds by Cocteau and included a
11662:
11653:
11652:
11149:
10205:Christian electronic dance music
7218:Development of a Bottle in Space
6537:Précurseur de l'art cybernétique
6395:MP3 files by harsh noise artists
6220:. London: Continuum Books. 2002.
6108:Music Theory of the Sound Object
5706:46, no. 1 (Issue on Noise, 2005)
5686:Performance: Live Art Since 1960
5117:Cambridge, Ma.: MIT Press, 2009.
5024:. Oxford: Berg Publishers, 2005.
4866:Journal of Popular Music Studies
4802:
4785:
4765:
4752:
4739:
4720:
4711:
4672:
4663:
4628:
4612:
4586:
4573:
4557:
4143:Warhol Live: Music and Dance in
3330:white noise in wave(.wav) format
2876:Journal of Popular Music Studies
2668:
2654:
2503:refers to this development as a
2399:who himself was inspired by the
2258:, Mark Stewart & the Mafia,
2136:, who took inspiration from the
2057:noise group in the mid-60s with
2029:". In 1975, RCA also released a
1980:
1899:", a track produced in 1968 for
1788:
1556:could make music. Also in 1949,
957:which contains all frequencies.
920:Problems playing this file? See
912:10 second sample of white sound.
902:
383:art movement (with most notably
11208:Manifesto of Futurist Musicians
8863:Experimental musical instrument
7323:Manifesto of Futurist Musicians
7260:Dynamism of a Human Body: Boxer
6308:Alphamanbeast's noise directory
6006:Manifesto of Futurist Musicians
5337:Pedersen, Steven Mygind. 2007.
5143:Sculpture in the Expanded Field
4946:24, no. 4 (Winter 2002): 12â18.
4878:, collected writings,edited by
4544:
4528:
4473:
4449:"Neu! That's what I call music"
4440:
4427:
4411:
4387:
4364:
4351:
4327:
4311:
4294:
4258:
4242:
4218:
4200:
4182:
4150:
4135:
4114:
4088:
4064:
4028:
4006:
3994:
3981:
3965:
3935:
3922:
3906:
3881:
3859:
3846:
3827:
3814:
3798:
3687:
3661:
3645:
3606:
3571:
3554:
3538:
3520:
3500:
3487:
3460:
3432:
3417:
3404:
3378:
3366:
3348:
3335:
3323:
3305:
3281:
3254:
3241:
3232:
3219:
3210:
3197:
3181:
3157:
3141:
3128:
3115:
3057:
2969:
2951:
2518:
960:In much the same way the early
11526:Modes of limited transposition
8934:List of experimental musicians
7330:Mercury Passing Before the Sun
6553:Tellus Audio Cassette Magazine
6425:Tellus Audio Cassette Magazine
6386:Tellus Audio Cassette Magazine
6330:Tellus Audio Cassette Magazine
5835:Kocur, Zoya, and Simon Leung.
5655:Twentieth-Century American Art
5608:Culture, Theory & Critique
5167:The Beatles Recording Sessions
5123:. 1992. "She Who Laughs Last:
4897:Silence: Lectures and Writings
4658:Prehistory of Industrial Music
4623:Prehistory of Industrial Music
3917:Silence: Lectures and Writings
3582:The Writings of Marcel Duchamp
2938:
2921:
2908:
2893:(Copenhagen: Datanom, 2002):.
2881:
2868:
2855:
2829:
2803:
2777:
2622:The Allegheny White Fish Tapes
2551:(2000) various artists, Paris
2223:Survival Research Laboratories
1164:
1001:
988:software used in creating the
708:
659:Survival Research Laboratories
13:
1:
11010:Electronic musical instrument
8908:Electroacoustic improvisation
6008:" from Apollonio, Umbro, ed.
5972:, Duke University Press. 2013
5910:Postmodernism and Its Critics
5610:, 46(1) pp. 29â42. 2005.
5240:London: Black Dog Publishing.
5145:. Cambridge: MIT Press, 1986.
5110:. Cambridge: MIT Press, 1999.
4708:(London: Verso, 2009), p. 30.
4641:(London: Verso, 2009), p. 29.
4570:(London: Verso, 2009), p. 43.
3580:& Elmer Peterson (Eds.),
2770:
2533:, Various Artists (1920â2012)
2268:Thee Temple ov Psychick Youth
2190:in June 1981 followed by the
1550:The Monotone-Silence Symphony
1161:is shaken remains a mystery.
739:Noise as Permanent Revolution
11694:Cassette culture 1970sâ1990s
7637:Verbovka Village Folk Centre
7253:Dynamism of a Dog on a Leash
6599:
6511:, Group Ongaku (1960â61) at
6140:Modernism-Dada-Postmodernism
6104:Le SolfĂšge de l'Objet Sonore
6085:. New York: Pendragon, 1986.
5905:. New York: Routledge, 2005.
5898:. Bloomsbury Academic. 2018.
5791:. New York: Routledge, 1995.
5704:Culture, Theory and Critique
4903:Press, 1961. Reprinted 1973.
4795:and Sampson, Tony D. (eds.)
4400:(Accessed 20 October 2009).
3669:"About the Ballet MĂ©canique"
3467:Sitsky, Larry (2002-12-30).
3426:"FUTURISM AND MUSICAL NOTES"
2711: â Vocal style in music
1942:. The album was recorded in
1818:, a track entitled "Noise".
1147:Readymades of Marcel Duchamp
1017:Symphony of Mechanical Force
7:
11576:Quartal and quintal harmony
11265:List of modernist composers
7351:The Street Enters the House
7267:Dynamism of a Soccer Player
6410:Multhipla, Italy (1980) at
6304:, Wesleyan University Press
6116:Treatise on Musical Objects
6002:Pratella, Francesco Balilla
5878:, translated by Meg Shore.
5804:Industrial Culture Handbook
5642:Listening Through The Noise
5559:Thomas Bey William Bailey,
5397:(Accessed 4 December 2009).
5393:0402 : Republished online,
4447:Cumming, Tim (2001-08-10).
4085:8 (Spring 1979), pp. 30â44.
3987:Charles Mereweather (ed.),
2647:
2605:, (2006) Lilith, B000B63ISE
2593:Japan CD Catalog#: NMD-2003
2013:and mastered/engineered by
1954:playing treated guitar and
1913:, but created primarily by
1157:. What rattles inside when
1138:-related work from 1916 by
490:) are key to this history.
10:
11710:
11131:Francesco Balilla Pratella
8421:Situationist International
7129:Italian futurism in cinema
6690:Francesco Balilla Pratella
6289:The Future of Music: Credo
6112:Traité des Objets Musicaux
5946:. Seattle: Universe, 2004.
5876:Futurism and Musical Notes
5871:. New York: Rizzoli, 2007.
5563:, Belsona Books Ltd., 2012
5455:The Beatles: The Biography
5440:. New York: Da Capo Press.
5182:FUTURISM AND MUSICAL NOTES
5174:Futurism and Musical Notes
5172:Lombardi, Daniele. 1981. "
5169:. New York: Harmony Books.
4918:, Praeger Publishers, 1970
4819:
3807:, "The Joys of Noise", in
3387:, Steven Mygind Pedersen,
2549:Japanese Independent Music
2476:
2366:
2303:use of techniques such as
2214:
2208:
2103:The Secret History of Rock
2083:Inside the Dream Syndicate
1989:
1977:also appear on the album.
1798:, the 1966 debut album by
1524:sounds mixed with various
1406:began composing music for
1368:The Future of Music: Credo
1282:film of the same name, by
1211:Symphony of Factory Sirens
1065:(Awakening of a City) and
1006:
29:
11640:
11619:
11489:
11449:
11278:
11271:
11262:
11192:
11174:
11158:
11147:
11108:
11032:Electronics in rock music
10993:Digital audio workstation
10975:
10890:
10749:
10742:
10702:
10471:
10182:
9629:
9342:
9206:
9121:
9014:
9000:
8983:
8916:
8840:
8787:
8702:
8587:
8576:
8496:
8317:
8239:
8078:
8018:
8009:
7891:
7691:
7560:
7469:
7423:
7302:The Hand of the Violinist
7295:Girl Running on a Balcony
7167:
7109:
7038:
6970:
6806:Vladimir Baranoff-Rossine
6781:
6723:
6607:
6100:Solfege de l'objet sonore
6027:Art of the Electronic Age
5546:Ălvarez-FernĂĄndez, Miguel
5461:Little, Brown and Company
3824:12, no. 3 (2007): 213â31.
2727:List of Japanoise artists
2509:peer-to-peer file sharing
1973:and other members of the
1343:Collage No.1 (Blue Suede)
1248:'s 1924 orchestral piece
1074:Gran Concerto Futuristico
945:(or process) with a flat
211:
206:
190:
185:
152:
147:
129:
124:
83:
75:
44:
39:
7071:Valentine de Saint-Point
7056:José de Almada Negreiros
6531:, Sound recordings from
6201:Art of the Western World
5915:Miller, Paul D. (ed.).
5896:An Epistemology of Noise
5222:. MacMillan London Ltd.
5187:McCartney, Paul (1995).
5148:LaBelle, Brandon. 2006.
5028:Griffiths, Paul (1995).
3871:performed March 9, 1960"
3568:, 2009. pp. 587â588
3410:Observatori A.C. (ed.),
2577:New York Noise, Vol. 1â3
2347:, Sutcliffe JĂŒgend, and
2051:Theatre of Eternal Music
2027:worst albums of all time
1837:" is the final track of
1802:made use of avant-garde
1800:the Mothers of Invention
1697:initiated by the artist
1486:Gottfried Michael Koenig
1455:Ătude aux chemins de fer
1339:Analogue #1: Noise Study
933:means unwanted sound or
929:In common use, the word
699:Orgien Mysterien Theater
643:Theatre of Eternal Music
562:Broken Music Composition
512:Later in the 1960s, the
492:Etude aux Chemins de Fer
484:Etude aux Chemins de Fer
10940:Progressive electronica
9980:Intelligent dance music
9108:Sound system (Jamaican)
8684:Intelligent dance music
7931:Experimental literature
7091:Frances Simpson Stevens
7086:Amadeo de Souza Cardoso
6521:, mp3 radio lecture on
6206:Woodward, Brett (ed.).
6066:Art of the 20th Century
5731:University College Cork
5601:Multitudes.samizdat.net
5599:, no. 28 (Spring 2007)
5595:. "Genre is Obsolete".
5416:. Copenhagen: Datanom.
5413:The Aesthetics of Noise
5410:Sangild, Torben. 2002.
5319:Nyman, Michael (1974).
5218:Martin, George (1994).
5034:Oxford University Press
4928:Cain, Nick "Noise" in
4859:University of Minnesota
4404:April 29, 2009, at the
4346:Interview with Lou Reed
4289:Interview with Lou Reed
4019:Musica Elettronica Viva
3566:Oxford University Press
3205:The Aesthetics of Noise
3193:The Black Record (1969)
3102:www.press.uillinois.edu
2890:The Aesthetics of Noise
2735: â Music aesthetic
2721:List of noise musicians
1699:Michelangelo Pistoletto
1686:Musica Elettronica Viva
1591:student piece entitled
1394:Under the influence of
574:Analog #1 (Noise Study)
261:list of noise musicians
11627:Second Viennese School
11620:Schools of composition
9261:List of hip hop genres
8987:Electronic dance music
8197:Second Viennese School
7828:Neue Slowenische Kunst
7699:Abstract expressionism
7431:Luisa, Marchesa Casati
7176:Abstract Speed + Sound
7110:Techniques, sub-genres
6529:Continuo.wordpress.com
6168:. 2003. pp. 47â52
6162:Leonardo Music Journal
5960:University of Michigan
5796:Noise & Capitalism
5784:. 2003. pp. 43â47
5778:Leonardo Music Journal
5767:Helmholtz, Hermann von
5738:Noise/Music: A History
5691:Goodman, Steve a.k.a.
5569:. "Listening". In his
5512:Weiss, Allen S. 1995.
5505:Watson, Steven. 2003.
5500:Noise & Capitalism
5091:Noise/Music: A History
4944:Computer Music Journal
4780:Computer Music Journal
4324:, (2005) Berg, p. 110.
3854:Noise/Music: A History
3838:
3495:Noise/Music: A History
3136:Noise/Music: A History
2916:Noise/Music: A History
2676:Classical music portal
2562:#5 (1981) compilation
2378:
2280:EinstĂŒrzende Neubauten
2178:that was organized by
2148:(himself a student of
2079:the Velvet Underground
1986:Noise rock and no wave
1905:. It made sole use of
1812:the Velvet Underground
1680:and Jojo Hiroshige of
1613:Black Mountain College
1573:Imaginary Landscape #4
1511:
1373:
1327:Imaginary Landscape #1
1262:created a work titled
1106:
1063:Risveglio di una cittĂ
1057:and assembled a noise
1030:
947:power spectral density
891:
881:and imaginative ways.
11611:Twelve-tone technique
9423:Electronic body music
9071:Electroacoustic music
8304:Theatre of the Absurd
8227:Twelve-tone technique
8106:Electroacoustic music
7632:Ukrainian avant-garde
7610:Robert René Meyer-Sée
7316:Manifesto of Futurism
7246:Dynamism of a Cyclist
7134:Futurist architecture
6826:Kseniya Boguslavskaya
6479:The Monotone Symphony
6477:, audio excerpt from
6382:#13 Power Electronics
5633:DeLone, Leon (ed.),
5509:. New York: Pantheon.
5236:Masters, Marc. 2007.
5189:The Beatles Anthology
5131:(JulyâAugust): 74â81.
4882:. Anchor Press, 1988.
3947:Perfect Sound Forever
3869:The Monotone Symphony
3618:"Sonification of You"
3614:Callanan, Martin John
3289:"About Noise and NPC"
2982:The Musical Quarterly
2387:, with names such as
2376:
2217:Post-industrial music
2201:members in May 1983.
2186:in the NYC art space
2128:, improvisation, and
1917:with assistance from
1859:. The track included
1585:Karlheinz Stockhausen
1546:The Monotone Symphony
1482:Karlheinz Stockhausen
1463:Cinq Ă©tudes de bruits
1446:Cinq Ă©tudes de bruits
1441:electroacoustic music
1356:
1254:, which included the
1086:
1072:A performance of his
1041:wrote his manifesto,
1025:
890:
685:'s recordings of his
631:Karlheinz Stockhausen
498:Cinq Ă©tudes de bruits
475:Cinq Ă©tudes de bruits
226:electroacoustic music
10720:Hyperpop microgenres
9384:Contemporary R&B
8868:Experimental luthier
8578:Experimental popular
8289:Postdramatic theatre
8274:Experimental theatre
7811:Multidimensional art
7393:Victory over the Sun
6796:Alexander Archipenko
6348:Free Noise Manifesto
5955:Immersion Into Noise
5716:Harrison, Thomas J.
5702:Hainge, Greg (ed.).
5355:Petrusich, Amanda. "
5288:Immersion Into Noise
5245:Art Anti-Art Non-Art
5155:Landy, Leigh (2007),
4669:Hegarty 2007, p. 133
4504:Sarig, Roni (1998).
4394:"Minimalism (music)"
4380:Zeitkratzer Lou Reed
3989:Art Anti-Art Non-Art
3238:Watson 2009, 109â10.
3227:Immersion Into Noise
3096:Wannamaker, Robert.
2559:Just Another Asshole
2363:Japanese noise music
2197:series organized by
1880:Gesang der JĂŒnglinge
1841:' 1966 studio album
1835:Tomorrow Never Knows
1761:Young's composition
1123:with works entitled
968:, some contemporary
743:Ludwig van Beethoven
10330:Mainstream hardcore
9704:Chopped and screwed
9093:Elektronische Musik
9047:List of rock genres
8978:-based music styles
8789:Extended techniques
7791:Lyrical Abstraction
7615:Russian avant-garde
7436:Gabriele D'Annunzio
7400:Vladimir Mayakovsky
7337:The Poem of the End
7144:Futurist literature
6951:Vadim Shershenevich
6921:Vladimir Mayakovsky
6881:Aleksei Kruchyonykh
6821:Alexander Bogomazov
6655:Nikolay Diulgheroff
6138:Sheppard, Richard.
5928:Modernism/Modernity
5922:Morgan, Robert P. "
5874:Lombardi, Daniele.
5684:Goldberg, RoseLee.
5451:Spitz, Bob (2005).
5443:Smith, Owen. 1998.
5357:Interview: Lou Reed
5257:Many Years From Now
5135:Krauss, Rosalind E.
4921:Cahoone, Lawrence.
4916:Richard Kostelanetz
4901:Wesleyan University
4745:Nick Cain, "Noise"
4654:Media.hyperreal.org
4619:Media.hyperreal.org
4382:Metal Machine Music
4359:Metal Machine Music
3444:"The Art of Noises"
3079:, pp. 131â146.
2747: â Music genre
2705: â Music genre
2589:, various artists,
2579:(2003, 2006, 2006)
2420:Metal Machine Music
2337:Nocturnal Emissions
2087:The Dream Syndicate
2047:Metal Machine Music
2035:Metal Machine Music
2006:Metal Machine Music
1958:playing electronic
1944:stereo quadraphonic
1883:. By disabling the
1674:Nihilist Spasm Band
1587:completed a modest
1272:airplane propellers
618:Metal Machine Music
611:, examples include
607:. In the domain of
482:), that began with
10539:Kawaii future bass
10519:Deconstructed club
9672:Breakbeat hardcore
9564:Martial industrial
9554:Industrial hip hop
9435:Ethnic electronica
9418:Electro-industrial
8893:Sound installation
8740:Free improvisation
8632:Deconstructed club
8490:Experimental music
8404:Postmodernist film
8309:Theatre of Cruelty
8192:Rock in Opposition
8133:Free improvisation
7776:Post-Impressionism
7709:Art & Language
7076:Jules Schmalzigaug
6956:Nadezhda Udaltsova
6896:Aristarkh Lentulov
6871:Velimir Khlebnikov
6856:Natalia Goncharova
6763:Konstantin Olimpov
6494:on the origins of
6458:2012-03-26 at the
6332:archive hosted at
6257:2009-10-11 at the
6188:Voegelin, Salome.
6122:Schafer, R. Murray
5842:LaBelle, Brandon.
5787:Huyssen, Andreas.
5431:Sanouillet, Michel
5096:Piekut, Benjamin.
4732:2012-03-26 at the
4717:Hegarty (2007:133)
4685:2007-03-13 at the
4376:2008-02-22 at the
4077:2011-04-09 at the
4035:Rosalind E. Krauss
4023:MEV 40 (1967â2007)
3786:Doornbusch, Paul.
3507:LĂĄszlĂł Moholy-Nagy
3266:2007-03-13 at the
3225:Joseph Nechvatal,
3121:Piekut, Benjamin.
2791:. 16 November 2018
2635:(1995) CD, Relapse
2587:Noise May-Day 2003
2537:Bip-Hop Generation
2473:Post-digital music
2457:the Gerogerigegege
2379:
2355:, established the
1975:Jefferson Airplane
1783:free improvisation
1777:as originators of
1638:PoĂšme Ă©lectronique
1476:composers such as
1381:LĂĄszlĂł Moholy-Nagy
1353:Experimental music
1230:in 1922. In 1923,
1185:, choreography by
1031:
984:(for example, the
892:
741:, points out that
480:Five Noise Studies
472:1948 compositions
366:extended technique
346:stochastic process
342:computer-generated
251:free improvisation
231:experimental music
11676:
11675:
11485:
11484:
11222:
11221:
11214:Modernism (music)
11201:The Art of Noises
11121:Alexander Mosolov
11064:
11063:
11060:
11059:
10988:Data sonification
10738:
10737:
10725:Plugg microgenres
10710:Breakcore revival
10675:Slowed and reverb
10355:Post-punk revival
10056:Progressive house
9975:Industrial techno
9647:Asian underground
9579:Power electronics
9355:Alternative dance
9214:Afro/cosmic music
9169:Psychedelic music
8942:
8941:
8878:Progressive music
8858:Data sonification
8783:
8782:
8642:Experimental rock
8600:Avant-garde metal
8456:
8455:
8446:Russian symbolism
8431:Socialist realism
8269:Experimental film
8235:
8234:
7941:Hungry generation
7916:Conceptual poetry
7771:Neo-Impressionism
7650:
7649:
7627:Sackville Gallery
7470:Groups influenced
7424:Associated people
7239:Dynamism of a Car
7190:The Art of Noises
7119:Anti-neutral suit
7061:C. R. W. Nevinson
7030:Enrico Prampolini
6916:Mikhail Matyushin
6906:Benedikt Livshits
6851:Nina Genke-Meller
6846:Aleksandra Ekster
6783:Russian Futurists
6705:Antonio Sant'Elia
6608:Italian Futurists
6496:Throbbing Gristle
6492:Genesis P-Orridge
6432:, Noise: NZ/Japan
6419:, noise music of
6406:'s De/Collage LP
6270:With Hidden Noise
6196:, pp. 41â76.
6181:Thompson, Emily.
6134:978-0-89281-455-8
6096:Schaeffer, Pierre
6083:The Art of Noises
5950:Nechvatal, Joseph
5908:McGowan, John P.
5826:Gregory Whitehead
5754:978-0-8264-1727-5
5746:978-0-8264-1726-8
5385:Rice, Ron. 1994.
5380:978-1-4411-2213-1
5372:978-1-4411-2475-3
5350:Alfred University
5303:Nechvatal, Joseph
5297:978-1-60785-241-4
5283:Nechvatal, Joseph
5073:Life in the Wires
4980:The Joys of Noise
4910:". In John Cage,
4095:Olewnick, Brian.
4070:Rosalind Krauss,
3578:Michel Sanouillet
3532:The Art of Noises
3480:978-0-313-29689-5
3399:Alfred University
3313:"Noise Generator"
3272:Life in the Wires
3203:Sangild, Torben,
2931:(Cambridge, Ma.:
2757:Screaming (music)
2256:Throbbing Gristle
2236:Throbbing Gristle
1627:was performed by
1577:chance operations
1467:Concert de bruits
1451:Five Noise Etudes
1437:French Resistance
1246:Ottorino Respighi
1181:, with design by
1101:The Art of Noises
1048:The Art of Noises
1043:L'Arte dei Rumori
1015:, who composed a
974:8-track cartridge
964:were inspired by
907:
820:Sergei Eisenstein
816:William Burroughs
737:, in his article
715:musical acoustics
635:Helmut Lachenmann
609:experimental rock
503:Concert de bruits
398:The Art of Noises
394:L'Arte dei Rumori
304:
303:
221:avant-garde music
134:Power electronics
45:Stylistic origins
16:(Redirected from
11701:
11666:
11656:
11655:
11632:Darmstadt School
11566:Post-romanticism
11276:
11275:
11249:
11242:
11235:
11226:
11225:
11183:Ballet MĂ©canique
11153:
11091:
11084:
11077:
11068:
11067:
10960:Video game music
10809:Acid house party
10747:
10746:
10694:Weird SoundCloud
10581:Melbourne bounce
10399:Shangaan electro
9960:Harsh noise wall
9719:Digital hardcore
9559:Industrial metal
9179:Psychedelic rock
9174:Psychedelic funk
9164:Progressive rock
9098:Live electronics
9081:Musique concrĂšte
9076:Acousmatic music
9022:Amplified guitar
9012:
9011:
9007:decade of origin
8969:
8962:
8955:
8946:
8945:
8917:Events and lists
8841:Related concepts
8765:Progressive jazz
8637:Experimental pop
8595:Avant-garde jazz
8585:
8584:
8556:Musique concrete
8539:Acousmatic music
8483:
8476:
8469:
8460:
8459:
8350:Russian Futurism
8294:Remodernist film
8212:Stochastic music
8167:Musique concrĂšte
8145:Microtonal music
8123:Experimental pop
8116:Industrial music
8111:Electronic music
8016:
8015:
7838:Nouveau réalisme
7746:Grosvenor School
7677:
7670:
7663:
7654:
7653:
7537:Soyuz Molodyozhi
7507:Jack of Diamonds
7502:Grosvenor School
7446:Benito Mussolini
7441:Sergei Diaghilev
7358:The Street Light
7288:The Knifegrinder
7139:Futurist cooking
7081:Mykhaylo Semenko
7066:Emilio Pettoruti
7005:Fortunato Depero
6995:Giuseppe Caselli
6911:Kazimir Malevich
6891:Mikhail Larionov
6836:Vladimir Burliuk
6758:Dmitri Kryuchkov
6680:Aldo Palazzeschi
6660:Luigi De Giudici
6630:Umberto Boccioni
6594:
6587:
6580:
6571:
6570:
6533:Nicolas Schöffer
6467:, Paul Hegarty,
6199:Woods, Michael.
6145:Steiner, Wendy.
5886:Writings By D.L.
5855:Sound by Artists
5844:Noise Aesthetics
5726:The Art of Noise
5640:Demers, Joanna.
5614:Collins, Nicolas
5526:. London: Verso.
5514:Phantasmic Radio
5478:Tunbridge, Laura
5474:
5458:
5435:The Writings of
5424:. Reprinted at
5346:: Viral SymphOny
5344:Joseph Nechvatal
5334:
5279:
5233:
5214:
5192:
5127:Reconsidered".
5047:
5012:De Maria, Walter
4972:
4845:, translated by
4827:Albright, Daniel
4813:
4806:
4800:
4789:
4783:
4769:
4763:
4756:
4750:
4743:
4737:
4724:
4718:
4715:
4709:
4699:
4690:
4676:
4670:
4667:
4661:
4651:
4642:
4632:
4626:
4616:
4610:
4609:
4607:
4605:
4590:
4584:
4577:
4571:
4561:
4555:
4548:
4542:
4532:
4526:
4525:
4501:
4495:
4494:
4492:
4491:
4485:www.bureau-b.com
4477:
4471:
4470:
4468:
4467:
4444:
4438:
4431:
4425:
4415:
4409:
4391:
4385:
4368:
4362:
4355:
4349:
4331:
4325:
4315:
4309:
4298:
4292:
4274:
4265:
4264:Atton (2011:326)
4262:
4256:
4246:
4240:
4239:
4234:. Archived from
4222:
4216:
4215:
4212:www.deaddisc.com
4204:
4198:
4186:
4180:
4174:
4168:
4167:
4154:
4148:
4139:
4133:
4132:
4130:
4129:
4118:
4112:
4111:
4109:
4107:
4092:
4086:
4068:
4062:
4051:Joseph Nechvatal
4048:
4042:
4032:
4026:
4010:
4004:
3998:
3992:
3985:
3979:
3972:Albright, Daniel
3969:
3963:
3962:
3960:
3958:
3949:. Archived from
3939:
3933:
3926:
3920:
3910:
3904:
3898:
3892:
3885:
3879:
3878:
3873:. Archived from
3863:
3857:
3850:
3844:
3841:
3831:
3825:
3818:
3812:
3802:
3796:
3795:
3790:. Archived from
3783:
3770:
3764:
3758:
3752:
3746:
3740:
3734:
3728:
3722:
3716:
3710:
3704:
3698:
3691:
3685:
3684:, pp. 23â24
3679:
3673:
3672:
3665:
3659:
3652:Albright, Daniel
3649:
3643:
3642:
3636:
3628:
3626:
3625:
3610:
3604:
3598:
3589:
3575:
3569:
3558:
3552:
3545:Albright, Daniel
3542:
3536:
3524:
3518:
3504:
3498:
3491:
3485:
3484:
3464:
3458:
3457:
3455:
3454:
3436:
3430:
3429:
3421:
3415:
3408:
3402:
3389:Joseph Nechvatal
3382:
3376:
3370:
3364:
3363:
3352:
3346:
3339:
3333:
3327:
3321:
3320:
3315:. Archived from
3309:
3303:
3302:
3300:
3299:
3285:
3279:
3258:
3252:
3249:Phantasmic Radio
3247:Allen S. Weiss,
3245:
3239:
3236:
3230:
3223:
3217:
3216:Schafer 1994:182
3214:
3208:
3201:
3195:
3185:
3179:
3178:
3161:
3155:
3145:
3139:
3132:
3126:
3119:
3113:
3112:
3110:
3109:
3104:. pp. 68â76
3093:
3087:
3086:
3074:
3068:
3061:
3055:
3048:
3037:
3036:
3029:, p. 11â19.
3024:
3018:
3017:
3005:
2999:
2998:
2973:
2967:
2955:
2949:
2942:
2936:
2925:
2919:
2912:
2906:
2887:Torben Sangild,
2885:
2879:
2872:
2866:
2859:
2853:
2852:
2850:
2848:
2833:
2827:
2826:
2824:
2822:
2817:. 23 August 2019
2815:The Jakarta Post
2807:
2801:
2800:
2798:
2796:
2789:The Jakarta Post
2781:
2715:Digital hardcore
2678:
2673:
2672:
2671:
2664:
2659:
2658:
2657:
2389:Government Alpha
2276:Nurse with Wound
2248:cassette culture
2240:Cabaret Voltaire
2211:Industrial music
2205:Industrial music
2116:The aptly named
2109:sophomore album
1911:LennonâMcCartney
1893:musique concrĂšte
1872:
1871:
1867:
1849:LennonâMcCartney
1847:; credited as a
1589:musique concrĂšte
1571:In 1951, Cage's
1538:Nouveau RĂ©alisme
1514:
1478:Richard Maxfield
1459:Ătude pathĂ©tique
1424:musique concrĂšte
1421:coined the term
1419:Pierre Schaeffer
1385:Oskar Fischinger
1371:
1264:Ballet MĂ©canique
1195:trompe l'oreille
1155:Walter Arensberg
1119:. The 1921 made
1104:
1045:, translated as
996:Joseph Nechvatal
909:
908:
889:
762:Georges Bataille
758:Jean Baudrillard
693:), the music of
675:Cabaret Voltaire
639:Cornelius Cardew
593:industrial music
469:musique concrĂšte
464:Pierre Schaeffer
330:vocal techniques
276:musique concrĂšte
139:harsh noise wall
84:Derivative forms
76:Cultural origins
37:
36:
21:
11709:
11708:
11704:
11703:
11702:
11700:
11699:
11698:
11679:
11678:
11677:
11672:
11649:
11636:
11615:
11541:New Objectivity
11494:
11492:
11481:
11445:
11267:
11258:
11256:Modernist music
11253:
11223:
11218:
11188:
11170:
11154:
11145:
11136:Antonio Russolo
11104:
11095:
11065:
11056:
10971:
10908:Chill-out music
10886:
10734:
10698:
10467:
10178:
10041:Nu skool breaks
9625:
9338:
9273:Industrial rock
9202:
9144:Electronic rock
9117:
9032:Hawaiian guitar
9005:
8996:
8979:
8973:
8943:
8938:
8912:
8898:Sound sculpture
8836:
8817:Prepared guitar
8802:Circuit bending
8779:
8698:
8581:
8579:
8572:
8534:Electroacoustic
8505:
8502:classical music
8501:
8492:
8487:
8457:
8452:
8313:
8299:Structural film
8241:
8231:
8086:Aleatoric music
8074:
8005:
7893:
7887:
7848:Performance art
7687:
7681:
7651:
7646:
7568:0,10 Exhibition
7556:
7512:Neo-Primitivism
7465:
7461:Igor Stravinsky
7456:LĂ©onide Massine
7419:
7372:Tango with Cows
7168:Selected output
7163:
7111:
7105:
7039:Other Futurists
7034:
7020:Sante Monachesi
7010:Gerardo Dottori
6990:Benedetta Cappa
6966:
6926:Boris Pasternak
6866:Vasily Kamensky
6786:
6777:
6753:Igor Severyanin
6738:Vasilisk Gnedov
6719:
6715:Ardengo Soffici
6695:Antonio Russolo
6665:F. T. Marinetti
6650:Franco Casavola
6640:Benedetta Cappa
6635:Anton Bragaglia
6603:
6598:
6543:Marc Weidenbaum
6498:: interview by
6465:Dotdotmusic.com
6460:Wayback Machine
6439:Walter De Maria
6421:Antonio Russolo
6344:PNF-library.org
6259:Wayback Machine
6228:
6223:
6158:Nicolas Collins
6025:Popper, Frank.
5940:Moore, Thurston
5901:Malpas, Simon.
5736:Hegarty, Paul.
5672:Digital Culture
5567:Barthes, Roland
5541:
5539:Further reading
5536:
5531:Organised Sound
5471:
5331:
5276:
5230:
5211:
5129:Option Magazine
5061:Hecht, Eugene.
5044:
5036:. p. 373.
4969:
4961:. p. 370.
4885:Biro, Matthew.
4857:. Minneapolis:
4853:, afterword by
4851:Fredric Jameson
4837:Attali, Jacques
4822:
4817:
4816:
4807:
4803:
4790:
4786:
4770:
4766:
4757:
4753:
4744:
4740:
4734:Wayback Machine
4725:
4721:
4716:
4712:
4700:
4693:
4687:Wayback Machine
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2935:, 2009): 60â76.
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2697:Colors of noise
2691:Circuit bending
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2655:
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2650:
2521:
2481:
2475:
2463:. Nick Cain of
2411:art project of
2405:Kurt Schwitters
2371:
2365:
2285:shortwave radio
2242:, and NON (aka
2219:
2213:
2207:
2170:performance art
2033:version of the
1998:
1990:Main articles:
1988:
1983:
1919:George Harrison
1902:The White Album
1869:
1865:
1864:
1791:
1740:post-industrial
1717:Robert Smithson
1709:Rosalind Krauss
1658:Takehisa Kosugi
1646:Cartridge Music
1372:
1363:
1355:
1232:Arthur Honegger
1209:'s composition
1207:Arseny Avraamov
1189:, and music by
1167:
1109:Antonio Russolo
1105:
1096:
1009:
1004:
935:noise pollution
927:
926:
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875:
873:Characteristics
840:Jackson Pollock
832:Michael McClure
773:'s composition
711:
687:sound sculpture
570:Takehisa Kosugi
550:Walter De Maria
424:Francis Picabia
418:associated via
338:field recording
334:processed sound
300:
291:sound sculpture
286:performance art
202:
186:Regional scenes
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71:
35:
28:
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11551:Pandiatonicism
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10853:Plunderphonics
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10655:Tropical house
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10628:Riddim (genre)
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10608:Outsider house
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10509:Brazilian bass
10506:
10501:
10499:Big room house
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10448:Vocaloid music
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10298:Hypnagogic pop
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10012:Minimal techno
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9985:Drill 'n' bass
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9936:Lento violento
9928:
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9901:Belgian techno
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9689:
9687:Toytown techno
9684:
9682:Happy hardcore
9679:
9669:
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9659:
9654:
9652:Baltimore club
9649:
9644:
9642:Ambient techno
9639:
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9614:Detroit techno
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9068:
9066:Computer music
9063:
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9034:
9029:
9027:Electric blues
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8829:
8824:
8822:Prepared piano
8819:
8814:
8812:Plunderphonics
8809:
8807:Frippertronics
8804:
8799:
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8791:
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8478:
8471:
8463:
8454:
8453:
8451:
8450:
8449:
8448:
8438:
8433:
8428:
8426:Social realism
8423:
8418:
8413:
8411:Late modernism
8408:
8407:
8406:
8396:
8391:
8386:
8384:Neo-minimalism
8381:
8379:Postminimalism
8376:
8371:
8366:
8361:
8360:
8359:
8358:
8357:
8342:
8337:
8332:
8327:
8325:Constructivism
8321:
8319:
8315:
8314:
8312:
8311:
8306:
8301:
8296:
8291:
8286:
8284:Poetic realism
8281:
8279:Modernist film
8276:
8271:
8266:
8261:
8256:
8251:
8245:
8243:
8237:
8236:
8233:
8232:
8230:
8229:
8224:
8219:
8217:Textural music
8214:
8209:
8207:Spectral music
8204:
8199:
8194:
8189:
8184:
8179:
8174:
8172:New Complexity
8169:
8164:
8159:
8158:
8157:
8147:
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7993:
7988:
7983:
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7973:
7968:
7963:
7961:Neoavanguardia
7958:
7956:Language poets
7953:
7948:
7943:
7938:
7933:
7928:
7923:
7918:
7913:
7911:Asemic writing
7908:
7906:Angry Penguins
7903:
7897:
7895:
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7888:
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7885:
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7758:
7753:
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7731:
7726:
7721:
7719:Constructivism
7716:
7714:Conceptual art
7711:
7706:
7701:
7695:
7693:
7689:
7688:
7680:
7679:
7672:
7665:
7657:
7648:
7647:
7645:
7644:
7639:
7634:
7629:
7624:
7621:Russian Ballet
7617:
7612:
7607:
7602:
7597:
7590:
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7487:Constructivism
7484:
7479:
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7471:
7467:
7466:
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7458:
7453:
7448:
7443:
7438:
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7427:
7425:
7421:
7420:
7418:
7417:
7414:Zang Tumb Tumb
7410:
7403:
7396:
7389:
7382:
7375:
7368:
7361:
7354:
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7340:
7333:
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7305:
7298:
7291:
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7277:
7270:
7263:
7256:
7249:
7242:
7235:
7232:Dyr bul shchyl
7228:
7221:
7214:
7207:
7204:The City Rises
7200:
7193:
7186:
7179:
7171:
7169:
7165:
7164:
7162:
7161:
7156:
7151:
7149:Futurist music
7146:
7141:
7136:
7131:
7126:
7121:
7115:
7113:
7112:and inventions
7107:
7106:
7104:
7103:
7101:RĆŻĆŸena ZĂĄtkovĂĄ
7098:
7093:
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7007:
7002:
6997:
6992:
6987:
6982:
6976:
6974:
6968:
6967:
6965:
6964:
6961:Ilia Zdanevich
6958:
6953:
6948:
6943:
6938:
6933:
6928:
6923:
6918:
6913:
6908:
6903:
6898:
6893:
6888:
6886:Nikolai Kulbin
6883:
6878:
6873:
6868:
6863:
6858:
6853:
6848:
6843:
6841:Joseph Chaikov
6838:
6833:
6828:
6823:
6818:
6813:
6808:
6803:
6798:
6792:
6790:
6788:Cubo-Futurists
6779:
6778:
6776:
6775:
6773:Pavel Shirokov
6770:
6765:
6760:
6755:
6750:
6745:
6740:
6735:
6729:
6727:
6721:
6720:
6718:
6717:
6712:
6707:
6702:
6697:
6692:
6687:
6682:
6677:
6672:
6667:
6662:
6657:
6652:
6647:
6642:
6637:
6632:
6627:
6622:
6611:
6609:
6605:
6604:
6597:
6596:
6589:
6582:
6574:
6568:
6567:
6557:
6540:
6526:
6516:
6506:
6485:
6472:
6462:
6450:
6445:
6433:
6427:
6414:
6397:
6392:
6379:
6373:
6368:
6355:
6350:
6341:
6336:
6322:La Monte Young
6316:
6311:
6305:
6285:
6275:Paul Hegarty,
6272:
6263:Marcel Duchamp
6252:Freshwidow.com
6249:
6241:
6227:
6226:External links
6224:
6222:
6221:
6211:
6204:
6197:
6186:
6179:
6169:
6150:
6143:
6136:
6126:The Soundscape
6119:
6093:
6086:
6079:Russolo, Luigi
6076:
6062:
6023:
6013:
5999:
5976:Nyman, Michael
5973:
5963:
5947:
5937:
5920:
5913:
5906:
5903:The Postmodern
5899:
5888:
5872:
5862:
5851:
5840:
5833:
5819:
5799:
5792:
5785:
5774:
5764:
5757:
5734:
5723:Hegarty, Paul
5721:
5714:
5707:
5700:
5689:
5682:
5665:
5658:
5648:
5645:
5638:
5631:
5619:Court, Paula.
5617:
5611:
5604:
5590:
5564:
5557:
5542:
5540:
5537:
5535:
5534:
5527:
5517:
5510:
5503:
5493:
5482:The Song Cycle
5475:
5469:
5448:
5441:
5437:Marcel Duchamp
5428:
5408:
5398:
5383:
5360:
5353:
5335:
5329:
5316:
5314:Post.thing.net
5300:
5280:
5274:
5248:
5241:
5234:
5228:
5215:
5209:
5197:MacDonald, Ian
5193:
5184:
5180:January 1981.
5170:
5163:Lewisohn, Mark
5160:
5153:
5146:
5132:
5118:
5113:Kelly, Caleb.
5111:
5101:
5094:
5084:
5066:
5059:
5048:
5042:
5025:
5015:
5003:
4973:
4967:
4957:. New Jersey:
4947:
4933:
4926:
4919:
4904:
4890:
4883:
4869:
4862:
4849:, foreword by
4834:
4823:
4821:
4818:
4815:
4814:
4801:
4793:Parikka, Jussi
4784:
4764:
4751:
4738:
4719:
4710:
4691:
4689:, CTheory.net.
4678:Paul Hegarty,
4671:
4662:
4643:
4627:
4611:
4585:
4579:Marc Masters,
4572:
4556:
4550:Marc Masters,
4543:
4535:"Rhys Chatham"
4527:
4520:
4496:
4472:
4439:
4426:
4410:
4386:
4363:
4350:
4326:
4310:
4300:Lester Bangs,
4293:
4266:
4257:
4241:
4238:on 2012-02-10.
4217:
4199:
4181:
4179:, p. 601.
4169:
4149:
4134:
4113:
4087:
4063:
4043:
4027:
4025:80675-2 (4CDs)
4021:recording set
4005:
3993:
3980:
3964:
3934:
3921:
3905:
3901:Griffiths 1995
3893:
3880:
3877:on 2001-02-21.
3858:
3852:Paul Hegarty,
3845:
3834:Antonin Artaud
3826:
3813:
3797:
3794:on 2020-08-18.
3771:
3767:Griffiths 1995
3759:
3747:
3743:Griffiths 1995
3735:
3723:
3711:
3699:
3693:UbuWeb Papers
3686:
3674:
3660:
3644:
3605:
3590:
3570:
3553:
3537:
3527:Russolo, Luigi
3519:
3499:
3493:Paul Hegarty,
3486:
3479:
3459:
3448:www.unknown.nu
3440:Russolo, Luigi
3431:
3416:
3403:
3394:viral symphOny
3377:
3365:
3362:. 25 May 2017.
3347:
3341:Eugene Hecht,
3334:
3322:
3319:on 2000-03-06.
3304:
3280:
3253:
3240:
3231:
3218:
3209:
3196:
3180:
3177:on 2011-08-23.
3156:
3140:
3134:Paul Hegarty,
3127:
3125:. 2012. p. 193
3114:
3088:
3069:
3056:
3038:
3019:
3008:Ouellette 1973
3000:
2989:(2): 151â170.
2977:Chou Wen-chung
2968:
2950:
2948:, 2009, p. 50.
2944:Matthew Biro,
2937:
2920:
2914:Paul Hegarty,
2907:
2880:
2867:
2854:
2843:. 21 July 2015
2828:
2802:
2775:
2774:
2772:
2769:
2767:
2766:
2763:Sonic artifact
2760:
2754:
2748:
2742:
2739:Noise in music
2736:
2730:
2724:
2718:
2712:
2706:
2700:
2694:
2688:
2681:
2680:
2679:
2665:
2649:
2646:
2645:
2644:
2640:New York Noise
2636:
2630:
2618:
2612:
2606:
2594:
2584:
2574:
2555:
2546:
2540:
2534:
2520:
2517:
2479:Glitch (music)
2477:Main article:
2474:
2471:
2367:Main article:
2364:
2361:
2297:Conceptual Art
2209:Main article:
2206:
2203:
2180:Thurston Moore
2164:, avant-garde
2150:La Monte Young
2093:bands such as
2063:Marian Zazeela
2043:La Monte Young
1987:
1984:
1982:
1979:
1909:, credited to
1857:Paul McCartney
1790:
1787:
1748:La Monte Young
1506:Antonin Artaud
1498:La Monte Young
1494:Iannis Xenakis
1429:Studio d'Essai
1361:
1354:
1351:
1295:Paul Hindemith
1276:electric bells
1260:George Antheil
1217:Internationale
1187:Leonid Massine
1166:
1163:
1159:A Bruit Secret
1151:A Bruit Secret
1140:Marcel Duchamp
1094:
1008:
1005:
1003:
1000:
991:viral symphOny
917:
911:
901:
896:
895:
894:
885:
884:
883:
874:
871:
861:Jacques Attali
808:Antonin Artaud
802:, in his work
766:Theodor Adorno
730:Murray Schafer
710:
707:
703:La Monte Young
695:Hermann Nitsch
689:(specifically
627:Iannis Xenakis
603:music such as
566:La Monte Young
420:Marcel Duchamp
315:musical styles
302:
301:
299:
298:
293:
288:
283:
281:noise in music
278:
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106:outsider house
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64:
59:
54:
48:
46:
42:
41:
32:Noise in music
26:
9:
6:
4:
3:
2:
11706:
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11511:Expressionism
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11142:
11141:Luigi Russolo
11139:
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10955:Sound collage
10953:
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10941:
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10928:
10926:
10923:
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10909:
10906:
10904:
10903:Celtic fusion
10901:
10899:
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10889:
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10878:
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10872:
10871:
10868:
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10841:
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10814:Circuit party
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10589:
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10587:
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10579:
10577:
10574:
10572:
10569:
10567:
10566:Jungle terror
10564:
10562:
10559:
10557:
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10378:
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10313:
10309:
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10301:
10300:
10299:
10296:
10294:
10291:
10287:
10284:
10283:
10282:
10279:
10277:
10276:Future garage
10274:
10272:
10271:Electronicore
10269:
10265:
10262:
10260:
10257:
10255:
10252:
10251:
10250:
10249:Electro house
10247:
10243:
10240:
10239:
10238:
10235:
10233:
10232:Dancehall pop
10230:
10226:
10223:
10222:
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10211:
10208:
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10191:
10188:
10187:
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10181:
10173:
10170:
10168:
10165:
10164:
10163:
10162:UK hard house
10160:
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10069:
10068:
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10064:
10062:
10059:
10057:
10054:
10052:
10049:
10047:
10044:
10042:
10039:
10037:
10034:
10030:
10029:Electro swing
10027:
10026:
10025:
10022:
10018:
10015:
10014:
10013:
10010:
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10005:
10003:
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9963:
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9954:
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9949:
9946:
9944:
9941:
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9934:
9933:
9932:
9929:
9927:
9924:
9922:
9919:
9917:
9914:
9912:
9909:
9907:
9906:Bouncy techno
9904:
9902:
9899:
9898:
9897:
9894:
9892:
9889:
9885:
9882:
9880:
9877:
9876:
9875:
9872:
9870:
9867:
9865:
9862:
9858:
9855:
9854:
9853:
9850:
9848:
9845:
9843:
9840:
9838:
9837:Dungeon synth
9835:
9833:
9830:
9824:
9821:
9819:
9816:
9814:
9811:
9809:
9806:
9805:
9803:
9799:
9796:
9795:
9794:
9791:
9787:
9784:
9782:
9779:
9777:
9774:
9772:
9769:
9768:
9766:
9765:
9764:
9763:Drum and bass
9761:
9757:
9754:
9752:
9749:
9747:
9746:Bristol sound
9744:
9743:
9742:
9739:
9735:
9732:
9731:
9730:
9727:
9725:
9722:
9720:
9717:
9715:
9712:
9710:
9707:
9705:
9702:
9700:
9697:
9695:
9692:
9688:
9685:
9683:
9680:
9678:
9675:
9674:
9673:
9670:
9668:
9665:
9663:
9660:
9658:
9655:
9653:
9650:
9648:
9645:
9643:
9640:
9638:
9635:
9634:
9632:
9628:
9622:
9621:Tracker music
9619:
9615:
9612:
9610:
9607:
9605:
9602:
9601:
9600:
9597:
9595:
9592:
9590:
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9585:
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9535:
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9525:
9523:
9520:
9518:
9515:
9513:
9510:
9508:
9505:
9503:
9500:
9498:
9497:Balearic beat
9495:
9493:
9490:
9488:
9485:
9484:
9483:
9480:
9478:
9475:
9473:
9470:
9468:
9465:
9461:
9458:
9456:
9453:
9451:
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9446:
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9441:
9438:
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9428:
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9409:
9408:
9407:
9404:
9402:
9399:
9397:
9394:
9390:
9387:
9386:
9385:
9382:
9378:
9375:
9374:
9373:
9370:
9368:
9365:
9361:
9358:
9357:
9356:
9353:
9351:
9348:
9347:
9345:
9341:
9335:
9332:
9330:
9329:Reggae fusion
9327:
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9315:
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9309:
9308:
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9162:
9160:
9159:New-age music
9157:
9155:
9152:
9150:
9147:
9145:
9142:
9140:
9137:
9135:
9132:
9130:
9127:
9126:
9124:
9120:
9114:
9113:Space age pop
9111:
9109:
9106:
9104:
9101:
9099:
9096:
9094:
9091:
9087:
9084:
9082:
9079:
9077:
9074:
9073:
9072:
9069:
9067:
9064:
9062:
9059:
9055:
9054:Western swing
9052:
9048:
9045:
9044:
9043:
9040:
9038:
9035:
9033:
9030:
9028:
9025:
9024:
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9019:
9017:
9013:
9010:
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9003:
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8994:
8989:
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8977:
8970:
8965:
8963:
8958:
8956:
8951:
8950:
8947:
8935:
8932:
8930:
8927:
8925:
8922:
8921:
8919:
8915:
8909:
8906:
8904:
8901:
8899:
8896:
8894:
8891:
8889:
8888:Sound collage
8886:
8884:
8881:
8879:
8876:
8874:
8871:
8869:
8866:
8864:
8861:
8859:
8856:
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8833:
8830:
8828:
8825:
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8815:
8813:
8810:
8808:
8805:
8803:
8800:
8798:
8795:
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8776:
8773:
8771:
8768:
8766:
8763:
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8758:
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8751:
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8728:
8726:
8723:
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8713:
8711:
8708:
8707:
8705:
8701:
8695:
8692:
8690:
8687:
8685:
8682:
8678:
8675:
8673:
8670:
8668:
8665:
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8660:
8658:
8655:
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8650:
8648:
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8644:
8643:
8640:
8638:
8635:
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8567:
8564:
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8559:
8557:
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8552:
8549:
8545:
8542:
8540:
8537:
8536:
8535:
8532:
8530:
8527:
8525:
8522:
8518:
8517:indeterminacy
8515:
8514:
8513:
8510:
8509:
8507:
8503:
8495:
8491:
8484:
8479:
8477:
8472:
8470:
8465:
8464:
8461:
8447:
8444:
8443:
8442:
8439:
8437:
8434:
8432:
8429:
8427:
8424:
8422:
8419:
8417:
8414:
8412:
8409:
8405:
8402:
8401:
8400:
8399:Postmodernism
8397:
8395:
8392:
8390:
8387:
8385:
8382:
8380:
8377:
8375:
8372:
8370:
8367:
8365:
8362:
8356:
8355:Cubo-Futurism
8353:
8352:
8351:
8348:
8347:
8346:
8343:
8341:
8338:
8336:
8335:Expressionism
8333:
8331:
8328:
8326:
8323:
8322:
8320:
8316:
8310:
8307:
8305:
8302:
8300:
8297:
8295:
8292:
8290:
8287:
8285:
8282:
8280:
8277:
8275:
8272:
8270:
8267:
8265:
8262:
8260:
8257:
8255:
8252:
8250:
8247:
8246:
8244:
8238:
8228:
8225:
8223:
8220:
8218:
8215:
8213:
8210:
8208:
8205:
8203:
8200:
8198:
8195:
8193:
8190:
8188:
8185:
8183:
8180:
8178:
8175:
8173:
8170:
8168:
8165:
8163:
8162:Music theatre
8160:
8156:
8153:
8152:
8151:
8150:Minimal music
8148:
8146:
8143:
8141:
8138:
8134:
8131:
8130:
8129:
8126:
8124:
8121:
8117:
8114:
8113:
8112:
8109:
8107:
8104:
8102:
8099:
8097:
8096:Ars subtilior
8094:
8092:
8089:
8087:
8084:
8083:
8081:
8077:
8069:
8066:
8064:
8061:
8059:
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8042:
8039:
8037:
8034:
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8029:
8027:
8024:
8023:
8021:
8017:
8014:
8012:
8008:
8002:
7999:
7997:
7996:Visual poetry
7994:
7992:
7989:
7987:
7984:
7982:
7979:
7977:
7974:
7972:
7971:Nouveau roman
7969:
7967:
7964:
7962:
7959:
7957:
7954:
7952:
7949:
7947:
7944:
7942:
7939:
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7912:
7909:
7907:
7904:
7902:
7899:
7898:
7896:
7890:
7884:
7881:
7879:
7878:Temporary art
7876:
7874:
7871:
7869:
7866:
7864:
7861:
7859:
7856:
7854:
7851:
7849:
7846:
7844:
7841:
7839:
7836:
7834:
7833:Nonconformism
7831:
7829:
7826:
7822:
7819:
7818:
7817:
7816:Neoplasticism
7814:
7812:
7809:
7807:
7806:Mir iskusstva
7804:
7802:
7799:
7797:
7794:
7792:
7789:
7787:
7784:
7782:
7779:
7777:
7774:
7772:
7769:
7767:
7766:Impressionism
7764:
7762:
7759:
7757:
7754:
7752:
7749:
7747:
7744:
7740:
7737:
7736:
7735:
7734:Functionalism
7732:
7730:
7727:
7725:
7722:
7720:
7717:
7715:
7712:
7710:
7707:
7705:
7702:
7700:
7697:
7696:
7694:
7690:
7685:
7678:
7673:
7671:
7666:
7664:
7659:
7658:
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7643:
7640:
7638:
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7628:
7625:
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7608:
7606:
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7525:
7523:
7520:
7518:
7515:
7513:
7510:
7508:
7505:
7503:
7500:
7498:
7497:Donkey's Tail
7495:
7493:
7490:
7488:
7485:
7483:
7480:
7478:
7475:
7474:
7472:
7468:
7462:
7459:
7457:
7454:
7452:
7451:Wyndham Lewis
7449:
7447:
7444:
7442:
7439:
7437:
7434:
7432:
7429:
7428:
7426:
7422:
7416:
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7411:
7409:
7408:
7404:
7402:
7401:
7397:
7395:
7394:
7390:
7388:
7387:
7386:Universal War
7383:
7381:
7380:
7376:
7374:
7373:
7369:
7367:
7366:
7362:
7360:
7359:
7355:
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7331:
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7306:
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7299:
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7166:
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7137:
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7099:
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7064:
7062:
7059:
7057:
7054:
7052:
7049:
7047:
7044:
7043:
7041:
7037:
7031:
7028:
7026:
7023:
7021:
7018:
7016:
7013:
7011:
7008:
7006:
7003:
7001:
6998:
6996:
6993:
6991:
6988:
6986:
6983:
6981:
6980:Giacomo Balla
6978:
6977:
6975:
6973:
6969:
6962:
6959:
6957:
6954:
6952:
6949:
6947:
6946:Olga Rozanova
6944:
6942:
6939:
6937:
6936:Lyubov Popova
6934:
6932:
6931:Victor Palmov
6929:
6927:
6924:
6922:
6919:
6917:
6914:
6912:
6909:
6907:
6904:
6902:
6899:
6897:
6894:
6892:
6889:
6887:
6884:
6882:
6879:
6877:
6874:
6872:
6869:
6867:
6864:
6862:
6859:
6857:
6854:
6852:
6849:
6847:
6844:
6842:
6839:
6837:
6834:
6832:
6831:David Burliuk
6829:
6827:
6824:
6822:
6819:
6817:
6814:
6812:
6809:
6807:
6804:
6802:
6801:Nikolai Aseev
6799:
6797:
6794:
6793:
6791:
6789:
6784:
6780:
6774:
6771:
6769:
6766:
6764:
6761:
6759:
6756:
6754:
6751:
6749:
6748:Georgy Ivanov
6746:
6744:
6741:
6739:
6736:
6734:
6733:Graal Arelsky
6731:
6730:
6728:
6726:
6725:Ego-Futurists
6722:
6716:
6713:
6711:
6710:Gino Severini
6708:
6706:
6703:
6701:
6700:Luigi Russolo
6698:
6696:
6693:
6691:
6688:
6686:
6683:
6681:
6678:
6676:
6673:
6671:
6668:
6666:
6663:
6661:
6658:
6656:
6653:
6651:
6648:
6646:
6643:
6641:
6638:
6636:
6633:
6631:
6628:
6626:
6623:
6620:
6619:list of works
6616:
6615:Giacomo Balla
6613:
6612:
6610:
6606:
6602:
6595:
6590:
6588:
6583:
6581:
6576:
6575:
6572:
6565:
6561:
6560:Nam June Paik
6558:
6556:
6554:
6548:
6544:
6541:
6538:
6534:
6530:
6527:
6524:
6520:
6519:RWM.macba.cat
6517:
6514:
6510:
6507:
6505:
6501:
6497:
6493:
6489:
6486:
6484:
6480:
6476:
6475:UBU.artmob.ca
6473:
6470:
6466:
6463:
6461:
6457:
6454:
6453:Japanoise.net
6451:
6449:
6446:
6443:
6440:
6437:
6436:UBU.artmob.ca
6434:
6431:
6428:
6426:
6422:
6418:
6415:
6413:
6409:
6405:
6401:
6398:
6396:
6393:
6391:
6387:
6383:
6380:
6377:
6374:
6372:
6369:
6367:
6363:
6362:Luigi Russolo
6359:
6356:
6354:
6351:
6349:
6345:
6342:
6340:
6337:
6335:
6331:
6327:
6323:
6320:
6317:
6315:
6312:
6309:
6306:
6303:
6299:
6295:
6291:
6290:
6286:
6283:
6279:
6278:
6273:
6271:
6268:
6264:
6260:
6256:
6253:
6250:
6247:
6246:
6242:
6239:
6235:
6234:
6230:
6229:
6219:
6215:
6212:
6209:
6205:
6202:
6198:
6195:
6191:
6187:
6184:
6180:
6177:
6173:
6172:Tenney, James
6170:
6167:
6163:
6160:and Oval" In
6159:
6155:
6151:
6148:
6144:
6141:
6137:
6135:
6131:
6127:
6123:
6120:
6117:
6113:
6109:
6105:
6101:
6097:
6094:
6091:
6088:Samson, Jim.
6087:
6084:
6080:
6077:
6075:
6074:3-8228-5907-9
6071:
6067:
6063:
6060:
6059:0-500-27918-7
6056:
6052:
6051:0-500-23650-X
6048:
6044:
6043:0-8109-1930-3
6040:
6036:
6035:0-8109-1928-1
6032:
6028:
6024:
6021:
6017:
6016:Popper, Frank
6014:
6011:
6007:
6003:
6000:
5997:
5996:0-521-65383-5
5993:
5989:
5988:0-521-65297-9
5985:
5981:
5977:
5974:
5971:
5969:
5965:David Novak,
5964:
5961:
5957:
5956:
5951:
5948:
5945:
5941:
5938:
5935:
5934:
5929:
5925:
5921:
5918:
5914:
5911:
5907:
5904:
5900:
5897:
5893:
5892:Brassier, Ray
5889:
5887:
5884:
5881:
5877:
5873:
5870:
5866:
5863:
5860:
5859:Art Metropole
5856:
5853:Lander, Dan.
5852:
5849:
5845:
5841:
5838:
5834:
5831:
5827:
5823:
5822:Kahn, Douglas
5820:
5818:
5817:0-940642-07-7
5814:
5810:
5806:
5805:
5800:
5797:
5793:
5790:
5786:
5783:
5779:
5775:
5772:
5768:
5765:
5762:
5758:
5755:
5751:
5747:
5743:
5739:
5735:
5732:
5728:
5727:
5722:
5719:
5715:
5712:
5708:
5705:
5701:
5698:
5694:
5690:
5687:
5683:
5681:
5680:1-86189-388-4
5677:
5673:
5669:
5668:Gere, Charlie
5666:
5663:
5660:Foege, Alec.
5659:
5656:
5652:
5649:
5646:
5643:
5639:
5636:
5632:
5630:
5629:0-9554817-0-8
5626:
5622:
5618:
5615:
5612:
5609:
5605:
5602:
5598:
5594:
5593:Brassier, Ray
5591:
5588:
5587:0-520-07238-3
5584:
5580:
5579:0-8090-8075-3
5576:
5572:
5568:
5565:
5562:
5558:
5555:
5551:
5547:
5544:
5543:
5532:
5528:
5525:
5522:(ed.). 2009.
5521:
5518:
5515:
5511:
5508:
5504:
5501:
5497:
5494:
5491:
5490:0-521-72107-5
5487:
5483:
5479:
5476:
5472:
5470:1-84513-160-6
5466:
5462:
5457:
5456:
5449:
5446:
5442:
5439:
5438:
5432:
5429:
5427:
5423:
5422:87-988955-0-8
5419:
5415:
5414:
5409:
5406:
5402:
5399:
5396:
5395:Ubuweb Papers
5392:
5388:
5384:
5381:
5377:
5373:
5369:
5365:
5361:
5358:
5354:
5351:
5347:
5345:
5341:
5336:
5332:
5330:0-19-816511-0
5326:
5322:
5317:
5315:
5312:
5308:
5304:
5301:
5298:
5294:
5290:
5289:
5284:
5281:
5277:
5275:0-7493-8658-4
5271:
5267:
5263:
5259:
5258:
5253:
5249:
5246:
5242:
5239:
5235:
5231:
5229:0-333-60398-2
5225:
5221:
5216:
5212:
5210:1-84413-828-3
5206:
5202:
5198:
5194:
5190:
5185:
5183:
5179:
5175:
5171:
5168:
5164:
5161:
5158:
5154:
5151:
5147:
5144:
5140:
5136:
5133:
5130:
5126:
5122:
5119:
5116:
5112:
5109:
5105:
5104:Kahn, Douglas
5102:
5099:
5095:
5092:
5088:
5087:Hegarty, Paul
5085:
5082:
5078:
5077:Arthur Kroker
5074:
5070:
5069:Hegarty, Paul
5067:
5064:
5060:
5057:
5056:Jussi Parikka
5053:
5049:
5045:
5043:0-19-816511-0
5039:
5035:
5031:
5026:
5023:
5019:
5018:Gere, Charles
5016:
5013:
5009:
5008:
5004:
5001:
5000:0-8264-1615-2
4997:
4993:
4992:0-8264-1614-4
4989:
4985:
4981:
4977:
4976:Cowell, Henry
4974:
4970:
4968:0-13-303231-0
4964:
4960:
4959:Prentice Hall
4956:
4952:
4951:Chadabe, Joel
4948:
4945:
4941:
4937:
4934:
4931:
4927:
4924:
4920:
4917:
4913:
4909:
4906:Cage, John. "
4905:
4902:
4898:
4894:
4891:
4888:
4884:
4881:
4877:
4873:
4872:Bangs, Lester
4870:
4867:
4863:
4860:
4856:
4855:Susan McClary
4852:
4848:
4847:Brian Massumi
4844:
4843:
4838:
4835:
4832:
4828:
4825:
4824:
4811:
4805:
4798:
4794:
4788:
4781:
4777:
4773:
4768:
4761:
4758:Caleb Kelly,
4755:
4748:
4742:
4735:
4731:
4728:
4727:Japanoise.net
4723:
4714:
4707:
4703:
4698:
4696:
4688:
4684:
4681:
4675:
4666:
4659:
4655:
4650:
4648:
4640:
4636:
4631:
4624:
4620:
4615:
4600:
4599:Rolling Stone
4596:
4589:
4582:
4576:
4569:
4565:
4560:
4553:
4547:
4540:
4539:Kalvos-Damien
4536:
4531:
4523:
4521:0-8230-7669-5
4517:
4513:
4509:
4508:
4500:
4486:
4482:
4476:
4462:
4458:
4454:
4450:
4443:
4436:
4430:
4423:
4419:
4418:Steven Watson
4414:
4407:
4403:
4399:
4395:
4390:
4383:
4379:
4375:
4372:
4367:
4360:
4354:
4347:
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4339:
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4323:
4319:
4314:
4307:
4303:
4297:
4290:
4286:
4282:
4278:
4273:
4271:
4261:
4254:
4250:
4245:
4237:
4233:
4232:
4231:Rolling Stone
4227:
4221:
4213:
4209:
4203:
4197:
4193:
4192:
4191:Rolling Stone
4185:
4178:
4173:
4165:
4164:
4159:
4153:
4146:
4142:
4138:
4123:
4117:
4102:
4098:
4091:
4084:
4080:
4076:
4073:
4067:
4060:
4056:
4052:
4047:
4040:
4036:
4031:
4024:
4020:
4016:
4013:
4009:
4002:
3997:
3990:
3984:
3977:
3973:
3968:
3953:on 2004-06-03
3952:
3948:
3944:
3938:
3931:
3925:
3918:
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3897:
3890:
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3744:
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3715:
3708:
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3696:
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3683:
3678:
3670:
3664:
3657:
3653:
3648:
3640:
3634:
3619:
3615:
3609:
3602:
3597:
3595:
3587:
3586:Da Capo Press
3583:
3579:
3574:
3567:
3563:
3557:
3550:
3546:
3541:
3535:, March 1913.
3534:
3533:
3528:
3523:
3516:
3512:
3508:
3503:
3496:
3490:
3482:
3476:
3472:
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3407:
3400:
3396:
3395:
3390:
3386:
3381:
3374:
3369:
3361:
3357:
3351:
3344:
3338:
3331:
3326:
3318:
3314:
3308:
3294:
3290:
3284:
3278:Books, 2004).
3277:
3273:
3269:
3265:
3262:
3257:
3250:
3244:
3235:
3228:
3222:
3213:
3206:
3200:
3194:
3190:
3184:
3176:
3172:
3171:
3166:
3160:
3153:
3149:
3144:
3137:
3131:
3124:
3118:
3103:
3099:
3092:
3084:
3078:
3073:
3066:
3060:
3053:
3047:
3045:
3043:
3034:
3028:
3023:
3015:
3010:, p. 50.
3009:
3004:
2996:
2992:
2988:
2984:
2983:
2978:
2972:
2965:
2960:
2959:Antisymphonie
2954:
2947:
2941:
2934:
2930:
2927:Caleb Kelly,
2924:
2917:
2911:
2904:
2900:
2899:87-988955-0-8
2896:
2892:
2891:
2884:
2877:
2871:
2864:
2858:
2842:
2838:
2832:
2816:
2812:
2806:
2790:
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2758:
2755:
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2749:
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2737:
2734:
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2728:
2725:
2722:
2719:
2716:
2713:
2710:
2707:
2704:
2701:
2698:
2695:
2692:
2689:
2686:
2683:
2682:
2677:
2666:
2663:
2652:
2642:
2641:
2637:
2634:
2631:
2628:
2624:
2623:
2619:
2617:(2006) ubuibi
2616:
2613:
2610:
2607:
2604:
2600:
2599:
2595:
2592:
2588:
2585:
2582:
2578:
2575:
2573:
2569:
2565:
2561:
2560:
2556:
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2544:
2541:
2538:
2535:
2532:
2529:
2527:
2523:
2522:
2516:
2514:
2511:services and
2510:
2506:
2502:
2498:
2494:
2490:
2486:
2480:
2470:
2468:
2467:
2462:
2458:
2454:
2450:
2446:
2445:Yamazaki Maso
2442:
2438:
2437:Incapacitants
2434:
2430:
2426:
2421:
2417:
2414:
2413:psychological
2410:
2406:
2402:
2398:
2394:
2390:
2386:
2385:
2375:
2370:
2360:
2358:
2354:
2350:
2346:
2345:Severed Heads
2342:
2338:
2334:
2330:
2326:
2322:
2319:. Bands like
2318:
2317:appropriation
2314:
2310:
2306:
2302:
2298:
2294:
2290:
2286:
2281:
2277:
2273:
2269:
2265:
2261:
2257:
2253:
2249:
2245:
2241:
2237:
2232:
2231:Elliott Sharp
2228:
2224:
2218:
2212:
2202:
2200:
2196:
2193:
2189:
2188:White Columns
2185:
2181:
2177:
2176:
2171:
2167:
2163:
2159:
2155:
2151:
2147:
2143:
2139:
2135:
2131:
2127:
2123:
2119:
2114:
2112:
2108:
2104:
2100:
2096:
2092:
2088:
2084:
2080:
2076:
2072:
2071:Angus Maclise
2068:
2064:
2060:
2056:
2055:minimal music
2052:
2048:
2044:
2040:
2036:
2032:
2028:
2024:
2020:
2016:
2012:
2008:
2007:
2003:'s double LP
2002:
1997:
1993:
1981:1970sâpresent
1978:
1976:
1972:
1968:
1964:
1961:
1957:
1953:
1949:
1948:Grateful Dead
1945:
1941:
1940:Round Records
1937:
1936:
1931:
1926:
1924:
1920:
1916:
1912:
1908:
1907:sound collage
1904:
1903:
1898:
1894:
1890:
1886:
1882:
1881:
1876:
1862:
1858:
1854:
1850:
1846:
1845:
1840:
1836:
1831:
1829:
1825:
1821:
1817:
1813:
1809:
1805:
1804:sound collage
1801:
1797:
1796:
1789:Popular music
1786:
1784:
1780:
1776:
1772:
1768:
1764:
1760:
1756:
1752:
1749:
1745:
1741:
1738:
1734:
1730:
1726:
1722:
1721:Richard Serra
1718:
1714:
1713:Robert Morris
1710:
1707:
1702:
1700:
1696:
1691:
1687:
1683:
1679:
1675:
1671:
1667:
1663:
1659:
1655:
1651:
1650:Nam June Paik
1647:
1642:
1640:
1639:
1634:
1633:Edgard VarĂšse
1630:
1626:
1625:
1620:
1619:
1614:
1610:
1606:
1605:
1600:
1599:
1594:
1590:
1586:
1582:
1578:
1574:
1569:
1567:
1563:
1559:
1558:Pierre Boulez
1555:
1551:
1547:
1543:
1539:
1535:
1531:
1527:
1523:
1519:
1515:
1513:
1507:
1503:
1499:
1495:
1491:
1487:
1483:
1479:
1475:
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1468:
1464:
1460:
1456:
1452:
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1447:
1442:
1438:
1434:
1430:
1426:
1425:
1420:
1415:
1413:
1409:
1405:
1401:
1397:
1392:
1390:
1386:
1382:
1378:
1369:
1366:
1360:
1350:
1348:
1347:Elvis Presley
1344:
1340:
1336:
1331:
1329:
1328:
1321:
1319:
1315:
1311:
1310:
1304:
1303:Edgard VarĂšse
1300:
1296:
1291:
1289:
1288:Fernand LĂ©ger
1285:
1284:Dudley Murphy
1281:
1277:
1273:
1269:
1265:
1261:
1257:
1253:
1252:
1251:Pines of Rome
1247:
1243:
1239:
1238:
1233:
1229:
1225:
1224:
1219:
1218:
1212:
1208:
1204:
1200:
1196:
1192:
1188:
1184:
1183:Pablo Picasso
1180:
1176:
1172:
1162:
1160:
1156:
1152:
1148:
1145:
1141:
1137:
1132:
1130:
1126:
1122:
1118:
1114:
1110:
1102:
1099:
1098:Luigi Russolo
1093:
1092:
1085:
1083:
1079:
1075:
1070:
1068:
1064:
1060:
1056:
1055:
1050:
1049:
1044:
1040:
1039:Luigi Russolo
1036:
1028:
1027:Luigi Russolo
1024:
1020:
1018:
1014:
1013:Isaac Albéniz
999:
997:
993:
992:
987:
983:
979:
978:vinyl records
975:
971:
967:
963:
958:
956:
952:
948:
944:
940:
936:
932:
925:
923:
899:
882:
880:
870:
867:
862:
858:
857:
851:
849:
845:
844:Luigi Russolo
841:
837:
833:
829:
825:
821:
817:
813:
812:George Brecht
809:
805:
801:
796:
794:
790:
786:
782:
778:
777:
772:
767:
763:
759:
754:
752:
748:
744:
740:
736:
731:
728:According to
726:
724:
720:
716:
706:
704:
700:
696:
692:
688:
684:
683:Jean Tinguely
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
640:
636:
632:
628:
624:
620:
619:
614:
610:
606:
602:
598:
594:
590:
586:
581:
579:
575:
571:
567:
563:
559:
555:
551:
547:
546:Nam June Paik
543:
539:
535:
531:
527:
526:George Brecht
523:
519:
515:
510:
508:
507:Noise Concert
504:
500:
499:
493:
489:
488:Railway Study
485:
481:
477:
476:
471:
470:
465:
461:
459:
455:
454:
449:
448:
443:
439:
435:
431:
430:
425:
421:
417:
416:New York Dada
413:
412:Edgard VarĂšse
409:
405:
401:
399:
395:
390:
386:
385:Luigi Russolo
382:
377:
375:
374:indeterminacy
371:
367:
363:
362:improvisation
359:
355:
351:
347:
343:
339:
335:
331:
326:
324:
320:
316:
312:
308:
297:
294:
292:
289:
287:
284:
282:
279:
277:
274:
272:
269:
267:
264:
262:
259:
257:
256:indeterminacy
254:
252:
249:
247:
244:
242:
239:
237:
234:
232:
229:
227:
224:
222:
219:
217:
216:Ambient music
214:
213:
210:
205:
198:
196:
193:
192:
189:
184:
178:
175:
173:
170:
168:
165:
163:
160:
158:
155:
154:
151:
148:Fusion genres
146:
140:
137:
135:
132:
131:
128:
123:
117:
114:
112:
109:
107:
104:
102:
99:
97:
94:
92:
89:
88:
86:
82:
78:
74:
68:
65:
63:
60:
58:
55:
53:
50:
49:
47:
43:
38:
33:
19:
11644:
11606:Tone cluster
11561:Polytonality
11545:
11506:Experimental
11206:
11199:
11181:
11175:Compositions
11166:Intonarumori
11126:Leo Ornstein
11101:
11015:Drum machine
10925:Doujin music
10913:Lounge music
10870:Street dance
10824:EDM festival
10777:Sound system
10743:Other topics
10618:Post-dubstep
10571:Lofi hip hop
10546:Future house
10372:Reductionism
10340:Nintendocore
10264:Fidget house
10215:Coupé-décalé
10155:Speed garage
9970:Indietronica
9874:Ghetto house
9852:French house
9842:Electroclash
9798:Ragga jungle
9709:Dark electro
9609:Bleep techno
9589:Sophisti-pop
9527:Jersey sound
9440:Funk carioca
9396:Dark ambient
9300:Minimal wave
9102:
8991:
8985:
8580:music genres
8560:
8500:contemporary
8264:Epic theatre
8181:
8101:Atonal music
7936:Flarf poetry
7926:Ego-Futurism
7724:Proto-Cubism
7619:
7592:
7527:Precisionism
7412:
7405:
7398:
7391:
7384:
7377:
7370:
7363:
7356:
7349:
7342:
7335:
7328:
7321:
7314:
7307:
7300:
7293:
7286:
7279:
7272:
7265:
7258:
7251:
7244:
7237:
7230:
7223:
7216:
7209:
7202:
7195:
7188:
7183:Antigrazioso
7181:
7174:
7153:
7124:Intonarumori
7046:Alice Bailly
7000:Tullio Crali
6901:El Lissitzky
6743:Boris Gusman
6675:Bruno Munari
6550:
6536:
6500:Tony Oursler
6478:
6468:
6441:
6417:UBU.wfmu.org
6404:Wolf Vostell
6347:
6325:
6319:UBU.armob.ca
6297:
6296:(1937) from
6287:
6276:
6269:
6244:
6232:
6217:
6207:
6200:
6193:
6189:
6182:
6175:
6165:
6161:
6154:Yasunao Tone
6146:
6139:
6125:
6115:
6111:
6107:
6103:
6089:
6082:
6065:
6045:(New York);
6037:(New York);
6026:
6019:
6009:
5979:
5966:
5954:
5943:
5931:
5927:
5916:
5909:
5902:
5895:
5879:
5875:
5868:
5854:
5847:
5843:
5836:
5829:
5802:
5795:
5788:
5781:
5777:
5770:
5760:
5737:
5725:
5717:
5710:
5703:
5696:
5685:
5671:
5661:
5654:
5641:
5634:
5620:
5607:
5596:
5570:
5560:
5553:
5530:
5523:
5513:
5506:
5499:
5481:
5459:. New York:
5454:
5444:
5434:
5411:
5404:
5390:
5386:
5363:
5338:
5320:
5309:. New York:
5306:
5286:
5266:Random House
5255:
5252:Miles, Barry
5244:
5237:
5219:
5200:
5188:
5177:
5166:
5156:
5149:
5142:
5138:
5128:
5114:
5107:
5097:
5090:
5075:, edited by
5072:
5062:
5054:, edited by
5051:
5029:
5021:
5006:
4994:(hardcover)
4983:
4979:
4954:
4943:
4936:Cascone, Kim
4929:
4922:
4914:, edited by
4911:
4896:
4886:
4880:Greil Marcus
4875:
4865:
4861:Press, 1985.
4840:
4830:
4809:
4804:
4796:
4787:
4779:
4772:Cascone, Kim
4767:
4759:
4754:
4746:
4741:
4722:
4713:
4705:
4674:
4665:
4657:
4638:
4630:
4622:
4614:
4602:. Retrieved
4598:
4588:
4580:
4575:
4567:
4559:
4551:
4546:
4538:
4530:
4506:
4499:
4488:. Retrieved
4484:
4475:
4464:. Retrieved
4453:The Guardian
4452:
4442:
4435:Factory Made
4434:
4429:
4421:
4413:
4397:
4389:
4381:
4371:Asphodel.com
4366:
4358:
4353:
4345:
4337:
4329:
4321:
4318:Charlie Gere
4313:
4306:Greil Marcus
4301:
4296:
4288:
4280:
4260:
4248:
4244:
4236:the original
4229:
4220:
4211:
4202:
4189:
4184:
4172:
4161:
4152:
4137:
4126:. Retrieved
4124:. 2 May 2017
4116:
4104:. Retrieved
4100:
4090:
4082:
4066:
4058:
4046:
4038:
4030:
4022:
4014:
4008:
4000:
3996:
3988:
3983:
3975:
3967:
3955:. Retrieved
3951:the original
3946:
3937:
3929:
3924:
3916:
3908:
3903:, p. 25
3896:
3888:
3883:
3875:the original
3868:
3861:
3856:, pp. 25â26.
3853:
3848:
3836:
3829:
3821:
3816:
3808:
3805:Henry Cowell
3800:
3792:the original
3769:, p. 20
3762:
3757:, p. 26
3755:Chadabe 1996
3750:
3745:, p. 27
3738:
3733:, p. 58
3731:Chadabe 1996
3726:
3721:, p. 44
3714:
3709:, p. 59
3707:Chadabe 1996
3702:
3697:by Ron Rice.
3694:
3689:
3682:Chadabe 1996
3677:
3663:
3655:
3647:
3622:. Retrieved
3608:
3603:, p. 23
3601:Chadabe 1996
3581:
3573:
3561:
3556:
3548:
3540:
3531:
3522:
3511:Der Storm #7
3510:
3502:
3494:
3489:
3469:
3462:
3451:. Retrieved
3447:
3434:
3419:
3411:
3406:
3392:
3380:
3368:
3359:
3350:
3342:
3337:
3325:
3317:the original
3307:
3296:. Retrieved
3292:
3283:
3271:
3256:
3248:
3243:
3234:
3226:
3221:
3212:
3204:
3199:
3192:
3188:
3183:
3175:the original
3168:
3159:
3151:
3143:
3135:
3130:
3122:
3117:
3106:. Retrieved
3101:
3091:
3072:
3064:
3063:Owen Smith,
3059:
3051:
3022:
3003:
2986:
2980:
2971:
2958:
2953:
2945:
2940:
2928:
2923:
2915:
2910:
2888:
2883:
2875:
2870:
2862:
2857:
2845:. Retrieved
2840:
2831:
2819:. Retrieved
2814:
2805:
2793:. Retrieved
2788:
2779:
2703:Dark ambient
2662:Music portal
2638:
2632:
2620:
2614:
2608:
2596:
2590:
2586:
2576:
2572:Glenn Branca
2557:
2552:
2548:
2542:
2536:
2524:
2519:Compilations
2482:
2464:
2419:
2408:
2397:Masami Akita
2382:
2380:
2252:Killing Joke
2227:Borbetomagus
2220:
2192:Speed Trials
2191:
2173:
2146:Rhys Chatham
2142:Glenn Branca
2115:
2102:
2086:
2082:
2053:was a proto-
2046:
2034:
2031:Quadrophonic
2019:Lester Bangs
2011:Uher machine
2004:
1999:
1967:David Crosby
1952:Jerry Garcia
1950:, including
1933:
1927:
1900:
1897:Revolution 9
1878:
1842:
1832:
1793:
1792:
1766:
1762:
1758:
1754:
1753:composition
1729:distribution
1703:
1694:
1689:
1669:
1665:
1662:Yasunao Tone
1654:Fluxusobjekt
1653:
1645:
1643:
1636:
1622:
1616:
1602:
1598:Williams Mix
1596:
1592:
1572:
1570:
1549:
1545:
1530:onomatopoeia
1517:
1509:
1490:Pierre Henry
1471:
1466:
1462:
1458:
1454:
1450:
1444:
1422:
1416:
1407:
1400:Lou Harrison
1396:Henry Cowell
1393:
1374:
1367:
1357:
1342:
1338:
1335:James Tenney
1332:
1325:
1322:
1307:
1292:
1256:phonographic
1249:
1235:
1223:Marseillaise
1221:
1215:
1210:
1194:
1179:Jean Cocteau
1174:
1168:
1158:
1150:
1144:found object
1133:
1128:
1124:
1117:intonarumori
1116:
1107:
1100:
1091:noise-sound.
1090:
1087:
1073:
1071:
1066:
1062:
1054:intonarumori
1052:
1046:
1042:
1032:
1016:
1010:
989:
959:
941:is a random
928:
919:
876:
866:subconscious
854:
852:
848:Dziga Vertov
828:Allan Kaprow
803:
800:Douglas Kahn
797:
793:Glenn Branca
780:
774:
755:
750:
746:
738:
727:
723:subjectivity
712:
698:
690:
651:Rhys Chatham
647:Glenn Branca
616:
582:
578:James Tenney
573:
561:
558:Milan KnĂĆŸĂĄk
553:
534:Wolf Vostell
530:Robert Watts
522:Yasunao Tone
511:
506:
502:
496:
491:
487:
483:
479:
473:
467:
462:
451:
445:
441:
437:
434:sound-masses
428:
426:'s magazine
408:Antisymphony
407:
397:
393:
389:Intonarumori
378:
336:recordings,
327:
306:
305:
207:Other topics
116:danger music
91:Dark ambient
79:1910s, Italy
11689:Noise music
11556:Polyrhythms
11531:Neotonality
11419:Szymanowski
11102:noise music
11025:Synthesizer
10930:Lo-fi music
10875:House dance
10858:Rare groove
10782:Turntablism
10767:Disc jockey
10715:Drift phonk
10596:Moombahsoul
10591:Moombahcore
10551:Future soul
10534:Future bass
10529:Funktronica
10514:Bro-country
10453:Witch house
10421:Tecno brega
10315:Jersey club
10259:Dutch house
10113:Progressive
10051:Power noise
9997:Livetronica
9847:Folktronica
9823:Liquid funk
9813:Intelligent
9808:Atmospheric
9699:Changa tuki
9694:Broken beat
9637:Ambient dub
9604:Acid techno
9594:Synth-metal
9455:Tecnocumbia
9367:Ambient pop
9322:Italo disco
9241:Electropunk
9219:Space disco
9191:Space music
9184:Sampledelia
8993:Electronica
8832:Turntablism
8775:Witch house
8735:Drone metal
8524:Avant-garde
8416:Primitivism
8242:and theatre
8182:Noise music
8155:Drone music
7986:Slam poetry
7873:Suprematism
7858:Process art
7786:Incoherents
7781:Color Field
7756:Divisionism
7704:Art Nouveau
7684:Avant-garde
7642:Zveno (art)
7605:Primitivism
7600:Pointillism
7583:Divisionism
7542:Suprematism
7522:Panfuturism
7154:Noise music
7096:Mary Swanzy
7025:Marisa Mori
6972:Aeropittura
6768:Rurik Ivnev
6670:Marisa Mori
6645:Carlo CarrĂ
6525:noise music
6442:Ocean Music
6328:(10:33) on
5865:Licht, Alan
5857:. Toronto:
5651:Doss, Erika
5496:Watson, Ben
5007:Ocean Music
4604:29 December
4408:2009-11-01.
4342:Blank Forms
4285:Blank Forms
4196:Jann Wenner
4145:Andy Warhol
4059:TellusTools
4015:Liner Notes
3928:Alex Ross,
3887:Alex Ross,
3261:Ctheory.net
3148:Caleb Kelly
3050:Alex Ross,
3027:VarĂšse 1966
2733:Lo-fi music
2709:Death growl
2598:No New York
2568:Barbara Ess
2528:Volumes 1â7
2505:postdigital
2501:Kim Cascone
2289:John Duncan
2184:Sonic Youth
2134:Sonic Youth
2130:white noise
2075:Tony Conrad
2067:Henry Flynt
2039:drone music
1971:Grace Slick
1915:John Lennon
1875:Stockhausen
1861:looped tape
1853:John Lennon
1839:the Beatles
1828:avant-garde
1816:Andy Warhol
1779:electronica
1733:process art
1731:. Antiform
1684:. In 1967,
1678:Sonic Youth
1629:David Tudor
1560:befriended
1536:. In 1949,
1534:glossolalia
1502:David Tudor
1349:recording.
1314:lion's roar
1237:Pacific 231
1171:found sound
1165:Found sound
1002:1910sâ1960s
970:digital art
955:white light
939:White noise
898:White noise
747:Grosse Fuge
709:Definitions
691:Bascule VII
655:Ryoji Ikeda
623:Sonic Youth
601:postdigital
554:Ocean Music
538:Dieter Roth
319:sound-based
307:Noise music
241:found sound
172:power noise
111:witch house
40:Noise music
27:Music genre
18:Noise Music
11683:Categories
11601:Surrealism
11596:Stochastic
11586:Sound mass
11521:Microtonal
11493:techniques
11491:Genres and
11439:Stravinsky
11399:Skalkottas
11304:Schoenberg
11159:Techniques
10998:Drum break
10945:Rave music
10935:Madchester
10898:Bass music
10880:Rave dance
10829:Free party
10794:Microgenre
10665:Hardvapour
10603:Mumble rap
10586:Moombahton
10576:Mahraganat
10504:Black MIDI
10414:Sovietwave
10389:Russ music
10320:Juke house
10293:Hauntology
10254:Complextro
10242:Reggaestep
10007:Microhouse
10002:Merenhouse
9921:Frenchcore
9916:Free tekno
9884:Ghettotech
9832:Dub techno
9729:Diva house
9724:Disco polo
9714:Denpa song
9657:Bhangragga
9569:Miami bass
9460:Turbo-folk
9430:Electropop
9401:Dubtronica
9317:Dance-rock
9312:Dance-punk
9307:Post-disco
9268:Industrial
9246:Euro disco
9196:Space rock
9086:Tape music
8976:Electronic
8903:Soundscape
8827:Scordatura
8797:3rd bridge
8760:Industrial
8725:Avant-funk
8667:noise rock
8622:Avant-punk
8617:Avant-prog
8605:Post-metal
8544:Tape music
8436:Surrealism
8374:Minimalism
8249:Cinéma pur
7894:and poetry
7892:Literature
7801:Minimalism
7692:Visual art
7482:Agit-train
6876:Ivan Kliun
6861:Elena Guro
6811:Lilya Brik
6685:Ugo Piatti
6483:Yves Klein
6388:housed at
6267:ready-made
6214:Young, Rob
5597:Multitudes
5520:Young, Rob
5401:Ross, Alex
5121:Kemp, Mark
5032:. Oxford:
4893:Cage, John
4702:Young, Rob
4490:2023-05-05
4481:"Bureau B"
4466:2023-05-05
4334:Alan Licht
4277:Alan Licht
4177:Spitz 2005
4128:2023-05-05
4057:essays in
4001:Spacecraft
3957:20 October
3719:Nyman 1974
3624:2020-07-24
3564:, Oxford:
3453:2023-12-21
3298:2023-12-21
3108:2023-12-21
2964:Golyscheff
2847:18 January
2821:18 January
2795:18 January
2771:References
2629:, Rad Cult
2545:(2008) IDE
2489:microsound
2461:Hanatarash
2425:Hijokaidan
2341:Whitehouse
2305:assemblage
2293:postmodern
2215:See also:
2199:Live Skull
2195:noise rock
2175:Noise Fest
2166:minimalism
2140:composers
2118:noise rock
2049:. Young's
2015:Bob Ludwig
1992:Noise rock
1885:erase head
1795:Freak Out!
1763:Two Sounds
1737:postmodern
1706:art critic
1690:SpaceCraft
1682:Hijokaidan
1666:Automatism
1566:Erik Satie
1548:(formally
1542:Yves Klein
1526:percussive
1522:xylophonic
1453:), called
1309:Ionisation
1299:Ernst Toch
1203:Morse code
1191:Eric Satie
1121:phonograph
962:modernists
922:media help
785:Erik Satie
735:Ben Watson
719:distortion
679:Psychic TV
663:Whitehouse
585:noise rock
572:, and the
453:Intégrales
442:Hyperprism
350:distortion
296:Surrealism
271:microsound
167:noise rock
96:industrial
57:electronic
11581:Serialism
11501:Atonality
11429:Prokofiev
11272:Composers
10799:Nightclub
10762:Club drug
10757:Beat drop
10660:Vaporwave
10635:Rara tech
10524:Dreampunk
10479:Afroswing
10463:Wonky pop
10409:Synthwave
10377:Lowercase
10335:Nightcore
10325:Jumpstyle
10303:Chillwave
10225:Crunkcore
10210:Cloud rap
10190:Afrobeats
10150:Breakstep
10140:UK garage
10128:Uplifting
10066:Reggaeton
10046:Post-rock
9992:Kidandali
9953:Speedcore
9931:Hardstyle
9911:Breakcore
9869:Futurepop
9781:Neurofunk
9741:Downtempo
9532:Hip house
9472:Eurodance
9411:Freestyle
9372:Breakbeat
9350:Acid jazz
9334:Synth-pop
9295:Dark wave
9290:Cold wave
9280:Japanoise
9236:Dancehall
9154:Krautrock
9149:Jazz-funk
8883:Sound art
8770:Punk jazz
8745:Free jazz
8677:post-rock
8672:post-punk
8652:math rock
8647:krautrock
8612:Avant-pop
8512:Aleatoric
8441:Symbolism
8369:Modernism
8202:Serialism
8187:Post-rock
8128:Free jazz
8036:Free funk
7991:UltraĂsmo
7946:Imaginism
7921:Cyberpunk
7883:Vorticism
7686:movements
7594:Le Chahut
7552:Vorticism
7197:BĂF§ZF+18
6985:"Barbara"
6941:Ivan Puni
6816:Osip Brik
6625:"Barbara"
6302:John Cage
6294:John Cage
6233:Nor Noise
5968:Japanoise
5809:RE/Search
5748:(cloth);
5311:The Thing
4635:Rob Young
4564:Rob Young
4461:0261-3077
4437:, p. 103.
4344:Edition,
4287:Edition,
4249:Seastones
4106:23 August
3913:John Cage
3588:, p. 135.
3515:Rice 1994
3170:Pitchfork
3077:Kahn 2012
2933:MIT Press
2751:Phonation
2745:Post-punk
2581:Soul Jazz
2513:netlabels
2493:Vaporwave
2384:Japanoise
2369:Japanoise
2353:punk rock
2325:Clock DVA
2321:Test Dept
2313:bricolage
2246:). These
2244:Boyd Rice
2162:punk rock
2126:atonality
2111:Tago Mago
2091:Krautrock
2059:John Cale
1956:Phil Lesh
1935:Seastones
1930:Ned Lagin
1928:In 1975,
1822:assessed
1744:art music
1725:Sound art
1652:composed
1609:happening
1581:aleatoric
1562:John Cage
1508:recorded
1474:art music
1404:John Cage
1389:Paul Arma
1375:In 1932,
1365:John Cage
1337:composed
1333:In 1961,
1318:John Cage
1242:modernist
1134:An early
1082:aesthetic
1078:Japanoise
1059:orchestra
966:naĂŻve art
951:bandwidth
879:aesthetic
771:John Cage
597:Japanoise
518:Joe Jones
438:Offrandes
370:cacophony
236:extratone
199:Indonesia
177:vaporwave
162:noise pop
125:Subgenres
52:Modernism
11658:Category
11591:Spectral
11516:Futurism
11450:Americas
11434:Scriabin
11405:Hungary
11380:Germany
11364:Messiaen
11359:Koechlin
11335:Finland
11325:Czechia
11319:Pousseur
11315:Belgium
11285:Austria
11098:Futurism
11052:Waveform
10848:Sampling
10834:Teknival
10687:Hardwave
10670:Mallsoft
10650:EDM trap
10645:Shamstep
10556:Hyperpop
10489:Amapiano
10484:Algorave
10441:Funkstep
10436:UK funky
10382:Onkyokei
10360:New rave
10195:Bassline
10172:Hard NRG
10167:Hardbass
10103:Hands Up
10088:Balearic
10036:Nu metal
10017:Schaffel
9965:Illbient
9896:Hardcore
9879:Footwork
9857:Nu disco
9818:Jazzstep
9786:Techstep
9776:Hardstep
9771:Darkstep
9756:Trip hop
9751:Psybient
9677:Darkcore
9662:Big beat
9574:New beat
9467:Eurobeat
9285:New wave
9231:Chiptune
9061:Biomusic
8848:Cymatics
8755:Hyperpop
8720:Art rock
8715:Art punk
8657:neo-prog
8627:Biomusic
8588:By style
8498:Related
8389:Neo-Dada
8364:Lettrism
8345:Futurism
8259:Drop Art
8254:Dogme 95
8222:Totalism
8140:Futurism
8091:Ars nova
8019:By style
7966:Neoteric
7868:Rayonism
7821:De Stijl
7796:Mail art
7751:DevÄtsil
7561:See also
7547:Supremus
7532:Rayonism
7477:Agitprop
7051:Mina Loy
6963:(Iliazd)
6601:Futurism
6551:Classic
6456:Archived
6430:Noise.as
6371:Noiseweb
6255:Archived
6164:Vol 13:
5990:(cloth)
5880:Artforum
5828:(eds.).
5780:Vol 13:
5480:. 2011.
5403:. 2007.
5305:. 2000.
5285:. 2012.
5254:(1997).
5199:(2005).
5178:Artforum
5165:. 1988.
5125:Yoko Ono
4953:(1996).
4730:Archived
4683:Archived
4433:Watson,
4402:Archived
4374:Archived
4348:, p. 164
4291:, p. 163
4253:Rykodisc
4163:AllMusic
4101:AllMusic
4075:Archived
3633:cite web
3401:, 2007).
3264:Archived
3187:Such as
2685:Chiptune
2648:See also
2625:(2009),
2603:Antilles
2591:Coquette
2531:Sub Rosa
2466:The Wire
2453:Solmania
2433:C.C.C.C.
2429:Boredoms
2333:Autopsia
2301:Neo-Dada
2299:and the
2291:. Other
2160:drew on
2085:series (
2001:Lou Reed
1923:Yoko Ono
1844:Revolver
1824:the Godz
1820:AllMusic
1771:AllMusic
1379:artists
1362:â
1293:In 1930
1274:, and 7
1234:created
1129:Serenata
1113:Futurist
1095:â
1035:Futurist
1033:In 1913
1029:ca. 1916
982:software
859:(1985),
836:Yoko Ono
613:Lou Reed
564:, early
542:Yoko Ono
447:Octandre
381:Futurist
354:feedback
62:Futurism
11643: â
11571:Process
11460:Antheil
11425:Russia
11415:Poland
11395:Greece
11389:Strauss
11369:Milhaud
11354:Jolivet
11345:France
11339:Bergman
11020:Sampler
10750:Culture
10640:Seapunk
10623:Brostep
10431:UK bass
10394:Sambass
10367:RabĂČday
10286:Grindie
10237:Dubstep
10024:Nu jazz
9734:Hardbag
9502:Chicago
9492:Ambient
9406:Electro
9256:Hip hop
9129:Ambient
8730:Ambient
8710:Art pop
8703:Related
8689:Neofolk
8662:no wave
8551:Minimal
8318:General
8177:No wave
7951:Imagism
7901:Acmeism
7853:Pop art
7843:Orphism
7761:Fauvism
7739:Bauhaus
7492:Dadaism
7407:Zangezi
7309:Lacerba
7211:Cyclist
6509:UBU.com
6488:UBU.com
6400:UBU.com
6358:UBU.com
6298:Silence
6282:CTheory
5861:, 1990.
5733:, 2005.
5262:Vintage
5238:No Wave
5081:CTheory
5014:(1968)]
4820:Sources
4704:(ed.),
4637:(ed.),
4581:No Wave
4566:(ed.),
4552:No Wave
4398:Encarta
4083:October
3385:UBU.com
3373:UBU.com
3276:CTheory
2627:Tobacco
2601:(1978)
2485:ambient
2449:Masonna
2441:KK Null
2416:collage
2403:artist
2393:Merzbow
2357:No Wave
2329:Factrix
2309:montage
2264:Laibach
2138:No Wave
2105:called
2023:eardrum
1996:No Wave
1960:Alembic
1889:overdub
1868:⁄
1604:I Ching
1540:artist
1431:of the
1377:Bauhaus
1037:artist
1007:Origins
798:Writer
751:Allegro
671:Merzbow
589:no wave
414:, when
344:noise,
101:no wave
11668:Portal
11470:Cowell
11465:Carter
11409:BartĂłk
11374:VarĂšse
11309:Webern
11299:Mahler
11294:Krenek
11279:Europe
11109:People
10950:Reggae
10891:Genres
10863:Riddim
10789:Mashup
10772:DJ mix
10494:Azonto
10426:Trival
10404:Skweee
10345:Nortec
10308:Glo-fi
10200:Budots
10145:2-step
10078:Trance
10071:Dembow
10061:Psydub
9948:MĂĄkina
9943:J-core
9926:Gabber
9891:Glitch
9864:Funkot
9804:Light
9793:Jungle
9767:Heavy
9667:Bitpop
9599:Techno
9547:Tribal
9512:Garage
9450:Kwaito
9445:Kuduro
9251:Hi-NRG
9226:Boogie
9002:Genres
8873:Fluxus
8750:Glitch
8566:Danger
8504:genres
8394:Neoism
8340:Fluxus
8240:Cinema
8079:Others
7981:Oulipo
7976:Oberiu
7863:Purism
7729:Cubism
7578:Cubism
7573:5x5=25
7517:Oberiu
7344:Poesia
7015:FillĂŹa
6564:UbuWeb
6523:Fluxus
6513:Ubuweb
6504:UbuWeb
6471:(2005)
6444:(1968)
6412:UbuWeb
6408:Fluxus
6390:UbuWeb
6366:UbuWeb
6334:UbuWeb
6238:UbuWeb
6216:(ed.)
6132:
6072:
6057:
6049:
6041:
6033:
5994:
5986:
5933:UbuWeb
5824:, and
5815:
5756:(pbk).
5752:
5744:
5678:
5627:
5589:(pbk.)
5585:
5577:
5552:". In
5488:
5467:
5426:UbuWeb
5420:
5382:(pbk).
5378:
5370:
5327:
5295:
5272:
5226:
5207:
5137:1979.
5083:Books.
5063:Optics
5040:
4998:
4990:
4965:
4829:(ed.)
4518:
4459:
4053:&
3974:(ed.)
3654:(ed.)
3547:(ed.)
3477:
3343:Optics
2995:741034
2993:
2903:UbuWeb
2897:
2553:Sonore
2497:glitch
2455:, K2,
2315:, and
2272:Smegma
2120:fuses
1751:Fluxus
1719:, and
1695:Lo Zoo
1670:Object
1615:, and
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