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single lightbulb, with the result that multiple shadows are cast, and some spots are brighter than others as a consequence of being lit from more than one angle. Across the street, the line of shadow caused by the upper edge of the diner window is clearly visible towards the top of the painting. These windows, and the ones below them as well, are partly lit by an unseen streetlight, which projects its own mix of light and shadow. As a final note, the bright interior light causes some of the surfaces within the diner to be reflective. This is clearest in the case of the right-hand edge of the rear window, which reflects a vertical yellow band of interior wall, but fainter reflections can also be made out, in the counter-top, of three of the diner's occupants. None of these reflections would be visible in daylight.
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baby Jesus being the light source, Geertgen depicts the child as the only source of illumination for the main scene inside the stable. Aglow are the faces of the angels, St Joseph and Virgin Mary. Although the shepherds' fire on the hill behind and the angel outside the window create a light source, it's dim in comparison to that provided by the infant child. The sharp contrast of the divine light against dark is a tool used to make the scene appear more profound for its viewers. London's
National Gallery describes Geertgen's work as: "one of the most engaging and convincing early treatments of the Nativity as a night scene.
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2343:(6 September 1836 – 13 October 1893) was a Victorian-era artist known for his city night-scenes and landscapes. His careful painting and skill in lighting effects meant that he captured both the appearance and the mood of a scene in minute detail. His "paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene."
568:, and swirling in the sky above Jesus and the watching crowd's heads are a number of angels. Giotto depicts night and heaven through the use of a deep blue background in the fresco panel and use of stars in the otherwise blue ceiling. He was able to create depth and dimension through the use of incremental degrees of light and dark shades, the precursor to
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These factual paintings are considered to have metaphorical meaning too, the bursting into light of the phosphorus in front of a praying figure signifying the problematic transition from faith to scientific understanding and enlightenment, and the various expressions on the figures around the bird in
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displays, which presented a novel challenge to paint. In his maritime nocturnes, Whistler used highly thinned paint as a ground with lightly flicked color to suggest ships, lights, and shore line. Some of the Thames paintings also show compositional and thematic similarities with the
Japanese prints
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night scenes
Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry."
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comes from an angel who has come to tell the shepherds of the birth of the infant Christ. The light is so brilliant that the
Bethlehem shepherds must shield their eyes. Aside from the startling angel, the nocturnal painting is a pleasant, still pastoral scene with a group of angels in the distance.
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of time and light. On the top half of his canvas
Magritte paints a clear blue sky and white clouds that radiate bright daytime; while on the bottom half of his canvas below the sky, he paints a street, sidewalk, trees and houses all steeped in the darkness of night. The darkened trees and darkened
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depicts the infant Jesus who "radiated such an ineffable light and splendour, that the sun was not comparable to it, nor did the candle that St. Joseph had put there, give any light at all, the divine light totally annihilating the material light of the candle." Strengthening the message about the
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was probably Hopper's most ambitious essay in capturing the night-time effects of man-made light. For one thing, the diner's plate-glass windows cause significant light to spill out onto the sidewalk and the brownstones on the far side of the street. As well, interior light comes from more than a
3463:(dressed in yellow, with a white sash). With effective use of sunlight and shade, Rembrandt leads the eye to the three most important characters among the crowd, the two gentlemen in the centre (from whom the painting gets its original title), and the small girl in the centre left background.
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titled works as nocturnes to identify those paintings with a "dreamy, pensive mood" by applying the musical term, and likewise also titled (and retitled) works using other music expressions, such as a "symphony", "harmony", "study" or "arrangement", to emphasize the tonal qualities and the
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movement of the
American of the late 19th century and early 20th century which is "characterized by soft, diffused light, muted tones and hazy outlined objects, all of which imbue the works with a strong sense of mood." Along with winter scenes, nocturnes were a common Tonalist theme.
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is considered one of
Grimshaw's finest works, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into night. In his later career his urban scenes under twilight or yellow streetlighting were popular with his middle-class patrons.
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scenes lit by candlelight, which were more developed than his artistic predecessors, yet lacked dramatic effects of
Caravaggio. He created some of the most arresting works in this genre, portraying a wide range of scenes by candlelight from card games to New Testament narratives.
2432:, resulted in Whistler's first three nocturnal paintings—which he termed "moonlights" and later re-titled as "nocturnes"—night scenes of the harbor painted with a blue or light green palette. Later in London, he painted several more nocturnes over the next ten years, many of the
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For much of its existence, the painting was coated with a dark varnish which gave the incorrect impression that it depicted a night scene, leading to the name by which it is now commonly known. The heavy varnish was only discovered in the 1940s and restoration began after 1975.
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notes that: "This ensemble is noted for its dynamism, pronounced foreshortening, dramatic effects of light and interest in narrative." This is evidenced by the impact Gaddi's work had on successive church murals, such as the nearby
Rinuccini Chapel's mural made about 40 years
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created night scenes that were highly original. His works departed slightly from other works of the
Baroque period were dramatic and abundantly detailed. Baroque paintings featured "exaggerated lighting, intense emotions, release from restraint, and even a kind of artistic
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and others told stories with their painted works, sometimes evoking religious themes and sometimes depicting battles, myths, stories and scenes from history, using night-time as the setting. By the 16th and 17th centuries, painters of the late Renaissance,
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is one of a three painting series that captures the Battle of San Romano. The passage of time, from dawn to evening, is illustrated in the three paintings with the initial use of pale, pastel shades and increasingly darker tones as the battle progresses.
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the lantern manifests no such miracle. Rather, it affords light only so that the firing squad may complete its grim work, and provides a stark illumination so that the viewer may bear witness to wanton violence. The traditional role of light in art as a
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marks a clear break from convention. Diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian
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and the visual disturbances this condition caused him might have been a factor in his irritation at this particular painting. Whistler published his account of the trial in the pamphlet Whistler v. Ruskin: Art and Art Critics, included in his later
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by the French. Van Schendel was inspired by these famous forebears, but brought a unique nineteenth century mood to his night scenes. He eloquently captured the mysterious world of city markets illuminated by lamps and moonlight before the dawn.
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houses appear to be in nighttime shadows, in the middle of the night; and the sidewalk streetlight is on to guide the way. Some of the questions implied by these pictures include is it night-time? is it daytime? or is it just a painting?
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242:, and others used the night-time theme to illustrate scenes of the imagination, often with dramatic literary connotations, including scenes of secret liaisons and romantic relationships reminiscent of the popular 1782 book
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was an Italian artist active between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the
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534:. Against the night sky the brilliance of the angel's bright glow, likely intended as "verification of the presence of God and as a metaphor for spiritual enlightenment", appears to startle the shepherd. Gaddi's use of
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2377:(1806–1870) was a Dutch Romantic painter, etcher and draughtsman. Van Schendel specialised in nocturnal Dutch market scenes, exploring the effects the soft light had upon his subjects, as a result he was named
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3495:. The painting's content, presentation, and emotional force secure its status as a groundbreaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art,
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3949:. Gaddi may have sought to leverage this technique to its best advantage after having accepted the prominent commission for the church fresco early in his career to impress the public and his patrons.
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3541:. Traditionally a dramatic light source and the resultant chiaroscuro were used as metaphors for the presence of God. Illumination by torch or candlelight took on religious connotations; but in
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had a lifelong interest in capturing the effect of light on the objects it touched, including the nighttime effect of artificial, man-made light spilling out of windows, doorways and porches.
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The 2003 Columbia Encyclopedia cites birthdate as c. 1479. The Getty Museum (which owns some of Dossi's works), Britannica, Encarta, and the monograph below cite birthdate as c. 1490.
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is one of a series of paintings that René Magritte painted between 1950 and 1954 that explores his surrealist insight into illusion and reality, using night and day as his subject.
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used the night-time in their work as the setting for many of their most imaginative visions. The most dramatic use of the night-time can be seen in the 1793 painting by
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source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted. They are sometimes called
3971:. In his day medieval paintings depicted flat, relatively unemotional people. Giotto, revolutionary for the 13th century, portrayed natural, three-dimensional people.
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works towards development of solid three-dimensional characters using contrasting dark and light shades to suggest depth and shape. The technique was a precursor to
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effect, which emphasises the contrast of light and dark, and for his paintings of candle-lit subjects. Wright is seen at his best in his candlelit subjects. The
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The night in paintings of the 19th century was used to convey a complex of diverse meanings. A mystical, religious, and sublime reverence for nature is seen in
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1905–1906, is representative of his late Impressionistic style. The painting is in the West Point Museum Collection, United States Military Academy, New York.
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2361:. After visiting Grimshaw, Whistler remarked that "I considered myself the inventor of Nocturnes until I saw Grimmy's moonlit pictures." Unlike Whistler's
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Biographical catalog of the principal Italian painters: with a table of the contemporary schools of Italy. Designed as a hand-book to the picture gallery.
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of the late 19th century used the night-time theme to express a multitude of emotional and aesthetic insights seen most dramatically in the paintings of
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1836:(14 August 1714 – 3 December 1789) was a French painter whose landscapes, including those of moonlights were popular with English aristocrats. His
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topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an
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4749:"Images of many of Whistler's nocturne paintings, and some by his contemporaries, can be seen at this website for the Detroict Institute of Arts"
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1440:, specializing in small night scenes lit only by moonlight and fires, and snowy winter landscapes, both often looking down a canal or river.
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572:. He also used light in a way to represent the divinity of people and angels from the Bible, as he did in other frescoes at Arena Chapel.
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3574:(located in southern France) at night. Although Van Gogh was not very happy with the painting, art historian Joachim Pissarro cites
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is "the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention".
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556:, one of the multiple frescoes that told the story of Christ's life, for the Arena Chapel. He depicts Christ on a cross, while the
5745:"The Life of Christ: The Story of Christ: The noblest paintings of the Saviour's life were done by Giotto for a chapel in Italy."
2002:
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Taylor, William Edward and Harriet Garcia Warkel, Margaret Taylor Burroughs. (authors) Indianapolis Museum of Art. (ed.) (1996).
4313:"The Life of Christ: The Story of Christ: The noblest paintings of the Savior's life were done by Giotto for a chapel in Italy."
2778:, Colorado. Remington painted many of his nocturnes in the last years of his life, when he was transitioning from a career as an
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1840:(1763, Musée national de la Marine) is particularly notable; in the piece Vernet is able to achieve, according to art historian
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345:, portrayed ordinary people hard at work, traveling, or engrossed in their everyday lives, at night and during the day. The
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Tortured Artists: From Picasso and Monroe to Warhol and Winehouse, the Twisted Secrets of the World's Most Creative Minds.
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It is set in the early hours of the morning following the uprising and centers on two masses of men: one a rigidly poised
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1877:(1768) shows people gathered round observing an early experiment into the nature of air and its ability to support life.
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1855:(3 September 1734 – 29 August 1797) was an English landscape and portrait painter who is notable for his use of
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is one of the most famous paintings in the world. One of its key elements is the effective use of light and shadow (
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is an apcolyptic one which foretells the death of Christ, through the presence of three comets in the evening sky.
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5804:. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2008 (printed by Yale University Press).
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514:, an Italian painter and architect. Gaddi, fascinated by nocturnal lighting, depicted the effect of the light in
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composition and to de-emphasize the narrative content. The use of the term "nocturne" can be associated with the
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2413:"Nocturne" was a term that was normally applied to certain types of musical compositions before Whistler]],
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often portrayed people and scenes in night-time settings, illustrating stories and depictions of real life.
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Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day.
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2313:(26 September 1791 – 26 January 1824) was an influential French artist and one of the pioneers of the
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colors in and around the shepherd reveals how the colors are made pale due to the remarkable illumination.
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1479:(1647, National Gallery of Ireland), which is set within a nocturnal landscape. His large group portrait,
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Letter to Theo van Gogh. Written in Saint-RĂ©my. Translated by Mrs. Johanna van Gogh-Bonger, number 607.
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998:– 12 February 1538) was a German painter, engraver and architect of the Renaissance of the so-called
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exhibition website with extensive information and images about Frederic Remington and his paintings"
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served as visual reportage of current events, and in the case of GĂ©ricault revealed a scandal.
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for throwing a pot of paint in the public's face." Whistler won the suit, but was awarded one
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setting biblical and historical subjects against landscape backgrounds of expressive colours.
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Suckale, Robert and Manfred Wundram, Andreas Prater, Hermann Bauer, Eva-Gesine Baur. (2002).
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The paintings pictured in the gallery below are in order of date completed, left to right:
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the air pump indicating concern over the possible inhumanity of the coming age of science.
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New York Nocturne: The City After Dark In Literature, Painting, and Photography, 1850-1950
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260:, used the themes of nighttime to depict illustrations of ordinary life. Poet and painter
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5330:, first edition. The Pelican History of Art. Harmondsworth and Baltimore: Penguin Books.
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Niccolò Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano
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The Western tradition began properly in the 15th century, especially with depictions in
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2770:. The exhibition also generated a colorful book of the same title and travelled to the
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shows an early mechanism for demonstrating the movement of the planets around the sun.
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Van Gogh, Vincent and Sjraar van Heugten, Joachim Pissarro, Chris Stolwijk. (2008).
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4855:"18 images of Remington's nocturnes on 18 web pages at the National Gallery of Art"
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that combined close physical observation with a dramatic, even theatrical, use of
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American Paintings and Sculpture at the Sterling and Francine Clark Art Institute
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4159:. Contributor: Sterling and Francine Clark Art Institute. Hudson Hills. p. 148.
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2410:(11 July 1834 – 17 July 1903) was an American-born, British-based artist.
2196:
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1925:
1367:
1362:
1280:
1103:
565:
314:
8887:
6756:
5680:
Pictures & Tears: A History of People Who Have Cried in Front of Paintings
4980:
3742:
3582:. One of Van Gogh's most popular pieces, the painting is widely hailed as his
9356:
9207:
9175:
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9014:
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346:
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261:
179:
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682:
In the book of miniatures, Très Riches Heures du Duc de Berry, the scene of
9286:
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2027:
1948:
1910:
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552:(1266/7–1337), Taddeo Gaddi's teacher and godfather, created the fresco of
511:
483:
464:
334:
265:
82:
9281:
7142:
5408:
Siena, Florence and Padua: Art, Society and Religion 1280–1400, Volume II.
4599:"Joseph Wright of Derby: Art, the Enlightenment and Industrial Revolution"
3189:
in 1825, which dominated the landscape movement in America until the 1870s
9202:
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6571:
6512:
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6033:
5869:
5086:
Van Gogh, Vincent. (author). Harrison, Robert. (ed.) (19 September 1889)
4131:
3946:
3695:
3676:
3584:
3523:
3448:
3286:
3178:
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2971:
2779:
2474:
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1856:
1819:
1417:
1398:
962:
859:
569:
557:
354:
310:
294:
167:
5771:
Museum of Fine Arts, Boston; Hokusai Katsushika; Kojiro Tomita. (1957).
2786:
as the style in which he worked at the time. One example of his work is
2473:
for damages. The cost of the case bankrupted him. It has been suggested
746:
The Counterattack of Michelotto da Cotignola at the Battle of San Romano
9249:
9061:
9021:
8967:
8935:
8827:
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8513:
8319:
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6576:
6566:
6544:
6359:
6349:
6337:
6289:
6233:
5907:
5854:
5553:
The Divine Commodity: Discovering a Faith Beyond Consumer Christianity.
4641:
3570:, depicts his memory of the view outside his sanitorium room window at
3538:
3452:
2726:
2453:
2417:, began using the word within the titles of many of his works, such as
1371:
1243:
939:
535:
208:
204:
5802:
Like Breath on Glass: Whistler, Inness, and the Art of Painting Softly
4693:
Moore, Susan (1 November 2003). "Guardian of the nation's treasures".
2924:
9311:
9301:
9264:
9096:
9086:
9066:
8892:
8862:
8595:
8518:
7937:
7723:
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7317:
7018:
6967:
6865:
6676:
6482:
6453:
6228:
5874:
5374:
Museum of the City of New York, Contributor. Bunker Hill Publishing.
4683:
WG Flippo. (1981). Lexicon of the Belgian Romantic Painters, Antwerp.
3941:, Gaddi was influenced by Giotti's exploration away from traditional
3579:
3519:
3325:
2446:
2441:
1844:, one of his most 'crystalline and atmospherically sensitive skies'.
1472:
1402:
1184:
1045:
1021:
212:
200:
184:
118:
102:
94:
6284:
5372:
Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt.
4520:. Historians of Netherlandish Art Reviews. Retrieved April 30, 2023.
3518:
The painting is structurally and thematically tied to traditions of
2929:
9291:
9212:
9160:
9091:
9004:
8925:
8877:
8743:
8728:
8585:
8523:
8455:
8349:
8334:
8008:
7922:
7912:
7900:
7644:
7107:
6804:
6744:
5312:
New Orleans Poetry Journal. Journal Press Books: Louisiana Legacy.
5234:
Campbell, Lorne, National Gallery Catalogues (new series). (1998).
5121:
3918:
3488:
2944:
2414:
531:
502:
417:
192:
146:
98:
3533:
The lantern as a source of illumination in art was widely used by
8630:
8433:
8371:
8188:
8087:
7827:
7554:
7387:
6993:
6593:
6477:
5864:
3631:
3534:
2478:
2234:, September 1888, Kröller-Müller Museum, Otterlo, The Netherlands
1387:
1358:
510:
One of the first attempts in depicting night in paintings was by
106:
7549:
793:
In the still of the night, the only source of light radiates in
9254:
9113:
8605:
8535:
8104:
8016:
7871:
7102:
5812:
5275:
Volume 2 of Modern French Writers. Liverpool University Press.
3995:
Thyssen-Bornemisza Museum has in its collection Taddeo Gaddi's
3218:
2775:
1759:, a classical artist whose themes often anticipate the Romantic
1405:, the shift from light to dark with little intermediate value.
1345:
A Man Offering a Gold Chain and Coins to a Girl Seated on a Bed
519:
490:
471:, circa 1325, FundaciĂłn ColecciĂłn Thyssen-Bornemisza, Pedralbes
405:
227:
196:
171:
7338:
3630:(1898–1967), explores the illusion of night and day, and the
1193:, 1633. The painting is still missing after robbery from the
527:
389:
105:, or other subject types. Some artworks involve religious or
5695:
At Eternity's Gate: The Spiritual Vision Of Vincent van Gogh
5273:
Reading Between the Lines: Claude Simon and the Visual Arts.
4061:
Education And Politics For The 1990s: Conflict Or Consensus?
2746:(1861–1909) is so identified for his nocturne scenes of the
9190:
7992:
5470:
Comets, Popular Culture, and the Birth of Modern Cosmology.
4710:"A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin"
4047:
2750:
that they were celebrated in 2003–2004 with an exhibition,
674:
413:
401:
393:
5797:. Princeton, New Jersey: Princeton University Press, 2008.
5727:. Lakewood, New Jersey: Watson-Guptill Publications, 1984.
1416:
was a French Baroque painter who painted mostly religious
9181:
Art in the Protestant Reformation and Counter-Reformation
5356:
Hagen, Rose-Marie and Hagen, Rainer. (28 February 2003.)
5343:
Gardner's Art Through the Ages: A Concise Global History.
2827:
Pretty Mother of the Night—White Otter is No Longer a Boy
412:. The light source in most religious paintings symbolize
3522:
in Christian art, as exemplified in the dramatic use of
3470:
3459:(dressed in black, with a red sash) and his lieutenant,
754:
Niccolò Mauruzi da Tolentino at the Battle of San Romano
692:
Niccolò Mauruzi da Tolentino at the Battle of San Romano
5490:. (English trans from German), Lund Humphries, London.
4517:
Northern Nocturnes: Nightscapes in the Age of Rembrandt
4389:
The National Gallery, London. Retrieved 27 August 2012.
1818:(23 April 1775 – 19 December 1851) was an English
5775:
Volume 14 of Picture book series. Museum of Fine Arts.
4297:
4295:
4293:
4291:
4289:
4287:
4285:
3426:
5710:
Nightwatching: a view of Rembrandt's The Night Watch.
5697:. Grand Rapids, MI: William B. Eerdsmans Publishing.
4734:
4732:
4730:
4419:. London, England: Thames & Hudson Ltd. pp.
4245:
4243:
3866:
The Night Escorted by the Geniuses of Love and Study,
3612:
3553:
2353:
In the 1880s, Grimshaw maintained a London studio in
889:, c. 1530–1535, Städelsches Kunstinstitut, Frankfurt
154:
used the term as well for his nocturne scenes of the
5288:
The Victorian City: Images and Realities, 2 Volumes.
4204:"18 images of Remington's nocturnes on 18 web pages"
3578:
as an exemplar of the artist's fascination with the
3233:
Other artists who also created nocturne scenes are:
1377:
5221:
Rembrandt's Nightwatch : The Mystery Revealed.
4468:(third ed.). Boston: Bedford/ St. Martin's. pp. 469
4344:
National Gallery, London. Retrieved 28 August 2012.
4282:
4237:
Museo Thyssen-Bornemisza. Retrieved 26 August 2012.
3159:
The Bridge Nocturne aka Nocturne Queensboro Bridge,
2925:
American Impressionists and other American Realists
1825:, who is commonly known as "the painter of light".
5018:
5016:
4727:
4240:
4012:
3967:and generally considered a key contributor to the
2459:for libel after the critic condemned his painting
1603:Three Persons Viewing the Gladiator by Candlelight
1475:'s (1606–1669) only real work in the genre is his
5598:A Shared Heritage: Art by Four African Americans.
3336:The Militia Company of Captain Frans Banning Cocq
2738:
2550:Nocturne in Pink and Grey, Portrait of Lady Meux,
2465:. Ruskin accused Whistler of "asking two hundred
1553:The Militia Company of Captain Frans Banning Cocq
1481:The Militia Company of Captain Frans Banning Cocq
9354:
4136:The Grove Encyclopedia of American Art, Volume 1
2385:
786:
732:, center panel. Galleria degli Uffizi, Florence
5181:Note: need to verify this was the edition used.
5013:
4445:The New Grove Dictionary of Music and Musicians
4403:J. Paul Getty Museum. Retrieved 28 August 2012.
4379:
4377:
4227:
4225:
4120:Note: need to verify this was the edition used.
3491:'s armies during the occupation of 1808 in the
2400:Nocturne in Blue and Gold: Old Battersea Bridge
66:Nocturne in Black and Gold – The Falling Rocket
5615:Rembrandt Series. Amsterdam University Press.
5286:Dyos, H. J. and Michael Wolff (eds.) (1999) .
4309:
4307:
2462:Nocturne in Black and Gold: The Falling Rocket
2135:Nocturne in Black and Gold, The Falling Rocket
1953:Bacino di San Marco and Palazzo Ducale, Venice
760:
81:. Paintings that feature a night scene as the
6270:
5828:
5730:Katz, Alex and Donald Burton Kuspit. (1991).
5421:Paoletti, John T. and Gary M. Radke. (2005).
5387:Goya: The Origins of the Modern Temper in Art
5236:The Fifteenth Century Netherlandish Paintings
5108:The New York Times. Retrieved 24 August 2012.
5040:
5038:
5036:
5034:
5032:
5030:
5028:
4596:
4529:
4063:(edition reprint). Psychology Press. p. 150.
3169:
2894:National Cowboy & Western Heritage Museum
2618:National Cowboy & Western Heritage Museum
1451:(22 March 1599 – 9 December 1641) was a
278:, portraying the French revolutionary leader
5370:Henderson, Andrea and Vincent Katz. (2008).
5341:Gardner, Helen and Fred S. Kleiner. (2009).
5219:Boka, Georges and Bernard Courteau. (1994).
5073:
5071:
4670:
4668:
4495:Quoted in Gilles Lambert, "Caravaggio", p.8.
4374:
4222:
3591:
646:) c. late 15th century, J. Paul Getty Museum
526:in Florence, Italy features an incandescent
309:and others, while the powerful and dramatic
27:Overview of nighttime themes in European art
5860:Artists in biographies by Giovanni Baglione
4479:"ULAN Full Record Display (Getty Research)"
4464:Hunt, Martin, Rosenwein, and Smith (2010).
4304:
4261:
4259:
4257:
4255:
4084:. Detroit Institute of Arts. Archived from
1903:Justice and Divine Vengeance Pursuing Crime
6277:
6263:
5835:
5821:
5206:Art and Architecture in France, 1500–1700.
5025:
4031:
3451:). Made in 1642, it depicts the eponymous
3441:The Shooting Company of Frans Banning Cocq
2955:1902, exemplifies an urban nocturne by an
2440:, a pleasure park famous for its frequent
2428:Whistler's ill-advised journey in 1866 to
1153:1614–1620, Galleria degli Uffizi, Florence
488:The Angelic Announcement to the Shepherds,
5758:Palaces in the Night: Whistler in Venice.
5427:, 3rd edition. Laurence King Publishing.
5310:Illuminated Manuscript: Poems and Prints.
5167:Anderson, Ronald and Anne Koval. (2002).
5092:Webexhibits.org Retrieved 24 August 2012.
5080:
5068:
4887:. National Gallery of Art. Archived from
4857:. National Gallery of Art. Archived from
4665:
4626:
4275:
4273:
4271:
4206:. National Gallery of Art. Archived from
4180:. National Gallery of Art. Archived from
4106:Anderson, Ronald and Anne Koval. (2002).
2501:Nocturne in Blue and Gold: Valparaiso Bay
1862:Three Gentlemen observing the 'Gladiator'
655:of the biblical night-time scenes of the
516:The Angelic Announcement to the Shepherds
505:The Angelic Announcement to the Shepherds
5169:James McNeill Whistler: Beyond the Myth.
5105:Darkness Was Muse for a Master of Light.
5052:
5050:
4820:
4523:
4365:
4252:
4108:James McNeill Whistler: Beyond the Myth.
3405:
3384:
3362:
3345:
3320:
3192:
3187:Hudson River group of landscape painters
3173:
2966:
2943:
2928:
2798:
2782:to that of a fine artist and had chosen
2754:, co-organized and shown in turn by the
2389:
2324:
372:
55:
38:
5650:Frederic Remington: The Color of Night.
5191:Art in an Age of Bonapartism, 1800–1815
5116:
5114:
5006:
5004:
4775:James McNeill Whistler: Beyond the Myth
4707:
2535:Nocturne Trafalgar Square Chelsea Snow,
1874:An Experiment on a Bird in the Air Pump
1645:An Experiment on a Bird in the Air Pump
14:
9355:
8958:Contemporary Indigenous Australian art
4828:John Ruskin's relapsing encephalopathy
4787:
4777:, Carroll & Graf, New York, 1994,
4412:
4268:
4019:Whistler versus Ruskin, Princeton edu.
3550:for the spiritual has been subverted.
2752:Frederic Remington: The Color of Night
2369:
716:, left panel. National Gallery, London
541:
388:Black and grey shades often symbolize
161:
30:For works from the Eastern world, see
6978:Art of the late 16th century in Milan
6258:
5816:
5555:Grand Rapids, MI: Zondervan (eBook).
5047:
4692:
4590:
4581:
4498:
4455:(London: Macmillan Publishers, 2001).
4321:: 26. pp. 52, 53, 57. ISSN 0024-3019.
3963:Giotto was an Italian painter in the
3300:(1868–69), Philadelphia Museum of Art
3163:Hirshhorn Museum and Sculpture Garden
2305:
1868:A Philosopher Lecturing on the Orrery
1782:Royal Museums of Fine Arts of Belgium
1624:A Philosopher Lecturing on the Orrery
1408:
1393:. Caravaggio's novelty was a radical
983:
748:, right panel. Musée du Louvre, Paris
5753:: 26. p. 32–57. ISSN 0024-3019.
5628:Van Gogh and the Colors of the Night
5488:Iconography of Christian Art, Vol. I
5111:
5001:
4995:"Collections Object : Interior"
4963:"John Henry Twachtman | artnet"
4635:
4617:
3808:, Unknown date, Collectie Rademakers
2320:
1487:, although it is not a night scene.
1424:
711:Niccolò Mauruzi da Tolentino at the
5665:Poets on Paintings: A Bibliography.
5193:. The University of Chicago Press.
3487:commemorates Spanish resistance to
1443:
1172:, c. 1617, National Gallery, Prague
1081:Michelangelo Merisi da Caravaggio,
1059:Michelangelo Merisi da Caravaggio,
908:, c. 1580, Palazzo Pitti, Florence
906:Judith with the Head of Holophernes
24:
8313:Vienna School of Fantastic Realism
7164:Neoclassical architecture in Milan
5880:Paintings attributed to Caravaggio
5773:Day and night in the four seasons.
5725:Whistler: Landscapes and Seascapes
5642:
4535:"The Enduring Genius of Rembrandt"
4416:The High Renaissance and Mannerism
4400:The Annunciation to the Shepherds.
3316:
3030:John Henry Twachtman (1853–1902),
1737:Musée des Beaux-Arts de Strasbourg
1005:
590:Très Riches Heures du Duc de Berry
451:Basilica of San Francesco d'Assisi
25:
9389:
8387:American Figurative Expressionism
6723:International Gothic art in Italy
5855:Michelangelo Merisi da Caravaggio
5808:
5345:(2nd edition). Cengage Learning.
5238:. National Gallery Publications.
2421:(1871), in the collection of the
2415:inspired by the language of music
1583:Marriage A-la-Mode: 5, The Bagnio
1383:Michelangelo Merisi da Caravaggio
1378:Michelangelo Merisi da Caravaggio
1352:
940:Michelangelo Merisi da Caravaggio
630:Master of the Houghton Miniatures
495:Basilica of Santa Croce, Florence
9337:
9336:
7896:Neue KĂĽnstlervereinigung MĂĽnchen
5951:
5842:
5760:University of California Press.
5611:Van de Wetering, Ernst. (2002).
5570:University of California Press.
5519:Oxford: Oxford University Press.
4773:Ronald Anderson and Anne Koval,
4138:Oxford University Press. p. 54.
3904:Night in paintings (Eastern art)
3873:
3854:
3832:
3813:
3794:
3775:
3754:
3735:
3716:
3688:
3669:
3649:
3238:Night in paintings (Western art)
3147:
3125:
3106:
3083:
2905:
2882:
2856:
2834:
2819:
2719:
2700:
2678:
2659:
2629:
2602:
2583:
2564:
2542:
2527:
2508:
2493:
2485:The Gentle Art of Making Enemies
2282:
2260:
2239:
2218:
2189:
2163:
2144:
2122:
2103:
2084:
2058:
2039:
2020:
2001:
1982:
1959:
1941:
1918:
1891:
1847:
1828:
1810:
1789:
1764:
1743:
1719:
1698:
1679:
1653:
1632:
1611:
1590:
1571:
1539:
1524:
1509:
1492:
1471:produced some nocturnes, though
1333:
1314:
1292:
1285:St. Sebastian Aided by St. Irene
1273:
1250:
1226:
1220:Los Angeles County Museum of Art
1215:Magdalene with the Smoking Flame
1202:
1177:
1158:
1136:
1117:
1096:
1074:
1052:
950:Galleria Nazionale d'Arte Antica
932:
913:
894:
875:
852:
833:
808:
737:
721:
699:
622:
601:
582:
476:
457:
435:
32:Night in paintings (Eastern art)
8818:Tunisian collaborative painting
8291:International Typographic Style
5756:MacDonald, Margaret F. (2001).
5613:Rembrandt: The Painter at Work.
5526:Boston: Little, Brown & Co.
5132:
5095:
5059:
4987:
4973:
4955:
4929:
4903:
4873:
4847:
4830:. Brain. Sep;131(Pt 9):2520-5.
4808:
4796:
4767:
4741:
4708:Steiner, Wendy (January 1993).
4701:
4686:
4677:
4656:
4647:
4562:
4545:
4507:
4489:
4471:
4458:
4437:
4406:
4392:
4356:
4347:
4333:
4324:
3989:
3974:
3957:
3931:
3099:The Hispanic Society of America
2917:Addison Gallery of American Art
2557:
2152:Evaporating locomotive at night
1884:
1564:
1532:Christ and the Woman of Samaria
1501:The Storm on the Sea of Galilee
1195:Isabella Stewart Gardner Museum
1190:The Storm on the Sea of Galilee
1031:
801:
659:in the Nativity story, and the
575:
428:
384:depicting the personified night
8571:The Caribbean Artists Movement
5568:German Expressionist Painting.
5453:Robertson, Alexander. (1996).
5101:Vogel, Carol. (13 June 2008).
4826:Kempster PA, Alty JE. (2008).
4815:Whistler, James Abbott McNeill
4569:Turner, Joseph Mallord William
4443:Claude V. Palisca, "Baroque".
4362:Schiller, including quotation.
4196:
4170:
4149:
4125:
4100:
4074:
4053:
2739:Frederic Remington's nocturnes
2671:Summer Night, Riverside Drive,
1483:(1642), is popularly known as
1020:– 3 July 1640) was an Italian
957:
821:The Garden of Earthly Delights
134:Two Men Contemplating the Moon
13:
1:
6927:Dutch and Flemish Renaissance
5749:Time, Inc. 27 December 1948.
4997:. Philadelphia Museum of Art.
4513:Loughman, John (April 2006).
4317:Time Inc., 27 December 1948.
4155:Conrads, Margaret C. (1990).
4006:
3270:Past and Present Number Three
2846:Frederic Remington Art Museum
2408:James Abbott McNeill Whistler
2395:James Abbott McNeill Whistler
2386:James Abbott McNeill Whistler
2359:James Abbott McNeill Whistler
2357:, not far from the studio of
1816:Joseph Mallord William Turner
1517:Rest on the Flight into Egypt
1477:Rest on the Flight into Egypt
1262:Moonlit Landscape with Bridge
1014:
992:
966:
795:Annunciation to the Shepherds
788:Annunciation to the Shepherds
657:Annunciation to the Shepherds
635:Annunciation to the Shepherds
142:James Abbott McNeill Whistler
61:James Abbott McNeill Whistler
9042:Modern European ink painting
8414:Bay Area Figurative Movement
6110:Giovanni Francesco Guerrieri
5923:Jan Gerritsz van Bronckhorst
5780:Abstract Painting in Canada.
5652:Princeton University Press.
5472:Princeton University Press.
5328:Painting in Italy, 1500–1600
5122:"The Collection | MoMA"
4447:, second edition, edited by
4082:"Tonalism and the "Nocturne"
1727:Philip James de Loutherbourg
1462:
976:painter who belonged to the
368:
254:Jean-Baptiste-Siméon Chardin
49:Moonlit Night on the Dnieper
7:
8703:Artificial intelligence art
5529:Zara, Christopher. (2012).
5522:Wood, Christopher. (1999).
5503:The History of British Art.
5399:Lambourne, Lionel. (1999).
5308:Favorite, Malaika. (1991).
4597:Baird, Olga; Malcolm Dick.
3892:
3455:moving out, led by Captain
3309:Starry Night Over the Rhone
3034:c. 1884, private collection
3027:c. 1878, private collection
2829:c. 1900, private collection
2419:Nocturne in Blue and Silver
2276:Museum of Fine Arts, Boston
2252:Starry Night Over the Rhone
1691:Night: Seaport by Moonlight
1401:. This came to be known as
1149:Judith Beheading Holofernes
1089:National Gallery of Ireland
945:Judith Beheading Holofernes
117:, or night-pieces, such as
10:
9394:
8616:Post-painterly abstraction
8439:Situationist International
7813:Pennsylvania Impressionism
5800:Simpson, Marc and others.
5708:Greenaway, Peter. (2006).
5663:Denham, Robert D. (2010).
5630:The Museum of Modern Art.
5600:Undiana University Press.
5515:Waller, Philip J. (1983).
5161:
4301:Gardner and Kleiner, 2009.
4050:, retrieved April 12, 2009
3999:which was made about 1325.
3642:
3537:artists, and perfected by
3235:
3170:Artists of other movements
3017:, Worcester, Massachusetts
2452:In 1877 Whistler sued the
2425:, London, United Kingdom.
2179:Philadelphia Museum of Art
2078:Philadelphia Museum of Art
1930:The Festival of San Isidro
1035:
1024:painter and instructor to
978:Ferrara School of Painting
768:Influenced by a vision of
564:. Kneeling at his feet is
423:
250:Pierre Choderlos de Laclos
29:
9332:
9136:
8901:
8711:
8491:
8283:
8267:
8199:California Scene Painting
8078:California Scene Painting
8034:Figurative Constructivism
7946:
7751:
7530:
7519:
7349:
7286:
7179:
7095:
7085:Poussinists and Rubenists
6986:
6790:
6523:
6323:
6314:
6301:
6219:
6191:Bartolomé Esteban Murillo
6183:
6042:
5996:
5960:
5949:
5888:
5850:
5778:Nasgaard, Roald. (2007).
5648:Anderson, Nancy. (2003).
5501:Steer, Isabella. (2002).
5468:Schechner, Sara. (1999).
5301:Farquhar, Maria. (1855).
5204:Blunt, Anthony. (1999) .
4805:, retrieved 12 April 2009
4751:. Dia.org. Archived from
4738:Anderson and Koval, 2002.
4341:The Battle of San Romano.
4249:Paoletti and Radke, 2005.
3951:Thyssen-Bornemisza Museum
3185:1835. The founder of the
2793:The Stampede by Lightning
2690:Both Members of This Club
2516:Nocturne in Gray and Gold
1469:Dutch Golden Age painting
1129:The Denial of Saint Peter
887:The Adoration of the Magi
341:, and others created the
127:, or the German Romantic
9297:Prehistoric European art
8946:Contemporary African art
8429:Gendai Bijutsu Kondankai
8357:GeneraciĂłn de la Ruptura
7984:Universal Constructivism
7776:California Impressionism
7731:American Barbizon school
5968:Flemish Baroque painting
5782:Douglas & McIntyre.
5438:Peters, Lisa N. (1998).
5424:Art in Renaissance Italy
5403:. London: Phaidon Press.
5358:What Great Paintings Say
5126:The Museum of Modern Art
5010:Boka and Courteau, 1994.
4578:National Gallery, London
3937:A student and godson of
3924:
3400:Art Institute of Chicago
3075:Art Institute of Chicago
2919:, Andover, Massachusetts
1504:, 1633, a dark sea storm
1431:Dutch Golden Age painter
245:Les Liaisons dangereuses
187:, and painters from the
9124:Walking Artists Network
8461:Letterist International
8301:Washington Color School
7215:Arts in the Philippines
6090:Paolo Domenico Finoglia
5517:Town, City, and Nation.
5457:London: Phaidon Press.
5410:Yale University Press.
5406:Norman, Diana. (1995).
5271:Duffy, Jean H. (1998).
5208:Yale University Press.
4233:Taddeo Gaddi, Biography
4110:Da Capo Press. p. 186.
4059:Lawton, Denis. (1992).
4028:Retrieved June 13, 2010
3710:National Gallery of Art
3566:, made by Dutch artist
3223:National Museum, KrakĂłw
3141:Corcoran Gallery of Art
3049:Cleveland Museum of Art
2986:National Gallery of Art
2961:National Gallery of Art
2756:National Gallery of Art
2731:Hochbahnhof BĂĽlowstraĂźe
2694:National Gallery of Art
2334:Nightfall on the Thames
2201:La Bohémienne endormie
1669:National Gallery of Art
1266:National Gallery of Art
770:Saint Bridget of Sweden
653:illuminated manuscripts
524:Basilica of Santa Croce
166:Beginning in the early
9235:Illuminated manuscript
8883:The Designers Republic
8833:Neue Slowenische Kunst
8756:Pattern and Decoration
8656:Institutional critique
8296:Abstract expressionism
7276:Latin American Baroque
7232:Colonial Asian Baroque
6095:Giovanni Antonio Galli
6065:Battistello Caracciolo
6055:Marco Antonio Bassetti
5678:Elkins, James (2004).
5440:James McNeil Whistler.
5223:Georges Boka Editeur.
5022:Hagen and Hagen, 2003.
4466:The Making of the West
4413:Murray, Linda (1967).
4178:"Artistic experiments"
4024:June 16, 2010, at the
3840:Ralph Albert Blakelock
3787:Evening on the Prairie
3747:Landscape by moonlight
3657:Caspar David Friedrich
3572:Saint-RĂ©my-de-Provence
3461:Willem van Ruytenburch
3423:
3403:
3382:
3360:
3343:
3230:
3190:
3059:Rough Riding Rancheros
2988:
2964:
2941:
2876:Hanover, New Hampshire
2811:
2653:Hanover, New Hampshire
2404:
2337:
2330:John Atkinson Grimshaw
2294:Seacoast in Moonlight,
2268:Ralph Albert Blakelock
2130:James McNeill Whistler
2115:Hunting Birds at Night
1853:Joseph Wright of Derby
1640:Joseph Wright of Derby
1619:Joseph Wright of Derby
1598:Joseph Wright of Derby
1453:Flemish Baroque artist
774:Geertgen tot Sint Jans
609:Geertgen tot Sint Jans
447:Stigmata of St Francis
385:
291:Caspar David Friedrich
129:Caspar David Friedrich
70:
53:
8873:Artist-run initiative
8848:Young British Artists
8813:New European Painting
8749:Moscow Conceptualists
8671:Feminist art movement
8449:Ukrainian underground
8424:Gutai Art Association
7823:Ten American Painters
7327:Western influence in
6304:List of art movements
6211:Francisco de Zurbarán
6100:Artemisia Gentileschi
5928:Hendrick ter Brugghen
5682:. London: Routledge.
5566:Selz, Peter. (1974).
5385:Licht, Fred. (1979).
4385:The Nativity at Night
3762:Frederic Edwin Church
3661:Moonrise over the Sea
3620:In his 1950 painting
3506:The Third of May 1808
3497:The Third of May 1808
3480:The Third of May 1808
3472:The Third of May 1808
3409:
3388:
3366:
3356:The Third of May 1808
3349:
3324:
3249:Landscape with Church
3196:
3177:
3043:Death on a Pale Horse
2970:
2947:
2932:
2808:Sunset on the Plains,
2802:
2393:
2328:
2231:Café Terrace at Night
2051:Starry Night (Millet)
1838:The Port of Rochefort
1706:Jean-Honoré Fragonard
1308:Chicago Art Institute
1144:Artemisia Gentileschi
1125:Hendrick ter Brugghen
1109:The Flight into Egypt
925:Christ Taken Prisoner
376:
240:Jean-Honoré Fragonard
59:
42:
8683:Saqqakhaneh movement
8576:Chicano art movement
8444:Soviet Nonconformist
8250:Boston Expressionism
8233:Abstraction-Création
8051:Arbeitsrat fĂĽr Kunst
8044:Cologne Progressives
7764:Art Nouveau in Milan
7567:Anglo-Japanese style
7543:National romanticism
6973:Fontainebleau School
6883:Northern Renaissance
6718:International Gothic
6184:Spanish Caravaggisti
6080:Bartolomeo Cavarozzi
6070:Cecco del Caravaggio
6043:Italian Caravaggisti
6009:Valentin de Boulogne
5961:Flemish Caravaggisti
5938:Gerard van Honthorst
5693:Erickson, K (1998).
5324:Freedberg, Sydney J.
5146:on 14 September 2012
4937:"Johnhtwachtman.com"
4917:on 29 September 2011
4891:on 29 September 2012
4861:on 16 September 2012
4836:10.1093/brain/awn019
4533:(11 February 2006).
4210:on 16 September 2012
4184:on 24 September 2012
3430:, Rembrandt van Rijn
3421:Museum of Modern Art
3379:Museum of Modern Art
3265:Augustus Leopold Egg
3255:Jacob van Ruisdael,
3055:Frank Tenney Johnson
3038:Albert Pinkham Ryder
3021:John Henry Twachtman
3015:Worcester Art Museum
2850:Ogdensburg, New York
2614:The Hunters' Supper,
2290:Albert Pinkham Ryder
2212:Museum of Modern Art
2111:Jean-François Millet
2047:Jean-François Millet
1977:c. 1818–1819, Louvre
1907:J. Paul Getty Museum
1899:Pierre-Paul Prud'hon
1834:Claude-Joseph Vernet
1467:In northern Europe,
1322:Joachim von Sandrart
1239:Joseph the Carpenter
1084:The Taking of Christ
713:Battle of San Romano
684:Christ in Gethsemane
677:Christ in Gethsemane
675:Très Riches Heures,
594:Christ in Gethsemane
530:as it hovers over a
339:Jean-François Millet
307:Albert Pinkham Ryder
282:after his murder by
258:Jean-Baptiste Greuze
9373:Artistic techniques
9218:Hierarchy of genres
8783:Saint Soleil School
8719:Post-conceptual art
8688:The Stars Art Group
8566:Black Arts Movement
8529:Neo-Dada Organizers
8330:Lyrical abstraction
8063:Australian tonalism
7736:California Tonalism
7408:Hudson River School
7211:Colonial Asian art
6951:English Renaissance
6900:Ghent–Bruges school
6888:Early Netherlandish
6800:Italian Renaissance
6713:Gothic art in Milan
6150:Bartolomeo Schedoni
6120:Bartolomeo Manfredi
5997:French Caravaggisti
5793:Sharpe, William C.
5551:Jethani, S (2009).
5524:Victorian Painting.
5254:Looking at Pictures
5140:"Guggenheim Museum"
4817:. WebMuseumn, Paris
4574:25 May 2010 at the
3969:Italian Renaissance
3909:History of painting
3821:Petrus van Schendel
3802:Petrus van Schendel
3728:Stormy Sea in Night
3637:The Empire of Light
3623:The Empire of Light
3614:The Empire of Light
3483:by Spanish painter
3416:The Empire of Light
3402:, Chicago, Illinois
3281:The Lady of Shalott
3198:Stanisław Masłowski
3091:John Singer Sargent
3077:, Chicago, Illinois
2890:The Hunters' Supper
2864:Shotgun Hospitality
2641:Shotgun Hospitality
2375:Petrus van Schendel
2370:Petrus van Schendel
2298:Phillips Collection
2208:– Zingara che dorme
2175:A Carnival Evening,
2092:Petrus van Schendel
2013:The Barque of Dante
1772:Jacques-Louis David
1714:, 1776–1779, Louvre
1304:A Witches' Sabbath,
1038:Utrecht Caravaggism
974:Italian Renaissance
665:Agony in the Garden
351:Post-Impressionists
270:Jacques-Louis David
226:Eighteenth-century
162:Historical overview
18:Nocturne (painting)
9260:Landscape painting
8868:New Leipzig School
8808:Neo-conceptual art
8556:Art & Language
8551:Capitalist realism
8473:Florida Highwaymen
8409:Hard-edge painting
8223:Streamline Moderne
8184:Harlem Renaissance
8027:Novecento Italiano
7855:Deutscher Werkbund
7682:Post-Impressionism
7244:Latin American art
7048:Guild of Romanists
6910:German Renaissance
6905:Northern Mannerism
6175:Giuseppe Vermiglio
6105:Orazio Gentileschi
6075:Bernardo Cavallino
6014:Georges de La Tour
5918:Hendrick Bloemaert
5890:Dutch Caravaggisti
5455:Atkinson Grimshaw.
5401:Victorian Painting
5389:. Universe Books.
5290:Psychology Press.
4981:"Cowboyindian.com"
4883:The Color of Night
4559:, 11 October 2007.
4330:Scheckner, p. 238.
4042:2012-01-12 at the
3806:Nachtelijke marine
3701:The Voyage of Life
3557:, Vincent van Gogh
3457:Frans Banning Cocq
3445:Rembrandt van Rijn
3424:
3404:
3383:
3361:
3344:
3244:Jacob van Ruisdael
3231:
3191:
2989:
2977:The Voyage of Life
2965:
2963:, Washington, D.C.
2942:
2868:Hood Museum of Art
2842:The End of the Day
2812:
2804:Frederic Remington
2744:Frederic Remington
2645:Hood Museum of Art
2637:Frederic Remington
2610:Frederic Remington
2572:Vilhelm Hammershøi
2520:Westminster Bridge
2405:
2379:Monsieur Chandelle
2338:
2311:Théodore Géricault
2306:Théodore Géricault
2300:, Washington, D.C.
2206:The Sleeping Gypsy
1990:Théodore Géricault
1973:Raft of the Medusa
1967:Théodore Géricault
1777:The Death of Marat
1414:Georges de La Tour
1409:Georges de La Tour
1391:school of painting
1341:Godfried Schalcken
1326:Allegory of Night,
1300:Cornelis Saftleven
1234:Georges de La Tour
1210:Georges de La Tour
989:Albrecht Altdorfer
984:Albrecht Altdorfer
883:Albrecht Altdorfer
868:Capitoline Museums
386:
382:Bertel Thorvaldsen
319:Théodore Géricault
275:The Death of Marat
170:, artists such as
152:Frederic Remington
75:night in paintings
71:
54:
9350:
9349:
9132:
9131:
8988:Corporate Memphis
8941:Classical Realism
8911:Amazonian pop art
8803:Appropriation art
8771:Neo-expressionism
8641:Environmental art
8546:Nouvelle tendance
8263:
8262:
8211:Socialist realism
8068:Dresden Secession
7687:Neo-Impressionism
7650:Decadent movement
7621:Heidelberg School
7515:
7514:
7413:American luminism
7398:DĂĽsseldorf School
7393:Shoreham Ancients
7383:Nazarene movement
7373:Danish Golden Age
7254:Indochristian art
6932:Antwerp Mannerism
6821:Pittura infamante
6815:Florentine School
6810:Proto-Renaissance
6252:
6251:
6239:Peter Paul Rubens
6196:Francisco Ribalta
6170:Massimo Stanzione
6155:Giovanni Serodine
6050:Giovanni Baglione
5983:Theodoor Rombouts
5933:Wouter Crabeth II
5898:Dirck van Baburen
5561:978-0-310-57422-4
5484:Schiller, Gertrud
4551:Lacayo, Richard,
3943:Medieval artistic
3939:Giotto di Bondone
3914:Night photography
3443:by Dutch painter
3227:Sukiennice Museum
3205:landscape painter
3010:Pool in the Woods
2872:Dartmouth College
2772:Denver Art Museum
2748:American Old West
2649:Dartmouth College
2430:ValparaĂso, Chile
2347:On Hampstead Hill
2341:Atkinson Grimshaw
2321:Atkinson Grimshaw
2315:Romantic movement
1823:landscape painter
1438:landscape painter
1434:Aert van der Neer
1425:Aert van der Neer
1268:, Washington D.C.
1258:Aert van der Neer
1170:Abraham and Isaac
902:Cristofano Allori
779:Nativity at Night
763:Nativity at Night
669:Passion of Christ
614:Nativity at Night
550:Giotto di Bondone
518:night scene. The
443:Pietro Lorenzetti
156:American Old West
91:history paintings
73:The depiction of
16:(Redirected from
9385:
9368:Night in culture
9340:
9339:
9324:Western painting
9270:Modern sculpture
9228:History painting
8931:Art intervention
8724:Installation art
8541:Nouveau réalisme
8281:
8280:
8255:Leningrad School
8147:Mexican muralism
8120:Grosvenor School
7860:American Realism
7843:Der Blaue Reiter
7801:Berlin Secession
7796:Vienna Secession
7791:Munich Secession
7709:Pont-Aven School
7528:
7527:
7378:Troubadour style
7356:(c. 1770 – 1862)
7323:Qing handicrafts
7289:Western elements
7220:Letras y figuras
7193:African-American
7188:African diaspora
7159:Directoire style
7070:Heptanese school
7053:Dutch Golden Age
7038:Stroganov School
7031:Lutheran Baroque
7026:Louis XIII style
6999:Baroque in Milan
6861:Bolognese School
6856:High Renaissance
6839:Forlivese School
6834:Ferrarese School
6557:Migration Period
6321:
6320:
6279:
6272:
6265:
6256:
6255:
6225:
6206:Jusepe de Ribera
6140:Orazio Riminaldi
6060:Orazio Borgianni
6024:Nicolas Tournier
5955:
5837:
5830:
5823:
5814:
5813:
5732:Night paintings.
5723:Holden, Donald.
5546:Possible sources
5505:Bath: Parragon.
5256:. Beacon Press.
5156:
5155:
5153:
5151:
5142:. Archived from
5136:
5130:
5129:
5118:
5109:
5099:
5093:
5084:
5078:
5075:
5066:
5063:
5057:
5054:
5045:
5042:
5023:
5020:
5011:
5008:
4999:
4998:
4991:
4985:
4984:
4977:
4971:
4970:
4959:
4953:
4952:
4950:
4948:
4939:. Archived from
4933:
4927:
4926:
4924:
4922:
4913:. Archived from
4907:
4901:
4900:
4898:
4896:
4877:
4871:
4870:
4868:
4866:
4851:
4845:
4824:
4818:
4812:
4806:
4800:
4794:
4791:
4785:
4771:
4765:
4764:
4762:
4760:
4745:
4739:
4736:
4725:
4724:
4722:
4720:
4705:
4699:
4698:
4690:
4684:
4681:
4675:
4674:Lambourne, 1999.
4672:
4663:
4660:
4654:
4651:
4645:
4639:
4633:
4632:Robertson, 1996.
4630:
4624:
4621:
4615:
4614:
4612:
4610:
4605:on 16 March 2007
4601:. Archived from
4594:
4588:
4585:
4579:
4566:
4560:
4553:The Sunshine Boy
4549:
4543:
4542:
4527:
4521:
4511:
4505:
4502:
4496:
4493:
4487:
4486:
4475:
4469:
4462:
4456:
4441:
4435:
4434:
4410:
4404:
4396:
4390:
4381:
4372:
4369:
4363:
4360:
4354:
4351:
4345:
4337:
4331:
4328:
4322:
4311:
4302:
4299:
4280:
4277:
4266:
4263:
4250:
4247:
4238:
4229:
4220:
4219:
4217:
4215:
4200:
4194:
4193:
4191:
4189:
4174:
4168:
4153:
4147:
4129:
4123:
4104:
4098:
4097:
4095:
4093:
4078:
4072:
4057:
4051:
4035:
4029:
4016:
4000:
3993:
3981:
3978:
3972:
3965:late Middle Ages
3961:
3955:
3935:
3881:Ferdinand Hodler
3877:
3858:
3836:
3817:
3798:
3783:Albert Bierstadt
3779:
3758:
3739:
3720:
3692:
3673:
3653:
3576:The Starry Night
3568:Vincent van Gogh
3563:The Starry Night
3555:The Starry Night
3543:The Third of May
3528:Jusepe de Ribera
3474:, Francisco Goya
3373:The Starry Night
3368:Vincent van Gogh
3304:Vincent van Gogh
3151:
3129:
3118:Winter, Midnight
3110:
3087:
3045:(The Race Track)
2957:American Realist
2953:Snow in New York
2909:
2886:
2860:
2838:
2823:
2764:Gilcrease Museum
2760:Washington, D.C.
2723:
2704:
2682:
2663:
2633:
2606:
2587:
2568:
2546:
2531:
2512:
2497:
2438:Cremorne Gardens
2403:, c. 1872–1875
2286:
2272:Moonlight Sonata
2264:
2247:Vincent van Gogh
2243:
2226:Vincent van Gogh
2222:
2193:
2183:Philadelphia, PA
2167:
2148:
2126:
2107:
2088:
2062:
2043:
2032:The Close of Day
2024:
2009:Eugène Delacroix
2005:
1994:After the Deluge
1986:
1963:
1945:
1922:
1895:
1802:Fishermen at Sea
1793:
1768:
1747:
1723:
1702:
1683:
1657:
1636:
1615:
1594:
1575:
1543:
1528:
1513:
1496:
1449:Anthony van Dyck
1444:Anthony van Dyck
1337:
1318:
1296:
1277:
1254:
1230:
1206:
1181:
1166:Anthony van Dyck
1162:
1140:
1121:
1100:
1078:
1067:National Gallery
1062:Supper at Emmaus
1056:
1019:
1016:
997:
994:
972:– 1542), was an
971:
968:
948:, c. 1598–1599,
936:
917:
898:
879:
856:
837:
816:Hieronymus Bosch
812:
741:
725:
703:
661:Arrest of Christ
626:
605:
586:
560:is comforted by
480:
461:
439:
363:Vincent van Gogh
323:Eugène Delacroix
303:Albert Bierstadt
299:Frederick Church
284:Charlotte Corday
236:François Boucher
221:Jusepe de Ribera
111:artificial light
21:
9393:
9392:
9388:
9387:
9386:
9384:
9383:
9382:
9353:
9352:
9351:
9346:
9328:
9245:Interactive art
9128:
9102:SoFlo Superflat
9027:Kitsch movement
8951:Africanfuturism
8903:
8897:
8776:Transavantgarde
8707:
8661:Light and Space
8646:Performance art
8626:Psychedelic art
8509:Nueva Presencia
8499:Otra FiguraciĂłn
8487:
8419:Les Plasticiens
8404:New York School
8382:Action painting
8367:Metcalf Chateau
8276:
8271:
8259:
8179:Cercle et Carré
8115:New Objectivity
8022:Return to order
7964:School of Paris
7942:
7786:School of Paris
7747:
7633:Arts and Crafts
7538:Neo-romanticism
7523:
7511:
7507:Etching revival
7459:Barbizon school
7403:Pre-Raphaelites
7355:
7352:
7345:
7288:
7282:
7175:
7149:Louis XVI style
7091:
7080:Louis XIV style
7043:Animal painting
7004:Flemish Baroque
6982:
6893:World landscape
6844:Venetian School
6786:
6773:Majorcan school
6740:Novgorod School
6730:Lucchese School
6702:Opus Anglicanum
6694:Norman-Sicilian
6638:Italo-Byzantine
6538:Early Christian
6519:
6503:Pompeian Styles
6316:
6310:
6297:
6283:
6253:
6248:
6244:Diego Velázquez
6223:
6215:
6179:
6038:
5992:
5978:Nicolas RĂ©gnier
5956:
5947:
5903:Jan van Bijlert
5884:
5846:
5841:
5811:
5645:
5643:Further reading
5171:Da Capo Press.
5164:
5159:
5149:
5147:
5138:
5137:
5133:
5120:
5119:
5112:
5100:
5096:
5085:
5081:
5076:
5069:
5064:
5060:
5055:
5048:
5043:
5026:
5021:
5014:
5009:
5002:
4993:
4992:
4988:
4979:
4978:
4974:
4961:
4960:
4956:
4946:
4944:
4943:on 5 March 2016
4935:
4934:
4930:
4920:
4918:
4911:"Tamsquare.net"
4909:
4908:
4904:
4894:
4892:
4879:
4878:
4874:
4864:
4862:
4853:
4852:
4848:
4825:
4821:
4813:
4809:
4801:
4797:
4792:
4788:
4772:
4768:
4758:
4756:
4755:on 18 July 2012
4747:
4746:
4742:
4737:
4728:
4718:
4716:
4706:
4702:
4691:
4687:
4682:
4678:
4673:
4666:
4661:
4657:
4652:
4648:
4640:
4636:
4631:
4627:
4622:
4618:
4608:
4606:
4595:
4591:
4586:
4582:
4576:Wayback Machine
4567:
4563:
4550:
4546:
4528:
4524:
4515:Book Reviews: "
4512:
4508:
4503:
4499:
4494:
4490:
4477:
4476:
4472:
4463:
4459:
4442:
4438:
4431:
4411:
4407:
4397:
4393:
4382:
4375:
4371:Campbell, 1998.
4370:
4366:
4361:
4357:
4352:
4348:
4338:
4334:
4329:
4325:
4312:
4305:
4300:
4283:
4278:
4269:
4265:Farquhar, 1855.
4264:
4253:
4248:
4241:
4230:
4223:
4213:
4211:
4202:
4201:
4197:
4187:
4185:
4176:
4175:
4171:
4154:
4150:
4130:
4126:
4105:
4101:
4091:
4089:
4088:on 16 June 2012
4080:
4079:
4075:
4058:
4054:
4044:Wayback Machine
4036:
4032:
4026:Wayback Machine
4017:
4013:
4009:
4004:
4003:
3994:
3990:
3985:
3984:
3979:
3975:
3962:
3958:
3936:
3932:
3927:
3899:Black Paintings
3895:
3888:
3878:
3869:
3859:
3850:
3848:Brooklyn Museum
3837:
3828:
3818:
3809:
3799:
3790:
3780:
3771:
3759:
3750:
3740:
3731:
3724:Ivan Aivazovsky
3721:
3712:
3693:
3684:
3681:The Vesper Hymn
3674:
3665:
3654:
3645:
3618:
3616:, René Magritte
3597:
3595:, Edward Hopper
3559:
3476:
3436:The Night Watch
3432:
3428:The Night Watch
3331:The Night Watch
3319:
3317:Famous examples
3240:
3172:
3165:
3152:
3143:
3133:Willard Metcalf
3130:
3121:
3111:
3102:
3095:Spanish Dancer,
3088:
2927:
2920:
2910:
2901:
2887:
2878:
2861:
2852:
2839:
2830:
2824:
2791:(also known as
2768:Tulsa, Oklahoma
2741:
2734:
2724:
2715:
2705:
2696:
2683:
2674:
2664:
2655:
2634:
2625:
2607:
2598:
2588:
2579:
2569:
2560:
2553:
2547:
2538:
2532:
2523:
2513:
2504:
2498:
2388:
2372:
2363:Impressionistic
2323:
2308:
2301:
2287:
2278:
2265:
2256:
2244:
2235:
2223:
2214:
2194:
2185:
2168:
2159:
2149:
2140:
2127:
2118:
2108:
2099:
2096:Der Liebesbrief
2089:
2080:
2063:
2054:
2044:
2035:
2025:
2016:
2006:
1997:
1987:
1978:
1964:
1955:
1946:
1937:
1934:Museo del Prado
1923:
1914:
1896:
1887:
1850:
1831:
1813:
1806:
1797:J. M. W. Turner
1794:
1785:
1769:
1760:
1748:
1739:
1724:
1715:
1703:
1694:
1684:
1675:
1673:Washington D.C.
1658:
1649:
1637:
1628:
1616:
1607:
1595:
1586:
1579:William Hogarth
1576:
1567:
1560:
1548:The Night Watch
1544:
1535:
1529:
1520:
1514:
1505:
1497:
1485:The Night Watch
1465:
1446:
1427:
1411:
1380:
1355:
1348:
1338:
1329:
1319:
1310:
1297:
1288:
1278:
1269:
1255:
1246:
1231:
1222:
1207:
1198:
1182:
1173:
1163:
1154:
1141:
1132:
1122:
1113:
1101:
1092:
1079:
1070:
1057:
1048:
1034:
1017:
1011:Giuseppe Cesari
1008:
1006:Giuseppe Cesari
995:
986:
969:
960:
953:
937:
928:
921:Giuseppe Cesari
918:
909:
899:
890:
880:
871:
864:The Holy Family
857:
848:
838:
829:
824:, third panel,
813:
804:
791:
766:
749:
744:Paolo Uccello,
742:
733:
728:Paolo Uccello,
726:
717:
704:
695:
680:
647:
627:
618:
606:
597:
596:, c. 1411–1416
587:
578:
547:
508:
498:
481:
472:
462:
453:
440:
431:
426:
371:
327:Gustave Courbet
280:Jean-Paul Marat
232:Antoine Watteau
164:
124:The Night Watch
44:Archip Kuindshi
35:
28:
23:
22:
15:
12:
11:
5:
9391:
9381:
9380:
9375:
9370:
9365:
9348:
9347:
9345:
9344:
9333:
9330:
9329:
9327:
9326:
9321:
9314:
9309:
9304:
9299:
9294:
9289:
9284:
9279:
9278:
9277:
9275:Late modernism
9272:
9262:
9257:
9252:
9247:
9242:
9237:
9232:
9231:
9230:
9225:
9223:Genre painting
9215:
9210:
9205:
9200:
9199:
9198:
9193:
9188:
9183:
9173:
9171:Ballets Russes
9168:
9163:
9158:
9157:
9156:
9154:Asemic writing
9146:
9144:History of art
9140:
9138:
9137:Related topics
9134:
9133:
9130:
9129:
9127:
9126:
9121:
9116:
9111:
9110:
9109:
9104:
9094:
9089:
9084:
9079:
9074:
9072:Relational art
9069:
9064:
9059:
9054:
9049:
9044:
9039:
9034:
9029:
9024:
9019:
9018:
9017:
9007:
9002:
8997:
8995:Hypermodernism
8992:
8991:
8990:
8980:
8975:
8970:
8965:
8960:
8955:
8954:
8953:
8943:
8938:
8933:
8928:
8923:
8918:
8913:
8907:
8905:
8899:
8898:
8896:
8895:
8890:
8885:
8880:
8875:
8870:
8865:
8860:
8855:
8850:
8845:
8840:
8835:
8830:
8825:
8820:
8815:
8810:
8805:
8800:
8795:
8790:
8785:
8780:
8779:
8778:
8768:
8763:
8758:
8753:
8752:
8751:
8741:
8736:
8734:Postminimalism
8731:
8726:
8721:
8715:
8713:
8709:
8708:
8706:
8705:
8700:
8695:
8690:
8685:
8680:
8679:
8678:
8668:
8663:
8658:
8653:
8648:
8643:
8638:
8633:
8628:
8623:
8618:
8613:
8611:Generative art
8608:
8603:
8598:
8593:
8588:
8583:
8581:Conceptual art
8578:
8573:
8568:
8563:
8558:
8553:
8548:
8543:
8538:
8533:
8532:
8531:
8521:
8516:
8511:
8506:
8501:
8495:
8493:
8489:
8488:
8486:
8485:
8480:
8478:Cybernetic art
8475:
8470:
8469:
8468:
8466:Ultra-Lettrist
8463:
8453:
8452:
8451:
8441:
8436:
8431:
8426:
8421:
8416:
8411:
8406:
8401:
8396:
8395:
8394:
8384:
8379:
8374:
8369:
8364:
8359:
8354:
8353:
8352:
8347:
8342:
8340:Arte Informale
8337:
8327:
8322:
8317:
8316:
8315:
8305:
8304:
8303:
8293:
8287:
8285:
8278:
8277:(1945–present)
8265:
8264:
8261:
8260:
8258:
8257:
8252:
8247:
8242:
8237:
8236:
8235:
8225:
8220:
8219:
8218:
8213:
8206:Heroic realism
8203:
8202:
8201:
8191:
8186:
8181:
8176:
8171:
8166:
8159:
8154:
8149:
8144:
8143:
8142:
8140:Latin American
8137:
8127:
8122:
8117:
8112:
8110:Group of Seven
8107:
8102:
8097:
8092:
8091:
8090:
8080:
8075:
8073:Social realism
8070:
8065:
8060:
8059:
8058:
8056:November Group
8048:
8047:
8046:
8041:
8031:
8030:
8029:
8019:
8014:
8013:
8012:
8000:
7995:
7990:
7989:
7988:
7987:
7986:
7979:Latin American
7974:Constructivism
7971:
7969:Crystal Cubism
7966:
7961:
7956:
7950:
7948:
7944:
7943:
7941:
7940:
7935:
7930:
7925:
7920:
7915:
7910:
7909:
7908:
7898:
7893:
7886:
7885:
7884:
7879:
7869:
7868:
7867:
7857:
7852:
7847:
7846:
7845:
7840:
7830:
7825:
7820:
7815:
7810:
7809:
7808:
7803:
7798:
7793:
7783:
7778:
7773:
7768:
7767:
7766:
7755:
7753:
7749:
7748:
7746:
7745:
7740:
7739:
7738:
7728:
7727:
7726:
7721:
7716:
7711:
7706:
7701:
7696:
7695:
7694:
7679:
7674:
7672:Volcano School
7669:
7668:
7667:
7662:
7652:
7647:
7642:
7641:
7640:
7630:
7625:
7624:
7623:
7618:
7613:
7608:
7607:
7606:
7601:
7586:
7581:
7576:
7571:
7570:
7569:
7557:
7552:
7547:
7546:
7545:
7534:
7532:
7525:
7517:
7516:
7513:
7512:
7510:
7509:
7504:
7503:
7502:
7497:
7496:
7495:
7480:
7479:
7478:
7477:
7476:
7466:
7461:
7451:
7446:
7445:
7444:
7434:
7429:
7427:Norwich School
7424:
7419:
7418:
7417:
7416:
7415:
7405:
7400:
7395:
7390:
7385:
7380:
7375:
7370:
7368:Fairy painting
7359:
7357:
7347:
7346:
7344:
7343:
7342:
7341:
7336:
7325:
7320:
7315:
7310:
7305:
7304:
7303:
7292:
7290:
7284:
7283:
7281:
7280:
7279:
7278:
7273:
7272:
7271:
7266:
7261:
7259:Chilote School
7251:
7249:Casta painting
7241:
7240:
7239:
7234:
7229:
7228:
7227:
7225:Tipos del PaĂs
7222:
7209:
7208:
7207:
7206:
7205:
7195:
7183:
7181:
7177:
7176:
7174:
7173:
7168:
7167:
7166:
7161:
7156:
7151:
7146:
7134:
7133:
7132:
7125:
7120:
7115:
7113:Louis XV style
7110:
7099:
7097:
7093:
7092:
7090:
7089:
7088:
7087:
7082:
7072:
7067:
7062:
7061:
7060:
7050:
7045:
7040:
7035:
7034:
7033:
7028:
7023:
7022:
7021:
7016:
7006:
7001:
6990:
6988:
6984:
6983:
6981:
6980:
6975:
6970:
6965:
6960:
6959:
6958:
6948:
6947:
6946:
6945:
6944:
6939:
6934:
6924:
6923:
6922:
6917:
6915:Cologne School
6907:
6902:
6897:
6896:
6895:
6880:
6879:
6878:
6877:
6876:
6868:
6863:
6858:
6848:
6847:
6846:
6841:
6836:
6826:
6825:
6824:
6817:
6812:
6796:
6794:
6788:
6787:
6785:
6784:
6783:
6782:
6775:
6770:
6768:Italian school
6759:
6754:
6753:
6752:
6750:Sienese School
6742:
6737:
6732:
6727:
6726:
6725:
6720:
6715:
6705:
6698:
6697:
6696:
6686:
6685:
6684:
6679:
6669:
6664:
6663:
6662:
6660:Pre-Romanesque
6657:
6652:
6642:
6641:
6640:
6635:
6630:
6625:
6615:
6610:
6609:
6608:
6596:
6591:
6589:Donor portrait
6586:
6585:
6584:
6579:
6574:
6569:
6564:
6554:
6553:
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6387:Protogeometric
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6224:Related topics
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6160:Carlo Sellitto
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6145:Carlo Saraceni
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6132:
6130:Pietro Paolino
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6085:Domenico Fetti
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5809:External links
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3493:Peninsular War
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2576:Five Portraits
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2522:, c. 1871–1874
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2156:Hermann Pleuer
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2053:, c. 1850–1865
2045:
2038:
2036:
2026:
2019:
2017:
2015:, 1822, Louvre
2007:
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1998:
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1981:
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1368:sensationalism
1363:Adam Elsheimer
1354:
1353:Adam Elsheimer
1351:
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1347:, c. 1665–1670
1339:
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347:Impressionists
343:Realist school
331:Honoré Daumier
315:Francisco Goya
191:era including
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26:
9:
6:
4:
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9208:Fantastic art
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8843:Retrofuturism
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8838:Scratch video
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8823:Memphis Group
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8811:
8809:
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8798:Telematic art
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8788:Guerrilla art
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8739:Endurance art
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8407:
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8399:New media art
8397:
8393:
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8385:
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8380:
8378:
8377:Nanyang Style
8375:
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8308:Visionary art
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8197:
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8177:
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8174:Scuola Romana
8172:
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8128:
8126:
8123:
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8108:
8106:
8103:
8101:
8100:Anthropophagy
8098:
8096:
8093:
8089:
8086:
8085:
8084:
8083:Functionalism
8081:
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8076:
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8025:
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8018:
8015:
8011:
8010:
8006:
8005:
8004:
8003:Neoplasticism
8001:
7999:
7996:
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7991:
7985:
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7907:
7906:Cubo-Futurism
7904:
7903:
7902:
7899:
7897:
7894:
7892:
7891:
7887:
7883:
7880:
7878:
7875:
7874:
7873:
7870:
7866:
7865:Ashcan School
7863:
7862:
7861:
7858:
7856:
7853:
7851:
7848:
7844:
7841:
7839:
7836:
7835:
7834:
7833:Expressionism
7831:
7829:
7826:
7824:
7821:
7819:
7818:Mir iskusstva
7816:
7814:
7811:
7807:
7804:
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7629:
7626:
7622:
7619:
7617:
7614:
7612:
7609:
7605:
7604:Boston School
7602:
7600:
7599:Hoosier Group
7597:
7596:
7595:
7592:
7591:
7590:
7589:Impressionism
7587:
7585:
7584:Peredvizhniki
7582:
7580:
7577:
7575:
7574:Beuron School
7572:
7568:
7565:
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7563:
7562:
7558:
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7526:
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7508:
7505:
7501:
7498:
7494:
7491:
7490:
7489:
7488:Munich School
7486:
7485:
7484:
7481:
7475:
7472:
7471:
7470:
7467:
7465:
7462:
7460:
7457:
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7447:
7443:
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7414:
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7409:
7406:
7404:
7401:
7399:
7396:
7394:
7391:
7389:
7386:
7384:
7381:
7379:
7376:
7374:
7371:
7369:
7366:
7365:
7364:
7361:
7360:
7358:
7354:
7348:
7340:
7337:
7335:
7332:
7331:
7330:
7326:
7324:
7321:
7319:
7316:
7314:
7311:
7309:
7306:
7302:
7299:
7298:
7297:
7294:
7293:
7291:
7287:Art borrowing
7285:
7277:
7274:
7270:
7267:
7265:
7262:
7260:
7257:
7256:
7255:
7252:
7250:
7247:
7246:
7245:
7242:
7238:
7237:Company style
7235:
7233:
7230:
7226:
7223:
7221:
7218:
7217:
7216:
7213:
7212:
7210:
7204:
7201:
7200:
7199:
7196:
7194:
7191:
7190:
7189:
7185:
7184:
7182:
7178:
7172:
7169:
7165:
7162:
7160:
7157:
7155:
7152:
7150:
7147:
7145:
7144:
7140:
7139:
7138:
7137:Neoclassicism
7135:
7131:
7130:
7126:
7124:
7121:
7119:
7116:
7114:
7111:
7109:
7106:
7105:
7104:
7101:
7100:
7098:
7094:
7086:
7083:
7081:
7078:
7077:
7076:
7073:
7071:
7068:
7066:
7063:
7059:
7056:
7055:
7054:
7051:
7049:
7046:
7044:
7041:
7039:
7036:
7032:
7029:
7027:
7024:
7020:
7017:
7015:
7012:
7011:
7010:
7007:
7005:
7002:
7000:
6997:
6996:
6995:
6992:
6991:
6989:
6985:
6979:
6976:
6974:
6971:
6969:
6966:
6964:
6963:Cretan School
6961:
6957:
6954:
6953:
6952:
6949:
6943:
6940:
6938:
6935:
6933:
6930:
6929:
6928:
6925:
6921:
6920:Danube school
6918:
6916:
6913:
6912:
6911:
6908:
6906:
6903:
6901:
6898:
6894:
6891:
6890:
6889:
6886:
6885:
6884:
6881:
6875:
6874:
6869:
6867:
6864:
6862:
6859:
6857:
6854:
6853:
6852:
6849:
6845:
6842:
6840:
6837:
6835:
6832:
6831:
6830:
6827:
6823:
6822:
6818:
6816:
6813:
6811:
6808:
6807:
6806:
6803:
6802:
6801:
6798:
6797:
6795:
6793:
6789:
6781:
6780:
6776:
6774:
6771:
6769:
6766:
6765:
6764:
6760:
6758:
6755:
6751:
6748:
6747:
6746:
6743:
6741:
6738:
6736:
6733:
6731:
6728:
6724:
6721:
6719:
6716:
6714:
6711:
6710:
6709:
6706:
6704:
6703:
6699:
6695:
6692:
6691:
6690:
6687:
6683:
6680:
6678:
6675:
6674:
6673:
6670:
6668:
6665:
6661:
6658:
6656:
6653:
6651:
6648:
6647:
6646:
6643:
6639:
6636:
6634:
6631:
6629:
6626:
6624:
6621:
6620:
6619:
6616:
6614:
6611:
6607:
6606:
6602:
6601:
6600:
6597:
6595:
6592:
6590:
6587:
6583:
6580:
6578:
6575:
6573:
6570:
6568:
6565:
6563:
6560:
6559:
6558:
6555:
6551:
6548:
6547:
6546:
6543:
6539:
6536:
6535:
6534:
6531:
6530:
6528:
6526:
6522:
6514:
6511:
6509:
6506:
6504:
6501:
6499:
6496:
6494:
6491:
6489:
6486:
6485:
6484:
6481:
6479:
6476:
6474:
6471:
6469:
6466:
6464:
6461:
6455:
6452:
6448:
6445:
6444:
6443:
6440:
6438:
6435:
6434:
6433:
6430:
6428:
6425:
6423:
6420:
6418:
6415:
6413:
6410:
6408:
6405:
6403:
6400:
6398:
6397:Orientalizing
6395:
6393:
6390:
6388:
6385:
6383:
6382:Sub-Mycenaean
6380:
6379:
6378:
6375:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6352:
6351:
6348:
6346:
6343:
6339:
6336:
6335:
6334:
6331:
6330:
6328:
6326:
6322:
6319:
6313:
6309:
6305:
6300:
6296:art movements
6295:
6291:
6287:
6280:
6275:
6273:
6268:
6266:
6261:
6260:
6257:
6245:
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6222:
6221:
6218:
6212:
6209:
6207:
6204:
6202:
6199:
6197:
6194:
6192:
6189:
6188:
6186:
6182:
6176:
6173:
6171:
6168:
6166:
6163:
6161:
6158:
6156:
6153:
6151:
6148:
6146:
6143:
6141:
6138:
6136:
6133:
6131:
6128:
6126:
6125:Mario Minniti
6123:
6121:
6118:
6116:
6115:Ottavio Leoni
6113:
6111:
6108:
6106:
6103:
6101:
6098:
6096:
6093:
6091:
6088:
6086:
6083:
6081:
6078:
6076:
6073:
6071:
6068:
6066:
6063:
6061:
6058:
6056:
6053:
6051:
6048:
6047:
6045:
6041:
6035:
6032:
6030:
6029:Claude Vignon
6027:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6002:
6001:
5999:
5995:
5989:
5986:
5984:
5981:
5979:
5976:
5974:
5971:
5969:
5966:
5965:
5963:
5959:
5954:
5944:
5943:Matthias Stom
5941:
5939:
5936:
5934:
5931:
5929:
5926:
5924:
5921:
5919:
5916:
5914:
5911:
5909:
5906:
5904:
5901:
5899:
5896:
5895:
5893:
5891:
5887:
5881:
5878:
5876:
5873:
5871:
5868:
5866:
5863:
5861:
5858:
5856:
5853:
5852:
5849:
5845:
5838:
5833:
5831:
5826:
5824:
5819:
5818:
5815:
5803:
5799:
5796:
5792:
5789:
5788:1-55365-394-7
5785:
5781:
5777:
5774:
5770:
5767:
5766:0-520-23049-3
5763:
5759:
5755:
5752:
5748:
5744:
5741:
5740:0-8109-3502-3
5737:
5734:H.N. Abrams.
5733:
5729:
5726:
5722:
5719:
5718:90-8690-013-5
5715:
5711:
5707:
5704:
5703:0-8028-3856-1
5700:
5696:
5692:
5689:
5688:0-415-97053-9
5685:
5681:
5677:
5674:
5673:0-7864-4725-7
5670:
5666:
5662:
5659:
5658:0-691-11554-0
5655:
5651:
5647:
5646:
5637:
5636:0-87070-737-X
5633:
5629:
5625:
5622:
5621:90-5356-239-7
5618:
5614:
5610:
5607:
5606:0-936260-62-9
5603:
5599:
5595:
5592:
5591:3-8228-1825-9
5588:
5584:
5580:
5577:
5576:0-520-02515-6
5573:
5569:
5565:
5562:
5558:
5554:
5550:
5549:
5545:
5544:
5540:
5539:1-4405-3003-3
5536:
5533:Adams Media.
5532:
5528:
5525:
5521:
5518:
5514:
5512:
5511:0-7525-7602-X
5508:
5504:
5500:
5497:
5496:0-85331-270-2
5493:
5489:
5485:
5482:
5479:
5478:0-691-00925-2
5475:
5471:
5467:
5464:
5463:0-7148-2525-5
5460:
5456:
5452:
5449:
5448:1-880908-70-0
5445:
5441:
5437:
5434:
5433:1-85669-439-9
5430:
5426:
5425:
5420:
5417:
5416:0-300-06127-7
5413:
5409:
5405:
5402:
5398:
5396:
5395:0-87663-294-0
5392:
5388:
5384:
5381:
5380:1-59373-065-9
5377:
5373:
5369:
5367:
5366:3-8228-2100-4
5363:
5359:
5355:
5352:
5351:0-495-50346-0
5348:
5344:
5340:
5337:
5336:0-14-056035-1
5333:
5329:
5325:
5322:
5319:
5318:0-938498-09-6
5315:
5311:
5307:
5304:
5300:
5297:
5296:0-415-19323-0
5293:
5289:
5285:
5282:
5281:0-85323-851-0
5278:
5274:
5270:
5267:
5263:
5262:0-8070-6689-3
5259:
5255:
5251:
5248:
5245:
5244:1-85709-171-X
5241:
5237:
5233:
5230:
5229:2-920217-41-0
5226:
5222:
5218:
5215:
5214:0-300-07748-3
5211:
5207:
5203:
5200:
5199:0-226-06335-6
5196:
5192:
5188:
5187:Boime, Albert
5185:
5182:
5178:
5177:0-7867-1032-2
5174:
5170:
5166:
5165:
5145:
5141:
5135:
5127:
5123:
5117:
5115:
5107:
5106:
5098:
5091:
5090:
5083:
5074:
5072:
5062:
5053:
5051:
5041:
5039:
5037:
5035:
5033:
5031:
5029:
5019:
5017:
5007:
5005:
4996:
4990:
4982:
4976:
4968:
4964:
4958:
4942:
4938:
4932:
4916:
4912:
4906:
4890:
4886:
4884:
4876:
4860:
4856:
4850:
4844:
4840:
4837:
4833:
4829:
4823:
4816:
4811:
4804:
4803:From the Tate
4799:
4793:Peters, 1998.
4790:
4784:
4780:
4776:
4770:
4754:
4750:
4744:
4735:
4733:
4731:
4715:
4711:
4704:
4696:
4695:The Spectator
4689:
4680:
4671:
4669:
4659:
4653:Waller, 1983.
4650:
4643:
4638:
4629:
4620:
4604:
4600:
4593:
4584:
4577:
4573:
4570:
4565:
4558:
4557:TIME Magazine
4554:
4548:
4540:
4536:
4532:
4531:Robert Hughes
4526:
4519:
4518:
4510:
4501:
4492:
4484:
4483:www.getty.edu
4480:
4474:
4467:
4461:
4454:
4450:
4449:Stanley Sadie
4446:
4440:
4432:
4430:0-500-20162-5
4426:
4422:
4418:
4417:
4409:
4402:
4401:
4395:
4388:
4386:
4380:
4378:
4368:
4359:
4350:
4343:
4342:
4336:
4327:
4320:
4316:
4310:
4308:
4298:
4296:
4294:
4292:
4290:
4288:
4286:
4279:Norman, 1995.
4276:
4274:
4272:
4262:
4260:
4258:
4256:
4246:
4244:
4236:
4234:
4228:
4226:
4209:
4205:
4199:
4183:
4179:
4173:
4166:
4162:
4158:
4152:
4145:
4141:
4137:
4133:
4128:
4121:
4117:
4116:0-786-71032-2
4113:
4109:
4103:
4087:
4083:
4077:
4070:
4066:
4062:
4056:
4049:
4045:
4041:
4038:
4034:
4027:
4023:
4020:
4015:
4011:
3998:
3992:
3988:
3977:
3970:
3966:
3960:
3952:
3948:
3944:
3940:
3934:
3930:
3920:
3917:
3915:
3912:
3910:
3907:
3905:
3902:
3900:
3897:
3896:
3886:
3882:
3876:
3871:
3867:
3863:
3862:Pedro Américo
3857:
3852:
3849:
3845:
3841:
3835:
3830:
3826:
3822:
3816:
3811:
3807:
3803:
3797:
3792:
3788:
3784:
3778:
3773:
3769:
3768:
3763:
3757:
3752:
3748:
3744:
3738:
3733:
3729:
3725:
3719:
3714:
3711:
3707:
3703:
3702:
3697:
3691:
3686:
3682:
3678:
3672:
3667:
3663:
3662:
3658:
3652:
3647:
3646:
3640:
3638:
3633:
3629:
3628:René Magritte
3626:
3624:
3615:
3610:
3607:
3606:
3601:
3600:Edward Hopper
3594:
3589:
3587:
3586:
3581:
3577:
3573:
3569:
3565:
3564:
3556:
3551:
3549:
3544:
3540:
3536:
3531:
3529:
3525:
3521:
3516:
3514:
3509:
3507:
3503:
3502:Kenneth Clark
3498:
3494:
3490:
3486:
3482:
3481:
3473:
3468:
3464:
3462:
3458:
3454:
3450:
3446:
3442:
3438:
3437:
3429:
3422:
3418:
3417:
3412:
3411:René Magritte
3408:
3401:
3397:
3396:
3391:
3390:Edward Hopper
3387:
3380:
3376:
3374:
3369:
3365:
3358:
3357:
3352:
3348:
3341:
3337:
3333:
3332:
3327:
3323:
3311:
3310:
3306:(1853–1890),
3305:
3302:
3299:
3297:
3293:
3289:(1834–1917),
3288:
3285:
3282:
3279:(1835–1920),
3278:
3275:
3272:
3271:
3267:(1816–1863),
3266:
3263:
3260:
3259:
3254:
3252:(circa 1660)]
3251:
3250:
3246:(1628–1682),
3245:
3242:
3241:
3239:
3234:
3228:
3224:
3220:
3216:
3212:
3211:
3206:
3203:
3199:
3195:
3188:
3184:
3180:
3176:
3164:
3160:
3156:
3155:J. Alden Weir
3150:
3145:
3142:
3138:
3134:
3128:
3123:
3119:
3115:
3114:Childe Hassam
3109:
3104:
3100:
3096:
3092:
3086:
3081:
3080:
3076:
3072:
3071:
3067:(1882–1967),
3066:
3065:Edward Hopper
3063:
3060:
3057:(1874–1939),
3056:
3053:
3050:
3047:c. 1910, The
3046:
3044:
3040:(1847–1917),
3039:
3036:
3033:
3029:
3026:
3023:(1853–1902),
3022:
3019:
3016:
3012:
3011:
3007:(1825–1894),
3006:
3005:George Inness
3003:
3000:
2999:
2995:(1801–1848),
2994:
2991:
2990:
2987:
2983:
2979:
2978:
2973:
2969:
2962:
2958:
2954:
2950:
2946:
2939:
2935:
2934:Thomas Eakins
2931:
2918:
2914:
2908:
2903:
2899:
2898:Oklahoma City
2895:
2891:
2885:
2880:
2877:
2873:
2869:
2865:
2859:
2854:
2851:
2847:
2843:
2837:
2832:
2828:
2822:
2817:
2816:
2815:
2809:
2805:
2801:
2797:
2796:
2794:
2790:
2785:
2784:Impressionism
2781:
2777:
2773:
2769:
2765:
2761:
2757:
2753:
2749:
2745:
2732:
2728:
2722:
2717:
2713:
2709:
2708:Lovis Corinth
2703:
2698:
2695:
2691:
2687:
2681:
2676:
2672:
2668:
2662:
2657:
2654:
2650:
2646:
2642:
2638:
2632:
2627:
2623:
2622:Oklahoma City
2619:
2615:
2611:
2605:
2600:
2596:
2592:
2591:William Orpen
2586:
2581:
2577:
2573:
2567:
2562:
2561:
2551:
2545:
2540:
2536:
2530:
2525:
2521:
2517:
2511:
2506:
2502:
2496:
2491:
2490:
2489:
2487:
2486:
2480:
2476:
2472:
2468:
2464:
2463:
2458:
2455:
2450:
2448:
2443:
2439:
2435:
2431:
2426:
2424:
2420:
2416:
2411:
2409:
2402:
2401:
2396:
2392:
2383:
2380:
2376:
2367:
2364:
2360:
2356:
2351:
2348:
2344:
2342:
2335:
2331:
2327:
2318:
2316:
2312:
2299:
2295:
2291:
2285:
2280:
2277:
2274:, 1889–1892,
2273:
2269:
2263:
2258:
2254:
2253:
2248:
2242:
2237:
2233:
2232:
2227:
2221:
2216:
2213:
2209:
2207:
2202:
2198:
2192:
2187:
2184:
2180:
2176:
2172:
2166:
2161:
2157:
2153:
2147:
2142:
2138:
2136:
2131:
2125:
2120:
2116:
2112:
2106:
2101:
2097:
2093:
2087:
2082:
2079:
2076:) 1868–1869,
2075:
2071:
2067:
2061:
2056:
2052:
2048:
2042:
2037:
2033:
2029:
2023:
2018:
2014:
2010:
2004:
1999:
1995:
1991:
1985:
1980:
1976:
1974:
1968:
1962:
1957:
1954:
1950:
1944:
1939:
1935:
1932:, 1819–1823,
1931:
1927:
1921:
1916:
1913:, Los Angeles
1912:
1908:
1904:
1900:
1894:
1889:
1888:
1882:
1878:
1876:
1875:
1870:
1869:
1864:
1863:
1858:
1854:
1848:Joseph Wright
1845:
1843:
1842:Michael Levey
1839:
1835:
1829:Joseph Vernet
1826:
1824:
1821:
1817:
1811:Joseph Turner
1804:
1803:
1798:
1792:
1787:
1783:
1779:
1778:
1773:
1767:
1762:
1758:
1757:
1756:The Nightmare
1752:
1746:
1741:
1738:
1734:
1733:
1728:
1722:
1717:
1713:
1712:
1707:
1701:
1696:
1692:
1688:
1687:Joseph Vernet
1682:
1677:
1674:
1670:
1666:
1665:The Shipwreck
1662:
1661:Joseph Vernet
1656:
1651:
1647:
1646:
1641:
1635:
1630:
1626:
1625:
1620:
1614:
1609:
1605:
1604:
1599:
1593:
1588:
1584:
1580:
1574:
1569:
1568:
1558:
1554:
1550:
1549:
1542:
1537:
1533:
1527:
1522:
1518:
1512:
1507:
1503:
1502:
1495:
1490:
1489:
1488:
1486:
1482:
1478:
1474:
1470:
1460:
1458:
1457:court painter
1454:
1450:
1441:
1439:
1435:
1432:
1422:
1419:
1415:
1406:
1404:
1400:
1396:
1392:
1389:
1384:
1375:
1373:
1369:
1364:
1360:
1346:
1342:
1336:
1331:
1327:
1323:
1317:
1312:
1309:
1305:
1301:
1295:
1290:
1287:, before 1650
1286:
1282:
1276:
1271:
1267:
1264:, 1648–1650,
1263:
1259:
1253:
1248:
1245:
1241:
1240:
1235:
1229:
1224:
1221:
1217:
1216:
1211:
1205:
1200:
1196:
1192:
1191:
1186:
1180:
1175:
1171:
1167:
1161:
1156:
1152:
1150:
1145:
1139:
1134:
1130:
1126:
1120:
1115:
1111:
1110:
1105:
1099:
1094:
1090:
1086:
1085:
1077:
1072:
1068:
1064:
1063:
1055:
1050:
1049:
1047:
1043:
1039:
1029:
1027:
1023:
1012:
1003:
1001:
1000:Danube School
990:
981:
979:
975:
964:
951:
947:
946:
941:
935:
930:
926:
922:
916:
911:
907:
903:
897:
892:
888:
884:
878:
873:
869:
866:, 1527–1528,
865:
861:
855:
850:
846:
842:
836:
831:
827:
823:
822:
817:
811:
806:
805:
799:
796:
789:
784:
781:
780:
775:
772:(1303–1373),
771:
764:
758:
755:
747:
740:
735:
731:
724:
719:
715:
714:
708:
707:Paolo Uccello
702:
697:
696:
693:
687:
685:
678:
672:
670:
666:
662:
658:
654:
645:
642:
638:
636:
631:
625:
620:
616:
615:
610:
604:
599:
595:
591:
585:
580:
579:
573:
571:
567:
563:
559:
555:
551:
545:
539:
537:
536:monochromatic
533:
529:
525:
521:
517:
513:
506:
496:
492:
489:
485:
479:
474:
470:
466:
460:
455:
452:
448:
444:
438:
433:
432:
421:
419:
415:
411:
407:
403:
399:
398:superstitions
395:
391:
383:
379:
375:
366:
364:
360:
356:
352:
348:
344:
340:
336:
332:
328:
324:
320:
316:
312:
308:
304:
300:
296:
292:
287:
285:
281:
277:
276:
271:
267:
263:
262:William Blake
259:
255:
251:
247:
246:
241:
237:
233:
229:
224:
222:
218:
214:
210:
206:
202:
198:
194:
190:
186:
181:
177:
173:
169:
159:
157:
153:
148:
143:
138:
136:
135:
130:
126:
125:
120:
116:
112:
108:
104:
100:
96:
92:
88:
84:
80:
77:is common in
76:
68:
67:
62:
58:
51:
50:
45:
41:
37:
33:
19:
9318:Trompe-l'Ĺ“il
9316:
9287:Outsider art
9240:Illustration
9196:Lutheran art
9186:Catholic art
9149:Abstract art
9119:Unilalianism
9082:Software art
9057:Neosymbolism
9047:Neo-futurism
9010:Internet art
9000:Hyperrealism
8853:Superfiction
8636:Photorealism
8504:Afrofuturism
8269:Contemporary
8245:Dimensionism
8228:Concrete art
8161:
8157:Precisionism
8007:
7954:Sosaku-hanga
7928:Productivism
7918:Metaphysical
7888:
7877:Proto-Cubism
7781:Secessionism
7743:Costumbrismo
7628:Aestheticism
7579:Hague School
7559:
7483:Academic art
7464:Costumbrismo
7432:Empire style
7269:Quito School
7264:Cusco School
7180:Colonial art
7141:
7129:FĂŞte galante
7127:
7096:18th century
7058:Delft School
7009:Caravaggisti
6987:17th century
6872:
6829:Quattrocento
6819:
6777:
6700:
6603:
6533:Late antique
6417:Severe style
6407:Black-figure
6294:Contemporary
6201:Juan Ribalta
6135:Mattia Preti
6019:Jean LeClerc
5913:Andries Both
5844:Caravaggisti
5801:
5794:
5779:
5772:
5757:
5750:
5746:
5731:
5724:
5709:
5694:
5679:
5664:
5649:
5627:
5612:
5597:
5582:
5567:
5552:
5530:
5523:
5516:
5502:
5487:
5469:
5454:
5439:
5422:
5407:
5400:
5386:
5371:
5357:
5342:
5327:
5309:
5302:
5287:
5272:
5264:. (found on
5253:
5235:
5220:
5205:
5190:
5180:
5168:
5148:. Retrieved
5144:the original
5134:
5125:
5104:
5103:Nytimes.com
5097:
5088:
5082:
5065:Boime, 1990.
5061:
5056:Clark, 1968.
5044:Licht, 1979.
4989:
4975:
4966:
4957:
4945:. Retrieved
4941:the original
4931:
4919:. Retrieved
4915:the original
4905:
4893:. Retrieved
4889:the original
4882:
4875:
4863:. Retrieved
4859:the original
4849:
4822:
4810:
4798:
4789:
4774:
4769:
4757:. Retrieved
4753:the original
4743:
4717:. Retrieved
4713:
4703:
4694:
4688:
4679:
4658:
4649:
4637:
4628:
4619:
4607:. Retrieved
4603:the original
4592:
4583:
4564:
4552:
4547:
4539:The Guardian
4538:
4525:
4516:
4509:
4500:
4491:
4482:
4473:
4465:
4460:
4453:John Tyrrell
4444:
4439:
4415:
4408:
4399:
4394:
4384:
4367:
4358:
4353:Duffy, 1998.
4349:
4340:
4335:
4326:
4318:
4314:
4232:
4212:. Retrieved
4208:the original
4198:
4186:. Retrieved
4182:the original
4172:
4156:
4151:
4135:
4132:Marter, Joan
4127:
4119:
4107:
4102:
4090:. Retrieved
4086:the original
4076:
4060:
4055:
4033:
4014:
3996:
3991:
3976:
3959:
3933:
3884:
3865:
3843:
3824:
3805:
3786:
3765:
3746:
3727:
3705:
3699:
3680:
3659:
3636:
3621:
3619:
3613:
3603:
3598:
3592:
3583:
3575:
3561:
3560:
3554:
3542:
3532:
3517:
3513:firing squad
3510:
3505:
3496:
3478:
3477:
3471:
3465:
3440:
3434:
3433:
3427:
3414:
3393:
3371:
3354:
3335:
3329:
3307:
3295:
3291:
3280:
3277:John LaFarge
3273:(circa 1853)
3269:
3261:(circa 1665)
3257:
3248:
3237:
3232:
3208:
3182:
3158:
3136:
3117:
3094:
3068:
3058:
3042:
3031:
3025:Canal Venice
3024:
3009:
2997:
2981:
2975:
2952:
2949:Robert Henri
2937:
2912:
2889:
2863:
2841:
2826:
2813:
2807:
2792:
2789:The Stampede
2788:
2751:
2742:
2730:
2711:
2689:
2670:
2640:
2613:
2594:
2575:
2558:20th century
2549:
2534:
2515:
2500:
2483:
2460:
2451:
2434:River Thames
2427:
2423:Tate Gallery
2418:
2412:
2406:
2398:
2378:
2373:
2352:
2346:
2345:
2339:
2333:
2309:
2293:
2271:
2250:
2229:
2204:
2200:
2174:
2151:
2133:
2114:
2095:
2073:
2069:
2031:
2028:Jules Breton
2012:
1993:
1970:
1952:
1949:Henry Pether
1929:
1911:Getty Center
1902:
1885:19th century
1879:
1872:
1866:
1860:
1851:
1837:
1832:
1814:
1800:
1775:
1754:
1751:Henry Fuseli
1730:
1709:
1690:
1664:
1643:
1622:
1601:
1582:
1565:18th century
1552:
1546:
1531:
1516:
1499:
1484:
1480:
1476:
1466:
1459:in England.
1455:and leading
1447:
1428:
1412:
1381:
1356:
1344:
1325:
1303:
1284:
1261:
1237:
1213:
1188:
1169:
1147:
1128:
1107:
1082:
1060:
1042:Caravaggisti
1032:17th century
1009:
987:
961:
943:
924:
905:
886:
863:
844:
825:
819:
802:16th century
794:
792:
787:
777:
767:
762:
753:
752:
745:
729:
710:
691:
683:
681:
676:
650:
633:
612:
593:
576:15th century
553:
548:
543:
515:
512:Taddeo Gaddi
509:
504:
487:
484:Taddeo Gaddi
468:
465:Taddeo Gaddi
446:
429:14th century
387:
380:, relief by
377:
365:and others.
359:Paul CĂ©zanne
335:Jules Breton
288:
273:
266:Henry Fuseli
264:and painter
243:
225:
165:
140:In America,
139:
132:
122:
114:
74:
72:
64:
47:
36:
9378:Moon in art
9203:Digital art
9166:Avant-garde
9107:Superstroke
8983:Flat design
8978:Fictive art
8973:Excessivism
8921:Art for art
8916:Altermodern
8858:Taring Padi
8793:Lowbrow art
8761:Pliontanism
8698:Yoru no Kai
8651:Process art
8591:Systems art
8561:Arte Povera
8483:Antipodeans
8392:in New York
8362:Jikken KĹŤbĹŤ
8325:Color field
8194:Regionalism
8163:Aeropittura
8152:Neo-Fauvism
8125:Neues Sehen
8095:Kinetic art
7959:Suprematism
7933:Synchromism
7850:Noucentisme
7771:Primitivism
7759:Art Nouveau
7714:Cloisonnism
7704:Pointillism
7699:Divisionism
7677:Incoherents
7638:Art pottery
7524:(1863–1944)
7474:Macchiaioli
7449:Biedermeier
7437:Historicism
7422:Orientalism
7363:Romanticism
7334:Akita ranga
7186:Art of the
7171:Picturesque
7123:Chinoiserie
7118:Frederician
6956:Tudor court
6851:Cinquecento
6792:Renaissance
6779:Mappa mundi
6763:cartography
6655:Carolingian
6650:Merovingian
6633:Palaeologan
6605:RepoblaciĂłn
6562:Anglo-Saxon
6493:Gallo-Roman
6432:Hellenistic
6427:Kerch style
6365:Minyan ware
6034:Simon Vouet
5870:Chiaroscuro
5667:McFarland.
5360:. Taschen.
5077:Zara, 2012.
4947:3 September
4921:3 September
4895:1 September
4865:1 September
4759:1 September
4623:Wood, 1999.
4609:23 November
4214:1 September
4188:1 September
4092:1 September
4046:, from the
3947:chiaroscuro
3743:Jules Dupré
3696:Thomas Cole
3677:Thomas Cole
3585:magnum opus
3524:chiaroscuro
3449:chiaroscuro
3419:, c. 1950,
3342:, Amsterdam
3340:Rijksmuseum
3294:(nicknamed
3287:Edgar Degas
3183:The Tornado
3179:Thomas Cole
3097:1879–1880,
2993:Thomas Cole
2972:Thomas Cole
2780:illustrator
2712:Rising Moon
2595:Night No. 2
2475:John Ruskin
2457:John Ruskin
2158:(1863–1911)
2072:(nicknamed
2066:Edgar Degas
1857:Chiaroscuro
1559:, Amsterdam
1557:Rijksmuseum
1418:chiaroscuro
1399:chiaroscuro
1218:, c. 1640,
1087:, c. 1602,
1018: 1568
996: 1480
970: 1490
963:Dosso Dossi
958:Dosso Dossi
860:Dosso Dossi
570:chiaroscuro
558:Virgin Mary
554:Crucifixion
544:Crucifixion
497:, 1332–1338
445:, c. 1320,
396:, mystery,
355:Edgar Degas
329:, who with
311:romanticism
295:Thomas Cole
168:Renaissance
79:Western art
9357:Categories
9250:Jewish art
9062:Passionism
9022:iPhone art
8968:Cyborg art
8963:Crypto art
8936:Brandalism
8828:Cyberdelic
8693:Tropicália
8666:Street art
8621:Intermedia
8601:Minimalism
8320:Spatialism
8274:Postmodern
8130:Surrealism
7998:Shin-hanga
7838:Die BrĂĽcke
7806:Sonderbund
7719:Synthetism
7442:Revivalism
7351:Transition
7308:Manichaean
7154:Adam style
7075:Classicism
7014:in Utrecht
6942:Still life
6672:Romanesque
6628:Macedonian
6623:Iconoclast
6582:Visigothic
6488:Republican
6442:Indo-Greek
6412:Red-figure
6234:Gerrit Dou
5908:Paulus Bor
5486:. (1971).
5305:J. Murray.
5252:. (1968).
5189:. (1990).
4642:H. J. Dyos
4165:1555950507
4144:0195335791
4134:. (2011).
4069:0750700793
4007:References
3885:The Night,
3605:Nighthawks
3593:Nighthawks
3539:Caravaggio
3395:Nighthawks
3381:, New York
3236:See also:
3101:, New York
3070:Nighthawks
2900:, Oklahoma
2762:, and the
2727:Lesser Ury
2624:, Oklahoma
2454:art critic
2296:1890, the
2154:, 1896 by
1971:Study for
1784:, Brussels
1395:naturalism
1372:Caravaggio
1244:the Louvre
1036:See also:
1026:Caravaggio
761:Geertgen,
209:Frans Hals
205:Caravaggio
185:Mannerists
103:landscapes
9312:Shock art
9302:Queer art
9282:NaĂŻve art
9265:Modernism
9097:Superflat
9087:Sound art
9067:Post-YBAs
9052:Neomodern
8893:Verdadism
8863:Superflat
8712:1970–1999
8676:in the US
8596:Video art
8519:Happening
8492:1960–1969
8284:1945–1959
7947:1915–1944
7938:Vorticism
7890:A Nyolcak
7752:1900–1914
7724:Les Nabis
7655:Symbolism
7611:Amsterdam
7561:Japonisme
7531:1863–1899
7493:in Greece
7353:to modern
7198:Caribbean
7143:Goût grec
7065:Capriccio
7019:Tenebrism
6968:Turquerie
6866:Mannerism
6761:Medieval
6618:Byzantine
6599:Mozarabic
6550:Ethiopian
6454:Neo-Attic
6437:"Baroque"
6422:Classical
6392:Geometric
6370:Mycenaean
6317:(Western)
6315:Premodern
6286:Premodern
6229:Rembrandt
5875:Tenebrism
5712:Veenman.
5585:Taschen.
5150:26 August
4697:. London.
3887:1889–1890
3844:Moonlight
3789:, c. 1870
3580:nocturnal
3520:martyrdom
3326:Rembrandt
3258:Landscape
3137:May Night
3001:(1833–34)
2998:Moonlight
2915:c. 1909,
2892:c. 1909,
2844:c. 1904,
2616:c. 1909,
2578:, 1901–02
2552:1881–1882
2447:Hiroshige
2442:fireworks
2210:), 1897,
2098:, by 1870
1732:Moonlight
1585:, c. 1743
1473:Rembrandt
1463:Rembrandt
1403:Tenebrism
1328:1654–1656
1306:c. 1650,
1185:Rembrandt
1046:Tenebrism
1022:Mannerist
927:, c. 1597
690:Uccello,
644:miniature
404:, death,
369:Symbolism
272:, called
230:painters
217:Velázquez
213:Rembrandt
201:Giorgione
137:of 1819.
119:Rembrandt
115:nocturnes
99:portraits
87:religious
9363:Painting
9342:Category
9292:Portrait
9213:Folk art
9161:Anti-art
9092:Stuckism
9005:Idea art
8926:Art game
8878:Artivism
8766:Punk art
8744:Sots Art
8729:Artscene
8586:Land art
8524:Neo-Dada
8456:Lettrism
8350:Nuagisme
8335:Tachisme
8216:Nazi art
8009:De Stijl
7923:Rayonism
7913:Art Deco
7901:Futurism
7692:Luminism
7660:Romanian
7645:Tonalism
7616:Canadian
7594:American
7500:Neo-Grec
7108:Rocaille
6937:Romanism
6871:Counter-
6805:Trecento
6745:Duecento
6735:Crusades
6667:Ottonian
6645:Frankish
6525:Medieval
6508:Trajanic
6468:Scythian
6463:Etruscan
6355:Cycladic
6333:Thracian
5442:Todtri.
5326:(1971).
5266:Artchive
4843:18287121
4572:Archived
4040:Archived
4022:Archived
3997:Nativity
3919:Tonalism
3893:See also
3846:, 1885,
3706:Old Age,
3664:, c.1822
3489:Napoleon
3398:, 1942,
3338:, 1642,
3296:The Rape
3292:Interior
3213:, 1884,
3210:Moonrise
3073:, 1942,
3013:, 1892,
2982:Old Age,
2938:Hiawatha
2795:, 1908).
2488:(1890).
2477:had had
2471:farthing
2074:The Rape
2070:Interior
1936:, Madrid
1905:, 1808,
1865:(1765).
1820:Romantic
1780:, 1793,
1753:, 1781,
1735:, 1777,
1711:The Lock
1667:, 1772,
1555:, 1642,
1242:, 1642,
1197:in 1990.
1091:, Dublin
1069:, London
1065:, 1601,
542:Giotto,
532:shepherd
469:Nativity
418:divinity
193:El Greco
147:Tonalist
97:scenes,
9307:Realism
8904:present
8631:Nut Art
8434:Pop art
8372:Mono-ha
8240:The Ten
8189:Kapists
8135:Iranian
8088:Bauhaus
7882:Orphism
7828:Fauvism
7665:Russian
7555:Nihonga
7469:Verismo
7454:Realism
7388:Purismo
7301:Moorish
7296:Islamic
7203:Haitian
6994:Baroque
6873:Maniera
6757:Mudéjar
6682:Spanish
6594:Pictish
6577:Lombard
6572:Insular
6513:Severan
6478:Gaulish
6473:Iberian
6402:Archaic
6345:Nuragic
6325:Ancient
6308:periods
5865:Baroque
5162:Sources
4644:, 1973.
4421:246–247
3643:Gallery
3632:paradox
3548:conduit
3535:Baroque
3453:company
3061:c. 1933
3032:L'Etang
2940:, 1870,
2479:CADASIL
2467:guineas
2436:and of
2355:Chelsea
1388:Baroque
1361:artist
1359:Baroque
1112:c. 1609
870:, Rome
667:in the
641:Flemish
617:c. 1490
503:Gaddi,
493:in the
424:History
189:Baroque
180:Uccello
107:fantasy
85:may be
69:, 1874
9255:Kitsch
9114:Toyism
8606:Fluxus
8536:Op art
8105:Mingei
8039:Stupid
8017:Purism
7872:Cubism
7521:Modern
7313:Mughal
7103:Rococo
6708:Gothic
6689:Norman
6613:Viking
6567:Hunnic
6545:Coptic
6360:Minoan
6350:Aegean
6338:Dacian
6290:Modern
5786:
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5656:
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4841:
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4719:26 May
4662:Steer.
4587:Levey.
4504:Blunt.
4427:
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4067:
3954:later.
3825:Market
3770:, 1860
3749:, 1852
3730:, 1849
3708:1842,
3683:, 1838
3377:1889,
3359:, 1814
3312:(1888)
3283:(1862)
3219:canvas
3202:Polish
3161:1910,
3139:1906,
3120:, 1894
3051:, Ohio
2984:1842,
2866:1908,
2776:Denver
2733:, 1922
2714:, 1922
2692:1909,
2643:1908,
2597:, 1907
2503:, 1866
2336:, 1880
2255:, 1888
2177:1886,
2117:, 1874
2034:, 1865
1996:, 1819
1805:, 1796
1534:, 1659
1519:, 1647
1436:was a
1357:Early
1044:, and
952:, Rome
847:, 1527
520:fresco
491:Fresco
410:sorrow
406:secret
321:, and
228:Rococo
197:Titian
172:Giotto
8902:2000–
8345:COBRA
7339:Uki-e
7329:Japan
7318:Qajar
6677:Mosan
6483:Roman
6377:Greek
3925:Notes
528:angel
390:gloom
378:Night
176:Bosch
95:genre
83:theme
9191:Icon
8514:ZERO
8272:and
8169:Asso
7993:Dada
7550:YĹŤga
6292:and
5784:ISBN
5762:ISBN
5736:ISBN
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5699:ISBN
5684:ISBN
5669:ISBN
5654:ISBN
5632:ISBN
5617:ISBN
5602:ISBN
5587:ISBN
5572:ISBN
5557:ISBN
5535:ISBN
5507:ISBN
5492:ISBN
5474:ISBN
5459:ISBN
5444:ISBN
5429:ISBN
5412:ISBN
5391:ISBN
5376:ISBN
5362:ISBN
5347:ISBN
5332:ISBN
5314:ISBN
5292:ISBN
5277:ISBN
5258:ISBN
5240:ISBN
5225:ISBN
5210:ISBN
5195:ISBN
5173:ISBN
5152:2012
4949:2012
4923:2012
4897:2012
4867:2012
4839:PMID
4779:ISBN
4761:2012
4721:2009
4611:2007
4451:and
4425:ISBN
4216:2012
4190:2012
4161:ISBN
4140:ISBN
4112:ISBN
4094:2012
4065:ISBN
4048:Tate
3868:1886
3229:div.
2673:1909
2537:1876
2139:1875
1648:1768
1627:1766
1606:1765
1429:The
826:Hell
663:and
562:John
414:hope
402:evil
394:fear
349:and
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