483:. For power they needed Temporary 3 phase connections with separate meters in all locations where power is needed. However, they only needed power in two locations only, the Temple and velichappad's house which happened to be near the temple. So they managed with one connection for both the locations. However, the power situation was worse in Malabar area and the voltage was very less at night time (around 120-150 volts). So most of the night shooting was done after 9 PM only when people switch off the lights and go to sleep. Then the power consumption load goes down and the voltage rises to a usable level of around 200 volts. Due to this, night shoots use to extend till early mornings. For daytime shooting the crew used reflectors which was fabricated at Calicut, since they did not have a full out-door unit from Madras for use.
329:
he loses faith in the temple and goddess. Velcihapadu's daughter, Ammini, helps him in temple rituals. The priest quits and starts a tea shop. A new priest, Brahmadattan
Nambothiri, from the neighboring village now takes care of the temple. He is eager to get a government job as his situation at home is not good and his younger sisters are not yet married. He seduces Ammini, daughter of Velichapdu, and leaves the village. Because of extreme poverty, Velichapdu starts to beg. One day, his son, Appu, tries to sell the holy sword to a pawn seller and Velichapadu finds it. He asks Appu to leave the house immediately.
419:
first meeting, Antony turned down role saying that he wasn't doing any films and was fully focused on theater. However, afterwards Antony sent a letter to Nair accepting the role. When P.J.Antony came to the location he didn't have much idea about his character. So he requested Nair to get the services of the local
Velichappad, gave him Guru Dhakshina and learnt from him the steps and mannerism of temple performances. Cinematographer Ramachandra Babu wrote in his blog, "He observed him minutely and succeeded in bringing alive on screen the Velichappad."
430:, Babu had only done three films. When he was contacted by Nair to be the cinematographer he was "taken aback." Nair explained that he didn't want any famous people associated with the film as they might get attributed for the film's success. He also said that "the film should be done in his own way, whether correct or not without any kind of interference."
500:
Vincent sent Nair thousand feet of film. It was difficult for the crew to obtain funds from the villagers, as they had already taken money from three well-to-do houses. However, during shooting a few of Nair's well to do friends came to visit him. Nair asked them for five thousand rupees, however, they gave him ten thousand and left.
333:
the day of the festival, Velichapadu finds that his wife is selling her body to a local moneylender for a living, leaving him totally devastated. The film ends with a devastating scene. The oracle dances before the goddess, spits at her face with his blood, and strikes his forehead with the sacred sword, till he falls down dead.
503:
Except for the
Sreekovil portion all other scenes were completed in one schedule. The crew had erected a set in Calicut where the Sreekovil with the idol where close up shots were taken. This was done because in the temple which was used for shooting there were no regular Poojas taking place and also
475:
called
Mukkola (Mukuthala). The film was produced by M. T. Vasudevan Nair under the banner of Novel Films. There were no lodges in the area to accommodate the crew members. Actor Sukumaran's uncle, Edappal Kuttan made arrangements in his relative's houses for Kaviyoor Ponnamma, Sumithra etc to stay.
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The main location, the Temple was in a neglected state without any puja or rituals being done for a long time. The crew came to know that a few people in the village thought that a non Hindu, Christian P.J Antony should not enter the temple. M.T. planned to finish all the exterior scenes
332:
Meanwhile, there is a smallpox outbreak in the village, and the first person affected is
Variyar's wife. Due to the outbreak of the disease, people become serious about the temple and its rituals. The villagers decide to conduct the festival for the Goddess and started collecting money from all. On
328:
The movie revolves around a neglected temple and the people dependent on it. P. J. Antony (Velichappadu or oracle) is the caretaker of the temple. The
Velichapadu's wife, Narayani, runs the household with the meager income from the temple. His son, Appu, is educated but unemployed, and as a result,
499:
Towards the end of the shooting schedule M.T. Vasudevan Nair ran out of money and the crew still had to shoot the climax and other scenes. He discussed the situation with a few trusted friends and sent a messenger to
Shoranur, where A. Vincent was shooting for a film, to lend him some money.
504:
the size of the temple and customs prevented the crew from entering it too for placing lights. For other outdoor locations, the crew used the steps on the riverside at
Thirumittakode temple for the parting song and a cave nearby for the rain sequence which was done with the help of fire engines.
418:
was recommended for role of
Velichapad by several crew members, however, other members of the crew opposed the proposal saying that his physique wouldn't suit the role. Nair was looking for a man who looked "skinny and weak." Nair himself suggested P. J. Antony for the role and met him. On their
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There was full co-operation from the villagers and they always were there to help us with properties for the scenes and also acting in minor and crowd scenes. In fact, they got so attached to the unit, many children were in tears when it was time for us to depart after the shooting was over.
31:
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who acted earlier in a Hindi film. This film was a breakthrough in Ravi Menon's acting career. Ramachandra Babu, M. Azad (an associate director) and Ravi Menon were batchmates at the Poona Film
Institute.
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The rest of the crew were accommodated in a hall that belonged to a rice mill in Edappal. The mill had two rooms, which were taken by Nair and Antony. The rest of the crew were accommodated in the hall.
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including the climax and kept the temple interior scenes involving P. J. Antony at the end of the schedule, In case any strong objection arises at that time.
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During filming the crew faced several challenges with power supply. Since, they did not have generators for power supply, they had to depend on
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in 1974. It is one of the classics in Malayalam cinema. The film was based on M. T. Vasudevan Nair's short story
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852:เด
เตปเดชเดคเดฟเดฒเตเด เดตเดพเดเดพเดคเตเดค 'เดจเดฟเตผเดฎเดพเดฒเตเดฏเด': เดชเดเตเดเดฎเดจเตเดทเตเดฏเดจเตเดฑเต เดจเดฟเดธเตเดธเดนเดพเดฏเดคเดเดณเตเดเต เดจเตเตผเดเตเดเดฟเดคเตเดฐเด|50 years of Nirmalyam Movie
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Ramachandra Babu had met M. T. Vasudevan Nair for the first time in 1970, while a student at the
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who acted earlier in a Hindi movie. This movie was a breakthrough in Ravi Menon's acting career.
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According to Nair, casting was done "against everyone else's suggestion". Veteran actor
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The film marked the debut of M. T. Vasudevan Nair as director and also, Sukumaran and
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The film marked the debut of M. T. Vasudevan Nair as director and also, Sukumaran and
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494: โ Ramachandra Babu about his experiences while shooting in the temple
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The movie is an adaptation of the short story "Pallivalum Kalchilambum" by
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466: โ Ramachandra Babu about the residents of Mukkola village.
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Films featuring a Best Actor National Award-winning performance
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1961:
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880:"Ramachandra Babu: NIRMALYAM - A Land Mark in Malayalam Cinema"
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1973:
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The film's major shooting location was a small village near
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or a medium between the Goddess and the worshipper in a
667:"List of Malayalam films released during the year 1973"
1431:
Paleri Manikyam: Oru Pathirakolapathakathinte Katha
437:as actors. During his tenure teaching English at
2500:
738:. Chennai, India. 15 March 2005. Archived from
2529:Films with screenplays by M. T. Vasudevan Nair
357:as Brahmadathan Namboothiri, the temple priest
2534:Best Feature Film National Film Award winners
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290:temple) in this movie. The film received the
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644:Kerala State Film Award for Best Screenplay
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1593:National Film Award for Best Feature Film
924:"Ramachandra Babu: NIRMALYAM - Nostalgia"
611:National Film Award for Best Feature Film
292:National Film Award for Best Feature Film
639:Kerala State Film Award for Best Editor
258:-language film written and directed by
2549:Films directed by M. T. Vasudevan Nair
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999:from the original on 26 September 2010
630:Kerala State Film Award for Best Actor
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1064:Kerala State Film Award for Best Film
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796:Vijayakumar, B. (25 September 2011).
772:from the original on 20 February 2016
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625:Kerala State Film Award for Best Film
309:as actors. It is the second movie of
296:Kerala State Film Award for Best Film
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922:Babu, Ramachandra' (11 June 2010).
878:Babu, Ramachandra' (28 July 2013).
237:
13:
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827:"เดถเดเตเดเดฐเดพเดเดฟ,เดจเดพเดเตเดฏเดเตเดเดณเดฟเดฒเตเดฒเดพเดคเตเดค เดจเดเดจเตโ"
656:
616:National Film Award for Best Actor
276:National Film Award for Best Actor
14:
2560:
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934:from the original on 7 April 2024
902:
890:from the original on 7 April 2024
859:from the original on 7 April 2024
808:from the original on 18 July 2012
784:
580:K. P. Brahmanandan, L. R. Anjali
565:Sukumari Narendra Menon, Padmini
278:in 1974 for his performance as a
16:1973 film by M. T. Vasudevan Nair
375:as the local Muslim money lender
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351:as Velichapad's daughter Ammini
2514:1970s Malayalam-language films
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1:
2034:Halodhia Choraye Baodhan Khai
1514:Kanthan - The Lover of Colour
649:
507:
404:
363:as Velichapad's wife Narayani
982:. Retrieved 13 January 2012.
867:– via www.youtube.com.
593:K. P. Brahmanandan, Padmini
390:Kottarakkara Sreedharan Nair
7:
995:. malayalasangeetham.info.
526:
10:
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2470:Rocketry: The Nambi Effect
1212:Ente Mamattikkuttiyammakku
993:"Nirmalyam [1973]"
550:, Sukumari Narendra Menon
512:The music was composed by
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2387:Baahubali: The Beginning
1541:The Great Indian Kitchen
974:15 November 2022 at the
730:"P.J. Antony remembered"
700:. Movies & TV Dept.
369:as Velichapad's son Appu
2544:Films shot in Kozhikode
1295:Daivathinte Vikrithikal
840:. Retrieved 2012-01-04.
544:"Panimathimukhi Bal.."
524:were used in the film.
439:Scott Christian College
345:as Velichappad (Oracle)
336:
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274:. P. J. Antony won the
247:"Yesterday's Offerings"
86:by M. T. Vasudevan Nair
83:Pallivalum Kalchilambum
1656:Do Aankhen Barah Haath
762:"Screenplays for ever"
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1799:Goopy Gyne Bagha Byne
1252:Ore Thooval Pakshikal
832:24 April 2012 at the
768:. 26 September 2014.
562:"Thinthanam Tharo.."
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2539:Films shot in Kerala
2225:Mondo Meyer Upakhyan
1490:Ozhivudivasathe Kali
1423:Oru Pennum Randaanum
671:Government of Kerala
424:Poona Film Institute
318:M. T. Vasudevan Nair
260:M. T. Vasudevan Nair
94:M. T. Vasudevan Nair
74:M. T. Vasudevan Nair
65:M. T. Vasudevan Nair
1260:Vadakkunokkiyantram
1103:Panitheeratha Veedu
516:. Poems written by
392:as Valiya Thamburan
2519:1970s Indian films
2321:Adaminte Makan Abu
1986:Adi Shankaracharya
1450:Adaminte Makan Abu
965:Ramachandra Babu.
804:. Chennai, India.
742:on 5 November 2012
703:The New York Times
698:"Nirmalyam (1973)"
548:K. P. Brahmanandan
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1939:Akaler Shandhaney
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1001:. Retrieved
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927:
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861:. Retrieved
851:
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822:
810:. Retrieved
801:
774:. Retrieved
756:
746:23 September
744:. Retrieved
740:the original
733:
724:
712:. Retrieved
708:the original
701:
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679:. Retrieved
675:the original
634:P. J. Antony
620:P. J. Antony
511:
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399:S. P. Pillai
385:Shantha Devi
343:P. J. Antony
331:
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304:
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280:velichappadu
279:
264:P. J. Antony
262:, and stars
246:
242:
232:
231:
230:
203:Running time
180:Release date
146:
138:
103:P. J. Antony
82:
50:
18:
2309:Kutty Srank
2297:Antaheen...
2285:Kanchivaram
2010:Chidambaram
1847:Swayamvaram
1835:Seemabaddha
1727:Dada Thakur
1680:Apur Sansar
1415:Atayalangal
1228:Chidambaram
1220:Mukhamukham
1127:Swapnadanam
1119:Uttarayanam
776:17 February
514:K. Raghavan
207:134 minutes
174:Novel Films
165:Novel Films
143:K. Raghavan
91:Produced by
61:Directed by
2509:1973 films
2503:Categories
2273:Pulijanmam
2261:Kaalpurush
2070:Marupakkam
1644:Kabuliwala
1399:Thanmathra
1336:Agnisakshi
1279:Vasthuhara
1150:Ashwathama
1143:Kodiyettam
1003:20 October
714:20 October
681:20 October
650:References
508:Soundtrack
447:Ravi Menon
428:Nirmalayam
405:Production
355:Ravi Menon
311:Ravi Menon
272:Ravi Menon
191:1973-11-23
158:Production
111:Ravi Menon
71:Written by
2205:2001โ2020
2142:Lal Darja
2106:Charachar
1954:1981โ2000
1917:No Award
1859:Nirmalyam
1751:Charulata
1707:1961โ1980
1600:1953โ1960
1474:CR No: 89
1466:Celluloid
1442:2010-2019
1353:2000-2009
1311:Parinayam
1271:1990-1999
1174:1980-1989
1163:Esthappan
1155:Bandhanam
1111:Nirmalyam
1095:Sarasayya
1071:1969-1979
1023:Nirmalyam
980:Nostalgia
968:Nirmalyam
838:Janayugom
812:6 October
802:The Hindu
766:The Hindu
735:The Hindu
596:Edasseri
583:Edasseri
539:Duration
443:Nagercoil
416:Sankaradi
379:Sankaradi
367:Sukumaran
256:Malayalam
243:"Remains"
233:Nirmalyam
224:Malayalam
127:Edited by
46:Malayalam
24:Nirmalyam
2435:Marakkar
2190:Shantham
1895:Mrigayaa
1823:Samskara
1763:Chemmeen
1692:Anuradha
1522:Vasanthi
1361:Sayahnam
1318:Kazhakam
1303:Vidheyan
1236:Oridathu
1204:Yavanika
1198:Marmaram
997:Archived
972:Archived
932:Archived
888:Archived
857:Archived
830:Archived
806:Archived
770:Archived
569:Edasseri
522:Edasseri
435:Sumithra
373:Kunjandi
349:Sumithra
307:Sumithra
268:Sumithra
220:Language
135:Music by
107:Sumithra
99:Starring
79:Based on
2423:Hellaro
2082:Agantuk
1498:Manhole
1343:Karunam
938:7 April
894:7 April
863:7 April
669:. PRD,
473:Edappal
454:Filming
410:Casting
254:Indian
250:) is a
241:
238:transl.
212:Country
189: (
160:company
2487:(2022)
2482:Aattam
2475:(2021)
2452:(2020)
2440:(2019)
2428:(2018)
2416:(2017)
2404:(2016)
2399:Kaasav
2392:(2015)
2380:(2014)
2368:(2013)
2356:(2012)
2344:(2011)
2326:(2010)
2314:(2009)
2302:(2008)
2290:(2007)
2278:(2006)
2266:(2005)
2254:(2004)
2249:Page 3
2242:(2003)
2237:Shwaas
2230:(2002)
2218:(2001)
2213:Dweepa
2195:(2000)
2183:(1999)
2171:(1998)
2159:(1997)
2147:(1996)
2135:(1995)
2123:(1994)
2111:(1993)
2099:(1992)
2087:(1991)
2075:(1990)
2063:(1989)
2051:(1988)
2046:Piravi
2039:(1987)
2027:(1986)
2015:(1985)
2003:(1984)
1991:(1983)
1979:(1982)
1967:(1981)
1962:Dakhal
1944:(1980)
1932:(1979)
1920:(1978)
1912:(1977)
1900:(1976)
1888:(1975)
1876:(1974)
1871:Chorus
1864:(1973)
1852:(1972)
1840:(1971)
1828:(1970)
1816:(1969)
1804:(1968)
1792:(1967)
1780:(1966)
1768:(1965)
1756:(1964)
1744:(1963)
1732:(1962)
1720:(1961)
1697:(1960)
1685:(1959)
1673:(1958)
1661:(1957)
1649:(1956)
1637:(1955)
1625:(1954)
1613:(1953)
1552:(2021)
1544:(2020)
1525:(2019)
1517:(2018)
1509:(2017)
1501:(2016)
1493:(2015)
1485:(2014)
1482:Ottaal
1477:(2013)
1469:(2012)
1461:(2011)
1453:(2010)
1434:(2009)
1426:(2008)
1418:(2007)
1410:(2006)
1402:(2005)
1394:(2004)
1386:(2003)
1383:Margam
1378:(2002)
1376:Bhavam
1372:(2001)
1369:Sesham
1364:(2000)
1345:(1999)
1339:(1998)
1331:(1997)
1320:(1995)
1314:(1994)
1306:(1993)
1298:(1992)
1290:(1991)
1287:Kadavu
1282:(1990)
1263:(1989)
1255:(1988)
1247:(1987)
1239:(1986)
1231:(1985)
1223:(1984)
1215:(1983)
1207:(1982)
1193:(1981)
1185:(1980)
1166:(1979)
1158:(1978)
1146:(1977)
1138:(1976)
1130:(1975)
1122:(1974)
1114:(1973)
1106:(1972)
1098:(1971)
1090:(1970)
1082:(1969)
605:Awards
536:Lyrics
284:oracle
270:, and
35:Poster
2375:Court
2339:Byari
2333:Deool
2166:Samar
1998:Damul
1974:Chokh
1927:Shodh
1391:Akale
1182:Oppol
288:Hindu
215:India
2336:and
1201:and
1152:and
1028:IMDb
1005:2009
940:2024
896:2024
865:2024
814:2012
778:2015
748:2009
716:2009
683:2009
530:Song
520:and
481:KSEB
337:Cast
324:Plot
294:and
282:(an
252:1973
130:Ravi
1026:at
441:in
245:or
2505::
978:.
948:^
930:.
926:.
904:^
886:.
882:.
855:.
836:.
800:.
786:^
764:.
732:.
658:^
632:-
618:-
320:.
302:.
266:,
1585:e
1578:t
1571:v
1056:e
1049:t
1042:v
1007:.
942:.
898:.
816:.
780:.
750:.
718:.
685:.
236:(
193:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
