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Nimbus Records

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422:. This label specialises in the transfer of vocal records on 78 rpm disc dating from 1900. The method of transfer involves the use of thorn needles and a giant acoustic horn on a carefully restored gramophone. No electronic processing is used: instead, the gramophone is placed in a living room environment and recorded ambisonically, in surround-sound, from a typical listening position. Although controversial, the technique is capable of producing remarkably lifelike results - particularly for recordings made "acoustically" prior to the arrival of studio microphones in 1925. 433:, the equipment company was spun off and the intellectual property rights to the Nimbus Records catalogue were ultimately re-acquired by the original owners under the name of Wyastone Estate Limited. Wyastone Estate operates Wyastone Business Park, Wyastone Concert Hall and the Nimbus Foundation, Nimbus Records, and Nimbus Disc On Demand. The latter is a short-run disc manufacturing capability that has enabled Nimbus Records to make virtually all its catalogue of recordings from the earliest times available to record-buyers. 257: 437:
sold under "Duo Art" or the "reproducing piano". This original German inventions from the early 20th century was widely introduced in the US in the 1920s and permitted individual key dynamics and real "una corda" pedal effects. The Aeolian Company folded during the depression, but many rolls from artists like Hoffmann, Friedmann, Percy, Lamond, Paderewsky, Cortot and many others still exist and have been faithfully transferred to a series of CDs, e.g., the Grand Piano Series.
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opened a short run CD manufacturing plant. This enabled Nimbus Records to continue adding new titles to the catalogue without being forced to delete the back catalogue. In 2014 Nimbus Records held a catalogue of over 1500 in stock CD titles, their biggest catalogue to date. The label also presses and
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Another activity Nimbus Records is known for is the use of advanced "piano roll" techniques to recapture on CD the recordings once made by famous composers and pianists before the breakthrough of the 78 rpm disks. This involves restoring and improving the mechanisms used by the Aeolian company, once
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The emergence of home-theatre systems with increasing emphasis on surround playback offers opportunities for domestic listeners to experience at least some of Nimbus' many hundred Ambisonic recordings in their original condition. For example, the company has issued a series of "DVD Music" recordings
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An Ambisonic decoder is required to experience such recordings in their truest, surround-sound, form. These have never been widely available, so Nimbus recordings are typically experienced as undecoded UHJ, which is compatible with normal stereo reproduction.
407:/Video surround format discs. In addition, Nimbus recordings are now often recorded in Ambisonic B-Format, which can be decoded directly to a multichannel surround format compatible with conventional multichannel discs such as 368:
Nimbus was founded in 1972 by Count Numa Labinsky (performing as bass vocalist under the alias Shura Gehrman) and the brothers Michael and Gerald Reynolds, and has traditionally been based at the
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Nimbus Records was the first company to master and press compact discs in the UK, and developed and sold equipment for these purposes. It became part of the
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and the English/Welsh border. A core technical aspect of the company's recording philosophy was the early adoption of the
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in which the original 2-channel UHJ masters have been decoded to loudspeaker feeds and issued on conventional
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surround-sound system invented by a group of British researchers including the mathematician and
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The label was one of the first major Western classical labels to also record
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Navigating the music industry: current issues & business models
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digitally and market alongside its Western counterpart.
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A large sub-label of Nimbus Records is the vocal series
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Make It New: Essays in the History of American Business
92:. Unsourced material may be challenged and removed. 698: 651: 600:. MusicWeb International. Retrieved 2011-07-07. 447:In 2001 a new holding company was established, 531:Born Brilliant: The Life Of Kenneth Williams 451:which was the umbrella over Nimbus Records, 693:- label history, artist roster, discography 395:and released on conventional stereo media. 391:, encoded into stereo-compatible 2-channel 55:Learn how and when to remove these messages 592: 590: 232:Learn how and when to remove this message 214:Learn how and when to remove this message 152:Learn how and when to remove this message 652:Weissman, Dick; Jermance, Frank (2003). 587: 528: 699: 568: 522: 348:is a British record company based at 163: 90:adding citations to reliable sources 61: 20: 13: 14: 743: 722:Record labels established in 1972 674: 429:in 1987. Following the demise of 36:This article has multiple issues. 615:. New Scientist. 2 December 1989 598:Dr Jonathan Halliday (1950-2011) 255: 168: 66: 25: 77:needs additional citations for 44:or discuss these issues on the 727:1972 establishments in England 645: 627: 603: 562: 547: 472:distributes the recordings of 363: 1: 707:Classical music record labels 529:Stevens, Christopher (2010). 515: 656:. Hal Leonard. p. 112. 533:. John Murray. p. 408. 7: 596:Smith, Antony. Obituary of 269:; 52 years ago 194:the claims made and adding 10: 748: 573:. iUniverse. p. 148. 479: 325: 311: 303: 293: 281: 263: 254: 249: 717:Audiophile record labels 639:20 November 2005 at the 461:Wyastone CD Distribution 681:Wyastone Estate website 457:Nimbus Music Publishing 686:Nimbus Records website 465:Wyastone Business Park 442:Indian classical music 712:British record labels 569:Bodine, Paul (2004). 453:Nimbus Disc and Print 389:soundfield microphone 393:Ambisonic UHJ Format 86:improve this article 16:British record label 509:Augusta Read Thomas 372:mansion site, near 382:recording engineer 179:possibly contains 540:978-1-84854-195-5 343: 342: 304:Country of origin 242: 241: 234: 224: 223: 216: 181:original research 162: 161: 154: 136: 59: 739: 668: 667: 649: 643: 631: 625: 624: 622: 620: 607: 601: 594: 585: 584: 566: 560: 551: 545: 544: 526: 498:Vlado Perlemuter 339: 336: 334: 332: 326:Official website 287:Michael Reynolds 277: 275: 270: 259: 247: 246: 237: 230: 219: 212: 208: 205: 199: 196:inline citations 172: 171: 164: 157: 150: 146: 143: 137: 135: 101:"Nimbus Records" 94: 70: 62: 51: 29: 28: 21: 747: 746: 742: 741: 740: 738: 737: 736: 697: 696: 677: 672: 671: 664: 650: 646: 641:Wayback Machine 632: 628: 618: 616: 609: 608: 604: 595: 588: 581: 567: 563: 556:discography at 552: 548: 541: 527: 523: 518: 504:Bernard Roberts 482: 469:Wyastone Estate 449:Wyastone Estate 366: 329: 289:Gerald Reynolds 288: 286: 273: 271: 268: 245: 238: 227: 226: 225: 220: 209: 203: 200: 185: 173: 169: 158: 147: 141: 138: 95: 93: 83: 71: 30: 26: 17: 12: 11: 5: 745: 735: 734: 729: 724: 719: 714: 709: 695: 694: 691:Nimbus Records 688: 683: 676: 675:External links 673: 670: 669: 662: 644: 626: 602: 586: 579: 561: 546: 539: 520: 519: 517: 514: 513: 512: 506: 501: 495: 489: 481: 478: 431:Robert Maxwell 385:Michael Gerzon 365: 362: 346:Nimbus Records 341: 340: 327: 323: 322: 313: 309: 308: 305: 301: 300: 295: 291: 290: 283: 279: 278: 265: 261: 260: 252: 251: 250:Nimbus Records 243: 240: 239: 222: 221: 176: 174: 167: 160: 159: 74: 72: 65: 60: 34: 33: 31: 24: 15: 9: 6: 4: 3: 2: 744: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 704: 702: 692: 689: 687: 684: 682: 679: 678: 665: 663:0-634-02652-6 659: 655: 648: 642: 638: 635: 630: 614: 613: 606: 599: 593: 591: 582: 580:0-595-30921-6 576: 572: 565: 559: 555: 554:Shura Gehrman 550: 542: 536: 532: 525: 521: 510: 507: 505: 502: 499: 496: 493: 490: 487: 484: 483: 477: 475: 470: 466: 462: 458: 454: 450: 445: 443: 438: 434: 432: 428: 423: 421: 416: 414: 410: 406: 400: 396: 394: 390: 386: 383: 379: 375: 371: 370:Wyastone Leys 361: 359: 358:Herefordshire 355: 351: 350:Wyastone Leys 347: 338: 328: 324: 321: 317: 316:Herefordshire 314: 310: 306: 302: 299: 296: 292: 285:Numa Labinsky 284: 280: 266: 262: 258: 253: 248: 236: 233: 218: 215: 207: 197: 193: 189: 183: 182: 177:This article 175: 166: 165: 156: 153: 145: 134: 131: 127: 124: 120: 117: 113: 110: 106: 103: –  102: 98: 97:Find sources: 91: 87: 81: 80: 75:This article 73: 69: 64: 63: 58: 56: 49: 48: 43: 42: 37: 32: 23: 22: 19: 653: 647: 629: 617:. Retrieved 611: 605: 570: 564: 549: 530: 524: 492:Martin Jones 446: 439: 435: 427:Mirror Group 424: 419: 417: 401: 397: 367: 345: 344: 244:Record label 228: 210: 201: 178: 148: 139: 129: 122: 115: 108: 96: 84:Please help 79:verification 76: 52: 45: 39: 38:Please help 35: 18: 488:, conductor 486:Roy Goodman 364:Description 732:Ambisonics 701:Categories 619:11 January 516:References 511:, composer 467:. In 2004 420:Prima Voce 188:improve it 112:newspapers 41:improve it 500:, pianist 494:, pianist 405:DVD-Audio 378:Ambisonic 333:.wyastone 298:Classical 204:June 2019 192:verifying 142:June 2019 47:talk page 637:Archived 634:Wyastone 612:FeedBack 374:Monmouth 312:Location 558:Discogs 480:Artists 354:Ganarew 320:England 282:Founder 272: ( 264:Founded 186:Please 126:scholar 660:  577:  537:  474:Lyrita 413:DTS-CD 128:  121:  114:  107:  99:  294:Genre 133:JSTOR 119:books 658:ISBN 621:2011 575:ISBN 535:ISBN 463:and 274:1972 267:1972 105:news 411:or 409:DVD 337:.uk 335:.co 331:www 190:by 88:by 703:: 589:^ 476:. 459:, 455:, 415:. 356:, 352:, 318:, 307:UK 50:. 666:. 623:. 583:. 543:. 276:) 235:) 229:( 217:) 211:( 206:) 202:( 184:. 155:) 149:( 144:) 140:( 130:· 123:· 116:· 109:· 82:. 57:) 53:(

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