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328:, Medtner lived at home with his parents. During that time, he fell in love with Anna Mikhaylovna Bratenskaya (1877–1965), a respected violinist and the young wife of his older brother Emil. Later, when World War I broke out, Emil was interned in Germany where he had been studying. He generously gave Anna the freedom to marry his brother, and Medtner and Anna were married in 1918.
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sonata-form, the slow movement rondo-like (the similarity to one melody by
Rachmaninoff is coincidental, as the latter was not written until some thirty years later). A minatory final march with variations ends with a Coda that revisits earlier material. This was the only Medtner sonata that Rachmaninoff performed.
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in A minor, thematically related to the opening movement's faster sections, is in Rondo-form. After a reminiscence of the motto, the
Andante is a lament in F minor, extremely Russian in sentiment. The virtuoso Finale has thematic elements related to Russian Orthodox liturgical music (Medtner was born
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in 1924, and his recitals were often all-Medtner evenings, consisting of sonatas interspersed with songs and shorter pieces. He never adapted himself to the commercial aspects of touring and his concerts became infrequent. Esteemed in
England, he and Anna settled in London in 1936, modestly teaching,
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The
Eleventh, "Sonata Tragica" in C minor, Op. 39, No. 5, concludes "Forgotten Melodies (Second Cycle)". There is some repetition of themes in this set as well—the piece which precedes the Sonata, "Canzona Matinata", contains a theme which recurs in the Sonata, and according to Medtner's wishes both
758:. A motto theme in the Introduction juxtaposes chords quietly but insistently, joined by a melody on the violin. The melody becomes the first theme of the – lengthy – sonata-form movement that follows, juxtaposed with other themes including a march in imitation. The folksy and syncopated
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in C minor, Op. 33 (1914–18). Dedicated to the composer's mother, this one-movement work opens with an exposition section setting out the material for the work, the opening pages of which erupt with fireworks from the piano against a surging orchestral statement of the subject. A set of variations
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The Tenth "Sonata-reminiscenza" in A minor, Op. 38, No. 1, commences a set of eight pieces entitled "Forgotten
Melodies (First Cycle)". Two further cycles followed, published as Op. 39 and 40. Both this and the following sonata were completed in 1920, the year before Medtner emigrated. This single
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The Sixth Sonata followed soon after, the first of two that comprise his Op. 25. It bears the title "Sonata-Skazka", usually translated as "Fairy Tale Sonata". This short work in C minor, written in 1910–11, is in three movements; the second and third are connected. The first movement is a compact
576:—without pause. This is also a single movement sonata-allegro form, but Allegro, dramatic and ferocious, with three themes of which one (the reminiscence from "Canzona Matinata") does not return. A violent coda concludes. This sonata is well served by recordings, including one by Medtner in 1947.
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in Berlin to popularize his work and to advance cultural exchange in and around Europe. In
October/November 2018 the society organized the 1st International Nikolai Medtner Music Festival in Berlin, which brings together artists and musicologists to perform and discuss his work (see the festival
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The
Thirteenth Sonata, the "Minacciosa" ("menacing") in F minor, Op. 53, No. 2, is another one-movement work. It is highly chromatic, and contains a fugue. Medtner described it as "my most contemporary composition, for it reflects the threatening atmosphere of contemporary events".
387:. He founded the Medtner Society to record all of Medtner's works. Medtner, already in declining health, recorded his three piano concertos and some sonatas, chamber music, numerous songs and shorter works, before his death in London in 1951. In one of those recordings he partnered
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movement is one of
Medtner's most poetic creations; as the title indicates, its character is nostalgic and wistful. Other pieces in opus 38 contain variants of the Sonata's opening theme, such as the concluding "Alla Reminiscenza". This sonata is nowadays the most often performed.
773:, Op. posth. It was published after the composer's death. He worked on sketches of the work from 1903 until its completion in 1949. Medtner considered it the ultimate summary of his musical life. Due to Medtner's illness, the piano part in the work's premiere was taken by
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sonata-form, followed by a
Fantasy capped by a shadowy but active Coda, the latter entirely and ingeniously based on material presented in the Introduction. Under the title "Sonata" Medtner added a note: "The whole piece is in an epic spirit" (Вся пьеса в эпическом духе).
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24 December 1879] – 13 November 1951) was a
Russian composer and pianist. After a period of comparative obscurity in the 25 years immediately after his death, he is now becoming recognized as one of the most significant Russian composers for the piano.
1055:(1935, reprinted 1957 and 1978) was a statement of his artistic credo and reaction to some of the trends of the time. He believed strongly that there were immutable laws to music, whose essence was in song. An English translation of the book was published in 1951 by
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in E minor "Ballade", Op. 60, 1940–43. The factors which led to the creation of this work are closely connected to the circumstances of his final years. It is dedicated to his generous patron, the Maharajah of Mysore. Three connected movements: the first,
529:), an excerpt of which provides an epigraph, was completed in 1911 and dedicated to Sergei Rachmaninoff, who immediately recognised its greatness. It is a vast one-movement work, lasting almost 35 minutes, in two major parts: an Introduction and
313:'s late piano sonatas and string quartets. His composing career began professionally in 1903, when he started publishing his music, and it began to be performed. With the publication of his First Piano Sonata in F minor, he was noticed by
547:, Op. 27, began as a one-movement work, and was expanded into its present form over the period 1912–14. It comprises a Ballade, Introduction and Finale. The tonality and some of the material make passing reference to Chopin's
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make up the central development before the opening returns two thirds of the way through the piece. Eventually the coda sets out the romantic "big tune" before the final pages lead to an unexpectedly bittersweet ending.
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The Second, Third and Fourth piano sonatas are unrelated one-movement works. They were written during the period 1904–07 and published as the "Sonata-Triad", Op. 11. The first of the trio, in A
685:. The first movement is propulsive with kinetic energy, and there is much dialogue between piano and orchestra (a subsidiary theme resembles the Fairy Tale from the Op. 14 (1906–07) pair, the
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or Rachmaninoff, it is nonetheless original. Medtner's craft gained subtlety and complexity in later years, but this work is already evidence of his mastery of musical structure. An opening
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said: "it has the reputation of being a fearsomely difficult work of extraordinary length, exhausting to play and to hear, but of magnificent quality and marvelous invention."
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The Fifth and formerly the most popular of his sonatas is the G minor, Op. 22, written in 1909–1910. The piece alternates a slow introduction with a three-theme, propulsive
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A History of Russian Music: Being an Account of the Rise and Progress of the Russian School of Composers, with a Survey of Their Lives and a Description of Their Works
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minor, Op. 53, No. 1, was completed at the end of 1930, along with its twin. It was premièred in Glasgow in 1931. Returning to a four-movement form, it consists of a
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Medtner took piano lessons from his mother until the age of ten. He also had lessons from his mother's brother, Fyodor Goedicke (the father of his more famous cousin
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1006:. However, many songs are not available on CD, and some await their first recording. A substantial two-CD set, presenting fifty-four Medtner songs, accompanied by
553:. The first movement opens with one of Medtner's lovely pastoral melodies. The finale, like the Piano Quintet, has a thematic connection with his Pushkin setting
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The Skazki (Fairy Tales) of Nikolai Medtner: The Evolution and Characteristics of the Genre with Compositional and Performance aspects of Selected Fairy Tales
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The one-movement Ninth Sonata in A minor, Op. 30, was published without a title but was known as the "War Sonata" among Medtner's friends; a footnote "during
496:: this comprises most of the development section and contains some of Medtner's loveliest harmonies. There are historic recordings by Moiseiwitch and Gilels.
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described it as "the most concentrated 15 minutes of music one could ever hope to play or listen to". It was dedicated to the Canadian pianist and pupil of
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1152:, 1995, out of print). It includes letters, reviews and other documents in German, Russian, English and French, a bibliography and partial discography.
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Medtner also wrote a memoir titled "With S.V. Rachmaninoff" in 1933, in which he writes admiringly about his friend as a composer and as a pianist.
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251:, two works for two pianos, many shorter piano pieces, a few shorter works for violin and piano, and 108 songs including two substantial works for
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The First Piano Sonata in F minor, Op. 5, is a four-movement work written between 1901–3 (completed August 1903); though it suggests the style of
481:. The second, in D minor, is entitled "Sonate-Elegie". It opens slowly with one of Medtner's best-known themes and closes with an animated coda (
1110:, Tatania Makushina and Oda Slobodskaya, and Medtner himself via extracts from Muse and the Fashion. The editor of the volume was Richard Holt.
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259:(generally known as "Fairy Tales" in English but more correctly translated as "Tales") for piano solo contain some of his most original music.
355:, Medtner's income from German publishers disappeared and, during that hardship, ill-health became an increasing problem. His devoted pupil,
317:, who would remain a friend of Medtner's throughout his life, as well as a supporter of his composing. Among his students in that period was
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Unlike Rachmaninoff, Medtner did not leave Russia until well after the Revolution. Rachmaninoff secured him a tour of the United States and
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1078:. It contains photographs and essays from his widow, friends, critics, musicians, composers, and admirers. A few of the contributors were:
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among others. Despite his conservative musical tastes, Medtner's compositions and his pianism were highly regarded by his contemporaries.
1160:) was written under guidance from Flamm and presents in-depth analyses of Medtner's sonatas and their historical and aesthetic contexts.
275:. He was the son of Karl Petrovich Medtner (1846–1921) and Alexandra Karlovna Goedicke (1843–1918), and the fifth of their six children.
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492:, one of whose themes was heard in the Introduction. The emotional center of this compact work (sixteen minutes in duration) is the
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691:). The Romanza and Divertimento are each in their own way varied in character, the Divertimento particularly rich in inspiration.
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777:. Medtner's recording of the work with the Aeolian Quartet, unpublished at the time, has been released on the St Laurent label.
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in C minor, Op. 50 (1920–27). Dedicated to Rachmaninoff, who dedicated his own Fourth Concerto to Medtner. In three movements:
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and Ludmilla Andrew have recorded complete CDs with Geoffrey Tozer, as has Caroline Vitale with Peter Baur. The bass-baritone
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have recorded the three piano concertos. Other pianists who championed Medtner's work and left behind recordings include
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The last of the sonatas, "Sonata-Idyll" in G major, Op. 56, was completed in 1937. It consists of two movements: a short
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setting from 1913. In gratitude to his patron, Medtner dedicated his Third Piano Concerto to the Maharajah of Mysore.
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declared Medtner as his favourite composer during a short interview available on the BBC website in September 2011.
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With the support of Taneyev, Medtner rejected a career as a performer and turned to composition, partly inspired by
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at the University of Cincinnati, published by UMI. It contains theoretical analyses of several of Medtner's works.
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vigorously concludes the work. Medtner recorded all three Concertos with the Philharmonia Orchestra in 1947.
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817:"I repeat what I said to you back in Russia: you are, in my opinion, the greatest composer of our time."
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Op.39 discography @ Medtner.org.uk which notes a recording of Op.39 nos.3-5 performed by the composer.
235:, he wrote a substantial number of compositions, all of which include the piano. His works include 14
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and is notable for the two CDs it contains with original recordings of a variety of Medtner's works.
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485:, in D major) based on the second subject. The third, in C, returns to the lyricism of the first.
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1144:. Originally presented as the author's Ph.D thesis (Heidelberg, 1995), it was published by Kuhn (
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Far fewer singers have tackled the songs. Medtner himself recorded a selection with the sopranos
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recorded almost all of Medtner's works for the piano including all the concertos and sonatas.
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Thematic unity in Nicolas Medtner's works for piano : Skazki, sonatas, and piano quintet
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in his two-piano work entitled "Russian Round-Dance", Op 58 No. 1. In another he accompanied
375:(the princely state in Karnataka, southern India). In 1945, the Maharajah became an honorary
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There have been numerous dissertations on Medtner's music. One of the most influential is
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1102:, Russian music critic Leonid Sabeneev, Canadian pianist and close friend of the composer
702:, sustained and profound, slowly developing motion and energy; the second an Interludium,
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in 1925, before his later studio recordings for Capitol Records and other labels.
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1156:'s dissertation "The Sonata as an Ageless Principle" (Vienna, 2019, available in
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in 1891, and graduated nine years later in 1900, at the age of 20, receiving the
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1921:
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The Muse and the Fashion, being a defence of the foundations of the Art of Music
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The Muse and the Fashion, being a defence of the foundations of the Art of Music
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Medtner published over 100 songs for voice and piano, with words from texts by
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367:, first performed in 1944. In 1949, a Medtner Society was founded in London by
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Its companion in Op. 25 is entirely different. The Seventh Sonata in E minor,
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was an early champion of Medtner, and gave the first complete performance of
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477:, is an ecstatic work with attractive, lyrical themes, prefaced by a poem by
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After Medtner's death, the Mysore Foundation sponsored the publication of
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Nikolai Medtner was born in Moscow on 24 December 1879, according to the
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Dominy Clements. 'Medtner in England', SOMM CD 0674 (2023), reviewed at
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Der russische Komponist Nikolaj Metner : Studien und Materialien
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The Russian Mephisto: A Study in the Life and Work of Emilii Medtner
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An asteroid called 9329 Nikolaimedtner is named after the composer.
738:, among others. A vast work in four movements, a counterpart to his
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1076:
Nicolas Medtner (1879–1951): A Tribute to his Art and Personality
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511:'s 1832 poem "Of what do you howl, night wind...?" (Russian:
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that reaches a Maestoso climax before plunging into the headlong
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Nicolas Medtner, 1879-1951: A Tribute to his Art and Personality
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quotes the first movement and prefigures the finale; a lengthy
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1952:
Nicolas Medtner: Worklist, Discography, Publications and News
891:. In modern times, pianists noted for their advocacy include
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1951:
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minor). The ending quotes his Sonata-Skazka, Op. 25, No. 1.
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has recorded a considerable number of Medtner songs with
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Allegro moderato e cantabile (sempre al rigore di tempo)
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Emigrants from the Russian Empire to the United Kingdom
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Medtner recorded piano rolls of some of his works for
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1962:
Website of the International Nikolai Medtner Society
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1129:). The book is available in a German translation by
383:, London, and was the first president of the London
2029:
Nicolas Medtner: The complete solo recordings Vol.3
2023:
Nicolas Medtner: The complete solo recordings Vol.2
2017:
Nicolas Medtner: The complete solo recordings Vol.1
1977:
Finding aid to the Nikolai Karlovich Medtner Papers
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49:. Unsourced material may be challenged and removed.
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1163:In 2003, David J. Skvorak wrote a doctoral thesis
348:playing and composing, to a strict daily routine.
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1119:Nikolai Karlovich Medtner: Portrait of a Composer
855:has recorded most of the solo piano works, while
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1716:(2nd ed.). New York: Biblio & Tannen.
1496:МУЗА И МОДА защита основ музыкального искусства
2106:Converts to Eastern Orthodoxy from Lutheranism
1822:
1709:
1226:
2131:White Russian emigrants to the United Kingdom
1857:
748:Scherzo – Allegro molto vivace, leggiero
579:The Twelfth Sonata, entitled "Romantica" in B
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1765:The Composer-Pianists: Hamelin and The Eight
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1922:Nikolay Karlovich Medtner papers, 1826-1954
1847:Medtner's Fairy Tales: Texture and Subtlety
1789:
1861:; Pring, S. W. (1928). "Nikolai Medtner".
1512:: CS1 maint: location missing publisher (
637:, one of Medtner's most loyal supporters.
564:" appeared in the 1959 Collected Edition.
339:, London, where he lived from 1935 to 1951
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1971:International Music Score Library Project
1799:(DMA thesis). University of North Texas.
109:Learn how and when to remove this message
1853:(DMA thesis). Michigan State University.
1843:
767:but late in life converted to Orthodox).
659:Medtner composed three piano concertos:
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744:Introduzione – Andante meditamente
734:in E minor, Op. 57 (1938). Recorded by
719:Medtner's chamber music includes three
428:List of compositions by Nikolai Medtner
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1957:Nikolay Karlovich Medtner (in Russian)
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557:. Medtner himself recorded this work.
1034:International Nikolai Medtner Society
2031:(Appian Publications and Recordings)
2025:(Appian Publications and Recordings)
2019:(Appian Publications and Recordings)
1811:
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1639:
1609:"The Piano Music of Nicolai Medtner"
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704:Allegro, molto sostenuto, misterioso
47:adding citations to reliable sources
18:
2081:20th-century Russian male musicians
1911:Music Division, Library of Congress
1829:. London: C. Palmer & Hayward.
1692:Nicolas Medtner: His Life and Music
1586:"Five Minutes with: Philip Pullman"
1560:(in Hebrew). Israel. Archived from
1419:Op.27 discography at Medtner.org.uk
445:Medtner composed 14 piano sonatas.
324:During the years leading up to the
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1783:
654:
526:O chem ty voesh', vetr nochnoy...?
14:
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1943:Works by or about Nikolai Medtner
1890:
1556:[The Maestro Chapter 3].
1417:Medtner recorded it in 1947. See
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708:Allegro molto. Svegliando, eroico
369:Jayachamarajendra Wadiyar Bahadur
2096:Russian male classical composers
2071:20th-century classical composers
2061:19th-century classical composers
1987:BBC Radio Composer of the Week:
1182:based on the theme in Medtner's
1065:
813:
714:
541:The Eighth "Sonata-Ballade" in F
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319:Alexander Vasilyevich Alexandrov
271:, or 5 January 1880 by the
23:
2111:Russian male classical pianists
2076:20th-century classical pianists
2009:Piano Roll c. 1925, New York. (
1790:Chernaya-Oh, Ekaterina (2008).
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1462:
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514:О чем ты воешь, ветр ночной...?
34:needs additional citations for
1967:Free scores by Nikolai Medtner
1826:Contemporary Russian Composers
1731:Newman, E. (1915). "Medtner".
1321:
1306:
1252:
1024:In 2017 the Ukrainian pianist
483:Allegro molto doppio movimento
1:
1997:
1642:"Nicolas Medtner (1880-1951)"
1193:
1184:Theme with Variations, Op. 55
2006:Danza Festiva, Op. 38, No. 3
1934:How to use archival material
1710:Montagu-Nathan, M. (1969) .
1470:"Small-Body Database Lookup"
1198:
494:Interludium: Andante lugubre
410:Medtner died at his home at
385:Philharmonia Concert Society
290:prize, having studied under
262:
16:Russian composer and pianist
7:
2066:19th-century male musicians
1823:Montagu-Nathan, M. (1917).
756:Finale – Allegro molto
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219:; 5 January 1880 [
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10:
2157:
2136:Moscow Conservatory alumni
2091:Russian classical pianists
2086:Russian Romantic composers
1607:Gerstlé, Henry S. (1924).
1600:
1493:Medtner, Nikolai (1978) .
1096:Kaikhosru Shapurji Sorabji
1082:, translator of Medtner's
1072:Medtner: A Memorial Volume
425:
227:A younger contemporary of
1916:
1906:
1844:Nagahata, Hiroko (2012).
1527:Medtner, Nicolas (1951).
1458:, 11 February 1922, p 182
1367:"Sonata in F minor, Op 5"
1171:Adaptations and citations
809:
513:
363:, where he completed his
204:
197:Nikolai Karlovich Medtner
184:
165:
153:5 January 1880 [
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137:
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2121:Pupils of Sergei Taneyev
1818:. London: Dennis Dobson.
1552:
1084:The Muse and the Fashion
1028:and the Russian pianist
1010:, has appeared in 2018.
781:
771:Piano Quintet in C major
572:pieces are to be played
421:
381:Trinity College of Music
216:Nikolay Karlovich Metner
1993:(MP3 download, UK only)
1989:Rachmaninov and Medtner
1695:. Abingdon: Routledge.
1672:Oxford University Press
1660:Martyn, Barrie (2001).
1117:published, in Russian,
441:Tale from Op. 51, No. 3
326:1917 Russian Revolution
205:Николай Карлович Метнер
2035:The Medtner Collection
1330:MusicWeb International
857:Geoffrey Douglas Madge
442:
359:, gave him shelter in
340:
144:Medtner, 1910 postcard
2141:Musicians from Moscow
2116:Pupils of Pavel Pabst
2011:The Pianola Institute
1762:Rimm, Robert (2003).
1613:The Musical Quarterly
1550:Gabriel, Hod (2009).
1456:Music News and Herald
976:Elisabeth Schwarzkopf
970:, Tatiana Makushina,
949:Gintaras Januševičius
861:Konstantin Scherbakov
742:Piano Sonata, No. 7.
681:from which follows a
440:
393:Elisabeth Schwarzkopf
334:
157:24 December 1879]
1502:(in Russian). Paris.
1186:in 2009. The author
1180:Variations and Fugue
1051:Medtner's one book,
941:Konstantin Lifschitz
893:Ekaterina Derzhavina
847:on 3 February 1922.
695:Piano Concerto No. 3
688:March of the Paladin
671:Piano Concerto No. 2
664:Piano Concerto No. 1
642:Allegretto cantabile
365:Third Piano Concerto
311:Ludwig van Beethoven
296:Wassily Sapellnikoff
189:List of compositions
43:improve this article
2101:Composers for piano
2037:(St-Laurent Studio)
1981:Library of Congress
1689:Martyn, B. (2016).
1565:(article and video)
1227:Montagu-Nathan 1969
1115:Natalia Konsistorum
824:Sergei Rachmaninoff
732:Violin Sonata No. 3
700:Con moto largamente
371:, the Maharajah of
351:At the outbreak of
315:Sergei Rachmaninoff
284:Moscow Conservatory
229:Sergei Rachmaninoff
2004:Medtner plays his
1667:Grove Music Online
1662:"Medtner, Nicolas"
1625:10.1093/mq/X.4.500
978:. In recent times
957:Alessandro Taverna
897:Marc-André Hamelin
873:Sviatoslav Richter
869:Benno Moiseiwitsch
627:Marc-André Hamelin
443:
395:in several of his
389:Benno Moiseiwitsch
341:
335:Medtner's home at
282:). He entered the
280:Alexander Goedicke
273:Gregorian calendar
233:Alexander Scriabin
1991:, 26 October 2012
1939:
1938:
1928:
1927:
1869:(1021): 209–210.
1863:The Musical Times
1812:Holt, R. (1955).
1775:978-1-57467-072-1
1768:. Amadeus Press.
1734:The Musical Times
1681:978-1-56159-263-0
1640:Holt, R. (1951).
1312:Magnus Ljunggren.
1104:Alfred La Liberté
1030:Vasily Gvozdetsky
961:Paulius Andersson
937:Andrey Ponochevny
913:Nikolai Demidenko
885:Yevgeny Svetlanov
843:in the UK at the
830:
829:
796:Mikhail Lermontov
635:Alfred La Liberté
562:the war 1914–1917
523:
213:
194:
193:
119:
118:
111:
93:
58:"Nikolai Medtner"
2148:
1947:Internet Archive
1924:
1904:
1903:
1895:
1894:
1886:
1859:Sabeneev, Leonid
1854:
1852:
1840:
1819:
1808:
1798:
1779:
1758:
1727:
1706:
1685:
1670:(8th ed.).
1656:
1646:
1636:
1594:
1593:
1582:
1576:
1575:
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1566:
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1536:. Translated by
1535:
1524:
1518:
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1511:
1503:
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1490:
1484:
1483:
1481:
1480:
1474:ssd.jpl.nasa.gov
1466:
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1371:Hyperion Records
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1259:Hyperion Records
1256:
1250:
1240:
1234:
1224:
1218:
1212:
1108:Margaret Ritchie
1000:Zara Dolukhanova
996:Victor Yampolsky
988:Boris Berezovsky
972:Margaret Ritchie
921:Boris Berezovsky
814:
806:, among others.
752:Andante con moto
644:Pastorale and a
620:
619:
606:
605:
594:
593:
584:
583:
546:
545:
528:
518:
516:
515:
476:
475:
466:Allegro risoluto
288:Anton Rubinstein
218:
208:
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169:13 November 1951
142:
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2041:
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1920:
1893:
1850:
1837:
1796:
1786:
1784:Further reading
1776:
1724:
1703:
1682:
1644:
1603:
1598:
1597:
1584:
1583:
1579:
1570:
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1538:Swan, Alfred J.
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1196:
1173:
1154:Wendelin Bitzan
1142:Christoph Flamm
1131:Christoph Flamm
1068:
1049:
1004:Irina Arkhipova
984:Vassily Savenko
968:Oda Slobodskaya
945:Daniil Trifonov
833:Edward Mitchell
812:
800:Fyodor Tyutchev
784:
717:
657:
655:Piano concertos
617:
616:
611:(B minor), and
603:
602:
591:
590:
581:
580:
543:
542:
509:Fyodor Tyutchev
490:sonata movement
473:
472:
435:
430:
424:
269:Julian calendar
265:
180:
174:
170:
161:
158:
145:
131:
126:
125:Nikolai Medtner
115:
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98:
95:
52:
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28:
17:
12:
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2014:
1999:
1996:
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1964:
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1937:
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1930:
1929:
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1925:
1918:
1914:
1913:
1908:
1900:
1899:
1892:
1891:External links
1889:
1888:
1887:
1875:10.2307/916075
1855:
1841:
1835:
1820:
1809:
1785:
1782:
1781:
1780:
1774:
1759:
1747:10.2307/909070
1728:
1722:
1707:
1702:978-1351556361
1701:
1686:
1680:
1657:
1649:The Gramophone
1637:
1619:(4): 500–510.
1602:
1599:
1596:
1595:
1577:
1542:
1519:
1485:
1461:
1447:
1445:, p. 145.
1435:
1423:
1410:
1398:
1382:
1358:
1356:, p. 149.
1346:
1344:, p. 259.
1334:
1320:
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1274:
1272:, p. 118.
1262:
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1235:
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1200:
1197:
1195:
1192:
1188:Philip Pullman
1172:
1169:
1086:into English,
1074:, also titled
1067:
1064:
1048:
1045:
1026:Darya Dadykina
992:Alexander Blok
953:Dina Parakhina
929:Dmitri Alexeev
917:Anna Zassimova
905:Irina Mejoueva
865:Yevgeny Sudbin
849:Geoffrey Tozer
828:
827:
819:
818:
811:
808:
783:
780:
779:
778:
768:
736:David Oistrakh
721:violin sonatas
716:
713:
712:
711:
692:
668:
656:
653:
646:sonata allegro
536:Geoffrey Tozer
434:
431:
426:Main article:
423:
420:
304:Sergei Taneyev
300:Vasily Safonov
264:
261:
245:piano concerti
241:violin sonatas
192:
191:
186:
182:
181:
175:
173:(aged 71)
167:
163:
162:
160:Moscow, Russia
159:
151:
147:
146:
143:
135:
134:
132:Николай Метнер
128:
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1741:(863): 9–11.
1740:
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1708:
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1591:
1587:
1581:
1567:on 2009-03-01
1563:
1559:
1555:
1553:המאסטרו פרק 3
1546:
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1532:
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1523:
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1471:
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1420:
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1408:, p. 11.
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1150:3-928864-24-6
1147:
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1134:
1132:
1128:
1127:3-89487-500-3
1124:
1120:
1116:
1111:
1109:
1105:
1101:
1097:
1093:
1092:Ernest Newman
1089:
1085:
1081:
1077:
1073:
1066:Print sources
1063:
1060:
1058:
1054:
1044:
1041:
1039:
1035:
1031:
1027:
1022:
1020:
1016:
1011:
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1008:Iain Burnside
1005:
1001:
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993:
989:
985:
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980:Susan Gritton
977:
973:
969:
964:
962:
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950:
946:
942:
938:
934:
933:Evgeny Kissin
930:
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922:
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910:
906:
902:
901:Malcolm Binns
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797:
793:
789:
776:
775:Colin Horsley
772:
769:
766:
761:
757:
753:
749:
745:
741:
737:
733:
730:
729:
728:
726:
725:piano quintet
722:
715:Chamber music
709:
705:
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451:
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439:
433:Piano sonatas
429:
419:
417:
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412:Golders Green
408:
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337:Golders Green
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177:Golders Green
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102:
99:February 2021
91:
88:
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81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
2005:
1988:
1866:
1862:
1846:
1825:
1814:
1792:
1764:
1738:
1732:
1712:
1691:
1665:
1652:
1648:
1616:
1612:
1589:
1580:
1569:. Retrieved
1562:the original
1557:
1545:
1529:
1522:
1495:
1488:
1477:. Retrieved
1473:
1464:
1455:
1450:
1438:
1426:
1413:
1401:
1385:
1374:. Retrieved
1370:
1361:
1349:
1337:
1329:
1323:
1314:
1308:
1282:Gerstlé 1924
1277:
1265:
1254:
1238:
1222:
1183:
1179:
1174:
1164:
1162:
1137:
1135:
1118:
1112:
1100:Marcel Dupré
1075:
1071:
1069:
1061:
1052:
1050:
1047:Publications
1042:
1032:founded the
1023:
1017:in 1923 and
1015:Welte-Mignon
1012:
965:
925:Paul Stewart
853:Hamish Milne
845:Aeolian Hall
841:Sonata-Triad
840:
831:
785:
759:
755:
751:
747:
743:
739:
718:
707:
703:
699:
687:
683:Divertimento
682:
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530:
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502:
498:
493:
487:
482:
470:
465:
462:Largo divoto
461:
457:
453:
447:
444:
409:
400:
399:, including
361:Warwickshire
353:World War II
350:
342:
323:
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277:
266:
256:
226:
196:
195:
171:(1951-11-13)
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
2056:1951 deaths
2051:1880 births
1898:Archives at
1443:Martyn 2016
1406:Newman 1915
1390:Martyn 2016
1342:Martyn 2016
1301:Martyn 2001
1243:Martyn 2016
1215:Martyn 2001
1176:Bart Berman
1158:open access
1080:Alfred Swan
1057:Alfred Swan
881:Emil Gilels
804:Afanasy Fet
609:Meditazione
292:Pavel Pabst
2045:Categories
1998:Recordings
1836:1404790411
1723:0819602515
1655:: 149–150.
1571:2011-08-18
1479:2021-10-13
1392:, p.
1376:2016-12-11
1284:, p.
1245:, p.
1229:, p.
1194:References
1106:, singers
1088:Ivan Ilyin
1037:programme
740:Night Wind
550:Barcarolle
505:Night Wind
458:Intermezzo
418:Cemetery.
69:newspapers
1805:429643041
1508:cite book
1354:Holt 1951
1270:Rimm 2003
1199:Citations
1178:composed
1113:In 2004,
889:Earl Wild
877:Edna Iles
520:romanized
357:Edna Iles
263:Biography
255:. His 38
210:romanized
179:, England
1907:Location
1590:BBC News
765:Lutheran
677:, and a
631:Scriabin
618:♭
607:minor),
604:♭
595:minor),
592:♭
582:♭
555:The Muse
544:♯
507:, after
474:♭
468:finale.
450:Scriabin
401:The Muse
253:vocalise
243:, three
239:, three
1979:at the
1973:(IMSLP)
1969:at the
1945:at the
1883:9160753
1601:Sources
1019:Duo-Art
837:Medtner
826:(1921)
788:Pushkin
760:Scherzo
679:Romanza
675:Toccata
598:Scherzo
587:Romance
574:attacca
531:Allegro
460:from a
454:Allegro
405:Pushkin
212::
201:Russian
83:scholar
1917:Source
1881:
1833:
1803:
1772:
1755:909070
1753:
1720:
1699:
1678:
1633:738471
1631:
1318:(1994)
1148:
1125:
810:Legacy
802:, and
792:Goethe
723:and a
613:Finale
479:Goethe
416:Hendon
397:lieder
377:Fellow
373:Mysore
345:Canada
257:Skazki
85:
78:
71:
64:
56:
1983:(PDF)
1879:JSTOR
1851:(PDF)
1797:(PDF)
1751:JSTOR
1645:(PDF)
1629:JSTOR
1534:(PDF)
1500:(PDF)
782:Songs
422:Music
185:Works
90:JSTOR
76:books
1831:ISBN
1801:OCLC
1770:ISBN
1718:ISBN
1697:ISBN
1676:ISBN
1558:no-R
1514:link
1430:See
1146:ISBN
1123:ISBN
1002:and
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403:, a
302:and
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231:and
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166:Died
155:O.S.
150:Born
62:news
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