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In 2002, New Yorker Films was acquired by
Madstone Films. On February 23, 2009, New Yorker Films posted a notice on its Web site announcing it had gone out of business. An e-mail from company vice president José Lopez, published on the IndieWire news site, confirmed that the company's demise was the
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In
February 2010, a year after it ceased operations, it was announced that Aladdin Distribution LLC, headed by Christopher Harbonville and David Raphel, had acquired the company and its library. Former vice president José Lopez was named president, and New Yorker Films officially restarted
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movie house, the New Yorker
Theater, founded in 1960, after a film's producer would not allow for a movie's single booking. It went out of business in 2009 and was revived the next year with its acquisition by Aladdin Distribution, though it is no longer active as of 2024.
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As of
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New Yorker Films helped gain an audience for controversial and challenging works avoided by other distributors in the United States. Some of these included
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77:(1966), helped establish New Yorker Films as a presenter of innovative, artistically significant, and politically engaged films from around the world.
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that were not otherwise available in the US market. His first acquisition for distribution was the
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New Yorker Films also serviced the non-theatrical market, catering to the specialized needs of
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444:"New Yorker Films Back in Action with Norwegian Coming-of-Age Sex Comedy 'Turn Me On, Dammit'"
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New Yorker Films considered itself the primary force in introducing the United States to
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operations on March 8, 2010. Since the revival, its acquisitions have included
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and classroom venues not generally served by larger film providers. The
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Ownership by
Madstone Films and Aladdin Distribution LLC
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result of its parent company's defaulting on a loan.
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library includes titles from leading independent and
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Jeanne
Dielman, 23 Quai du Commerce, 1080 Bruxelles
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67:(1963) and
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383:2008-02-09
373:"About_us"
308:References
229:Wayne Wang
221:Juzo Itami
213:filmmakers
204:, and the
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39:Background
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