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who held Roud in high esteem. During his stint as programmer (which also listed 25 years), Peña honored the festival's traditions and unique character – retaining the selection committee process, the non-competitive format, the post-screening director Q&As, and the festival's strict selectivity – while also working to expand NYFF's somewhat Eurocentric focus. Filmmakers like
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Richard Peña, then 34, took over as lead programmer in 1988. The Queens native was already an accomplished film historian, academic, and programmer. Prior to his work with NYFF, he worked at the Film Center of the School of the Art Institute of Chicago. Peña came to NYFF as a seasoned festival-goer
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The Main Slate is the Festival's primary section, a program typically featuring 25–30 feature-length films, intending to reflect the current state of cinema. The program is a mix of major international art house films from the festival circuit, new discoveries, and studio releases targeting awards
148:, it is one of the longest-running and most prestigious film festivals in the United States. It is a non-competitive festival centered on a "Main Slate" of typically 20–30 feature films, with additional sections for experimental cinema and new restorations. 330:, returned to lead NYFF. Jones began his programming career at Film Forum and the Rotterdam Film Festival, before joining The Film Society of Lincoln Center in 1998 as Associate Director of Programming and a member of the NYFF programming committee. 313:
were introduced to NYFF audiences during the Roud era, and became regulars under Peña. After 25 years as Program Director and head of the NYFF selection committee, Peña led his final year at NYFF in 2012, during the festival's 50th presentation.
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Currents complements the Main Slate, tracing a more complete picture of contemporary cinema with an emphasis on new and innovative forms and voices. This section is the only one at the festival which presents short films.
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was added the next year. Vogel resigned from his position as Festival Director in 1968. Though Roud was previously designated Program Director, he presided over the festival from 1969 to 1987.
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The selection team of Currents section consists of Dennis Lim (Chair), Aily Nash (is also Head of shorts programming), Rachael Rakes, and Tyler Wilson (is also Head of shorts programming).
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The Revivals section showcases important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners.
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Roud's 25 years at the festival were characterized by a focus on the European art cinema of the postwar years and the rise of auteurism.
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and closed on September 19. It was a success and almost all screenings nearly sold out. The festival also included films screened at the
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After Richard Peña's departure, Robert Koehler briefly took over year-round programming duties, while Kent Jones, who left The
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film club as his New York–based co-programmer. The first edition of the festival opened on September 10, 1963, with
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in 1962. Boston-born Roud was 33 years old at the time and based in London where he worked as a film critic for
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season. The studio films are often selected as Opening Night, Centerpiece, and Closing Night presentations.
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Dennis Lim is the Artistic Director for NYFF. Kent Jones was the festival director from 2013 to 2019.
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Talks features in-depth conversations with filmmakers, critics, curators, and more.
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Spotlight is showcase of the season's most anticipated and significant films.
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Smith, Gavin (September/October 2012). "Breaking the Waves". Film Comment.
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As of 2020, the festival program is divided into the following sections:
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that had not been shown in the United States previously, including
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As of 2022, Dennis Lim is the Artistic Director of NYFF.
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Kern, Laura; Koch, Joanne; Peña, Richard, eds. (2012).
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Index


New York City
Film at Lincoln Center
www.filmlinc.org/nyff
2024
2023
film festival
New York City
Film at Lincoln Center
Richard Roud
Amos Vogel
Lincoln Center
William Schuman
Richard Roud
William Schuman
The Guardian
London Film Festival
Cinema 16
Luis Buñuel
The Exterminating Angel
Museum of Modern Art
Akira Kurosawa
I Live in Fear
Point of Order
Arthur Knight
Andrew Sarris
Susan Sontag
Hou Hsiao-hsien
Manoel de Oliveira
Leos Carax

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