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On the other hand, there is the artistic "naïf - all responsiveness and seeming availability". Here 'the naïf offers himself as being in process of formation, in search of values and models...always about to adopt some traditional "mature" temperament' - in a perpetual adolescent
132:'s dialogue of that name. "Here an outsider ... grants none of the premises which make the absurdities of society look logical to those accustomed to them", and serves essentially as a prism to carry the satirical message.
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roots, sought to position himself as ingénu in everyday life: "I play the role of the Danube peasant: someone who knows nothing but suspects something is wrong ... I like being in the position of the primitive ...
153:. Such instances of "the naïf as a cultural image... offered themselves as essentially responsive to others and open to every invitation... established their identity in indeterminacy".
104:, but as an unitalicized English word, "naive" is now the more usual spelling. "naïf" often represents the French masculine, but has a secondary meaning as
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The naïf appears as a cultural type in two main forms. On the one hand, there is 'the satirical naïf, such as
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