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and also locally in
Birmingham and Walsall, she is best known for her metalworking. In particular with her sister she created two reredos; one for St Mary's Longworth in Oxfordshire and another for St Albans Church, Birmingham. For both of these she created the hand beaten framing to hold the
77:. It was Birmingham School of Art that provided the springboard for Bunce's career as a designer; unusually it encouraged both men and women to design and make objects in a variety of materials and thus led to her interest in metalworking.
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painted panels. The use of metal rather than moulded gesso is one of the features that distinguishes Bunce's work from that of her contemporaries. Amongst her other work is the frame that holds Kate Bunce's painting
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152:"Green Templeton unveils display of Myra Louisa Bunce artwork on International Women's Day"
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218:"In Depth: Sophie Anderson, a cosmopolitan Victorian Artist in the Midlands"
140:. University of Warwick, Department of History of Art. pp. 86, 88, 126.
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Untitled Work by Myra Bunce, commonly referred to as The
Sitting Room
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73:(1879–1891) although she also submitted pieces for examination to
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Although Bunce worked as an artist, exhibiting pieces at the
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The
Keepsake: Kate Bunce showing the frame by Myra Bunce
138:Women, Craft, and the Object: Birmingham 1880-1930
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53:The Life Class Birmingham School of Art 1888
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61:and Rebecca Ann Bunce, her younger sister
178:"Resource Details - Connecting Histories"
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308:Alumni of the Birmingham School of Art
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182:www.search.connectinghistories.org.uk
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65:was also a painter. She was born in
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69:and studied primarily at the
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338:19th-century women painters
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136:FitzGerald, Claire (2016).
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99:Society of Women Artists
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202:Grey, Sarah (2009).
33:associated with the
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283:1919 deaths
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272:Categories
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67:Birmingham
63:Kate Bunce
45:Early life
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24:English
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