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Music Modernization Act

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433: 31: 338:, were added to this Title. The Fair Play Fair Pay Act had been designed to harmonize how royalties were paid by terrestrial radio broadcasters and Internet streaming services. Under previous law, songwriters and composers would receive mechanical license royalties for radio play, but the performing artists would not be paid as the use of songs on the radio was considered "promotional". The Fair Play Fair Pay Act had included language that would allow recording artists to receive performance royalties. However, these parts of the Fair Play Fair Pay Act were not included in the combined Music Modernization Act. 360:, sound recordings made prior to February 15, 1972, were not covered under federal copyright law, leaving them up to the individual states to pass laws for recording protection. This had created a complex series of laws that made it difficult for copyright enforcement and royalty payments. The CLASSICS Act established that sound recordings before 1972 are covered by copyright until February 15, 2067, with additional language to grandfather older recordings into the public domain at an earlier time. 585:, asserting that Spotify has allowed Eminem's music to be streamed without paying the proper royalties, as the service lists some of these works under "Copyright control" with no known owner. While the suit's primary complaint is with Spotify, the suit further argued that part of the law, limiting liabilities to those after January 1, 2018, was unconstitutional since it provides no proper compensation for the work that was taken from the publisher, against the 364:
on January 1, 2026. Every January 1 following 2022, works will enter the public domain, until the final date occurring on January 1, 2047, which concludes the entire corpus of works published between 1923 and 1946. Following a 10 year break, recordings from 1947 to 1956 will enter every year until the final date occurring on January 1, 2067. All recordings from 1957 to February 14, 1972, will be protected until February 15, 2067.
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of musical works - the copyright that covers the music and lyrics of a musical composition; the actual performance and recording is typically held under a different license. This musical works database would be completed with help of the major music publishers. The new agency would establish blanket
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Recordings prior to 1923 entered the public domain three years from passage, which equates to January 1, 2022 (see note). Recordings from 1923 to 1956 enter the public domain on January 1 the year after they turn 100 years old. For example, a work published on June 1, 1925, enters the public domain
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royalty rates that would be used to pay the composers and lyricists when used by streaming services using this database, eliminating the difficulty previously faced by streaming services to properly identify the mechanical license holder. These royalties would be paid to the non-profit agency as a
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When the House MMA bill was introduced in December 2017, it included a provision that liabilities for streaming companies would be limited to infractions after January 1, 2018, a clause that remained through the final passed bill. On December 31, 2017, Wixen Music Publishing, representing artists
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had both come under prior separate legal actions for unpaid royalties for streaming music in part due to a lack of a central database with which to track down songwriters and composers, and had even set aside part of their working capital to deal with legal issues in order to offer full music
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The bills in both House and Senate had bipartisan support, as well as strong support from numerous music industry groups representing musicians, producers, and publishers, as well as from digital streaming media services and related industry groups. Digital streaming platforms
316:, not requiring the mechanical license holder's permission; the agency would then be responsible for distributing the royalties. Streaming services would still be able to negotiate other royalty rates directly with the mechanical license owner if they so chose. 384:, the non-profit organization established by Congress to distribute royalties on sound recordings, will also distribute part of those royalties to "a producer, mixer, or sound engineer who was part of the creative process that created sound recording". 692:
The bill passed on October 11, 2018, however three years later does not equate to October 11, 2021, because all U.S. copyright terms extend to the end of the year, December 31, thus they entered the public domain on the first day of the following
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in damages. The suit was filed to be able to recover damages for infractions that occurred before the MMA's January 1, 2018 date. This suit was ultimately settled out of court by December 2018 for an undisclosed sum.
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on January 24, 2018. Both versions of the bill looked to improve how music licensing and royalties would be paid in consideration of streaming media services. The bill established three major provisions:
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opposed an earlier version of the bill. After it passed, they used a provision allowing libraries to offer recordings that are not commercially available, to digitize and offer public downloads of some
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No works entered the public domain on January 1, 2023, to give time for the one year offset to catch up. After the reprieve of 2022, the next year works became eligible was January 1, 2024.
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It ensures that composers and lyricists are paid a portion of mechanical license royalties for either physical or digital reproduction of musical compositions, at a rate set by contract.
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which allowed the bill to be passed by the Senate by a unanimous vote, allowing the bill to quickly pass through Congress via "hotlining" before the end of the session.
408:. On January 8, 2018, representatives from numerous sections of the music industry united to join The Recording Academy's push for comprehensive music reform, including 1939: 1525: 1728: 1436: 1389: 1349: 949: 1752: 1680: 1605: 1517: 713: 2080: 1760: 352:
The Compensating Legacy Artists for their Songs, Service, and Important Contributions to Society (CLASSICS) Act was originally introduced in the House as
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The MMA is a combination of three bills previously introduced in Congress. The three bills became the three titles of the final act.
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had been reported to be attending the signing, he was not present, although had a luncheon with Trump later that day.
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It revamps the rate court process when disagreements over royalty rates arise. Previously, a single judge in the
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on May 10, 2018. During the Senate's review, the body voted to move the bill to an existing, unrelated bill,
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was assigned to handle all cases; the bill would assign a random judge in this Court to oversee these cases.
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It would set up a non-profit governing agency that would create a database related to the owners of the
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The Musical Works Modernization Act (MWMA) is the Act first introduced into the House by Rep.
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One of the first high-profile legal challenges to the MMA was raised in a lawsuit from
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began paying out unmatched mechanical royalties to songwriters and their publishers.
1032:"The Music Modernization Act is now law which means some pre-1972 music goes public" 950:"Spotify Hit With $ 1.6B Copyright Lawsuit Over Tom Petty, Weezer, Neil Young Songs" 2030: 1704: 1461: 1153: 1061: 1035: 1009: 578: 550: 357: 440:
The three bills were consolidated in the House by Goodlatte on April 10, 2018, as
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House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet
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calling for unity legislation. On June 10, 2014, Portnow testified before the
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on October 11, 2018. Among those in attendance at the signing were musicians
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WIPO Copyright and Performances and Phonograms Treaties Implementation Act
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Copyright status of works by subnational governments of the United States
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Copyright status of works by the federal government of the United States
555: 538: 507: 485: 270:. It is a consolidation of three separate bills introduced during the 923: 895: 643: 615: 534: 469: 465: 461: 263: 372:
The Allocation for Music Producers (AMP) Act was introduced by Rep.
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United States District Court for the Southern District of New York
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There was a last-minute conflict in the Senate, brought up by
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President Donald Trump signs the act on October 11, 2018.
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Elektra Records Co. v. Gem Electronic Distributors, Inc.
714:"Music Industry Pushes Unified Message on Compensation" 387: 330:
In addition, elements of the "Fair Play Fair Pay Act",
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Computer Associates International, Inc. v. Altai, Inc.
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Unlocking Consumer Choice and Wireless Competition Act
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Online Copyright Infringement Liability Limitation Act
1136: 798:"Trump Signs Sweeping New Music Licensing Legislation" 611:"The Music Modernization Act has been signed into law" 1753:
Itar-Tass Russian News Agency v. Russian Kurier, Inc.
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Midway Manufacturing Co. v. Artic International, Inc.
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Sony Corp. of America v. Universal City Studios, Inc.
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Sony Computer Entertainment, Inc. v. Connectix Corp.
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Orrin G. Hatch–Bob Goodlatte Music Modernization Act
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Orrin G. Hatch–Bob Goodlatte Music Modernization Act
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To modernize copyright law, and for other purposes.
1745:Dr. Seuss Enters., L.P. v. Penguin Books USA, Inc. 822: 820: 667:"Music Modernization Act to Be Introduced Tuesday" 248: 94: 2072: 1825:Bill Graham Archives v. Dorling Kindersley, Ltd. 884: 882: 1689:Apple Computer, Inc. v. Franklin Computer Corp. 1590:American Broadcasting Cos., Inc. v. Aereo, Inc. 817: 604: 602: 1948:Broderbund Software Inc. v. Unison World, Inc. 1785:Veeck v. Southern Building Code Congress Int'l 1502:White-Smith Music Publishing Co. v. Apollo Co. 1165:Compendium of U.S. Copyright Office Practices 1122: 879: 368:Title III: Allocation for Music Producers Act 943: 941: 599: 2081:United States federal copyright legislation 1865:Penguin Group (USA) Inc. v. American Buddha 1510:Williams & Wilkins Co. v. United States 1282:Berne Convention Implementation Act of 1988 639:"Congress may actually fix music royalties" 1881:Viacom International Inc. v. YouTube, Inc. 1737:American Geophysical Union v. Texaco, Inc. 1129: 1115: 853: 851: 770:"Trump Signs Landmark Music Bill Into Law" 1849:Cartoon Network, LP v. CSC Holdings, Inc. 938: 636: 527:Recording Industry Association of America 341: 2086:Acts of the 115th United States Congress 1582:Kirtsaeng v. John Wiley & Sons, Inc. 1056:A. Rossi, Archivist (October 24, 2018). 431: 334:, introduced on March 30, 2017, by Rep. 1470:Burrow-Giles Lithographic Co. v. Sarony 1339:Fairness in Music Licensing Act of 1998 1081: 947: 848: 828:"Senate Passes Music Modernization Act" 795: 711: 2073: 2004:Equals Three, LLC v. Jukin Media, Inc. 1777:A&M Records, Inc. v. Napster, Inc. 1673:Walt Disney Productions v. Air Pirates 1657:Roth Greeting Cards v. United Card Co. 1566:Costco Wholesale Corp. v. Omega, S. A. 1373:Family Entertainment and Copyright Act 1029: 1003: 664: 211:on September 19, 2018 (unanimous) 1972:RealNetworks, Inc. v. Streambox, Inc. 1110: 975: 916: 888: 857: 637:Singleton, Micah (January 26, 2018). 608: 561:In 2021, in response to the MMA, the 558:that are not commercially available. 523:National Music Publishers Association 1988:Arista Records LLC v. Lime Group LLC 1964:Bridgeman Art Library v. Corel Corp. 1841:Perfect 10, Inc. v. Amazon.com, Inc. 1614:Georgia v. Public.Resource.Org, Inc. 767: 388:Lobbying from the recording industry 1996:Capitol Records, LLC v. ReDigi Inc. 1897:Authors Guild, Inc. v. Google, Inc. 1769:Nunez v. Caribbean Int'l News Corp. 1630:Andy Warhol Foundation v. Goldsmith 1558:MGM Studios, Inc. v. Grokster, Ltd. 1240:International Copyright Act of 1891 568: 298:), and later to the Senate by Sen. 13: 1956:Playboy Enterprises, Inc. v. Frena 1801:In re Aimster Copyright Litigation 1713:Vault Corp. v. Quaid Software Ltd. 1622:Google LLC v. Oracle America, Inc. 1534:Campbell v. Acuff-Rose Music, Inc. 1304:Copyright Remedy Clarification Act 1138:Copyright law of the United States 253:Tooltip Public Law (United States) 99:Tooltip Public Law (United States) 14: 2117: 2091:Internet law in the United States 1857:Ahanchian v. Xenon Pictures, Inc. 1649:Berlin v. E.C. Publications, Inc. 1082:Gardner, Eriq (August 21, 2019). 1030:Kaplan, Jeff (October 15, 2018). 948:Gardner, Eriq (January 2, 2018). 858:Kreps, Daniel (January 3, 2018). 796:Johnson, Ted (October 11, 2018). 277: 1606:Fourth Estate v. Wall-Street.com 1598:Star Athletica v. Varsity Brands 1344:Digital Millennium Copyright Act 976:Aswad, Jem (December 20, 2018). 917:Patel, Nilay (October 2, 2018). 609:Deahl, Dani (October 11, 2018). 286:Title I: Music Modernization Act 29: 2046:Home Recording Rights Coalition 1075: 1049: 1023: 1004:Bailey, Lila (March 30, 2018). 997: 969: 910: 889:Jeong, Sarah (March 14, 2018). 665:Parisi, Paula (April 9, 2018). 563:Mechanical Licensing Collective 1159:United States Copyright Office 789: 768:Wang, Amy (October 11, 2018). 761: 733: 712:Sisario, Ben (April 1, 2014). 705: 696: 686: 658: 630: 205:on April 25, 2018 (415-0) 1: 1905:Lenz v. Universal Music Corp. 1873:Monge v. Maya Magazines, Inc. 1809:NXIVM Corp. v. Ross Institute 1310:Copyright Renewal Act of 1992 592: 2012:Hachette v. Internet Archive 1980:Mannion v. Coors Brewing Co. 1333:Copyright Term Extension Act 1321:Uruguay Round Agreements Act 491: 272:115th United States Congress 59:115th United States Congress 7: 1494:Bobbs-Merrill Co. v. Straus 396:, the President and CEO of 380:. The bill designates that 18:United States copyright law 10: 2122: 1793:Kelly v. Arriba Soft Corp. 427: 345: 2026: 1923: 1889:Seltzer v. Green Day, Inc 1640: 1435: 1426: 1405: 1382: 1365: 1298:Visual Artists Rights Act 1290: 1274: 1258: 1217: 1210: 1144: 741:"Music Modernization Act" 506:catalogs, in contrast to 480:, and the Christian band 198:House Judiciary Committee 167: 158: 143: 135: 130: 111: 89: 84: 76: 64: 53: 45: 37: 28: 2059:You Wouldn't Steal a Car 1315:Audio Home Recording Act 589:of the Fifth Amendment. 144:U.S.C. sections affected 1396:Music Modernization Act 1327:No Electronic Theft Act 1190:Section 108 Study Group 376:on February 6, 2017 as 236:Music Modernization Act 194:Committee consideration 49:Music Modernization Act 2096:2018 in American music 2041:Don't Copy That Floppy 1796:(9th Cir. 2002 / 2003) 1542:Quality King v. L'anza 1185:Register of Copyrights 1089:The Hollywood Reporter 955:The Hollywood Reporter 437: 342:Title II: CLASSICS Act 294:on December 17, 2017 ( 1817:BMG Music v. Gonzalez 1665:Eltra Corp. v. Ringer 1266:Copyright Act of 1976 1250:Copyright Act of 1909 1235:Copyright Act of 1870 1230:Copyright Act of 1831 1225:Copyright Act of 1790 1058:"Unlocked Recordings" 746:The Recording Academy 435: 398:The Recording Academy 77:Number of co-sponsors 1245:Printing Act of 1895 836:. September 18, 2018 556:long-playing records 510:'s music selection. 2052:Nimmer on Copyright 1935:(C.C.D. Mass. 1841) 1478:Banks v. Manchester 402:Grammys on the Hill 221:on October 11, 2018 190:) on April 10, 2018 161:Legislative history 25: 2101:Music and politics 1550:Eldred v. Ashcroft 1486:Callaghan v. Myers 719:The New York Times 438: 392:On April 1, 2014, 314:compulsory license 309:mechanical license 23: 2068: 2067: 2022: 2021: 1975:(W.D. Wash. 2000) 1446:Wheaton v. Peters 1422: 1421: 1180:Copyright Catalog 356:in July 2017. In 268:digital streaming 228: 227: 209:Passed the Senate 114:Statutes at Large 54:Announced in 2113: 2031:Berne Convention 2007:(C.D. Cal. 2015) 1959:(M.D. Fla. 1993) 1951:(N.D. Cal. 1986) 1913:Naruto v. Slater 1705:Whelan v. Jaslow 1462:Trade-Mark Cases 1433: 1432: 1215: 1214: 1154:Copyright Clause 1131: 1124: 1117: 1108: 1107: 1101: 1100: 1098: 1096: 1079: 1073: 1072: 1070: 1068: 1062:Internet Archive 1053: 1047: 1046: 1044: 1042: 1036:Internet Archive 1027: 1021: 1020: 1018: 1016: 1010:Internet Archive 1001: 995: 994: 992: 990: 973: 967: 966: 964: 962: 945: 936: 935: 933: 931: 914: 908: 907: 905: 903: 886: 877: 876: 874: 872: 855: 846: 845: 843: 841: 824: 815: 814: 812: 810: 793: 787: 786: 784: 782: 765: 759: 758: 756: 754: 737: 731: 730: 728: 726: 709: 703: 700: 694: 690: 684: 683: 681: 679: 662: 656: 655: 653: 651: 634: 628: 627: 625: 623: 606: 579:Eight Mile Style 569:Legal challenges 551:Internet Archive 544: 358:US copyright law 254: 250: 203:Passed the House 174:in the House as 163: 115: 100: 96: 67: 33: 26: 22: 2121: 2120: 2116: 2115: 2114: 2112: 2111: 2110: 2071: 2070: 2069: 2064: 2018: 2015:(S.D.N.Y. 2023) 1999:(S.D.N.Y. 2013) 1991:(S.D.N.Y. 2010) 1983:(S.D.N.Y. 2005) 1967:(S.D.N.Y. 1999) 1943:(E.D.N.Y. 1973) 1932:Folsom v. Marsh 1919: 1916:(9th Cir. 2018) 1908:(9th Cir. 2015) 1892:(9th Cir. 2013) 1876:(9th Cir. 2012) 1860:(9th Cir. 2010) 1852:(2nd Cir. 2008) 1844:(9th Cir. 2006) 1836:(2nd Cir. 2006) 1833:Blanch v. Koons 1828:(2nd Cir. 2006) 1820:(7th Cir. 2005) 1804:(7th Cir. 2003) 1788:(5th Cir. 2002) 1780:(9th Cir. 2001) 1772:(1st Cir. 2000) 1764:(9th Cir. 2000) 1748:(9th Cir. 1997) 1740:(2nd Cir. 1995) 1724:(2nd Cir. 1992) 1721:Rogers v. Koons 1716:(5th Cir. 1988) 1700:(9th Cir. 1986) 1684:(7th Cir. 1983) 1676:(9th Cir. 1978) 1668:(4th Cir. 1978) 1660:(9th Cir. 1970) 1636: 1574:Golan v. Holder 1454:Baker v. Selden 1428: 1418: 1401: 1378: 1361: 1286: 1270: 1254: 1206: 1140: 1135: 1105: 1104: 1094: 1092: 1080: 1076: 1066: 1064: 1054: 1050: 1040: 1038: 1028: 1024: 1014: 1012: 1002: 998: 988: 986: 974: 970: 960: 958: 946: 939: 929: 927: 915: 911: 901: 899: 887: 880: 870: 868: 856: 849: 839: 837: 826: 825: 818: 808: 806: 794: 790: 780: 778: 766: 762: 752: 750: 749:. July 16, 2018 739: 738: 734: 724: 722: 710: 706: 701: 697: 691: 687: 677: 675: 663: 659: 649: 647: 635: 631: 621: 619: 607: 600: 595: 571: 543:US$ 1.6 billion 542: 494: 430: 390: 370: 350: 344: 288: 280: 252: 224: 215:Signed into law 159: 136:Titles affected 113: 98: 65: 19: 12: 11: 5: 2119: 2109: 2108: 2103: 2098: 2093: 2088: 2083: 2066: 2065: 2063: 2062: 2055: 2048: 2043: 2038: 2033: 2027: 2024: 2023: 2020: 2019: 2017: 2016: 2008: 2000: 1992: 1984: 1976: 1968: 1960: 1952: 1944: 1936: 1927: 1925: 1921: 1920: 1918: 1917: 1909: 1901: 1900:(2d Cir. 2015) 1893: 1885: 1884:(2d Cir. 2012) 1877: 1869: 1868:(2d Cir. 2011) 1861: 1853: 1845: 1837: 1829: 1821: 1813: 1812:(2d Cir. 2004) 1805: 1797: 1789: 1781: 1773: 1765: 1757: 1756:(2d Cir. 1998) 1749: 1741: 1733: 1732:(2d Cir. 1992) 1725: 1717: 1709: 1708:(3d Cir. 1986) 1701: 1697:Fisher v. Dees 1693: 1692:(3d Cir. 1983) 1685: 1677: 1669: 1661: 1653: 1652:(2d Cir. 1964) 1644: 1642: 1641:Appeals courts 1638: 1637: 1635: 1634: 1626: 1618: 1610: 1602: 1594: 1586: 1578: 1570: 1562: 1554: 1546: 1538: 1530: 1526:Feist v. 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Index

Great Seal of the United States
115th United States Congress
Bob Goodlatte
Pub. L.
115–264 (text)
(PDF)
Statutes at Large
Stat.
3676
17 U.S.C.
§ 101
Legislative history
H.R. 5447
Bob Goodlatte
R
VA
House Judiciary Committee
Donald Trump
H.R. 1551
Pub. L.
115–264 (text)
(PDF)
copyright
digital streaming
115th United States Congress
Bob Goodlatte
H.R. 4706
Orrin Hatch
mechanical license
compulsory license

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