207:
235:
386:
464:
405:
441:
429:
417:
495:
480:
525:
510:
540:
552:
2320:
250:, multiple exposure is a technique in which the camera shutter is opened more than once to expose the film multiple times, usually to different images. The resulting image contains the subsequent image/s superimposed over the original. The technique is sometimes used as an artistic visual effect and can be used to create ghostly images or to add people and objects to a scene that were not originally there. It is frequently used in photographic
129:
2331:
32:
184:
sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a
385:
338:
With traditional film cameras, a long exposure is a single exposure, whereas with electronic cameras a long exposure can be obtained by integrating together many exposures. This averaging also permits there to be a time-windowing function, such as a
Gaussian, that weights time periods near the center
183:
Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the
265:
must first be set to avoid overexposure. For example, to expose the frame twice with correct exposure, a −1 EV compensation have to be done, and −2 EV for exposing four times. This may not be necessary when photographing a lit subject in two (or more) different positions against a perfectly dark
257:
It is considered easiest to have a manual winding camera for double exposures. On automatic winding cameras, as soon as a picture is taken the film is typically wound to the next frame. Some more advanced automatic winding cameras have the option for multiple exposures but it must be set before
359:. With multiple exposure the original gets scanned several times with different exposure intensities. An overexposed scan lights the shadow areas of the image and enables the scanner to capture more image information here. Afterwards the data can be calculated into a single
269:
Medium to low light is ideal for double exposures. A tripod may not be necessary if combining different scenes in one shot. In some conditions, for example, recording the whole progress of a lunar eclipse in multiple exposures, a stable tripod is essential.
293:. These enable the opacity of the images to be altered and for an image to be overlaid over another. They also can set the layers to multiply mode, which 'adds' the colors together rather than making the colors of either image pale and translucent.
206:
440:
463:
404:
221:, a series of instantaneous photographs were taken at short and equal intervals of time. These photographs could be overlayed for a single multiple exposure print.
2288:
234:
296:
Many digital SLR cameras allow multiple exposures to be made on the same image within the camera without the need for any external software. And some
2235:
640:
324:'s acrylic on canvas "Hanna Tillich's Mirror: Rembrandt's Three Trees Transformed Into The Expulsion From Eden", from 1978 (depicted below).
258:
making each exposure. Manual winding cameras with a multiple exposure feature can be set to double-expose after making the first exposure.
192:
combined with a rectangular pulse, is considered a multiple exposure, even though the sensitivity never goes to zero during the exposure.
2278:
2230:
2015:
880:
96:
2368:
494:
479:
428:
416:
68:
986:
733:
339:
of the exposure time more strongly. Another possibility for synthesizing long exposure from a multiple exposure is to use an
2283:
524:
509:
343:
in which the current frame has the strongest weight, and previous frames are faded out with a sliding exponential window.
75:
2225:
1777:
49:
1986:
115:
2818:
1953:
82:
20:
539:
2457:
2245:
1739:
351:
Multiple exposure technique can also be used when scanning transparencies like slides, film or negatives using a
188:(flash) and a constant finite rectangular window, in combination. For example, a sensitivity window comprising a
300:
can take successive multiple exposures (sometimes up to nine) in one frame and in one shot. It is the same with
1918:
1401:
1188:
53:
64:
1827:
1759:
1512:
1034:
2255:
2250:
2260:
1537:
1039:
2361:
1991:
1679:
1582:
875:
619:
360:
304:, which takes multiple shots in one burst captures, then combines all the proper shots into one frame.
301:
137:
2411:
1958:
1908:
1868:
1721:
1607:
1557:
1249:
1193:
1049:
801:
726:
333:
2159:
1754:
1482:
1274:
603:
551:
2790:
2124:
1928:
1832:
1696:
1547:
1379:
1284:
927:
845:
811:
42:
2775:
2749:
2562:
2335:
2179:
2154:
1963:
1948:
1883:
1863:
1769:
1691:
1522:
1441:
1436:
1411:
1339:
1329:
1279:
1269:
1203:
1166:
1094:
1069:
703:
AIRLINES · Bird Tracks in the Air, Iskiographies by Lothar
Schiffler: Making-of “AIRLINES XI-1”
164:
89:
2597:
2744:
2607:
2531:
2354:
2240:
2035:
1943:
1938:
1923:
1913:
1888:
1873:
1734:
1667:
1637:
1597:
1507:
1497:
1334:
1213:
1176:
1099:
470:
262:
1792:
2764:
2567:
2432:
2324:
1933:
1903:
1898:
1893:
1878:
1532:
1451:
1421:
1374:
1319:
1309:
1234:
1059:
1006:
719:
8:
2493:
2478:
2401:
2030:
2003:
1973:
1627:
1542:
1446:
1324:
1304:
1294:
1289:
1259:
1151:
1064:
892:
887:
501:
486:
396:
Hannah
Tillich's Mirror: Rembrandt's Three Trees Transformed Into The Expulsion From Eden
281:
Digital technology enables images to be superimposed over each other by using a software
211:
185:
141:
398:, acrylic on canvas, 60 in × 120 in (1.5 m × 3.0 m), 1978.
2769:
2739:
2442:
2174:
1837:
1787:
1612:
1467:
1426:
1406:
1344:
1299:
1264:
1239:
796:
761:
356:
261:
Since shooting multiple exposures will expose the same frame multiple times, negative
2754:
2691:
2602:
2592:
2526:
2144:
2080:
2067:
1998:
1662:
1587:
1567:
1552:
1416:
1384:
1244:
1079:
850:
641:"After Four Decades, Painter Joan Semmel Still Refuses to Romanticize the Human Body"
583:
340:
201:
2509:
2452:
2199:
2149:
2107:
2092:
2075:
2045:
2040:
1684:
1642:
1592:
1354:
1314:
1254:
1109:
451:
2295:
2780:
2706:
2701:
2684:
2658:
2462:
2396:
2204:
2112:
1729:
1477:
1359:
1054:
1001:
996:
964:
949:
907:
531:
516:
286:
282:
160:
2785:
2663:
1981:
1807:
1749:
1517:
1198:
1104:
1089:
1084:
979:
786:
776:
766:
608:. Vol. 1901. Washington, D.C.: Smithsonian Institution. 1901. p. 317.
568:
273:
More than two exposures can be combined, with care not to overexpose the film.
247:
172:
152:
2812:
2759:
2721:
2679:
2642:
2632:
2437:
2134:
2102:
2087:
2052:
1812:
1657:
1622:
1208:
1181:
1161:
1129:
1074:
455:
297:
218:
1572:
366:
Among the scanning software solutions which implement multiple exposure are
2795:
2637:
2611:
2557:
2391:
2377:
2300:
2194:
2189:
2184:
2139:
2025:
2020:
1674:
1394:
1364:
1146:
1141:
1124:
969:
791:
781:
771:
352:
316:' work has been inspired by the multiple exposure effect. Examples include
668:
2536:
2406:
2305:
2169:
2164:
2097:
2010:
1847:
1822:
1652:
1647:
1632:
1487:
1369:
1349:
1218:
1119:
1011:
974:
944:
897:
865:
860:
821:
742:
697:
317:
243:
148:
133:
1817:
1797:
1711:
1701:
1562:
1527:
1502:
1431:
1171:
1156:
1136:
1018:
954:
870:
816:
578:
573:
447:
410:
Multiple exposure image made using a digital camera and Adobe
Photoshop
391:
371:
321:
189:
2696:
2627:
2519:
2488:
2483:
2209:
1782:
1744:
1706:
1602:
1492:
959:
922:
917:
902:
855:
838:
217:
In the historical technique of chronophotography, dating back to the
128:
2427:
605:
Annual report of the Board of
Regents of the Smithsonian Institution
31:
2572:
2514:
1802:
1617:
1114:
1044:
912:
833:
828:
313:
266:
background, as the background area will be essentially unexposed.
2711:
1842:
991:
937:
367:
16:
Superimposition of two or more exposures to create a single image
2716:
2541:
2346:
1389:
806:
756:
711:
702:
2057:
1472:
932:
706:
645:
312:
In addition to direct photographic usage of the technique,
290:
251:
195:
171:
has a corresponding meaning in respect of two images. The
346:
19:"Double exposure" redirects here. For other uses, see
210:
An 1886 chronophotographic study of horse motion, by
56:. Unsourced material may be challenged and removed.
422:Multiple exposure film photo made in the darkroom
2810:
698:Lothar Schiffler's official Iskiography web page
473:, double exposure made using a film camera, 1980
224:
320:'s oil on canvas "Transitions" from 2012, and
2362:
727:
2279:Conservation and restoration of photographs
175:may or may not be identical to each other.
2369:
2355:
2016:Comparison of digital and film photography
734:
720:
2236:Photographs considered the most important
116:Learn how and when to remove this message
233:
205:
196:Historical multiple exposure photography
127:
307:
2811:
2350:
715:
545:Double exposure image made in Sapporo
434:Multiple exposure image made in 1910
363:image with increased dynamic range.
347:Scanning film with multiple exposure
238:Triple exposure photograph from 1915
54:adding citations to reliable sources
25:
2231:Museums devoted to one photographer
13:
1778:Timeline of photography technology
673:Wall Street International Magazine
14:
2830:
691:
327:
2376:
2329:
2319:
2318:
550:
538:
523:
508:
493:
478:
462:
439:
427:
415:
403:
384:
30:
21:Double exposure (disambiguation)
2330:
741:
446:Multiple exposure made using a
41:needs additional citations for
661:
633:
620:"GE X600 Bridge Camera Review"
612:
596:
530:Double exposure image made at
515:Double exposure image made at
500:Double exposure image made at
485:Double exposure image made at
167:to create a single image, and
1:
1828:Painted photography backdrops
1760:Golden triangle (composition)
1035:35 mm equivalent focal length
589:
225:Multiple exposure techniques
7:
1538:Intentional camera movement
562:
229:
178:
10:
2837:
2226:Most expensive photographs
1583:Multi-exposure HDR capture
377:
331:
302:high-dynamic-range imaging
276:
199:
138:October 2004 lunar eclipse
18:
2732:
2672:
2651:
2620:
2585:
2550:
2502:
2471:
2420:
2384:
2314:
2271:
2218:
2123:
2066:
1972:
1856:
1768:
1720:
1460:
1227:
1027:
749:
334:Long-exposure photography
2160:Digital image processing
357:increasing dynamic range
2819:Photographic techniques
1833:Photography and the law
2776:Video editing software
2750:Post-classical editing
2180:Gelatin silver process
1204:Science of photography
1189:Photographic processes
1167:Perspective distortion
557:Double exposure image
239:
214:
144:
2745:Soviet montage theory
1638:Schlieren photography
1177:Photographic printing
1100:Exposure compensation
471:Karlheinz Stockhausen
263:exposure compensation
237:
209:
131:
2765:Linear video editing
1422:Straight photography
1060:Chromatic aberration
308:Adoption in fine art
50:improve this article
2402:Attentional control
2289:photographic plates
1974:Digital photography
1152:Hyperfocal distance
1065:Circle of confusion
502:New Chitose Airport
487:New Chitose Airport
212:Etienne-Jules Marey
186:Dirac delta measure
142:Hayward, California
65:"Multiple exposure"
2770:Non-linear editing
2740:Continuity editing
1793:Autochrome Lumière
1788:Analog photography
1613:Pigeon photography
1402:Social documentary
881:discontinued films
240:
215:
145:
2806:
2805:
2791:Real-time editing
2755:In-camera editing
2692:Establishing shot
2603:Shot/reverse shot
2581:
2580:
2448:Multiple exposure
2344:
2343:
2145:Collodion process
2081:Chromogenic print
2068:Color photography
1578:Multiple exposure
1553:Lo-fi photography
1080:Color temperature
649:. 16 October 2018
584:Sandwich printing
341:exponential decay
202:Chronophotography
157:multiple exposure
132:A multi-exposure
126:
125:
118:
100:
2826:
2469:
2468:
2453:Optical illusion
2371:
2364:
2357:
2348:
2347:
2333:
2332:
2322:
2321:
2200:Print permanence
2150:Cross processing
2108:CMYK color model
2093:Color management
2046:Foveon X3 sensor
2041:Three-CCD camera
1685:Miniature faking
1643:Sabattier effect
1255:Astrophotography
1110:Zebra patterning
736:
729:
722:
713:
712:
685:
684:
682:
680:
665:
659:
658:
656:
654:
637:
631:
630:
628:
626:
616:
610:
609:
600:
554:
542:
527:
512:
497:
482:
466:
450:LC-A camera and
443:
431:
419:
407:
388:
121:
114:
110:
107:
101:
99:
58:
34:
26:
2836:
2835:
2829:
2828:
2827:
2825:
2824:
2823:
2809:
2808:
2807:
2802:
2781:Offline editing
2728:
2707:External rhythm
2702:Internal rhythm
2685:Kuleshov effect
2668:
2659:180-degree rule
2647:
2616:
2577:
2546:
2498:
2467:
2416:
2397:Synchronization
2380:
2375:
2345:
2340:
2310:
2267:
2214:
2205:Push processing
2126:
2119:
2113:RGB color model
2062:
1968:
1852:
1764:
1730:Diagonal method
1716:
1456:
1360:Photojournalism
1223:
1055:Black-and-white
1023:
1002:Slide projector
997:Movie projector
876:available films
745:
740:
694:
689:
688:
678:
676:
675:. 23 April 2013
667:
666:
662:
652:
650:
639:
638:
634:
624:
622:
618:
617:
613:
602:
601:
597:
592:
565:
558:
555:
546:
543:
534:
532:Sapporo Station
528:
519:
517:Sapporo Station
513:
504:
498:
489:
483:
474:
467:
458:
452:cross-processed
444:
435:
432:
423:
420:
411:
408:
399:
389:
380:
349:
336:
330:
310:
287:Adobe Photoshop
279:
232:
227:
204:
198:
181:
173:exposure values
169:double exposure
163:of two or more
161:superimposition
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
2834:
2833:
2822:
2821:
2804:
2803:
2801:
2800:
2799:
2798:
2793:
2788:
2786:Online editing
2783:
2778:
2773:
2767:
2757:
2752:
2747:
2742:
2736:
2734:
2730:
2729:
2727:
2726:
2725:
2724:
2719:
2709:
2704:
2699:
2694:
2689:
2688:
2687:
2676:
2674:
2670:
2669:
2667:
2666:
2664:30-degree rule
2661:
2655:
2653:
2649:
2648:
2646:
2645:
2640:
2635:
2630:
2624:
2622:
2618:
2617:
2615:
2614:
2605:
2600:
2595:
2589:
2587:
2583:
2582:
2579:
2578:
2576:
2575:
2570:
2565:
2560:
2554:
2552:
2548:
2547:
2545:
2544:
2539:
2534:
2529:
2524:
2523:
2522:
2512:
2506:
2504:
2500:
2499:
2497:
2496:
2491:
2486:
2481:
2475:
2473:
2466:
2465:
2460:
2455:
2450:
2445:
2443:Points of view
2440:
2435:
2430:
2424:
2422:
2418:
2417:
2415:
2414:
2409:
2404:
2399:
2394:
2388:
2386:
2382:
2381:
2374:
2373:
2366:
2359:
2351:
2342:
2341:
2339:
2338:
2327:
2315:
2312:
2311:
2309:
2308:
2303:
2298:
2293:
2292:
2291:
2286:
2275:
2273:
2269:
2268:
2266:
2265:
2264:
2263:
2258:
2253:
2248:
2238:
2233:
2228:
2222:
2220:
2216:
2215:
2213:
2212:
2207:
2202:
2197:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2142:
2137:
2131:
2129:
2121:
2120:
2118:
2117:
2116:
2115:
2110:
2105:
2100:
2090:
2085:
2084:
2083:
2072:
2070:
2064:
2063:
2061:
2060:
2055:
2050:
2049:
2048:
2043:
2038:
2033:
2023:
2018:
2013:
2008:
2007:
2006:
2001:
1996:
1995:
1994:
1982:Digital camera
1978:
1976:
1970:
1969:
1967:
1966:
1961:
1956:
1951:
1946:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1906:
1901:
1896:
1891:
1886:
1881:
1876:
1871:
1866:
1860:
1858:
1854:
1853:
1851:
1850:
1845:
1840:
1835:
1830:
1825:
1820:
1815:
1810:
1808:Camera obscura
1805:
1800:
1795:
1790:
1785:
1780:
1774:
1772:
1766:
1765:
1763:
1762:
1757:
1752:
1750:Rule of thirds
1747:
1742:
1737:
1732:
1726:
1724:
1718:
1717:
1715:
1714:
1709:
1704:
1699:
1694:
1689:
1688:
1687:
1677:
1672:
1671:
1670:
1660:
1655:
1650:
1645:
1640:
1635:
1630:
1625:
1620:
1615:
1610:
1605:
1600:
1595:
1590:
1585:
1580:
1575:
1570:
1565:
1560:
1555:
1550:
1545:
1540:
1535:
1530:
1525:
1520:
1518:Harris shutter
1515:
1513:Hand-colouring
1510:
1505:
1500:
1495:
1490:
1485:
1480:
1475:
1470:
1464:
1462:
1458:
1457:
1455:
1454:
1449:
1444:
1439:
1434:
1429:
1424:
1419:
1414:
1409:
1404:
1399:
1398:
1397:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1347:
1342:
1337:
1332:
1327:
1322:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1257:
1252:
1247:
1242:
1237:
1231:
1229:
1225:
1224:
1222:
1221:
1216:
1211:
1206:
1201:
1199:Red-eye effect
1196:
1191:
1186:
1185:
1184:
1174:
1169:
1164:
1159:
1154:
1149:
1144:
1139:
1134:
1133:
1132:
1127:
1117:
1112:
1107:
1105:Exposure value
1102:
1097:
1092:
1090:Depth of focus
1087:
1085:Depth of field
1082:
1077:
1072:
1067:
1062:
1057:
1052:
1047:
1042:
1037:
1031:
1029:
1025:
1024:
1022:
1021:
1016:
1015:
1014:
1004:
999:
994:
989:
984:
983:
982:
977:
972:
967:
962:
957:
952:
942:
941:
940:
935:
930:
925:
920:
915:
910:
905:
900:
890:
885:
884:
883:
878:
873:
868:
863:
858:
848:
843:
842:
841:
836:
826:
825:
824:
819:
814:
809:
804:
799:
794:
789:
784:
779:
774:
769:
764:
753:
751:
747:
746:
739:
738:
731:
724:
716:
710:
709:
700:
693:
692:External links
690:
687:
686:
660:
632:
611:
594:
593:
591:
588:
587:
586:
581:
576:
571:
569:Autobracketing
564:
561:
560:
559:
556:
549:
547:
544:
537:
535:
529:
522:
520:
514:
507:
505:
499:
492:
490:
484:
477:
475:
468:
461:
459:
445:
438:
436:
433:
426:
424:
421:
414:
412:
409:
402:
400:
390:
383:
379:
376:
348:
345:
332:Main article:
329:
328:Long exposures
326:
309:
306:
298:bridge cameras
278:
275:
248:cinematography
231:
228:
226:
223:
200:Main article:
197:
194:
180:
177:
153:cinematography
124:
123:
106:September 2016
38:
36:
29:
15:
9:
6:
4:
3:
2:
2832:
2831:
2820:
2817:
2816:
2814:
2797:
2796:Vision mixing
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2771:
2768:
2766:
2763:
2762:
2761:
2760:Video editing
2758:
2756:
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2737:
2735:
2731:
2723:
2722:Stock footage
2720:
2718:
2715:
2714:
2713:
2710:
2708:
2705:
2703:
2700:
2698:
2695:
2693:
2690:
2686:
2683:
2682:
2681:
2680:Reaction shot
2678:
2677:
2675:
2671:
2665:
2662:
2660:
2657:
2656:
2654:
2650:
2644:
2643:Walk and talk
2641:
2639:
2636:
2634:
2631:
2629:
2626:
2625:
2623:
2619:
2613:
2609:
2606:
2604:
2601:
2599:
2596:
2594:
2593:Cut on action
2591:
2590:
2588:
2584:
2574:
2571:
2569:
2566:
2564:
2563:Invisible cut
2561:
2559:
2556:
2555:
2553:
2549:
2543:
2540:
2538:
2535:
2533:
2530:
2528:
2525:
2521:
2518:
2517:
2516:
2513:
2511:
2508:
2507:
2505:
2501:
2495:
2492:
2490:
2487:
2485:
2482:
2480:
2477:
2476:
2474:
2470:
2464:
2461:
2459:
2456:
2454:
2451:
2449:
2446:
2444:
2441:
2439:
2438:Eyeline match
2436:
2434:
2431:
2429:
2426:
2425:
2423:
2419:
2413:
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2389:
2387:
2383:
2379:
2372:
2367:
2365:
2360:
2358:
2353:
2352:
2349:
2337:
2328:
2326:
2317:
2316:
2313:
2307:
2304:
2302:
2299:
2297:
2294:
2290:
2287:
2285:
2282:
2281:
2280:
2277:
2276:
2274:
2270:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2243:
2242:
2241:Photographers
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2223:
2221:
2217:
2211:
2208:
2206:
2203:
2201:
2198:
2196:
2193:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2135:Bleach bypass
2133:
2132:
2130:
2128:
2122:
2114:
2111:
2109:
2106:
2104:
2103:primary color
2101:
2099:
2096:
2095:
2094:
2091:
2089:
2088:Reversal film
2086:
2082:
2079:
2078:
2077:
2074:
2073:
2071:
2069:
2065:
2059:
2056:
2054:
2053:Image sharing
2051:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2028:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2005:
2002:
2000:
1997:
1993:
1990:
1989:
1988:
1985:
1984:
1983:
1980:
1979:
1977:
1975:
1971:
1965:
1962:
1960:
1957:
1955:
1954:United States
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1887:
1885:
1882:
1880:
1877:
1875:
1872:
1870:
1867:
1865:
1862:
1861:
1859:
1855:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1829:
1826:
1824:
1821:
1819:
1816:
1814:
1813:Daguerreotype
1811:
1809:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1789:
1786:
1784:
1781:
1779:
1776:
1775:
1773:
1771:
1767:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1727:
1725:
1723:
1719:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1686:
1683:
1682:
1681:
1678:
1676:
1673:
1669:
1666:
1665:
1664:
1661:
1659:
1658:Stopping down
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1623:Rephotography
1621:
1619:
1616:
1614:
1611:
1609:
1606:
1604:
1601:
1599:
1596:
1594:
1591:
1589:
1586:
1584:
1581:
1579:
1576:
1574:
1571:
1569:
1566:
1564:
1561:
1559:
1558:Long-exposure
1556:
1554:
1551:
1549:
1546:
1544:
1541:
1539:
1536:
1534:
1531:
1529:
1526:
1524:
1521:
1519:
1516:
1514:
1511:
1509:
1506:
1504:
1501:
1499:
1496:
1494:
1491:
1489:
1486:
1484:
1481:
1479:
1476:
1474:
1471:
1469:
1466:
1465:
1463:
1459:
1453:
1450:
1448:
1445:
1443:
1440:
1438:
1435:
1433:
1430:
1428:
1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1403:
1400:
1396:
1393:
1392:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1363:
1361:
1358:
1356:
1353:
1351:
1348:
1346:
1343:
1341:
1338:
1336:
1333:
1331:
1328:
1326:
1323:
1321:
1318:
1316:
1313:
1311:
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1256:
1253:
1251:
1250:Architectural
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1232:
1230:
1226:
1220:
1217:
1215:
1212:
1210:
1209:Shutter speed
1207:
1205:
1202:
1200:
1197:
1195:
1192:
1190:
1187:
1183:
1180:
1179:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1162:Metering mode
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1131:
1128:
1126:
1123:
1122:
1121:
1118:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1075:Color balance
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1043:
1041:
1040:Angle of view
1038:
1036:
1033:
1032:
1030:
1026:
1020:
1017:
1013:
1010:
1009:
1008:
1005:
1003:
1000:
998:
995:
993:
990:
988:
987:Manufacturers
985:
981:
978:
976:
973:
971:
968:
966:
963:
961:
958:
956:
953:
951:
948:
947:
946:
943:
939:
936:
934:
931:
929:
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
895:
894:
891:
889:
886:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
853:
852:
849:
847:
844:
840:
837:
835:
832:
831:
830:
827:
823:
820:
818:
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
763:
760:
759:
758:
755:
754:
752:
748:
744:
737:
732:
730:
725:
723:
718:
717:
714:
708:
704:
701:
699:
696:
695:
674:
670:
669:"Joan Semmel"
664:
648:
647:
642:
636:
621:
615:
607:
606:
599:
595:
585:
582:
580:
577:
575:
572:
570:
567:
566:
553:
548:
541:
536:
533:
526:
521:
518:
511:
506:
503:
496:
491:
488:
481:
476:
472:
465:
460:
457:
453:
449:
442:
437:
430:
425:
418:
413:
406:
401:
397:
393:
387:
382:
381:
375:
373:
369:
364:
362:
358:
354:
344:
342:
335:
325:
323:
319:
315:
305:
303:
299:
294:
292:
288:
284:
274:
271:
267:
264:
259:
255:
253:
249:
245:
236:
222:
220:
219:Victorian era
213:
208:
203:
193:
191:
187:
176:
174:
170:
166:
162:
158:
154:
150:
143:
139:
136:image of the
135:
130:
120:
117:
109:
98:
95:
91:
88:
84:
81:
77:
74:
70:
67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
2638:Slow cutting
2612:Flashforward
2598:Contrast cut
2586:Storytelling
2558:Fast cutting
2458:Split screen
2447:
2412:Parallel cut
2392:Choreography
2378:Film editing
2301:Polaroid art
2195:K-14 process
2190:Instant film
2185:Gum printing
2140:C-41 process
2125:Photographic
2026:Image sensor
2021:Film scanner
1675:Sun printing
1608:Print toning
1577:
1395:space selfie
1365:Pictorialism
1295:Ethnographic
1275:Conservation
1147:Guide number
1142:Focal length
677:. Retrieved
672:
663:
651:. Retrieved
644:
635:
623:. Retrieved
614:
604:
598:
395:
365:
353:film scanner
350:
337:
314:fine artists
311:
295:
283:photo editor
280:
272:
268:
260:
256:
241:
216:
182:
168:
156:
146:
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
2537:Slow motion
2503:Timelapsing
2407:Master shot
2306:Stereoscopy
2170:E-6 process
2165:Dye coupler
2098:color space
2011:Digiscoping
2004:camera back
1919:Philippines
1848:Visual arts
1838:Glass plate
1823:Heliography
1722:Composition
1697:Ultraviolet
1653:Stereoscopy
1648:Slow motion
1633:Scanography
1548:Kite aerial
1488:Contre-jour
1380:Post-mortem
1370:Pornography
1350:Neues Sehen
1285:Documentary
1219:Zone System
1194:Reciprocity
1120:Film format
1050:Backscatter
1028:Terminology
898:beauty dish
797:rangefinder
762:light-field
743:Photography
705:– Video on
679:December 6,
653:December 6,
625:February 9,
454:Fujichrome
318:Joan Semmel
244:photography
149:photography
140:taken from
2463:Transition
2296:Lomography
2127:processing
2076:Print film
1992:comparison
1959:Uzbekistan
1909:Luxembourg
1869:Bangladesh
1818:Dufaycolor
1798:Box camera
1755:Simplicity
1712:Zoom burst
1707:Xerography
1702:Vignetting
1692:Time-lapse
1680:Tilt–shift
1573:Mordançage
1563:Luminogram
1528:Holography
1523:High-speed
1503:Fill flash
1483:Burst mode
1461:Techniques
1442:Vernacular
1437:Underwater
1432:Toy camera
1412:Still life
1340:Monochrome
1330:High-speed
1280:Cloudscape
1270:Conceptual
1172:Photograph
1157:Lens flare
1137:Film speed
1019:Zone plate
965:wide-angle
950:long-focus
590:References
579:Chroma key
574:Bracketing
456:slide film
448:Lomography
392:Ian Hornak
372:SilverFast
322:Ian Hornak
285:, such as
190:Dirac comb
76:newspapers
2697:Long take
2633:Cross cut
2628:Smash cut
2608:Flashback
2520:Axial cut
2489:Long shot
2484:Match cut
2472:Insertion
2421:Technique
2246:Norwegian
2210:Stop bath
2155:Developer
1783:Ambrotype
1745:Lead room
1668:Slit-scan
1603:Photogram
1598:Panoramic
1508:Fireworks
1493:Cyanotype
1335:Landscape
980:telephoto
928:reflector
923:monolight
918:lens hood
903:cucoloris
839:safelight
750:Equipment
469:Composer
165:exposures
134:composite
2813:Category
2573:Supercut
2532:Dissolve
2515:Jump cut
2479:Dialogue
2325:Category
2031:CMOS APS
1929:Slovenia
1857:Regional
1803:Calotype
1740:Headroom
1618:Redscale
1533:Infrared
1478:Brenizer
1452:Wildlife
1375:Portrait
1320:Forensic
1310:Fine-art
1245:Aircraft
1235:Abstract
1115:F-number
1095:Exposure
1070:Clipping
1045:Aperture
913:hot shoe
834:enlarger
829:Darkroom
563:See also
230:Analogue
179:Overview
2733:Editing
2712:Footage
2568:Montage
2433:Cutaway
2385:Concept
2336:Outline
2272:Related
1964:Vietnam
1949:Ukraine
1884:Denmark
1864:Albania
1843:Tintype
1770:History
1735:Framing
1628:Rollout
1593:Panning
1543:Kirlian
1447:Wedding
1325:Glamour
1305:Fashion
1290:Eclipse
1260:Banquet
1182:Albumen
992:Monopod
970:fisheye
938:softbox
787:pinhole
777:instant
767:digital
378:Gallery
368:VueScan
289:or the
277:Digital
159:is the
90:scholar
2717:B-roll
2621:Action
2542:Prelap
2494:Insert
2334:
2323:
2256:street
2251:Polish
1944:Turkey
1939:Taiwan
1924:Serbia
1914:Norway
1889:Greece
1874:Canada
1468:Afocal
1427:Street
1407:Sports
1390:Selfie
1345:Nature
1300:Erotic
1265:Candid
1240:Aerial
1228:Genres
1130:medium
1007:Tripod
975:swivel
888:Filter
866:holder
861:format
757:Camera
252:hoaxes
92:
85:
78:
71:
63:
2772:(NLE)
2551:Other
2428:Clues
2261:women
2219:Lists
2175:Fixer
2058:Pixel
1987:D-SLR
1934:Sudan
1904:Korea
1899:Japan
1894:India
1879:China
1663:Strip
1588:Night
1568:Macro
1473:Bokeh
1417:Stock
1385:Ruins
1125:large
955:prime
933:snoot
893:Flash
871:stock
846:Drone
807:still
792:press
782:phone
772:field
707:Vimeo
646:Artsy
97:JSTOR
83:books
2673:Term
2652:Rule
2527:Wipe
2284:film
1999:MILC
1498:ETTR
1355:Nude
1315:Fire
1214:Sync
1012:head
960:zoom
945:Lens
908:gobo
856:base
851:Film
822:view
681:2018
655:2018
627:2015
370:and
355:for
291:GIMP
246:and
155:, a
151:and
69:news
2510:Cut
2036:CCD
817:toy
812:TLR
802:SLR
361:HDR
242:In
147:In
52:by
2815::
2610:/
671:.
643:.
394:.
374:.
254:.
2370:e
2363:t
2356:v
735:e
728:t
721:v
683:.
657:.
629:.
119:)
113:(
108:)
104:(
94:·
87:·
80:·
73:·
46:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
_of_background_-_DPLA_-_bd61425783fd25a7ede31e2f4fa0d1fa.jpg)