181:. According to Dave Sager of Jazz.com, "The bridge of the first chorus, cleverly truncated, features spine-tingling, shouting brass played into metal derbies and sounding like they are in the room with the listener." The song begins with Count Basie soloing over the form in his famous "minimalistic" style of playing very little notes but giving them a lot of meaning. The band has a gigantic interjectory hit in the second chorus leading into the swinging Basie "laid back" feel with the melody. He adds that a "sudden key change - the tune modulates from the key of
229:, with "fine solos by the Count and nice muted trumpet by Harry Edison" according to Chris Tyle. Basie "introduces the first chorus with a confident, eight-bar stride piano solo, segueing into a forceful contrasting riff exchange between the brass and reed sections". "Moten Swing" has since become most associated with Count Basie.
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The original recording is a four even beats to the bar, written in AABA form, thirty-two measures long. Basie and jazz historian Mark C. Gridley claimed that "Moten Swing" is based on the chord progression to the song
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deserved the most credit for it and that it was essentially his, although he didn't join the band until 1929. The 1932 "Moten Swing", written by Bennie and Buster Moten, recorded at
161:, on December 13, 1932, gained much acclaim in the jazz community and is seen as an important jazz standard in the move towards a freer form of orchestral jazz. The audience at the
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who solos in a coolish un-Armstrong manner." This leads into the shout which is somewhat standard for a swinging Count Basie chart filled with loud brass hits, shakes, and calls.
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raved about the song, and the doors were let open to the public who came crammed into the theatre to hear the new sound, demanding seven encores.
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and his Kansas City
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Driggs, Frank; Director, Marr Sound
Archives University of Missouri-Kansas City Chuck Haddix (1 May 2005).
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composed "Moten Stomp" in 1927, and it was in the charts for two weeks the following year.
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on piano, achieved much success with it, although the song is most associated with Basie's
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Kansas City Jazz : From
Ragtime to Bebop--A History: From Ragtime to Bebop--A History
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Being Prez : The Life and Music of Lester Young: The Life and Music of Lester Young
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Unforgettable History of the Oklahoma City Blue Devils
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205:"Moten Swing" became more popular in 1938 when it was recorded by the
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orchestra during a Kansas City radio session and was recorded by
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the same year as "Moten Stomp". In 1940, Count Basie and
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1932 single by Bennie Moten and his Kansas City
Orchestra
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Good
Morning Blues: The Autobiography of Count Basie
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324:. University of Texas Press. p. 104.
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297:. Da Capo Press. p. 127.
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495:. Jazz.com. Archived from
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318:Oliphant, Dave (1996).
175:You’re Driving Me Crazy
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357:"Moten Swing (1932)"
59:December 13, 1932,
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359:. Jazzstandards.com
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61:Camden, New Jersey
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421:978-0-8070-7136-6
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381:Experiencing Jazz
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