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Morton Subotnick

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82: 25: 1512: 157: 323:, a mono drama commissioned by Betty Freeman for the Kronos Quartet and singer Joan La Barbara, received its premiere in San Francisco in 1985. Jacob's Room, Subotnick's multimedia opera chamber opera (directed by Herbert Blau with video imagery by Steina and Woody Vasulka, featuring Joan La Barbara), received its premiere in Philadelphia in April 1993 under the auspices of The American Music Theater Festival. 1193: 148:. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre. 276:. Subotnick remained Associate Dean of the music school for 4 years and then, resigning from that position, became the head of the composition program where, a few years later, he created a new media program that introduced interactive technology and multimedia into the curriculum. In 1978 Subotnick, with 292:
Where previous electronic music had used non-traditional structures, Subotnick's electronic compositions are structured more like the classical music for acoustic instruments with which audiences are familiar, but with nontraditional timbres and pitch manipulations no orchestra could produce. He has
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In the late 1960s, a time when much United States' academic "avant-gardist" electronic music was highly abstract, (largely concerned with pitch and timbre, where (metric) rhythm might be an afterthought or of no consequence, and simple patterned structures were largely avoided), Subotnick broke with
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Subotnick is developing tools for young children to create music. He has authored a series of six CDROMs for children, mounted a children's website and he is developing a related school program. Subotnick's Pitch Painter for iPad and iPhone (not available on App Store) is a musical finger painting
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In 1966 Subotnick was instrumental in getting a Rockefeller Grant to join the Tape Center with the Mills Chamber Players (a chamber group at Mills College with performers Nate Rubin (violin); Bonnie Hampton (cello); Naomi Sparrow (piano) and Subotnick on clarinet). The grant required that the Tape
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Subotnick is working with the Library of Congress as they are preparing an archival presentation of his electronic works. He tours extensively throughout the U.S. and Europe as a lecturer and composer/performer. Morton Subotnick is published by Schott Music. Students of his include
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at NYU. The School of the Arts provided him with a studio and a Buchla Synthesizer (now at the Library of Congress). He then helped to develop the Electric Circus and the Electric Ear, and became their artistic director. At the same time he created
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Center relocate to a host institution that became Mills College. Subotnick, however, did not stay with the move, but went to New York with the Actor's Workshop to become the first music director of the Lincoln Center Rep Company in the
316:, a collaboration with director Lee Breuer and visual artist Irving Petlin, utilizing live interaction between singers, instrumentalists and computer, was premiered at the 1984 Olympics Arts Festival in Los Angeles. 1482: 1442: 331:, commissioned to celebrate the return of Halley's Comet, premiered with an accompanying sky show in the planetarium of Griffith Observatory in Los Angeles in 1986. Subotnick's recent works—among them 1373: 1462: 312:
In addition to music in the electronic medium, Subotnick has written for symphony orchestra, chamber ensembles, theater and multimedia productions. His "staged tone poem”
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Early electronic music was made using wave generators and tape-manipulated sounds. Subotnick was among the first composers to work with electronic instrument designer
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as Dean, Subotnick as Associate Dean, and a team of four other pairs of artists carved out a new path of music education and created the now famous
1815: 1577: 1501: 811: 377:, premiered at the Lincoln Center Festival in NY (1997). The European premiere (1998) was in Karlsruhe, Germany. A string quartet with CDROM, 1531: 160: 1340: 1058: 356: 829: 460:, is an animator; his younger son, Jacob Subotnick, is a sound designer and his daughter, Tamara Winer, is a psychiatric social worker. 1570: 1110: 1923: 1898: 1893: 1963: 1958: 1908: 1260: 1073: 1903: 1023: 830:"Silver Apples of the Moon for Electronic Music Synthesizer - Morton Subotnick | Songs, Reviews, Credits | AllMusic" 1492: 1041: 1068: 1928: 1948: 1968: 1943: 1918: 1913: 1594: 1335: 1315: 768: 734: 700: 68: 46: 39: 1953: 1432: 273: 122: 1325: 187: 133: 1938: 1245: 1103: 1053: 792:"'The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde' edited by David W. Bernstein" 1933: 1036: 1524: 268:
In 1969 Subotnick was invited to be part of a team of artists to move to Los Angeles to plan a new school.
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and "intelligent" computer controls which allow the performers to interact with the computer technology.
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this direction by including sections with metric rhythms – those based on pulses and beats. Both
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Deutscher Akademischer Austauschdienst Künstlerprogramm (DAAD), Composer in Residence in Berlin
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The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
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Subotnick was commissioned to complete a larger version of the opera,
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American neo-classical composer and avant-garde electronic musician
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Subotnick has worked extensively with interactive electronics and
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app which presents a new intuitive way for kids to create music.
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also written for acoustic instruments, and he has studied with
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From Silver Apples of the Moon to A Sky of Cloudless Sulphur
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Honorary Doctorate from the California Institute of the Arts
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Interview with Peter Shea at the University of Minnesota
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Mars Millennium Project 2030: Artist: Morton Subotnick
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American Academy of Arts and Letters Composer Award
579:for solo viola and "electronic ghost score" (1982) 695:. University of California Press. pp. 117–. 1875: 489:Lifetime Achievement Award (SEAMUS at Dartmouth) 456:, a singer and composer. Subotnick's older son, 1502:Concerto for Cello, Piano, and String Orchestra 875:"A Wild Composer: Morton Subotnick Interviewed" 190:. During this period he also collaborated with 1578: 1367: 1104: 1341:Studio di fonologia musicale di Radio Milano 716: 682: 240: 750: 672:"Meet the 'founding father' of electronica" 1585: 1571: 1374: 1360: 1336:Studio for Electronic Music (WDR, Cologne) 1111: 1097: 178:. In the early 1960s, Subotnick taught at 1473:Concerto for String Quartet and Orchestra 722: 688: 121:. He was one of the founding members of 69:Learn how and when to remove this message 756: 155: 80: 32:This article includes a list of general 1876: 1033:By Kyle Gann for American Public Media 760:Introduction to electro-acoustic music 111:, best known for his 1967 composition 1566: 1355: 1092: 1077:Echoes from the Silent Call of Girona 872: 613:Echoes from the Silent Call of Girona 379:Echoes from the Silent Call of Girona 1059:Interview with RedBull Music Academy 1030:From Moog to Mark II, to MIDI to MAX 287: 144:, often collaborating with his wife 18: 1074:Art of the States: Morton Subotnick 873:Barry, Robert (December 10, 2015). 13: 729:. Wadsworth Pub. Co. p. 444. 689:Bernstein, David W. (2008-07-08). 125:, where he taught for many years. 38:it lacks sufficient corresponding 14: 1980: 1595:SEAMUS Lifetime Achievement Award 1443:Songs of Innocence and Experience 1316:Philips Natuurkundig Laboratorium 1024:CalArts Faculty: Morton Subotnick 1019:Morton Subotnick's Creating Music 961: 757:Schrader, Barry (February 1982). 601:and the butterflies begin to sing 504: 349:And the Butterflies Begin to Sing 202:) and acted as music director of 1924:Tisch School of the Arts faculty 1899:21st-century classical composers 1894:20th-century classical composers 1510: 1191: 1085:NAMM Oral History Library (2005) 893:"About Morton Subotnick: Awards" 763:. Prentice Hall. pp. 130–. 447: 274:California Institute of the Arts 123:California Institute of the Arts 23: 1964:20th-century American composers 1959:21st-century American composers 1909:Electroacoustic music composers 1326:San Francisco Tape Music Center 939: 921: 903: 885: 607:All My Hummingbirds Have Alibis 363:All My Hummingbirds Have Alibis 188:San Francisco Tape Music Center 151: 134:San Francisco Tape Music Center 1246:Groupe de Recherches Musicales 866: 842: 822: 804: 784: 664: 513:for viola and piano (1959–60) 214:at Lincoln Center. Along with 1: 1904:American electronic musicians 723:Gillespie, John (June 1972). 657: 314:The Double Life of Amphibians 1047: 1005:How to use archival material 911:"Morton Subotnick::Timeline" 100:(born April 14, 1933) is an 7: 1929:University of Denver alumni 1241:Electronic Music Foundation 523:National Recording Registry 85:Morton Subotnick playing a 10: 1985: 1083:Morton Subotnick Interview 1069:Morton Subotnick interview 854:American Academy in Berlin 1949:Pupils of Robert Erickson 1602: 1519: 1508: 1391: 1301: 1226: 1200: 1189: 1130: 987: 977: 559:A Sky of Cloudless Sulfur 518:Silver Apples of the Moon 495:ACO: Lifetime Achievement 463: 258:Silver Apples of the Moon 242:Silver Apples of the Moon 226:Silver Apples of the Moon 174:, and graduated from the 114:Silver Apples of the Moon 1969:Sub Rosa Records artists 1944:Pupils of Darius Milhaud 1919:Nonesuch Records artists 1914:Avant-garde keyboardists 1384:Pulitzer Prize for Music 1311:BBC Radiophonic Workshop 452:Subotnick is married to 220:Tisch School of the Arts 1954:Pupils of Leon Kirchner 993:Morton Subotnick papers 319:The concert version of 212:Vivian Beaumont Theater 172:Los Angeles, California 53:more precise citations. 1493:Concerto for Orchestra 1463:Flower of the Mountain 1401:Quintets for Orchestra 726:The musical experience 649:Jacob's Room Monodrama 492:ASCAP: John Cage Award 474:Rockefeller Grants (3) 426:Julia Stilman-Lasansky 422:Nicholas Frances Chase 170:Subotnick was born in 167: 94: 1939:Mills College faculty 1847:Scott A. Wyatt (2018) 1680:Bebe and Louis Barron 1251:Institute of Sonology 1236:Computer Music Center 1124:electroacoustic music 1054:Interview with Dublab 577:An Arsenal of Defense 571:A Fluttering of Wings 477:Meet the Composer (2) 470:Guggenheim Fellowship 414:Charlemagne Palestine 159: 84: 1934:Electronic composers 1608:Vladimir Ussachevsky 678:. February 20, 2016. 625:Then Now and Forever 186:, he co-founded the 176:University of Denver 1423:Drama for Orchestra 1412:After the Butterfly 1014:MortonSubotnick.com 982:Library of Congress 915:Mortonsubotnick.com 897:Morotnsubotnick.com 307:Oakland, California 204:the Actors Workshop 200:Parades and Changes 164:modular synthesizer 1483:H'un (Lacerations) 1148:Experimental music 947:"Morton Subotnick" 850:"Morton Subotnick" 637:Jacob's Room Opera 375:Intimate Immensity 196:the 3 legged stool 168: 132:, co-founding the 95: 87:Buchla synthesizer 1871: 1870: 1560: 1559: 1349: 1348: 1010: 1009: 999: 998: 818:. April 16, 2014. 797:Los Angeles Times 525:inductee) (1967) 371:Making More Music 288:Approach to music 79: 78: 71: 1976: 1864: 1856: 1848: 1843: 1835: 1827: 1819: 1811: 1803: 1795: 1787: 1779: 1771: 1763: 1755: 1747: 1739: 1731: 1723: 1715: 1707: 1699: 1696:Pauline Oliveros 1691: 1688:Morton Subotnick 1683: 1675: 1667: 1659: 1651: 1643: 1635: 1627: 1624:Mario Davidovsky 1619: 1611: 1587: 1580: 1573: 1564: 1563: 1537:(Finalists: '80s 1514: 1469:Gunther Schuller 1407:Morton Subotnick 1376: 1369: 1362: 1353: 1352: 1195: 1183:Octophonic sound 1173:Musique concrète 1113: 1106: 1099: 1090: 1089: 995: 975: 974: 966: 965: 955: 954: 943: 937: 936: 925: 919: 918: 907: 901: 900: 889: 883: 882: 870: 864: 863: 861: 860: 846: 840: 839: 826: 820: 819: 808: 802: 801: 800:. 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Index

references
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introducing
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Buchla synthesizer
NYU
American
composer
electronic music
Silver Apples of the Moon
Nonesuch
California Institute of the Arts
multi-media
San Francisco Tape Music Center
Pauline Oliveros
Ramon Sender
Joan La Barbara

Buchla 100
modular synthesizer
Los Angeles, California
University of Denver
Mills College
Ramon Sender
San Francisco Tape Music Center
Anna Halprin
the Actors Workshop
Vivian Beaumont Theater

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