82:
25:
1512:
157:
323:, a mono drama commissioned by Betty Freeman for the Kronos Quartet and singer Joan La Barbara, received its premiere in San Francisco in 1985. Jacob's Room, Subotnick's multimedia opera chamber opera (directed by Herbert Blau with video imagery by Steina and Woody Vasulka, featuring Joan La Barbara), received its premiere in Philadelphia in April 1993 under the auspices of The American Music Theater Festival.
1193:
148:. Morton Subotnick is one of the pioneers in the development of electronic music and multi-media performance and an innovator in works involving instruments and other media, including interactive computer music systems. Most of his music calls for a computer part, or live electronic processing; his oeuvre utilizes many of the important technological breakthroughs in the history of the genre.
276:. Subotnick remained Associate Dean of the music school for 4 years and then, resigning from that position, became the head of the composition program where, a few years later, he created a new media program that introduced interactive technology and multimedia into the curriculum. In 1978 Subotnick, with
292:
Where previous electronic music had used non-traditional structures, Subotnick's electronic compositions are structured more like the classical music for acoustic instruments with which audiences are familiar, but with nontraditional timbres and pitch manipulations no orchestra could produce. He has
254:
In the late 1960s, a time when much United States' academic "avant-gardist" electronic music was highly abstract, (largely concerned with pitch and timbre, where (metric) rhythm might be an afterthought or of no consequence, and simple patterned structures were largely avoided), Subotnick broke with
391:
Subotnick is developing tools for young children to create music. He has authored a series of six CDROMs for children, mounted a children's website and he is developing a related school program. Subotnick's Pitch
Painter for iPad and iPhone (not available on App Store) is a musical finger painting
209:
In 1966 Subotnick was instrumental in getting a
Rockefeller Grant to join the Tape Center with the Mills Chamber Players (a chamber group at Mills College with performers Nate Rubin (violin); Bonnie Hampton (cello); Naomi Sparrow (piano) and Subotnick on clarinet). The grant required that the Tape
395:
Subotnick is working with the
Library of Congress as they are preparing an archival presentation of his electronic works. He tours extensively throughout the U.S. and Europe as a lecturer and composer/performer. Morton Subotnick is published by Schott Music. Students of his include
251:. Buchla's modular voltage-controlled synthesizer, which he called the Electric Music Box and which was constructed partly based on suggestions by Subotnick and Sender, was both more flexible and easier to use, and its sequencing ability was integral to Subotnick's music.
222:
at NYU. The School of the Arts provided him with a studio and a Buchla
Synthesizer (now at the Library of Congress). He then helped to develop the Electric Circus and the Electric Ear, and became their artistic director. At the same time he created
210:
Center relocate to a host institution that became Mills
College. Subotnick, however, did not stay with the move, but went to New York with the Actor's Workshop to become the first music director of the Lincoln Center Rep Company in the
316:, a collaboration with director Lee Breuer and visual artist Irving Petlin, utilizing live interaction between singers, instrumentalists and computer, was premiered at the 1984 Olympics Arts Festival in Los Angeles.
1482:
1442:
331:, commissioned to celebrate the return of Halley's Comet, premiered with an accompanying sky show in the planetarium of Griffith Observatory in Los Angeles in 1986. Subotnick's recent works—among them
1373:
1462:
312:
In addition to music in the electronic medium, Subotnick has written for symphony orchestra, chamber ensembles, theater and multimedia productions. His "staged tone poem”
1584:
247:
Early electronic music was made using wave generators and tape-manipulated sounds. Subotnick was among the first composers to work with electronic instrument designer
1366:
1400:
1275:
1411:
1550:
1545:
1540:
1472:
1359:
1255:
265:(another Nonesuch-commissioned work for tape; they have since been combined on a Wergo CD) have been choreographed by dance companies around the world.
517:
257:
225:
113:
90:
272:
as Dean, Subotnick as
Associate Dean, and a team of four other pairs of artists carved out a new path of music education and created the now famous
1815:
1577:
1501:
811:
377:, premiered at the Lincoln Center Festival in NY (1997). The European premiere (1998) was in Karlsruhe, Germany. A string quartet with CDROM,
1531:
160:
1340:
1058:
356:
829:
460:, is an animator; his younger son, Jacob Subotnick, is a sound designer and his daughter, Tamara Winer, is a psychiatric social worker.
1570:
1110:
1923:
1898:
1893:
1963:
1958:
1908:
1260:
1073:
1903:
1023:
830:"Silver Apples of the Moon for Electronic Music Synthesizer - Morton Subotnick | Songs, Reviews, Credits | AllMusic"
1492:
1041:
1068:
1928:
1948:
1968:
1943:
1918:
1913:
1594:
1335:
1315:
768:
734:
700:
68:
46:
39:
1953:
1432:
273:
122:
1325:
187:
133:
1938:
1245:
1103:
1053:
792:"'The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde' edited by David W. Bernstein"
1933:
1036:
1524:
268:
In 1969 Subotnick was invited to be part of a team of artists to move to Los
Angeles to plan a new school.
1240:
522:
429:
359:
and "intelligent" computer controls which allow the performers to interact with the computer technology.
791:
183:
141:
81:
1452:
1096:
1671:
1383:
1310:
1207:
1028:
219:
101:
33:
1351:
874:
1217:
1212:
255:
this direction by including sections with metric rhythms – those based on pulses and beats. Both
211:
171:
1888:
1004:
928:
486:
Deutscher
Akademischer Austauschdienst Künstlerprogramm (DAAD), Composer in Residence in Berlin
425:
421:
50:
690:
1823:
1679:
1250:
1235:
1123:
1082:
469:
413:
1152:
1883:
1607:
175:
849:
8:
1422:
981:
306:
203:
163:
1172:
946:
1147:
1088:
86:
327:, for chamber orchestra and computer, was premiered at the 1985 Aspen Music Festival.
1330:
796:
764:
730:
696:
365:(1994) was an interactive concert work and a CD-ROM (perhaps the first of its kind),
1562:
1695:
1623:
1468:
1291:
1182:
1119:
1063:
892:
457:
441:
137:
118:
108:
1799:
1791:
1767:
1448:
1428:
1137:
758:
724:
453:
397:
145:
1711:
992:
1860:
1839:
1807:
1663:
1457:
1437:
1142:
910:
437:
294:
277:
1877:
1647:
1488:
1192:
692:
The San
Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
671:
401:
302:
298:
281:
179:
1852:
1783:
1775:
1759:
1751:
1743:
1735:
1727:
1631:
1497:
1477:
1157:
433:
417:
409:
373:(1998) were his first works for children, and an interactive 'Media Poem',
191:
156:
1511:
1703:
1655:
1639:
1417:
1285:
1177:
129:
1719:
1395:
1167:
405:
269:
248:
384:
Subotnick was commissioned to complete a larger version of the opera,
1162:
355:—utilize computerized sound generation, specially designed software
1831:
1615:
1381:
834:
284:, produced 5 annual internationally acclaimed new music festivals.
104:
16:
American neo-classical composer and avant-garde electronic musician
1013:
128:
Subotnick has worked extensively with interactive electronics and
392:
app which presents a new intuitive way for kids to create music.
381:(1998), was premiered in Los Angeles by Southwest Chamber Music.
215:
1018:
812:"Morton Subotnick Explains His Buchla Modular Synthesizer Setup"
929:"Morton Subotnick: Silver Apples of the Moon | Studio 360"
293:
also written for acoustic instruments, and he has studied with
117:, the first electronic work commissioned by a record company,
1280:
1265:
388:. This premiered in 2010 at the Bregenz Festival in Austria.
643:
From Silver Apples of the Moon to A Sky of
Cloudless Sulphur
498:
Honorary Doctorate from the California Institute of the Arts
1270:
1320:
1118:
1042:
Interview with Peter Shea at the University of Minnesota
218:, he became an artist in residence at the newly formed
1064:
Mars Millennium Project 2030: Artist: Morton Subotnick
1592:
480:
American Academy of Arts and Letters Composer Award
579:for solo viola and "electronic ghost score" (1982)
695:. University of California Press. pp. 117–.
1875:
489:Lifetime Achievement Award (SEAMUS at Dartmouth)
456:, a singer and composer. Subotnick's older son,
1502:Concerto for Cello, Piano, and String Orchestra
875:"A Wild Composer: Morton Subotnick Interviewed"
190:. During this period he also collaborated with
1578:
1367:
1104:
1341:Studio di fonologia musicale di Radio Milano
716:
682:
240:
750:
672:"Meet the 'founding father' of electronica"
1585:
1571:
1374:
1360:
1336:Studio for Electronic Music (WDR, Cologne)
1111:
1097:
178:. In the early 1960s, Subotnick taught at
1473:Concerto for String Quartet and Orchestra
722:
688:
121:. He was one of the founding members of
69:Learn how and when to remove this message
756:
155:
80:
32:This article includes a list of general
1876:
1033:By Kyle Gann for American Public Media
760:Introduction to electro-acoustic music
111:, best known for his 1967 composition
1566:
1355:
1092:
1077:Echoes from the Silent Call of Girona
872:
613:Echoes from the Silent Call of Girona
379:Echoes from the Silent Call of Girona
1059:Interview with RedBull Music Academy
1030:From Moog to Mark II, to MIDI to MAX
287:
144:, often collaborating with his wife
18:
1074:Art of the States: Morton Subotnick
873:Barry, Robert (December 10, 2015).
13:
729:. Wadsworth Pub. Co. p. 444.
689:Bernstein, David W. (2008-07-08).
125:, where he taught for many years.
38:it lacks sufficient corresponding
14:
1980:
1595:SEAMUS Lifetime Achievement Award
1443:Songs of Innocence and Experience
1316:Philips Natuurkundig Laboratorium
1024:CalArts Faculty: Morton Subotnick
1019:Morton Subotnick's Creating Music
961:
757:Schrader, Barry (February 1982).
601:and the butterflies begin to sing
504:
349:And the Butterflies Begin to Sing
202:) and acted as music director of
1924:Tisch School of the Arts faculty
1899:21st-century classical composers
1894:20th-century classical composers
1510:
1191:
1085:NAMM Oral History Library (2005)
893:"About Morton Subotnick: Awards"
763:. Prentice Hall. pp. 130–.
447:
274:California Institute of the Arts
123:California Institute of the Arts
23:
1964:20th-century American composers
1959:21st-century American composers
1909:Electroacoustic music composers
1326:San Francisco Tape Music Center
939:
921:
903:
885:
607:All My Hummingbirds Have Alibis
363:All My Hummingbirds Have Alibis
188:San Francisco Tape Music Center
151:
134:San Francisco Tape Music Center
1246:Groupe de Recherches Musicales
866:
842:
822:
804:
784:
664:
513:for viola and piano (1959–60)
214:at Lincoln Center. Along with
1:
1904:American electronic musicians
723:Gillespie, John (June 1972).
657:
314:The Double Life of Amphibians
1047:
1005:How to use archival material
911:"Morton Subotnick::Timeline"
100:(born April 14, 1933) is an
7:
1929:University of Denver alumni
1241:Electronic Music Foundation
523:National Recording Registry
85:Morton Subotnick playing a
10:
1985:
1083:Morton Subotnick Interview
1069:Morton Subotnick interview
854:American Academy in Berlin
1949:Pupils of Robert Erickson
1602:
1519:
1508:
1391:
1301:
1226:
1200:
1189:
1130:
987:
977:
559:A Sky of Cloudless Sulfur
518:Silver Apples of the Moon
495:ACO: Lifetime Achievement
463:
258:Silver Apples of the Moon
242:Silver Apples of the Moon
226:Silver Apples of the Moon
174:, and graduated from the
114:Silver Apples of the Moon
1969:Sub Rosa Records artists
1944:Pupils of Darius Milhaud
1919:Nonesuch Records artists
1914:Avant-garde keyboardists
1384:Pulitzer Prize for Music
1311:BBC Radiophonic Workshop
452:Subotnick is married to
220:Tisch School of the Arts
1954:Pupils of Leon Kirchner
993:Morton Subotnick papers
319:The concert version of
212:Vivian Beaumont Theater
172:Los Angeles, California
53:more precise citations.
1493:Concerto for Orchestra
1463:Flower of the Mountain
1401:Quintets for Orchestra
726:The musical experience
649:Jacob's Room Monodrama
492:ASCAP: John Cage Award
474:Rockefeller Grants (3)
426:Julia Stilman-Lasansky
422:Nicholas Frances Chase
170:Subotnick was born in
167:
94:
1939:Mills College faculty
1847:Scott A. Wyatt (2018)
1680:Bebe and Louis Barron
1251:Institute of Sonology
1236:Computer Music Center
1124:electroacoustic music
1054:Interview with Dublab
577:An Arsenal of Defense
571:A Fluttering of Wings
477:Meet the Composer (2)
470:Guggenheim Fellowship
414:Charlemagne Palestine
159:
84:
1934:Electronic composers
1608:Vladimir Ussachevsky
678:. February 20, 2016.
625:Then Now and Forever
186:, he co-founded the
176:University of Denver
1423:Drama for Orchestra
1412:After the Butterfly
1014:MortonSubotnick.com
982:Library of Congress
915:Mortonsubotnick.com
897:Morotnsubotnick.com
307:Oakland, California
204:the Actors Workshop
200:Parades and Changes
164:modular synthesizer
1483:H'un (Lacerations)
1148:Experimental music
947:"Morton Subotnick"
850:"Morton Subotnick"
637:Jacob's Room Opera
375:Intimate Immensity
196:the 3 legged stool
168:
132:, co-founding the
95:
87:Buchla synthesizer
1871:
1870:
1560:
1559:
1349:
1348:
1010:
1009:
999:
998:
818:. April 16, 2014.
797:Los Angeles Times
525:inductee) (1967)
371:Making More Music
288:Approach to music
79:
78:
71:
1976:
1864:
1856:
1848:
1843:
1835:
1827:
1819:
1811:
1803:
1795:
1787:
1779:
1771:
1763:
1755:
1747:
1739:
1731:
1723:
1715:
1707:
1699:
1696:Pauline Oliveros
1691:
1688:Morton Subotnick
1683:
1675:
1667:
1659:
1651:
1643:
1635:
1627:
1624:Mario Davidovsky
1619:
1611:
1587:
1580:
1573:
1564:
1563:
1537:(Finalists: '80s
1514:
1469:Gunther Schuller
1407:Morton Subotnick
1376:
1369:
1362:
1353:
1352:
1195:
1183:Octophonic sound
1173:Musique concrète
1113:
1106:
1099:
1090:
1089:
995:
975:
974:
966:
965:
955:
954:
943:
937:
936:
925:
919:
918:
907:
901:
900:
889:
883:
882:
870:
864:
863:
861:
860:
846:
840:
839:
826:
820:
819:
808:
802:
801:
800:. July 27, 2008.
788:
782:
781:
779:
777:
754:
748:
747:
745:
743:
720:
714:
713:
711:
709:
686:
680:
679:
668:
589:The Key to Songs
547:Four Butterflies
458:Steven Subotnick
442:Jeremy Zuckerman
353:A Desert Flowers
337:The Key to Songs
325:The Key To Songs
138:Pauline Oliveros
109:electronic music
98:Morton Subotnick
74:
67:
63:
60:
54:
49:this article by
40:inline citations
27:
26:
19:
1984:
1983:
1979:
1978:
1977:
1975:
1974:
1973:
1874:
1873:
1872:
1867:
1859:
1851:
1846:
1838:
1830:
1822:
1814:
1806:
1800:George E. Lewis
1798:
1792:Laurie Anderson
1790:
1782:
1774:
1768:Miller Puckette
1766:
1758:
1750:
1742:
1734:
1726:
1718:
1710:
1702:
1694:
1686:
1678:
1670:
1662:
1654:
1646:
1638:
1630:
1622:
1614:
1606:
1598:
1597:
1591:
1561:
1556:
1515:
1506:
1449:George Rochberg
1429:Peter Lieberson
1387:
1380:
1350:
1345:
1303:
1297:
1228:
1222:
1196:
1187:
1153:Hyperinstrument
1138:Circuit bending
1126:
1117:
1050:
991:
964:
959:
958:
945:
944:
940:
927:
926:
922:
909:
908:
904:
891:
890:
886:
871:
867:
858:
856:
848:
847:
843:
828:
827:
823:
810:
809:
805:
790:
789:
785:
775:
773:
771:
755:
751:
741:
739:
737:
721:
717:
707:
705:
703:
687:
683:
670:
669:
665:
660:
631:The Other Piano
507:
466:
454:Joan La Barbara
450:
424:, Brian Evans,
398:Ingram Marshall
290:
245:
154:
146:Joan La Barbara
89:at his studio,
75:
64:
58:
55:
45:Please help to
44:
28:
24:
17:
12:
11:
5:
1982:
1972:
1971:
1966:
1961:
1956:
1951:
1946:
1941:
1936:
1931:
1926:
1921:
1916:
1911:
1906:
1901:
1896:
1891:
1886:
1869:
1868:
1866:
1865:
1861:Annea Lockwood
1857:
1849:
1844:
1840:Carla Scaletti
1836:
1828:
1820:
1816:Barry Schrader
1812:
1808:Laurie Spiegel
1804:
1796:
1788:
1780:
1772:
1764:
1756:
1748:
1740:
1732:
1724:
1716:
1708:
1700:
1692:
1684:
1676:
1668:
1664:Milton Babbitt
1660:
1652:
1644:
1636:
1628:
1620:
1612:
1603:
1600:
1599:
1593:
1590:
1589:
1582:
1575:
1567:
1558:
1557:
1555:
1554:
1548:
1543:
1538:
1535:
1528:
1520:
1517:
1516:
1509:
1507:
1505:
1504:
1495:
1486:
1475:
1466:
1458:Stephen Albert
1455:
1453:Symphony No. 5
1446:
1438:William Bolcom
1435:
1433:Piano Concerto
1426:
1415:
1404:
1392:
1389:
1388:
1379:
1378:
1371:
1364:
1356:
1347:
1346:
1344:
1343:
1338:
1333:
1331:Studio d'Essai
1328:
1323:
1318:
1313:
1307:
1305:
1299:
1298:
1296:
1295:
1289:
1283:
1278:
1273:
1268:
1263:
1258:
1253:
1248:
1243:
1238:
1232:
1230:
1224:
1223:
1221:
1220:
1215:
1210:
1204:
1202:
1198:
1197:
1190:
1188:
1186:
1185:
1180:
1175:
1170:
1165:
1160:
1155:
1150:
1145:
1143:Computer music
1140:
1134:
1132:
1128:
1127:
1116:
1115:
1108:
1101:
1093:
1087:
1086:
1080:
1071:
1066:
1061:
1056:
1049:
1046:
1045:
1044:
1039:
1034:
1026:
1021:
1016:
1008:
1007:
1001:
1000:
997:
996:
989:
985:
984:
979:
971:
970:
963:
962:External links
960:
957:
956:
938:
920:
902:
884:
865:
841:
821:
816:Synthtopia.com
803:
783:
769:
749:
735:
715:
701:
681:
662:
661:
659:
656:
653:
652:
646:
640:
634:
628:
622:
616:
610:
604:
598:
592:
586:
580:
574:
568:
562:
556:
550:
544:
538:
532:
526:
514:
506:
505:Selected works
503:
500:
499:
496:
493:
490:
487:
484:
483:Brandies Award
481:
478:
475:
472:
465:
462:
449:
446:
438:Betty Ann Wong
295:Darius Milhaud
289:
286:
278:Roger Reynolds
244:
239:
194:on two works (
153:
150:
77:
76:
31:
29:
22:
15:
9:
6:
4:
3:
2:
1981:
1970:
1967:
1965:
1962:
1960:
1957:
1955:
1952:
1950:
1947:
1945:
1942:
1940:
1937:
1935:
1932:
1930:
1927:
1925:
1922:
1920:
1917:
1915:
1912:
1910:
1907:
1905:
1902:
1900:
1897:
1895:
1892:
1890:
1889:Living people
1887:
1885:
1882:
1881:
1879:
1862:
1858:
1854:
1850:
1845:
1841:
1837:
1833:
1829:
1825:
1821:
1817:
1813:
1809:
1805:
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1773:
1769:
1765:
1761:
1757:
1753:
1749:
1745:
1741:
1737:
1733:
1729:
1725:
1721:
1717:
1713:
1709:
1705:
1701:
1697:
1693:
1689:
1685:
1681:
1677:
1673:
1672:Charles Dodge
1669:
1665:
1661:
1657:
1653:
1649:
1648:John Chowning
1645:
1641:
1637:
1633:
1629:
1625:
1621:
1617:
1613:
1609:
1605:
1604:
1601:
1596:
1588:
1583:
1581:
1576:
1574:
1569:
1568:
1565:
1552:
1549:
1547:
1544:
1542:
1539:
1536:
1533:
1529:
1526:
1522:
1521:
1518:
1513:
1503:
1499:
1496:
1494:
1490:
1489:Steven Stucky
1487:
1485:
1484:
1479:
1476:
1474:
1470:
1467:
1465:
1464:
1459:
1456:
1454:
1450:
1447:
1445:
1444:
1439:
1436:
1434:
1430:
1427:
1425:
1424:
1419:
1416:
1414:
1413:
1408:
1405:
1403:
1402:
1397:
1394:
1393:
1390:
1385:
1377:
1372:
1370:
1365:
1363:
1358:
1357:
1354:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1308:
1306:
1304:organizations
1300:
1293:
1290:
1287:
1284:
1282:
1279:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1233:
1231:
1229:organizations
1225:
1219:
1216:
1214:
1211:
1209:
1206:
1205:
1203:
1199:
1194:
1184:
1181:
1179:
1176:
1174:
1171:
1169:
1166:
1164:
1161:
1159:
1156:
1154:
1151:
1149:
1146:
1144:
1141:
1139:
1136:
1135:
1133:
1129:
1125:
1121:
1114:
1109:
1107:
1102:
1100:
1095:
1094:
1091:
1084:
1081:
1078:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1051:
1043:
1040:
1038:
1035:
1032:
1031:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1011:
1006:
1003:
1002:
994:
990:
986:
983:
980:
976:
973:
972:
968:
967:
952:
948:
942:
934:
930:
924:
916:
912:
906:
898:
894:
888:
880:
876:
869:
855:
851:
845:
837:
836:
831:
825:
817:
813:
807:
799:
798:
793:
787:
772:
770:9780134815152
766:
762:
761:
753:
738:
736:9780534001612
732:
728:
727:
719:
704:
702:9780520248922
698:
694:
693:
685:
677:
673:
667:
663:
655:
650:
647:
645:(2009 – 2013)
644:
641:
638:
635:
632:
629:
626:
623:
620:
617:
614:
611:
608:
605:
602:
599:
596:
593:
590:
587:
584:
581:
578:
575:
572:
569:
566:
563:
560:
557:
554:
551:
548:
545:
542:
539:
536:
533:
530:
529:The Wild Bull
527:
524:
520:
519:
515:
512:
509:
508:
502:
497:
494:
491:
488:
485:
482:
479:
476:
473:
471:
468:
467:
461:
459:
455:
448:Personal life
445:
443:
439:
435:
431:
427:
423:
419:
415:
411:
407:
403:
402:Mark Coniglio
399:
393:
389:
387:
382:
380:
376:
372:
368:
364:
360:
358:
354:
350:
346:
345:In Two Worlds
342:
338:
334:
330:
326:
322:
317:
315:
310:
308:
304:
303:Mills College
300:
299:Leon Kirchner
296:
285:
283:
282:Bernard Rands
279:
275:
271:
266:
264:
263:The Wild Bull
260:
259:
252:
250:
243:
238:
236:
232:
231:The Wild Bull
228:
227:
221:
217:
213:
207:
205:
201:
197:
193:
189:
185:
181:
180:Mills College
177:
173:
165:
162:
158:
149:
147:
143:
139:
135:
131:
126:
124:
120:
116:
115:
110:
106:
103:
99:
92:
88:
83:
73:
70:
62:
52:
48:
42:
41:
35:
30:
21:
20:
1853:Gordon Mumma
1784:Curtis Roads
1776:Larry Austin
1760:Joel Chadabe
1752:Alvin Lucier
1744:Wendy Carlos
1736:Barry Vercoe
1728:Jon Appleton
1712:Herbert Brün
1687:
1632:Otto Luening
1498:Ralph Shapey
1481:
1478:Bright Sheng
1461:
1441:
1421:
1410:
1406:
1399:
1076:
1029:
950:
941:
932:
923:
914:
905:
896:
887:
878:
868:
857:. Retrieved
853:
844:
833:
824:
815:
806:
795:
786:
774:. Retrieved
759:
752:
740:. Retrieved
725:
718:
706:. Retrieved
691:
684:
675:
666:
654:
648:
642:
636:
630:
624:
618:
612:
606:
600:
595:Jacob's Room
594:
588:
582:
576:
570:
564:
558:
553:Until Spring
552:
546:
540:
534:
528:
516:
510:
501:
451:
434:Lois V Vierk
418:Ann Millikan
410:Rhys Chatham
394:
390:
385:
383:
378:
374:
370:
367:Making Music
366:
362:
361:
352:
348:
344:
340:
336:
333:Jacob's Room
332:
328:
324:
321:Jacob’s Room
320:
318:
313:
311:
291:
267:
262:
256:
253:
246:
241:
234:
230:
224:
208:
199:
195:
192:Anna Halprin
184:Ramon Sender
169:
152:Early career
142:Ramon Sender
127:
112:
97:
96:
65:
56:
37:
1884:1933 births
1704:Paul Lansky
1656:Max Mathews
1640:Robert Moog
1418:Vivian Fine
1386:(1980–1990)
1382:Finalists:
1178:Noise music
969:Archives at
951:Discogs.com
879:The Quietus
621:(1999–2001)
386:Jacobs Room
261:and 1968's
130:multi-media
51:introducing
1878:Categories
1824:Dave Smith
1720:Don Buchla
1396:Lukas Foss
1201:By country
1168:Microsound
1131:Techniques
1120:Electronic
859:2024-06-15
658:References
541:Sidewinder
406:Carl Stone
357:Interactor
270:Mel Powell
249:Don Buchla
161:Buchla 100
59:April 2020
34:references
1532:Citations
1163:Tape loop
1048:Listening
1037:Interview
583:Trembling
430:John King
182:and with
1832:Pamela Z
1616:Les Paul
1302:Inactive
1286:Toonzaal
978:Location
933:Wnyc.org
835:AllMusic
776:23 April
742:23 April
708:23 April
619:Gestures
369:(1995),
119:Nonesuch
105:composer
102:American
1525:Winners
1500:('90):
1491:('89):
1480:('89):
1471:('88):
1460:('87):
1451:('86):
1440:('85):
1431:('84):
1420:('83):
1409:('80):
1398:('80):
1218:Germany
676:Bbc.com
565:Axolotl
216:Len Lye
47:improve
1863:(2020)
1855:(2019)
1842:(2017)
1834:(2016)
1826:(2015)
1818:(2014)
1810:(2013)
1802:(2012)
1794:(2011)
1786:(2010)
1778:(2009)
1770:(2008)
1762:(2007)
1754:(2006)
1746:(2005)
1738:(2004)
1730:(2003)
1722:(2002)
1714:(2001)
1706:(2000)
1698:(1999)
1690:(1998)
1682:(1997)
1674:(1996)
1666:(1995)
1658:(1994)
1650:(1993)
1642:(1991)
1634:(1990)
1626:(1989)
1618:(1988)
1610:(1987)
1294:studio
1288:Studio
1276:SEAMUS
1227:Active
1213:France
1079:(1998)
988:Source
767:
733:
699:
651:(2013)
639:(2010)
633:(2007)
627:(2008)
615:(1998)
609:(1991)
603:(1988)
597:(1986)
591:(1985)
585:(1983)
573:(1981)
567:(1981)
561:(1978)
555:(1975)
549:(1973)
543:(1971)
537:(1969)
531:(1968)
511:Sonata
464:Awards
440:, and
341:Hunger
329:Return
233:, and
166:at NYU
93:(2012)
36:, but
1281:STEIM
1266:IRCAM
1208:Chile
535:Touch
235:Touch
136:with
1551:'10s
1546:'00s
1541:'90s
1292:WORM
1271:NIME
1261:ICMA
1256:ICEM
1158:Loop
1122:and
778:2012
765:ISBN
744:2012
731:ISBN
710:2012
697:ISBN
351:and
297:and
280:and
198:and
140:and
1321:NHK
305:in
301:at
107:of
91:NYU
1880::
949:.
931:.
913:.
895:.
877:.
852:.
832:.
814:.
794:.
674:.
444:.
436:,
432:,
428:,
420:,
416:,
412:,
408:,
404:,
400:,
347:,
343:,
339:,
335:,
309:.
237:.
229:,
206:.
1586:e
1579:t
1572:v
1553:)
1534:)
1530:(
1527:)
1523:(
1375:e
1368:t
1361:v
1112:e
1105:t
1098:v
953:.
935:.
917:.
899:.
881:.
862:.
838:.
780:.
746:.
712:.
521:(
72:)
66:(
61:)
57:(
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.