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Moros y cristianos

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476: 594: 73: 1003: 509: 343: 239: 135: 462: 32: 490: 698: 606: 729:, the local militia that carried out military acts of display or exhibition of the troops if required to pay tribute to some authority. Traditionally they carried out these troop parades during the so-called "royal festivities" for the visit of the king, a royal anniversary, commemoration of a victory or birth of a prince. In certain towns, these acts of the militia were also carried out to honor the local 685:
since the 17th century and is a popular street play throughout the country. Unlike the Spanish version, the Philippine version is dominated by indigenous Philippine cultures which are used in language, costumes, musics, and dances of the play. The main story of the art, however, has been faithfully
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in battles, courtships between a Moro prince and a Christian princess and vice versa, and a conclusion which usually depicts the Muslim converting into Christianity, the Muslim dying, or the appearance of the Virgin Mary or a saint as the intervention figure of the conflict. The
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The historical element is added by taking advantage of these festivities for the representation and exhibition of Moors and Christians comedies, normally with a moralistic or religious didactic character. It is from the beginning of the 19th century when the first texts of
634:(companies that represent the Christian or Moor legions). Each side consists of various companies that carry out activities throughout the year, organizing spectacular parades during the days of the festival and spending a lot of gunpowder with firing salutes from the 1110:
delivering a challenge to an equally-boastful Christian. The street drama became popular in the rural areas due to the inputting of folk traditions in the play and the need of the people for leisure, especially after a hard day at labor. Overall, the Philippine
1062:, the cultural agency of the government. On July 5, 1637, Jesuit priest F. Hironimo Perez finished the first Moro y Cristianos play in the Philippines. The first drama was played in a church, and was presented to the governor-general for a victory play against 801:
reconquered the city of Alcoi, the Moors, in turn, tried to recover it. As fighting was about to resume, Saint George miraculously appeared, and the frightened Moors scattered in defeat. Other traditions ascribe a miraculous saintly appearance to
1070:, which is the common name of the street drama today. The street drama itself, however, did not draw from actual Christian-Muslim conflict in the Philippines. The main precursor of its popularity in the Philippines was the indigenous 387:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 283:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 179:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 830:), sometimes guiding the Christians to surprise the Moors; else rallying Christian forces during the battle. The feast day of St. James is 25 July, so some of the Moors' and Christians' festivals occur at the end of July. 1409:
Beutler, Gisela. "Algunas observaciones sobre los textos de moros y cristianos en México y Centroamérica." Actas del VIII Congreso de la Asociación Internacional de Hispanistas: 22-27 agosto 1983. Ediciones Istmo,
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Beutler, Gisela. "Algunas observaciones sobre los textos de moros y cristianos en México y Centroamérica." Actas del VIII Congreso de la Asociación Internacional de Hispanistas: 22-27 agosto 1983. Ediciones Istmo,
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The festivals represent the capture of the city by the Muslims and the subsequent Christian reconquering fight. The people who take part in the festival are usually enlisted in local associations called
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Alcantud, José Antonio González. "Imágenes para el ritual: moros y cristianos en el complejo festivo y ceremonial granadino José Antonio González Alcantud." Fêtes et divertissements 8 (1997): 143.
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Botella, Ana María. "Análisis del tratamiento curricular de la música de Moros y Cristianos en los libros de música de enseñanza secundaria." LEEME, Journal of Music in Education 25 (2010): 1-25.
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Carrasco Urgoiti, Maria Soledad. “Aspectos Folclóricos y Literarios De La Fiesta De Moros y Cristianos En España.” PMLA, vol. 78, no. 5, 1963, pp. 476–491., www.jstor.org/stable/460725.
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Soux, María Luisa. "El culto al apóstol Santiago en Guaqui, las danzas de moros y cristianos y el origen de la Morenada. Una Hipótesis de trabajo." Anales de la Reunión anual (2003).
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When performing, the representations for the Christians are in blue, while the representations for Muslims are in red or maroon. The street drama includes
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Mansanet Ribes, José Luis. "La fiesta de moros y cristianos como institución y su ordenación." I Congreso Nacional de Fiestas de Moros y Cristianos. 1976.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Ricard, Robert. "Contribution à l'étude des Fetes de «Moros y Cristianos» au Méxique." Journal de la Société des Américanistes 24.1 (1932): 51-84.
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play. The show begins with a parade of stars in colorful costumes: Christians wear blue costumes, while Moors wear fully ornamented red costumes.
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plays the repertoire for these parades, in the two latter types of marches the band's music is reinforced by timpani, concert bass drums and a
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Nicolás, Botella, and Ana María. "Orígenes de la música en las Fiestas de Moros y Cristianos de Alcoy." Revista de Folklore 372 (2013): 28–38.
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as one of the intangible cultural heritage of the Philippines under the performing arts category that the government may nominate in the
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Las fiestas de moros y cristianos en el Vianlopó. Centre d’Estudis Locals del Vinalopó-Mancomunitat de Municipis del Vinalopó (Alacant)
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García-Valdés, Celsa Carmen. "Moros y cristianos en dos dramas de Calderón: El príncipe constante y El gran príncipe de Fez." (1997).
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Taboada, Jesús. "Moros y cristianos en tierras de Laza (Orense)." Revista de Dialectología y Tradiciones Populares 11.3 (1955): 334.
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Ravines, Roger. "Moros y Cristianos, espectáculo tradicional religioso de San Lucas de Colán, Piura." Boletín de Lima 41 (1988): 52.
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in dramatized battles. The festivals last for several days, and feature festive parades with bombastic costumes loosely inspired by
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Martín, Demetrio E. Brisset. "Fiestas hispanas de moros y cristianos. Historia y significados." Gazeta de Antropología 17 (2001).
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Due to Spanish Empire expansion, the performing art has been adapted in other places in Europe, America, and Asia, as in the
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A significant amount of incidental music has been composed and still is composed annually for these parades. It is known as
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Content in this edit is translated from the existing Catalan Knowledge article at ]; see its history for attribution.
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Content in this edit is translated from the existing Spanish Knowledge article at ]; see its history for attribution.
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Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
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Fernández Hervás, Enrique. "Fiestas de moros y cristianos en España y su estudio en la provincia de Jaén." (1992).
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Becerra, Salvador Rodríguez. "Las fiestas de moros y cristianos en Andalucía." Gazeta de Antropología 3 (1984).
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also has very interesting Moors and Christians performances, especially in the former Moorish kingdom of
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and comes from military band marches. There are currently three main genres: the classic and popular
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Valderrama, Milena Cáceres. La fiesta de moros y cristianos en el Perú. Fondo Editorial PUCP, 2005.
1063: 564:. According to popular tradition the festivals commemorate the battles, combats and fights between 406: 302: 198: 81: 725:
in Jaén. The modern "comparsas" or companies of Moors and Christians have their origin in the old
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Santamarina Campos, Beatriz. "Moros y cristianos. De la batalla festiva a la discursiva." (2008).
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celebrates it in the last week of July, with a reenactment of the Berber pirate attack of 1538 (
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Theatrical festivities with this setting are already documented even before the end of the
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may last from one to several days, depending on the Philippine-written script being used.
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Moros y cristianos: representaciones del otro en las fiestas del Mediterraneo occidental
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also have festivals featuring Moors and Christians reenactments (the Mexican term is
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Moros y Cristianos. Del Alarde Medieval a las Fiestas Reales Barrocas ss. XV-XVIII.
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Diputación de Alicante-Patronato Provincial de Turismo de Alicante. 302 págs.
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Other noteworthy Moors and Christians festivals are celebrated in the towns of
831: 1437:. Vol. 13. ediciones del Instituto Alcoyano de Cultura" Andrés Sempere", 1962. 1401:
Por un inventario de las fiestas de moros y cristianos: Otro toque de atención
1700: 1605: 1031: 930: 582:(from the 8th century through the 15th century). There are also festivals of 1035: 762: 730: 678:, and ends with the Christians winning a simulated battle around a castle. 1403:. Servicio de publicaciones del Teatro Universitario de San Marcos, 1976. 1072: 1051: 967: 955:. Performances are mostly organized in rural towns and villages, such as 898: 847: 835: 819: 714: 702: 682: 639: 598: 578: 1513:. Alicante, Diputación de Alicante y Asociación de Comparsas, 201 págs. 882: 733:
figure on his holiday, which is why it survived as annual celebrations.
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to the source of your translation. A model attribution edit summary is
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to the source of your translation. A model attribution edit summary is
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to the source of your translation. A model attribution edit summary is
1661: 1257:"Spain, 2008, July, festivals, events, Villajoyosa, Moors, Christians" 1018: 983: 948: 918: 870: 851: 827: 786: 687: 675: 671: 1548:
Moros y cristianos en España medieval: estudios histórico-literarios
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Castalla en el origen de la Fiesta de Moros y Cristianos (1473-1804)
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Otra contribución al estudio de las fiestas de" Moros y Cristianos"
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brings together the largest number of participants and music bands.
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Albert-Llorca, Marlène, and José Antonio González Alcantud, eds.
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with approximately 12,000 participants (most crowded festival),
605: 384: 280: 176: 1652: 1232:"Villajoyosa Moors and Christians Fiesta | Alicante Spain" 979: 843: 790: 569: 914: 902: 811: 754: 663: 655: 647: 565: 557: 469: 1567:. Obra Cultural del Monte de Piedad y Caja de Ahorros, 1969. 1565:
La Fiesta de Moros y Cristianos de Alcoy y sus instituciones
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La Fiesta de Moros y Cristianos: Orígenes siglos XIII-XVIII.
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Domene, J., González Hernández, M.A. y Vázquez, V. (2006):
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Teatro folklórico: una representación de moros y cristianos
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Unión Nacional de Entidades Festeras de Moros y Cristianos
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Moors and Christians, also commemorating the Reconquest.
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The most well-known Moors and Christians festival are the
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La Fiesta de Moros y Cristianos: Evolución siglos XIX-XX.
643: 658:. In contrast, Moors wear ancient Arab costumes, carry 1611: 625: 619: 1614:, Web page of the official organization, in Spanish. 380: 276: 272:
a machine-translated version of the Catalan article.
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a machine-translated version of the Spanish article.
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a machine-translated version of the French article.
1435:Libro de la fiesta de moros y cristianos de Alcoy 1295:. Chicago: Fitzroy Dearborn 1997, vol. 1, p. 491. 1698: 1558:La representación de moros y cristianos de Zújar 1674:Junta Festera de Moros i Cristians del Campello 1590:. Secretaría de Educación Pública, Mexico 1972. 1163:. Secretaría de Educación Pública, Mexico 1972. 1045: 966:Spaniards took this tradition overseas. In the 761:) from 22 to 24 April, around the Feast Day of 547: 405:accompanying your translation by providing an 367:Click for important translation instructions. 354:expand this article with text translated from 301:accompanying your translation by providing an 263:Click for important translation instructions. 250:expand this article with text translated from 197:accompanying your translation by providing an 159:Click for important translation instructions. 146:expand this article with text translated from 1648:Moros y Cristianos Festival history and today 1485:Diputación Provincial de Alicante, 156 págs. 1471:Diputación Provincial de Alicante, 163 págs. 1118:In 2011, the performing art was cited by the 858:, and other places), parades associated with 1120:National Commission for Culture and the Arts 1060:National Commission for Culture and the Arts 850:. Especially in northern and western Spain ( 597:'Parading' Moorish ships along the beach of 1394:Historia de los Moros y Cristianos de Alcoy 60:Learn how and when to remove these messages 1425:La fiesta de moros y cristianos en el Perú 1174:La fiesta de moros y cristianos en el Perú 1082:traditions in Philippine native cultures. 1054:, the performing art is officially called 1509:González Hernández, Miguel-Ángel (2004): 1495:González Hernández, Miguel-Ángel (1999): 1481:González Hernández, Miguel-Ángel (1997): 1467:González Hernández, Miguel-Ángel (1996): 1124:UNESCO Intangible Cultural Heritage Lists 447:Learn how and when to remove this message 117:Learn how and when to remove this message 1676:, Web page of the official organization. 1540:. No. 64. Editorial Universitaria, 1970. 1523:Jáuregui, Jesús, and Carlo Bonfiglioli. 1418:Fiestas de moros y cristianos en Granada 1001: 842:), according to tradition repelled when 696: 604: 592: 507: 488: 474: 460: 80:This article includes a list of general 670:. The festival develops among shots of 1699: 1538:Estudio sobre el baile de la conquista 1363:: CS1 maint: archived copy as title ( 1216:: CS1 maint: archived copy as title ( 818:(in what today is the municipality of 1026:(Moorish in style), and the forceful 532: 941:, and some districts of the city of 417:{{Translated|fr|Moros y cristianos}} 336: 232: 209:{{Translated|es|Moros y cristianos}} 128: 66: 25: 1527:. Fondo de cultura económica, 1996. 1291:Emily Socolov, "Festival Cycle" in 313:{{Translated|ca|Moros i Cristians}} 21:Moros y cristianos (disambiguation) 13: 1722:Culture of the Valencian Community 1375: 1006:Moors and Christians marching band 686:retained. Similar celebrations in 86:it lacks sufficient corresponding 14: 1748: 1595: 873:(a Medieval town, 1–5 February), 41:This article has multiple issues. 1386:. Presses Univ. du Mirail, 2003. 341: 237: 133: 71: 30: 1636:La fiesta de moros y cristianos 1326: 1317: 49:or discuss these issues on the 1618:Moros y Cristianos Villajoyosa 1602:Pictures of Moros y Cristianos 1588:La danza de moros y cristianos 1420:. Diputación Provincial, 1988. 1308: 1298: 1285: 1267: 1249: 1224: 1179: 1166: 1161:La danza de moros y cristianos 1153: 1056:Moro y Cristianos Street Drama 959:, a small town in the Eastern 797:). According to legend, after 701:Entrance of the Moors, 2006 - 415:You may also add the template 311:You may also add the template 207:You may also add the template 1: 1680:Comparsa Saudites d'Ontinyent 1668:Moros y Cristianos of Villena 1427:. Fondo Editorial PUCP, 2005. 1176:. Fondo Editorial PUCP, 2005. 1146: 1136:Moors and Christians of Alcoy 816:Battle of Las Navas de Tolosa 751:Moors and Christians of Alcoy 1423:Cáceres Valderrama, Milena. 1046:Philippine Moro y Cristianos 534:[ˈmoɾosikɾisˈtjanos] 16:Traditional Spanish festival 7: 1563:Ribes, José Luis Mansanet. 1172:Milena Cáceres Valderrama. 1129: 846:(feast day 29 July) sent a 781:), the patron saint of the 626: 620: 576:during the period known as 549:[ˈmɔɾozikɾistiˈans] 10: 1753: 1717:Theatre in the Philippines 1662:Moros y Cristianos of Elda 1642:Moros i Cristians of Alcoi 1546:Palencia, Angel González. 1392:Barceló, Julio Berenguer. 379:Machine translation, like 275:Machine translation, like 171:Machine translation, like 18: 862:celebrations may feature 793:and formerly also of the 744: 708: 642:fashion. Christians wear 560:, mainly in the southern 356:the corresponding article 252:the corresponding article 148:the corresponding article 1686:(in Spanish and English) 1440:Contreras, Constantino. 1141:Museu Alcoià de la Festa 997: 646:, metallic helmets, and 552:), literally in English 1525:Las danzas de conquista 810:), the patron saint of 426:For more guidance, see 322:For more guidance, see 218:For more guidance, see 101:more precise citations. 1693:Travel guide and info. 1634:Pictures of Alcoy and 1556:Renedo, Carmen Muñoz. 1293:Encyclopedia of Mexico 1098:usually begins with a 1007: 814:, particularly at the 705: 674:, medieval music, and 614: 602: 520: 505: 486: 472: 1586:Warman Gryj, Arturo. 1005: 700: 690:, México, are called 608: 596: 511: 492: 478: 464: 428:Knowledge:Translation 399:copyright attribution 324:Knowledge:Translation 295:copyright attribution 220:Knowledge:Translation 191:copyright attribution 1064:Muslims in the south 753:that takes place in 554:Moors and Christians 512:The Moor Embassy in 19:For other uses, see 1691:Tourist information 1416:Brisset, Demetrio. 1399:Bataillon, Marcel. 875:Banyeres de Mariola 856:Valencian Community 795:Valencian Community 759:Valencian Community 562:Valencian Community 1727:Festivals in Spain 1657:Moros y Cristianos 1622:Moros y Cristianos 1536:Montoya, Matilde. 1113:moros y cristianos 1028:marchas cristianas 1008: 706: 615: 603: 584:Moros y Cristianos 525:Moros y Cristianos 521: 506: 499:Moros y Cristianos 487: 480:Moros y Cristianos 473: 466:Moros y Cristianos 407:interlanguage link 303:interlanguage link 199:interlanguage link 1653:MusicaFestera.com 864:gigantic costumed 799:James I of Aragon 721:in Murcia and in 540:Moros i Cristians 493:Parade of a Moor 457: 456: 449: 439: 438: 368: 364: 335: 334: 264: 260: 231: 230: 160: 156: 127: 126: 119: 64: 1744: 1737:Theatre in Spain 1712:Culture of Spain 1687: 1573:Ricard, Robert. 1433:Coloma, Rafael. 1369: 1368: 1362: 1354: 1352: 1351: 1345: 1339:. Archived from 1338: 1330: 1324: 1321: 1315: 1312: 1306: 1302: 1296: 1289: 1283: 1282: 1277:. Archived from 1271: 1265: 1264: 1259:. Archived from 1253: 1247: 1246: 1244: 1243: 1234:. Archived from 1228: 1222: 1221: 1215: 1207: 1205: 1204: 1198: 1192:. Archived from 1191: 1183: 1177: 1170: 1164: 1157: 1102:, followed by a 1022:, the melodious 974:often include a 939:Monforte del Cid 885:(early August), 824:Province of Jaén 662:, and ride real 629: 623: 551: 546: 536: 531: 452: 445: 418: 412: 385:Google Translate 366: 362: 345: 344: 337: 314: 308: 281:Google Translate 262: 258: 241: 240: 233: 210: 204: 177:Google Translate 158: 154: 137: 136: 129: 122: 115: 111: 108: 102: 97:this article by 88:inline citations 75: 74: 67: 56: 34: 33: 26: 1752: 1751: 1747: 1746: 1745: 1743: 1742: 1741: 1697: 1696: 1685: 1598: 1593: 1378: 1376:Further reading 1373: 1372: 1356: 1355: 1349: 1347: 1343: 1336: 1334:"Archived copy" 1332: 1331: 1327: 1322: 1318: 1313: 1309: 1303: 1299: 1290: 1286: 1273: 1272: 1268: 1255: 1254: 1250: 1241: 1239: 1230: 1229: 1225: 1209: 1208: 1202: 1200: 1196: 1189: 1187:"Archived copy" 1185: 1184: 1180: 1171: 1167: 1159:Arturo Warman. 1158: 1154: 1149: 1132: 1048: 1000: 921:(late August), 877:(22-25 April), 783:Crown of Aragon 747: 711: 609:The parades in 588:Spanish America 544: 529: 453: 442: 441: 440: 435: 434: 433: 416: 410: 369: 346: 342: 331: 330: 329: 312: 306: 265: 242: 238: 227: 226: 225: 208: 202: 161: 138: 134: 123: 112: 106: 103: 93:Please help to 92: 76: 72: 35: 31: 24: 17: 12: 11: 5: 1750: 1740: 1739: 1734: 1729: 1724: 1719: 1714: 1709: 1695: 1694: 1688: 1677: 1671: 1665: 1659: 1650: 1645: 1639: 1629: 1626:La Vila Joiosa 1620:, Pictures of 1615: 1609: 1597: 1596:External links 1594: 1592: 1591: 1584: 1581: 1578: 1571: 1568: 1561: 1554: 1551: 1544: 1541: 1534: 1531: 1528: 1521: 1507: 1493: 1479: 1465: 1462: 1459: 1445: 1438: 1431: 1428: 1421: 1414: 1411: 1407: 1404: 1397: 1390: 1387: 1379: 1377: 1374: 1371: 1370: 1325: 1316: 1307: 1297: 1284: 1281:on 2012-01-05. 1266: 1263:on 2008-03-19. 1248: 1223: 1178: 1165: 1151: 1150: 1148: 1145: 1144: 1143: 1138: 1131: 1128: 1089:tune marches, 1047: 1044: 1013:música festera 999: 996: 957:Válor, Granada 860:Corpus Christi 832:La Vila Joiosa 746: 743: 710: 707: 514:Atalaya Castle 455: 454: 437: 436: 432: 431: 424: 413: 391: 388: 377: 370: 363:(January 2021) 351: 350: 349: 347: 340: 333: 332: 328: 327: 320: 309: 287: 284: 273: 266: 259:(January 2021) 247: 246: 245: 243: 236: 229: 228: 224: 223: 216: 205: 183: 180: 169: 162: 155:(January 2021) 143: 142: 141: 139: 132: 125: 124: 79: 77: 70: 65: 39: 38: 36: 29: 15: 9: 6: 4: 3: 2: 1749: 1738: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1708: 1705: 1704: 1702: 1692: 1689: 1684: 1681: 1678: 1675: 1672: 1669: 1666: 1663: 1660: 1658: 1654: 1651: 1649: 1646: 1643: 1640: 1637: 1633: 1630: 1627: 1623: 1619: 1616: 1613: 1610: 1607: 1606:Muro de Alcoy 1603: 1600: 1599: 1589: 1585: 1582: 1579: 1576: 1572: 1569: 1566: 1562: 1559: 1555: 1552: 1549: 1545: 1542: 1539: 1535: 1532: 1529: 1526: 1522: 1520: 1519:84-609-2145-X 1516: 1512: 1508: 1506: 1505:84-923611-3-1 1502: 1498: 1494: 1492: 1491:84-923611-0-7 1488: 1484: 1480: 1478: 1477:84-923611-1-5 1474: 1470: 1466: 1463: 1460: 1458: 1457:84-609-9551-8 1454: 1450: 1446: 1443: 1439: 1436: 1432: 1429: 1426: 1422: 1419: 1415: 1412: 1408: 1405: 1402: 1398: 1395: 1391: 1388: 1385: 1381: 1380: 1366: 1360: 1346:on 2015-07-10 1342: 1335: 1329: 1320: 1311: 1301: 1294: 1288: 1280: 1276: 1270: 1262: 1258: 1252: 1238:on 2012-05-12 1237: 1233: 1227: 1219: 1213: 1199:on 2015-07-10 1195: 1188: 1182: 1175: 1169: 1162: 1156: 1152: 1142: 1139: 1137: 1134: 1133: 1127: 1125: 1121: 1116: 1114: 1109: 1105: 1101: 1097: 1092: 1088: 1083: 1081: 1080: 1075: 1074: 1069: 1065: 1061: 1057: 1053: 1043: 1041: 1037: 1033: 1032:marching band 1030:. 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