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Monarch (film)

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power of his throne. He is vulnerable to those around him and to his own mental issues. He had left England financially and morally bankrupt; his collection of enemies became his only constant. A voiceover at the end claims that when Mary Tudor came to the throne, she had her father's remains exhumed and burned as a heretic. There is no evidence that this is true.
346:"When we located the project we found more than we bargained for with over 52 cans of various footage from film trims, cutting copies and work prints. We didn't know if the original camera negative would be amongst all of this haul. After a close examination we were delighted to find all of the original camera negative was there and in good shape for its age." 337:
Restoration was completed at Premier. The film scanning and restoration team worked closely with director John Walsh, re-mastering from the original 35mm colour camera negative after it was discovered in a vault almost 20 years after it was originally filmed. In an interview about the project for the
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building served as the main location, with filming taking place inside and outside the house. The gardens were the backdrop for the opening title sequence. The Grand Salon and the Long Gallery featured heavily for the film's dramatic scenes with Henry VIII. The house's clock tower was also utilised
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is part fact, part fiction and unfolds around one night in the life of a hated king susceptible to assassination, and paranoid with the thought of his own mortality. The film is set in just one night when the injured Henry VIII arrives at a manor house closed for the season. Henry is without the
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interview, Walsh said “Often you can find out more about someone in a small time frame rather than you can if the two-hour film spans their whole life. Most bio-pics become little more than a montage of facts. If you confine a character to that time frame you can find out more about them.”
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Every frame of film was scanned in high definition at Premier and had more than 10,000 particles removed by hand by the restoration team. A new sound mix was also created from the original elements in Premier's in-house audio department. In an article with
301:(page 5), Walsh discussed how he wanted his depiction of Henry VIII to be more grounded and less like those portrayals from Hollywood. He also discussed the difficulty of filming on a location and how the film benefited from using 35mm Kodak film stock. 294:
as the hiding place for Will, the ground-keeper's son, who hid from men who break into the house. Although set at night much of the filming took place during the day; black drapes were hung outside of the building to create a night effect.
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film critic Jeremy Aspinall called it "a fascinating, haunting little gem, with a richly nuanced performance from McKenna". The film's realistic approach was noted by the
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was released following discovery of the original film negative, previously thought lost. The remastered version premiered on 14 September 2014 at London's
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The film received strong reviews on its re-release in 2014 which were in contrast with a poor review in 2000. In 2000 Dennis Harvey wrote in
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plays out an OK premise to results at once turgid and ridiculous." and describes McKenna's performance as "hammy". In 2014 the
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in November 2017 John discussed the importance restoration and preservation of older films to future-protect film such as
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gave the film four stars for the main feature and four stars for the DVD extras, saying “McKenna is the beating heart of
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in south London, making it the only film about Henry VIII entirely shot in the borough where he was born:
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said "The film features an extraordinary British cast, is well written, and is perfectly paced."
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who certified it a 15 on the basis that it "contains strong bloody violence".
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cameras. Principal photography commenced in October 1996 at
426: 594:"Lost joys: Directors reveal searches for missing movies" 441: 399: 339: 646:"John Walsh – Spoken word session (18 April 2014)" 388:. The Holy Grail of lost films for collectors is 889: 544: 542: 394:. The 1927 silent horror- mystery film starring 612: 255:as Thorn, the King's personal protection guard. 249:as The Queens, an amalgamation of his ex-wives. 953:Cultural depictions of the wives of Henry VIII 481: 479: 539: 485: 587: 585: 476: 861: 29: 1043:English-language biographical drama films 591: 933:Biographical films about British royalty 716: 582: 510: 508: 486:Balasundaram, Nemesha (21 August 2014). 1038:English-language historical drama films 402:has not been seen for almost 50 years.” 374:Some films are lost for all time. From 890: 696: 618: 514: 819: 813: 787: 672:"Premier | Monarch - Henry VIII" 505: 869:British Board of Film Classification 742: 722: 440:was released for the first time on 13: 1048:English-language independent films 697:Harvey, Dennis (23 October 2000). 592:Mackenzie, Steven (7 March 2014). 14: 1059: 843: 793: 192:. It was written and directed by 928:British biographical drama films 309:In 2014 a remastered version of 767: 515:Bishop, Rachel (28 June 2014). 297:In an interview with newspaper 1003:2000s biographical drama films 938:British historical drama films 690: 664: 638: 619:Palmer, Jim (29 August 2014). 568: 332: 35:Original British Cinema Poster 1: 983:Films set in the 16th century 469: 432: 367:and the towering presence of 321:and other lost projects with 304: 265: 1023:2000s English-language films 1018:2010s English-language films 1008:2000 directorial debut films 988:2000s historical drama films 908:Films directed by John Walsh 406: 261:as a courtier to King Henry. 196:and released in 2000 at the 7: 958:Films set in country houses 10: 1064: 998:Rediscovered British films 968:Films set in Tudor England 775:"Monarch (2000) on iTunes" 918:British independent films 521:The Wharf (archived copy) 198:Mill Valley Film Festival 169: 161: 151: 128: 114: 98: 90: 66: 58: 50: 40: 28: 23: 1013:2000s rediscovered films 993:British historical films 820:Poole, Benjamin (2017). 378:films to TV episodes of 342:, John Walsh explained: 137:14 August 2014 231: 211: 16:2014 film by John Walsh 978:Films set in the 1530s 973:Films set in the 1520s 948:Films about Henry VIII 913:2000 independent films 391:London After Midnight 299:The Greenwich Visitor 923:Films shot in London 652:. BBC. 18 April 2014 1033:2010s British films 1028:2000s British films 963:Films set in London 527:on 17 November 2014 444:on 7 April 2014 by 943:British epic films 723:Aspinall, Jeremy. 556:. 15 November 2017 826:The Movie Waffler 783:. 8 October 2000. 460:The Movie Waffler 277:5287 stock using 177: 176: 1055: 865: 837: 836: 834: 832: 817: 811: 810: 808: 806: 791: 785: 784: 771: 765: 764: 762: 760: 746: 740: 739: 737: 735: 720: 714: 713: 711: 709: 694: 688: 687: 685: 683: 678:on 22 April 2016 674:. Archived from 668: 662: 661: 659: 657: 642: 636: 635: 633: 631: 616: 610: 609: 607: 605: 589: 580: 579: 572: 566: 565: 563: 561: 546: 537: 536: 534: 532: 523:. 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Index


John Walsh
T. P. McKenna
Jean Marsh
James Coombes
Peter Miles
Walsh Bros Ltd.
FremantleMedia
3DD Productions
costume drama
Henry VIII
John Walsh
Mill Valley Film Festival
lost
rediscovered
T. P. McKenna
Henry VIII
Jean Marsh
James Coombes
Peter Miles
35mm
Kodak
Arriflex
Charlton House
Greenwich
Jacobean
Tricycle Theatre
BBC Radio 2
Janice Long
BBC

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