506:. It is charged of them that they are not masters of their own money if they do not spend it. Niarchus tells of one who does not commit suicide because of the cost of the rope to do so; Lucillius tells of another who dies because funeral expenses are cheaper than calling in a doctor. Elsewhere in the anthology is another epigram by Lucillius of a miser's encounter with a mouse that assures him he only wants lodging, not board. In one more, a miser dreams that he is in debt and hangs himself.
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687:. Misers were notorious tricksters, so ingenuity transcending barely credible impersonations was generally needed. "Bite upon bite or the miser outwitted by the country lass" (1736–63) does not feature the miser's daughter but another sort of damsel in distress. A girl bears a child out of wedlock and is advised by her mother to name it Maidenhead and offer it for sale. A rich miser closes the bargain and is eventually forced to support the child by the magistrate.
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hag enters, bringing a tiny portion to eat on a plate which a famished cat scrambles to reach. One more dichotomy explored by
Rowlandson appears in his watercolour of "The spendthrift and the miser". The drunken young man alarming the miser there is probably his son, taking up a literary theme to be found, among other places, in Allan Ramsay's comic monologue. It will be remembered too that the thriftless ne'er-do-well of
1572:. The visitation of death is carried forward in the 19th century in similarly titled works. They include a portrayal by Franz Häussler (1845-1920) of an old man standing at his desk who peers round fearfully as he glimpses a skull reflected in a mirror. The charcoal and watercolour drawing by the Austrian Albert Plattner (1869–1919) is more ambiguous and has the figures facing away from each other in a cramped space.
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1387:(1933). This French-Canadian novel was translated into English as "The Woman and the Miser" in 1978. Set at the end of the 19th century, the novel broke with the convention of extolling rural life and depicts a miser who mistreats his wife and lets her die because calling in a doctor would cost money. There have been adaptations for stage, radio, TV and two films, of which the most recent was
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swore the Devil should have it before he would take the honest Market price". The devil closes with the bargain and on accounting day carries off the farmer as well. The social message is carried by the refrain that follows each stanza: "O Farmers, covetous
Farmers,/ why would you pinch the Poor?" The religious aspect is dealt with in the contemporary "A Looking-glass for a covetous Miser" by
674:. Here a West Country entrepreneur and a poor husbandman debate the respective merits of anxious profit-making and contentment. The miser laments the current low price of grain and resolves not to sell or plant more until the price rises. The theme continued into the early 19th century, where a farmer is again the subject of "The life and awful death of a rich miser ".
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intended as her husband into allowing the match. Much the same situation occurs in "The
Politic Lovers or the Windsor Miser Outwitted", where it is a butcher who impersonates the devil and scares the miser into handing over his riches. In about 1800 there appeared an English broadside ballad called "The old miser" which was to serve as basis for what grew into a
343:, who despite being a multimillionaire had also a reputation as a miser, involved herself in a six-year lawsuit to obtain her aunt's fortune, only to have it proved against her that she had forged the will. More modern times yield the Chinese example of an 80-year-old affronted by being called a miser in a poem by his son-in-law. Blaming his hospitalization with
376:. In this a man, intending to hang himself, discovered hidden gold and left the rope behind him; on returning, the man who had hidden the gold hanged himself with the noose he found in its place. Both these stories were alluded to or retold in the following centuries, the most famous versions appearing in
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Another common subject of these ballads was the dilemma of the miser's daughter unable to marry the man of her choice and the stratagems employed to overcome her father. In "Bite Upon the Miser", printed in the late 18th century, a sailor dresses up as the devil and scares the miser and the parson he
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from the
Buddhist scriptures. This includes two stories, in the first of which a rich miser is miraculously converted to generosity by a disciple of the Buddha; following this, the Buddha tells another story of a miser whose wealth is given away when the king of the gods impersonates him, and when he
1682:'s "The Miser and his Mistress". There a young woman in luxuriant Renaissance dress stands behind an ugly miser, reaching across him to take coins from the money bags he clutches to his chest, while he looks up at her, crying out with a grimace and trying to push away her hand. An updated version by
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harks back to the light-hearted approach of the Greek
Anthology in "The Miser and Minos", first published in his fables of 1719. Descending to the Classical underworld at his death, the miser is brought before the judge of the dead and is given the extreme punishment of returning to earth to witness
368:" which he had buried and came back to view every day. When his treasure was eventually stolen and he was lamenting his loss, he was consoled by a neighbour that he might as well bury a stone (or return to look at the hole) and it would serve the same purpose. The other was a two-line epigram in the
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Still another ballad theme was the privations of the miser's servant, a comic situation in drama and fiction also, and here principally concerned with how little food the household has to live on. One example is "The Miser's Man (dating from between 1863 and 1885). At the start of the 19th century,
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points to one solution of his dilemma in a print showing a miser engaged with two nude prostitutes whom has hired for the price of one. In another
Rowlandson revisits the theme of the meager feast, depicting his miser crouched by an empty grate and keeping himself warm by hugging his money-bags. A
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Among other details in
Gillray's crowded print is a fashionably dressed prostitute coming through the door. Lechery was supposed to be an attribute of some misers, exposing them to a contest between satisfying this weakness and their overmastering passion to save expense, as exemplified in the Old
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does not neglect the moral dimension either in his "The miser's feast" (1786). He is pictured seated at a table eating a meager meal, attended by Death in the guise of an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of
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ballads concerning misers from the 17th century onward. Some of the earliest deal with the grain speculators who caused such suffering to the poorest. A representative example is "The
Wretched Miser" (1682), prefaced as "a brief Account of a covetous Farmer, who bringing a Load of Corn to Market,
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on 26 May 1820. Much of the broadside is taken up with detailing the contents of her three rooms, into which she had let no one enter. Not more than £8 in currency was discovered there, but she had bought and hoarded many articles of dress over the years, although rarely wearing them. She had also
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initiated a popular treatment of this subject in which each type is separately illustrated, of which there were many imitations in succeeding centuries. Among the depictions is a man starting up in protest behind a table piled with wealth on which a skeleton is laying hands. In his print of 1651,
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two men are depicted robbing a miser. At the centre the miser
Charinos has settled for sleep on top of his strongbox in the comfort of two blankets. He is rudely awoken by two rascals mishandling him in an effort to lay their hands on his riches. On the left, Gymnilos has already pulled away the
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was to adapt the story in his "L'avare et son fils" (The miser and his son, IV.9). In this version the miserly father hoards his apples and only eats those going rotten. His son, upon being caught raiding them, excuses himself on the grounds that he was confining himself to eating just the sound
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and published in his fable collection of 1692. It concerns a miser who cannot bring himself to eat the apples in his orchard until they start to go rotten. His son invites in his playmates to pick the fruit but asks them not to eat the rotten ones since his father prefers those. The 18th century
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during Mughal times. In one he extracts from a casuistical miser a fee for a poem written in his praise. In the other the miser is forced to reward a merchant who rescued his hoard from a fire with the whole of it. Arabs similarly made extensive use of misers in their literature. The most famous
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in the guise of a miser digging up his buried gold and debates with him whether the life of wit and learning is a better calling than the pursuit of wealth. Eventually the poet is convinced that keeping his talent hidden until it is better regarded is the more prudent course. It was followed by
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One trait of misers arising out of the accounts about them was their readiness to incur legal expenses where money was involved. Daniel Dancer was notorious for spending five shillings in an unsuccessful effort to recover three pence from a shop woman. He was also involved in a lawsuit with his
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Mr Boffin would say, 'Now, look well all round, my dear, for a Life of a Miser, or any book of that sort; any Lives of odd characters who may have been Misers.' .... The moment she pointed out any book as being entitled Lives of eccentric personages, Anecdotes of strange characters, Records of
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which emphasises the essential isolation of such figures. His enigmatic "The Miser" of 1860 pictures an individual of indeterminate gender seated with its back to the viewer in the corner of a bare room next to the window. He is looking down as if examining something and the room behind him is
478:'s "The Miser and Plutus", published in his collection of fables in 1737. A miser frightened for the security of his hoard denounces gold as the corruptor of virtue and is visited by the angry god of wealth, who asserts that not gold but the attitude towards it is what damages the personality.
388:(IX.15) respectively. Yet another of La Fontaine's fables was the late addition, ""The miser and the monkey" (XII.3), used as a cautionary tale for financiers. Here a man keeps his hoard in a sea-encircled tower until a pet monkey amuses itself one day in throwing the coins out of the window.
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Dame
Margery is not named in the poem because at the time of writing (1805) she was still alive and known to be litigious. We know that it is meant to be her from the fact that in William Brown's painting of the ballad, "Hiring Croglin Watty at Carlisle Cross", it is she who figures in the
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is a person who is reluctant to spend money, sometimes to the point of forgoing even basic comforts and some necessities, in order to hoard money or other possessions. Although the word is sometimes used loosely to characterise anyone who is mean with their money, if such behaviour is not
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cellar without either bed, chair or table, his colleagues and neighbours claimed to have seen him in the same threadbare clothes for 15 years. After his death, property to the value of more than £3,000 was found in the cellar, some in the form of property deeds, and more in bank receipts.
621:(1733). Reluctance to spend confines this aristocrat to his ancestral hall, where he refuses to engage with the world. Later in the century another Scottish poet, William Stevenson (1719–83), included nine satirical epitaphs on misers among his collected works, of which the last begins:
159:(serialised 1864–1865), with its cutting analysis of Victorian capitalism. In the third section of that novel, Mr Boffin decides to cure his ward Bella Wilfer of her obsession with wealth and position by appearing to become a miser. Taking her with him on a round of the bookshops,
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created a portrait of a man trapped between conflicting desires in Malbecco, who appears in cantos 9–10. He is torn between his miserliness and love for his wife Hellenore. Wishing to escape with a lover, she sets fire to his storeroom and forces him to choose between them:
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death. Famine, a withered hag naked to the waist, is also in attendance wearing a large hat and fashionable skirt. These characters are identified by the verse at the bottom: "What else can follow but destructive fate,/When Famine holds the cup and Death the plate?"
130:, the rich and the poor should be in a relationship of mutual support. Those with wealth are in need of the prayers of the poor for their salvation and can only earn them by acts of charity. A typical late example of Christian doctrine on the subject is the Reverend
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put miserly behaviour at the centre of the first poem in his first collection of satires, dealing with extremes of behaviour. In writing an imitation of it, an English poet who provides only his surname, Minshull, was to emphasise this by titling his work
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1508:). But the bracketing of the miser and the usurer as equally culpable types, mentioned earlier, makes it difficult to interpret the subject of later moralistic paintings, since they may represent either a hoarder, a money lender or even a tax collector.
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developed in the Greek colonies in Italy during the 4th century BCE, which are known only from rare fragments and titles. They were also popularly represented on Greek vases, often with the names of the characters written above them. In one of these by
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artists. Bosch shows the miser on his deathbed, with various demons crowding about his possessions, while an angel supports him and directs his attention to higher things. The link between finance and the diabolical is also drawn by another Fleming,
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with multiple versions. The scene is set in London, where a miser's daughter is courted by a sailor and the father arranges for him to be press-ganged to get him out of the way. As well as persisting in England, there are also versions in the US and
903:, there was a spate of French plays dealing with misers and their matrimonial plans over the next century and a half. What complicates matters is that several of these had the same title but were in fact separate plays written by different authors.
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The popularity of these theatrical misers is evident from the number of paintings and drawings based on them, many of which were then adapted as prints. In 18th-century England, it was Fielding's "The Miser" that attracted most attention.
1123:(1767–68) and Thomas Gray portrayed a confrontation between Shylock and his daughter Jessica (1868). Character portraits of other actors in Shylock's role have included Henry Urwick (1859–1931) by Walter Chamberlain Urwick (1864-1943),
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in which Charlotte Montgomery describes her own romantic affairs and in addition those of her mother, an unprincipled spendthrift who has just married the miser of the title. Another female novelist, Mary E. Bennett (1813–99), set her
879:'s title page for the latter, Volpone is shown worshiping his possessions, in illustration of the lines from the play, "Dear Saint, / Riches, the dumb god that giv'st all men tongues." A similar scene takes place in the second act of
212:. The popularity of such accounts is attested by the seven editions printed in the book's first year and the many later reprintings under various titles. Biographies of Dancer followed soon after, at first in periodicals such as the
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made the link with the dance of death genre by introducing a young boy slyly fingering the coins while keeping a wary eye on the woman to see if she has noticed. These Dutch variations were mostly painted during the 1620s, when
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In the following chapter, Mr Boffin brings a coachload of the books to his premises and readers are introduced to a selection of typical titles and to the names of several of the misers treated in them. Among the books appear
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2192:"Lochy Ostrom, the maiden miser of Poughkeepsie; or, The love of a long lifetime. An authentic biography of Rachel Ostrom who recently died in Poughkeepsie, N.Y., aged ninety years, apparently very poor, but really wealthy ."
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in 1906. In the corresponding act in the latter, the Baron visits his underground storehouse, where he gloats at a new addition to his coffers and moodily contemplates the extravagance of his son during a 15-minute solo.
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Lochy Ostrom, the maiden miser of Poughkeepsie; or the love of a long lifetime. An authentic biography of Rachel Ostrom who recently died in Poughkeepsie, N.Y., aged ninety years, apparently very poor, but really
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foreground. About 1811, just before her death, Brown had already devoted another painting to her alone as she tramped through the town. That she is still amusedly remembered there is witnessed by the modern
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is fashionably dressed and wearing a ring. He may be inspired by the wealth and jewelry piled on his table, but he obviously has no objection to advertising his well-to-do status. On the other hand, the
922:(The Spendthrift Miser). The same title was used by L. Reynier for his five-act verse drama of 1794 and by Claude Baron Godart d'Aucourt de Saint Just (1769-1826) for his three-act verse drama of 1805.
259:. Others include John Little (who appears in Merryweather), Reverend Mr Jones of Blewbury (also in Merryweather) and Dick Jarrel, whose surname was really Jarrett and an account of whom appeared in the
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in which banknotes rather than gold are the object of desire and a motive for murder. It was dramatised the same year and later toured the US; in 1912 it was made a silent film. Later examples include
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and again demonstrates the ambivalent targets of the moral message. The only difference is that the couple engaged in inspecting their money are old, as was the case in all the allegories of avarice.
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is of the feminine gender. Low Countries artists who took up the allegorical theme added the variation of making the woman examine a coin by the light of a candle or lantern, as in the paintings by
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907:(The Miser in Love) by Jean du Mas d' Aigueberre (1692–1755) was a one-act comedy acted in Paris in 1729. It is not the same as the anonymous one-act comedy of the same title published in 1777.
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too borrowed the imagery, but his candlelit examiner of a coin is male and the piece is variously titled "The Money Changer" or "The Rich Fool", in reference to the parable already mentioned.
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There were beside many other prolific and once popular novelists who addressed themselves to the subject of miserliness. For the most part theirs were genre works catering to readers in the
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By the end of the 19th century the theme of the miser was distancing itself from the simple moralities of journeyman painters and becoming a subject for aristocratic amateurs. The Empress
1663:'s miser is also richly robed as he sits surrounded by his possessions, while Theodore Bernard Heuvel's miser sits on the chest containing his hoard and looks anxiously over his shoulder.
1579:'s painting of a naked old woman with a sack of coins (1507). This makes the point that age comes to all and confiscates all consolations. A woman is chosen as subject because the Latin
1033:'s drawing of the second act was also made into a print. But it was principally depictions of various actors in the character of Lovegold, the play's anti-hero, which attracted artists.
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than the "Female Miser" that she is called in the report. The title was more deserved by Joseph MacWilliam, who was found dead of a fire on 13 June 1826. A servant whose home was a damp
1611:, the pull between spirituality and materialism is highlighted by making the deathbed a scene of conflict between the angel and demons. Quentin Matsys suggests the same polarity in his
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In the Christian West the attitude to those whose interest centred on gathering money has been coloured by the teachings of the Church. From its point of view, both the miser and the
339:, although this time he was more successful. In the same century, Margery Jackson was involved in an epic Chancery suit between 1776 and 1791 over a family inheritance. The American
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She hed a lang beard, for aw t' warl leyke a billy goat, wi' a kil-dried frosty feace: and then the smawest leg o' mutton in aw Carel market sarrad the cat, me, and hur for a week.
1345:. As avarice slowly overtakes her, she withdraws her savings so that she can gloat over the money and even roll about in it. The book was the basis for a silent film in 1916 and
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tries to intervene is threatened with what will happen if he does not change his ways. Two 16th century stories concerning misers are included among the witticisms attributed to
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Lives and Anecdotes of Misers or The Passion of Avarice displayed in the parsimonious habits, unaccountable lives and remarkable deaths of the most notorious misers of all ages
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blanket on top of him while, on the right, Kosios drags out the blanket beneath. On the far right, the miser's slave Karion stands with outstretched arms and knocking knees.
1528:, in his portrayal of the man of affairs being assisted in his double bookkeeping by a demon. The same connection is made in "The devil and the usurer" in the Valenciennes
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Later in the 19th century there were small regional publications dealing with single individuals of local interest. Examples of such works include Frances Blair's 32-page
1319:(Toquemada on the pire, 1889). The novel is centred on a Madrid moneylender who had appeared incidentally in earlier novels of his and now had three more devoted to him:
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is poorly dressed and his interest in hoarding is indicated by the way he gloats on the key that will lock his money away. The same dichotomy occurs in later centuries.
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Two more of the misers mentioned made their way into other literary works. John Hopkins, known as Vulture Hopkins, was the subject of a scornful couplet in the third of
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disturbances in 18th century Scotland. Attempting to deprive his nephew David (the hero of the novel) of his inheritance, he arranges to have the young man kidnapped.
649:(London 1831). Although miserly behaviour is referenced during the course of its 78 pages, the real focus there is the attraction of money in all its manifestations.
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Literary manifestations of the theme of the mismatched couple include the Malbecco episode in "The Faerie Queene" and Catherine Hutton's novel "The Miser Married".
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the contrast disappears. The wife of his moneylender is shown helping with the bookkeeping and leaning sideways, as mesmerised as her husband by the pile of coins.
1726:. John Cranch (1751-1821) pictures two armed desperadoes breaking in on his. However, it is in the realm of satirical prints that the most inventiveness is found.
1568:'s print of "The Miser and Death" (1643). Here the man sits at table clasping his money bags while contemplating a skull wearing a plumed hat, beside which is an
1869:"Ante-Nicene Fathers, Vol II: THE PASTOR OF HERMAS: Similitude Second. As the Vine is Supported by the Elm, So is the Rich Man Helped by the Prayer of the Poor"
1045:. Several other works became plates in one or another book dedicated to English drama. James Roberts II (1753 – c. 1810) executed a pen and ink watercolour of
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treats the theme twice, in both versions of which a skeleton serenades a luxuriously dressed greybeard sitting at a table. Another curious variation occurs in
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1547:. There a skeleton compels those from all walks of life, but particularly types of the rich and the powerful, to join him in his dance to the grave. In 1538
1005:, (1828) also brings in a daughter whom the miser attempts to sell off as a mistress to her disguised lover. Earlier Jerrold had written a one-act farce,
4049:"Luke 12:20 "But God said to him, 'You fool! This very night your life will be demanded from you. Then who will get what you have prepared for yourself?'"
1639:(the pleasures of old age). Verses as the bottom underline the moral: "Why do you make/ such piles of gold?/ Soon you'll grow old/ and Death takes all.
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Mediaeval art works of Christian origin take a clear moral stance on the sin of avarice in its various manifestations. The frieze on the west wall of
3869:"The miser married : a novel. In three volumes : Hutton, Catherine, 1756-1846 : Free Download & Streaming : Internet Archive"
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of the play's denouement was included as a print in the translation of Molière's work and prints based upon it were made by various other engravers.
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as Lovegold was adapted for the 1776 edition of that work. In the following century, Thomas Charles Wageman's dramatic head and shoulders drawing of
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by Wu Jingzi (吳敬梓), written about 1750. This miser was unable to die easily until a wasteful second wick was removed from the lamp at his bedside.
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made "The Blessed Ranieri showing the friars the soul of the Miser of Citerna carried to hell by demons" a panel of an altarpiece (now in the
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There were also independent dramatic depictions of misers, some of them being variations of the Pantaleone figure in 16th-century Italian
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as symbol of miserly behaviour, often with an accompanying poem. They appeared in various European languages, among them the illustrated
1081:(1820). From this time too dates the coloured print of Samuel Vale acting the part of Goliah Spiderlimb, the comic servant in Jerrold's
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remarkable individuals, or anything to that purpose, Mr Boffin's countenance would light up, and he would instantly dart in and buy it.'
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Such paintings cluster into recognisable genres, all of which point to the sinful nature of preoccupation with money for its own sake.
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979:(first serialised in 1842) was spawning a fresh crop of dramas of that title. Two were played in 1842 and a further adaptation called
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The Strange and Unaccountable Life of Daniel Dancer, Esq. ... with singular anecdotes of the famous Jemmy Taylor, the Southwark usurer
1604:, on the other hand, makes his subject very obviously a miser who hugs a small sack of coins and holds one up for intent inspection.
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Misers as a type have been a perennial object of popular fascination and a fruitful source for writers and artists in many cultures.
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557:, dating from about 1630, on which an ass laden with rich foods is shown cropping a thistle, surrounding which is the quatrain:
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carefully picked up every pin that fell in her way, till she nearly filled one hundred pincushions. In addition to much other
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1009:(1823), in which a miser tries to marry off his ward to advantage. Another farce produced in Canada, Major John Richardson's
145:. Accounts of misers were included in such 19th century works as G. H. Wilson's four-volume compendium of short biographies,
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Richard Newhauser, The Early History of Greed: The Sin of Avarice in Early Medieval Thought and Literature, Cambridge 2000,
1667:'s miser shows much the same apprehension as he leans on the table where his money is piled and glances round suspiciously.
1615:(1514). Here the woman is studying a religious book while her husband is testing coins by weight. In the hands of the later
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in a sentimental story of the occult in which the Dutch merchant persuades a generous young man to exchange souls with him.
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How the Wind Sits; Or, The History of Henry and Ann Lemoine, Chapbook Writers and Publishers of the Late Eighteenth Century
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1331:(Torquemada and Saint Peter, 1895). All of these deal with Spanish social trends in the closing years of the 19th century.
4361:"Jean Baptiste Leprince. Expert art authentication, certificates of authenticity and expert art appraisals - Art Experts"
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Jemmy Taylor's name also appears in the list of notable misers that Mr Boffin enumerates. He is coupled with the banker
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469:'s "Tale of the Miser and the Poet" was included among others in her 1713 Miscellany. There an unsuccessful poet meets
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as part of their mutual punishment. They roll weights representing their wealth, constantly colliding and quarreling.
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was to be particularly influential, as was the complicating subplot of a marriageable daughter. One of the earliest
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788:(1617). The play is named from the miser, whose daughter is Claartje. Molière adapted Plautus' play into French as
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In 18th century Britain, when there was a vogue for creating original fables in verse, a number featured misers.
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Running parallel has been a disposition, inherited from Classical times, to class miserly behaviour as a type of
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Misers were represented onstage as comic figures from Classical times. One of the earliest appears in the comic
440:(The miser and the rotten apples, fable 179), published in 1499. This was eventually translated into English by
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611:. The miser bids farewell to his riches in a comic monologue and details some of his shifts to avoid expense.
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4179:"Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1000-1900)"
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3950:"Dollikins and the Miser : Frances Eaton : Free Download & Streaming : Internet Archive"
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1560:'s 16th century diptych in which death confronts the man of affairs with his own account. A century later,
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adapted this into dialect two years later, and Charles Denis provided a version in standard English in his
306:, there were a great number of buttons, which had been cut off old coats. This makes her sound more like a
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3497:"The Actor Grandmesnil, picture art prints and posters by Jean Baptiste Francois Desoria - ARTFLAKES.COM"
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makes the connection with the parable clear by quoting from it in the frame. A variation is provided by
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Another area of ambivalence centres on the kind of clothes worn by the so-called misers. The subject of
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290:(1828), roughly based on an incident when he feigned death to save expenses and was killed by accident.
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138:(1852), a moralising work based on a succession of biographies contrasting philanthropists and misers.
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4668:
4559:
3904:
3847:
3303:
2239:
2173:
1628:
777:
695:'s "Croglin Watty". A simple-minded countryman down from the fells, Watty was hired by the real-life
914:, who was working in France at the end of his life. He had already produced a one-act comedy titled
4938:
4702:
4178:
2684:
2269:
1679:
1616:
1540:
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887:(1836). This concerns a son, Albert, kept short of funds by his father, the Baron. Under the title
1921:
1632:
1543:
lies behind another series of paintings which stem ultimately from mediaeval illustrations of the
817:
776:(c. 1597). The miser there is the Milanese Jaques de Prie, who has a (supposed) daughter, Rachel.
4648:
1758:
1722:'s poorly dressed character clutches a bag of coin and looks up anxiously in the painting in the
1660:
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975:
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The early 19th century saw misers become the subject of the musicals then fashionable in France.
377:
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938:
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devoted one of his theatrical paintings to a scene from L'Avare in 1876 while the French actor
861:
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adapted Molière's work in 1672 and a version based on both Plautus and Molière was produced by
692:
546:
365:
347:
three years later on this, he sued his daughter for medical fees and 'spiritual compensation'.
344:
21:
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2820:
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2110:
1806:
1013:(1841), had an Irish theme and dealt with a plot to trick a miser out of his money. The later
5822:
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3241:
2590:
2575:
1124:
1066:
962:
844:
253:
of Gloucester, a more recent miser about whom Dickens later wrote an article in his magazine
111:
in childhood, although this explanation is not accepted by modern evidence-based psychology.
4131:
3680:
603:
The 18th century, so culturally rich in miser lore, furnished some notable poetic examples.
5255:
3661:
1766:
spartanly furnished with just a table and bench, while a broadsheet is tacked to the wall.
1742:
1643:
1584:
1380:
1180:
1097:
1054:
1014:
847:. He is represented as a rich and miserly Venetian merchant, later to become the father of
671:
550:
433:
294:
123:
119:
2962:
2155:
2137:
1111:
In addition, the challenging and complex part of Shylock was favoured by English artists.
8:
5511:
5409:
4879:
4411:"British Museum - Image gallery: The Scramble, or Old Gripus plunder'd by his Young Wife"
4243:
1791:
1719:
1620:
1516:
1484:
1168:
1101:
1042:
1025:
story by him; later he adapted it as a two-act romantic drama set in time of Henry VIII.
892:
856:
772:
604:
487:
441:
391:
In Asia misers were the butt of humorous folklore. One very early cautionary tale is the
307:
282:
John Overs, with a slight change to his name, became the subject of a three-act drama by
263:
for 1806. The many volumes of this publication also figured among Mr Boffin's purchases.
3949:
2787:"Vaughan Williams Memorial Library - Welcome to the English Folk Dance and Song Society"
1575:
Yet another genre was the Allegory of Avarice, of which one of the earliest examples is
5796:
5786:
5586:
5498:
5280:
4428:
4014:
2491:
1757:
paints a Jewish character type for his miser, dated 1901, while the Hungarian nobleman
1346:
1271:
1264:
995:, a verse play in five acts, which claimed to derive its plot 'from an Italian story'.
888:
851:. The Venetian characters who reappear in English drama include the Jewish moneylender
293:
Another public source of information about misers, in Scotland at least, was the prose
255:
127:
104:
4448:
1376:(1923), who makes life miserable for the wife who married him in the hope of security.
1202:
5766:
5717:
5606:
5115:
5012:
4946:
4777:
4210:
3967:
3929:
3868:
3809:
3735:
3055:
2596:
1836:
1812:
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titles his humanised study "Shylock" (1900). Apart from them, there is an etching by
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361:
242:
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155:
28:
1576:
703:. The ballad mixes sung verses with prose description, both in Cumberland dialect:
481:
While these are more or less original interpretations of the theme, French fabulist
5812:
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5470:
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5424:
5168:
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1723:
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1489:
1464:
1423:
1415:
1237:
1214:
1172:
1132:
876:
827:
813:
759:
684:
64:
51:
35:
2925:"File:Phlyax scene on a calyx krater by Asteas Antikensammlung Berlin F3044 5.jpg"
2330:
1868:
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depicted a couple similarly engaged in 1648 which was later engraved in France by
926:
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2458:
2398:
2282:
2043:
1945:
1905:"The Eccentric Mirror:: Reflecting a Faithful and Interesting Delineation of ..."
1754:
1592:
1440:
1259:
1247:
1116:
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was not altogether eclipsed in England by the work adapted from it. A drawing by
1074:
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530:
522:
503:
369:
321:
260:
170:
150:
108:
2044:"Biographical Curiosities; or, Various pictures of human nature. Containing ..."
1312:
607:'s "Last speech of a wretched miser" dates from 1728 and is written in modified
5862:
5837:
5414:
5345:
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5173:
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1022:
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267:
3997:"File:Sassetta - Damnation of the Soul of the Miser of Citerna - WGA20866.jpg"
3101:
2986:
1049:
in character which was adapted as a print for the six-volume play collection,
949:(The Miser's Daughter) in 1835. The latter play was freely adapted in 1835 by
5896:
5872:
5817:
5649:
5611:
5596:
5557:
5072:
4871:
4841:
4767:
4752:
3888:"The Gipsey Bride: Or, the Miser's Daughter. By the Author of Jane Shore ..."
1727:
1544:
1520:
1411:
1046:
987:
of 1839, a schoolboy indiscretion of the future controversial churchman, Rev.
983:
in 1872. A similarly titled play was the five-act comedy partially in verse,
911:
781:
458:
360:
There were two famous references to misers in ancient Greek sources. One was
238:
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131:
100:
4622:
88:
accompanied by taking delight in what is saved, it is not properly miserly.
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4792:
4326:
3968:"The Soul of Nicholas Snyders, Or the Miser Of Zandam, by Jerome K. Jerome"
3711:"BBC Arts - BBC Arts - 'A life wasted': Who was the real Ebenezer Scrooge?"
1718:
English depictions of misers in the 18th century begin as genre paintings.
1664:
1565:
1557:
1536:, in which two devils pluck at the sleeve of a poorly dressed moneylender.
1519:, dating from the 1490s, started a fashion in depicting this subject among
1436:
1404:
1342:
1287:
1282:
988:
918:(The Miser) in Bologna in 1756. In 1776 he produced in France the five-act
744:
Such stock figures eventually provided inspiration for the Latin dramas of
617:
542:
3791:
600:
Eventually losing both, he becomes the embodiment of frustrated jealousy.
5665:
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5419:
5381:
5353:
5330:
5275:
5197:
4884:
4820:
4772:
4747:
4066:
3354:"British Museum - Image gallery: Mr Shutter in the Character of Lovegold"
1683:
1656:
1030:
942:
755:
732:
637:
Poetic titles from the 19th century include the Irish Arthur Geoghegan's
535:
425:
340:
303:
5698:
5644:
4629:
1500:
depicts the torments of Hell visited on those guilty of this sin, while
991:. And on the other side of the Atlantic there was a stage production of
5857:
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5506:
5488:
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5163:
5105:
5100:
5020:
4961:
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3649:
3637:
1670:
1569:
1525:
1479:
1305:
1143:
Characterisation of misers has been a frequent focus in prose fiction:
866:
831:
767:
679:
453:
250:
5270:
5250:
3792:"The Perez Galdos Editions Project - Summary of the Torquemada novels"
3779:
3767:
3334:"Art UK - William Farren as Lovegold in 'The Miser' by Henry Fielding"
2786:
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5771:
5705:
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Translated into blank verse in the 18th century by Bonnell Thornton,
2862:"Margery Jackson (1722–1812), Hiring Croglin Watty at Carlisle Cross"
1601:
1597:
848:
793:
750:
429:
336:
311:
42:
1146:
823:
417:, making this the earliest and largest known work on the subject in
5852:
5842:
5827:
5616:
5363:
5315:
5235:
4802:
4757:
4660:
1784:"miser - definition of miser in English from the Oxford dictionary"
1501:
1336:
1200:
Felix Grandet – whose daughter is the title character in the novel
957:. Two further adaptations of the French play were to follow later:
657:
615:
created another masterly portrait in the character of Cotta in his
475:
424:
When there was renewed European interest in Aesop during the early
406:
298:
2739:
A Book of Scattered Leaves: Poetry of Poverty in Broadside Ballads
2568:
English Versions of Roman Satire in the Earlier Eighteenth Century
1250:. He may have been partly based on John Elwes. The story has been
5725:
5675:
5542:
5447:
5285:
5183:
5087:
5003:
4927:
4919:
4782:
4617:
4048:
2803:
Folk Songs of the Catskills, State University of New York, 1982,
2174:"Memoir of Margery Jackson, the Carlisle miser & misanthrope"
1189:
871:
852:
836:
745:
2553:, Loeb edition translated by H. Rushton Fairclough, London 1942
2331:"Jean de La Fontaine's Fable Poem: The Treasure And The Two Men"
910:
Another set of plays borrows a title from the Italian dramatist
665:
In the realm of popular poetry, there were a range of narrative
233:
5391:
5153:
5130:
4643:
4453:
4433:
4345:
4019:
3597:
3559:
3338:
2903:"Margery Jackson's remarkable life inspires Miser! The Musical"
2886:
2866:
1647:
1505:
1207:
1194:
737:
534:, misers are put in the fourth circle of hell, in company with
510:
470:
436:
wrote two collections of original fables, among which appeared
397:
20:
This article is about parsimonious people. For other uses, see
79:
5776:
5591:
5320:
4907:
2317:, translated by Norman Shapiro, University of Illinois 2007,
414:
373:
297:. One example concerns Isobel Frazer or Frizzle, who died in
230:(1797), which was often to be reissued under various titles.
192:
The majority of the misers are 18th century characters, with
115:
2817:
The Politics of Custom in Eighteenth-Century British Fiction
2616:"British Museum - Image gallery: Scenes from Aesop's Fables"
4732:
3408:"British Museum - Image gallery: Mr W. Farren, as Lovegold"
661:
The broadside ballad of "The Old Miser", early 19th century
73:
4211:"The Athenaeum - Allegory of avarice (Paulus Moreelse - )"
3182:
3180:
1187:
Jean-Esther van Gobseck – an affluent usurer in the novel
708:
Neist my deame she e'en starv'd me, that niver liv'd weel;
502:
Misers are frequent figures of fun in the epigrams of the
27:"Cheapskate" redirects here. For the Supergrass song, see
5307:
645:(1893). There was also an anonymous didactic poem titled
4096:"File:Jan Provoost - Death and the Miser - WGA18447.jpg"
3390:"British Museum - Mr Yates in the character of Lovegold"
3372:"British Museum - Mr Ryder in the character of Lovegold"
175:
Portraits, Memoirs, and Characters of Remarkable Persons
34:"Skinflint" redirects here. For the band Skinflint, see
3177:
1753:'s miser of 1890 handles a small strongbox. The Indian
1688:
The Scramble, or Old Gripus plunder'd by his Young Wife
1278:(1853, translated into English as "The Miser" in 1855).
710:
Her hard words and luiks wou'd ha'e freeten'd the deil:
699:
miser Margery Jackson (1722–1812) and served her for a
899:
Following on from the continuing success of Molière's
494:(1754), reversing the title to "Minos and the Miser".
107:, attributing the development of miserly behaviour to
1704:
His wife while she plunders with smiles and caresses,
1257:
Mr. Prokharchin – title character of the short story
643:
New Christmas Poem entitled The Miser's Christmas Eve
486:
how his wealth is now being spent. The Scottish poet
326:(Carlisle 1847) and in the United States the 46-page
76:
2721:"EBBA 33461 - UCSB English Broadside Ballad Archive"
2703:"EBBA 21994 - UCSB English Broadside Ballad Archive"
2588:
1686:
was published as a print in 1773 under the title of
1291:(1861), who eventually abandons his avaricious ways.
628:
Who starv'd himself through spleen to skin and bone,
200:
at their head. The first account of Elwes' life was
3593:"Art UK - Arthur Bourchier (1863–1927), as Shylock"
3187:Bayard, Jean François Alfred; Duport, Paul (1835).
1355:in 1924. More recently, it was also the basis for
770:adapted elements from Plautus for his early comedy
208:(1790), which was initially published in his paper
122:and shared behaviours. According to the parable of
70:
67:
3625:The Classic Chinese Novel: A Critical Introduction
3032:M.M.Badawi, "Arabic drama: early developments" in
1707:At once cools his love and his avarice distresses.
401:being the 600 page collection of anecdotes called
4067:"Hans Holbein's dance of death, Rich man / Miser"
1678:A sub-theme of this kind of contrast occurred in
179:Kirby's Wonderful Museum of Remarkable Characters
99:One attempt to account for miserly behaviour was
5894:
457:A print of John Gay's "The Miser and Plutus" by
4596:"Whistler Etchings :: Image of Impression"
3555:"Art UK - Henry Urwick (1859–1931), as Shylock"
3426:"British Museum - Mr Vale as Goliah Spiderlimb"
3205:
3150:Alfieri and Goldoni: Their Lives and Adventures
1019:The Miser of Shoreditch or the Curse of Avarice
632:And boast, what he ne'er could, a full repast.
5703:
2900:
1698:How hard is the conflict, yet claims ridicule,
1463:(1890) by the American Frances Eaton. In 1904
784:followed with their very popular Dutch comedy
335:equally miserly brothers when his sister died
4676:
4560:"Raja Ravi Varma Oil Painting 59 - The Miser"
3662:"Fardorougha, the Miser, by William Carleton"
1674:Old Gripus plundered by his young wife (1773)
1623:'s painting of much the same scene is titled
1057:made a print of Thomas Ryder in the role for
3186:
1701:When doting and avarice possess an old fool!
1311:Francisco Torquemada, the main character in
277:The wretch who living saved a candle's end.
275:When Hopkins dies, a thousand lights attend
149:(1807). Such books were put to comic use by
3734:. Greenwood Publishing Group. p. 118.
3206:Scribe, Eugène; Delavigne, Germain (1823).
3075:The Methuen Drama Dictionary of the Theatre
2018:"Anecdotes of the late Daniel Dancer Esq",
1835:. New York: Worth Publishers. p. 218.
1804:
1746:inherited his money from a miserly father.
1150:The miser discovers the loss of his money,
812:and pioneering dramatic works in Arabic by
804:in 1732. Among later adaptations there was
758:writers to adapt the play was the Croatian
626:A miser rots beneath this mould'ring stone,
4721:
4683:
4669:
2755:"Lewis Walpole Library Digital Collection"
2565:
2315:The Complete Fables of Jean de La Fontaine
2272:, "Daughter sued by dad over 'miser' poem"
1007:The Smoked Miser or The Benefit of Hanging
1003:John Overy or The Miser of Southwark Ferry
641:(Newry 1818) and Frederick Featherstone's
639:The Old Miser and Mammon: an Incident Poem
630:Lest worms might riot on his flesh at last
595:He left his wyf; money did love disclame.
589:Ay when to him she cryde, to her he turnd,
288:John Overy or The Miser of Southwark Ferry
4531:"A&A - The Spendthrift and the Miser"
3678:
3316:"British Museum - Image gallery: drawing"
2514:A group of eight in Book XI are numbered
1946:"Kirby's Wonderful and Scientific Museum"
1379:Séraphin Poudrier, the central figure in
1119:in the role that had brought him fame at
985:The Miser's Daughter or The Lover's Curse
961:(1859) by J. V. Bridgeman (1819–89), and
270:'s Moral Essays, "Of the Use of Riches":
3476:
3013:
1669:
1478:
1403:of the 19th century. Among them was the
1145:
822:
656:
452:
232:
206:The Life of the Late John Elwes: Esquire
94:
41:
4481:
4341:"Art UK - A Miser Casting His Accounts"
4132:"File:Glaspalast München 1891 025a.jpg"
3921:
3885:
3164:
3051:McGraw-Hill Encyclopedia of World Drama
1429:The Gipsy Bride or the Miser's Daughter
1104:in the role of Harpagon was painted by
691:the theme had figured as an episode in
593:But when he marked how him money burnd,
591:And left the fyre; love money overcame:
562:The Asse which dainty meates doth beare
350:
5895:
3611:The Universal Anthology vol.12, 1899,
2999:Thomas Shadwell, his life and comedies
2030:"Anecdotes of the Late Daniel Dancer"
1999:
1962:
1830:
566:Is like the wretch that hourds up gold
5755:
5224:
5223:
4720:
4664:
3925:Miser Farebrother: A Novel (Complete)
3727:
2882:"Margery Jackson, the Carlisle Miser"
2848:, George Routledge & Sons, 1866,
1824:
1690:. Underneath is a verse commentary:
1469:Nicholas Snyders, The Miser of Zandam
993:Julietta Gordini:The Miser's Daughter
185:(1821); and F. Somner Merryweather's
4690:
3679:Ainsworth, William Harrison (1855).
3239:
2063:, Southern Illinois University 2007
1591:. In his own allegorical treatment,
1334:Trina McTeague, the miserly wife in
808:'s 18th-century Russian comic opera
652:
564:And feedes on thistles all the yeare
324:, the Carlisle miser and misanthrope
3483:19thcenturybritpaint.blogspot.co.uk
3114:"Les trois spectacles, ou Polixene"
3100:There is a complete performance on
2846:The Songs and Ballads of Cumberland
2589:Jennifer Doane Upton (March 2005),
2138:"Broadside entitled 'Female Miser'"
1449:Paston Carew, Millionaire and Miser
1327:(Toquemada in Purgatory, 1894) and
937:(The miser's spree) in 1823, while
568:And yet for want doth suffer cold.
118:were guilty of the cardinal sin of
13:
3922:Farjeon, Benjamin Leopold (1889).
3444:Henry Fielding and William Hogarth
2669:Original Poems on Several Subjects
2441:"A Tale of the Miser and the Poet"
1646:'s painting from the 1640s in the
1281:Silas Marner – title character of
1274:'s novel of Flemish peasant life,
1270:Uncle Jan and his nephew Thijs in
865:(1598) and the title character of
14:
5919:
4610:
4197:"French Government cultural site"
3840:"Riceyman Steps – Arnold Bennett"
2945:, Museum Tusculanum Press, 1992,
2551:Satires, Epistles and Ars Poetica
2526:The Greek anthology for schools,
2002:"The Life of the Late John Elwes"
1887:"The Riches that Bring No Sorrow"
1213:Fardarougha Donovan in the Irish
766:(The Miser) is set in Dubrovnik.
748:. The character of Euclio in his
4642:
4628:
4616:
4588:
4570:
4552:
4541:
4523:
4505:
4475:
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4441:
4421:
4403:
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4203:
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3989:
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3897:
3879:
3861:
3832:
3814:
3802:
3784:
3772:
3760:
3748:
3721:
3703:
3691:
3672:
3654:
3642:
3630:
3627:, Chinese University Press, 2016
3617:
3605:
3585:
3567:
3547:
3536:
3518:
3489:
3470:
3452:
3436:
3418:
3400:
2399:"A question of 'like'", pp. 47–9
1474:
1395:in the English-language version.
1323:(Toquemada on the cross, 1893),
1304:(1886), which is set during the
1294:Ebenezer Balfour the villain of
409:. He lived in 800 CE during the
226:(which also included Elwes) and
63:
16:Person who is reluctant to spend
5200:(self styled captain, braggart)
3382:
3364:
3346:
3326:
3308:
3297:
3282:
3271:Text at Victorian Plays project
3264:
3252:
3233:
3218:
3199:
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2508:
2496:
2481:
2469:
2451:
2433:
2418:
2403:
2387:
2383:"The Miser's Misery", pp. 125–6
2371:
2359:
2341:
2323:
2308:
2293:
2275:
2259:
2244:
2228:
2216:
2201:
2184:
2166:
2148:
2130:
2115:
2105:An account of him was given in
2099:
2081:
2069:
2053:
2036:
2024:
2012:
1993:
1983:"Lives and anecdotes of misers"
1975:
1956:
1938:
1389:Séraphin: un homme et son péché
1178:Yan Jiansheng in an episode of
1171:' second master in the Spanish
545:began using an illustration of
136:The Riches that Bring No Sorrow
4657:– Sermons and Biblical Studies
4578:"File:Mednyánszky Shylock.jpg"
3258:The Dramatic Magazine 1, 1829
2943:The Art of Acting in Antiquity
2901:Tony Henderson (6 June 2011).
1926:
1914:
1897:
1879:
1861:
1849:
1798:
1776:
1106:Jean-Baptiste François Desoria
382:L'avare qui a perdu son trésor
1:
4633:The dictionary definition of
4397:"French government arts site"
4035:"French Government arts site"
2572:Associated University Presses
1769:
1763:James Abbott McNeill Whistler
555:Marcus Gheeraerts the Younger
3479:"Victorian British Painting"
2566:Kupersmith, William (2007).
2349:"Jean de La Fontaine Fables"
2156:"Broadside entitled 'Miser'"
1613:The moneylender and his wife
1431:(1841) in the 16th century.
945:collaborated on the two-act
816:(1817–55) and in Serbian by
386:Le trésor et les deux hommes
7:
5704:
5571:Elderly martial arts master
5266:Hooker with a heart of gold
4309:"Le Plaisir Des Vieillards"
3731:The Dostoevsky encyclopedia
3240:Pray, Isaac Clarke (1839).
2395:50 Wittiest Tales Of Birbal
1325:Torquemada en el purgatorio
1224:John Scarve – in the novel
1167:The miserly priest who was
723:(2011), based on her life.
438:Avarus et poma marcescentia
10:
5924:
5756:
4150:"Der Geizhals und der Tod"
3460:"H Beard Print Collection"
3289:Theatre Research in Canada
2959:South Italian Phylax Plays
1932:Various volumes appear in
1653:Miser Casting His Accounts
1562:Frans Francken the Younger
1534:Pieter Bruegel the Younger
1422:(1813). The latter was an
1339:: a story of San Francisco
1232:William Harrison Ainsworth
1138:
971:William Harrison Ainsworth
891:, it was made an opera by
483:Antoine Houdar de la Motte
222:, then in the compendiums
18:
5762:
5751:
5716:
5689:
5658:
5635:
5579:
5556:
5533:
5524:
5497:
5479:
5456:
5433:
5400:
5372:
5344:
5306:
5243:
5234:
5230:
5219:
5146:
5086:
5058:
5029:
5011:
5002:
4977:
4937:
4898:
4870:
4861:
4829:
4801:
4740:
4731:
4727:
4716:
4698:
4535:artandarchitecture.org.uk
3886:Bennett, Mary E. (1841).
2975:available on Google Books
2741:Bucknell University 2000
2642:The Poems of Allan Ramsay
2236:Memoir of Margery Jackson
1831:Berger, Kathleen (2000).
1808:Foundations of psychology
1637:Le plaisir des vieillards
1629:David Teniers the Younger
1532:, formerly attributed to
1154:'s 1842 illustration for
1121:the Covent Garden Theatre
796:, 1668) while in England
778:Pieter Corneliszoon Hooft
541:During the 16th century,
497:
355:
3575:"The Merchant of Venice"
3526:"The Merchant of Venice"
3477:rfdarsie (6 July 2012).
3034:Modern Arabic Literature
3014:Fielding, Henry (1803).
2223:Biographical Curiosities
2208:Biographical Curiosities
2107:The Gentleman's Magazine
1680:Hans Holbein the Younger
1617:Marinus van Reymerswaele
1607:In the Hieronymus Bosch
1549:Hans Holbein the Younger
1541:Parable of the Rich Fool
1457:Benjamin Leopold Farjeon
1439:(1863) was a successful
1408:The miser and his family
1393:Séraphin: Heart of Stone
1317:Torquemada en la hoguera
1240:– the lead character of
1077:'s collection of texts,
1073:as Lovegold illustrated
1059:Lowndes' British Theatre
726:
224:Biographical Curiosities
3905:"Aurora Floyd. A novel"
3304:Victorian Plays project
2253:. (Harvard Univ 1971),
2000:Topham, Edward (1790).
1661:Jean-Baptiste Le Prince
1461:Dollikins and the Miser
999:Douglas William Jerrold
830:'s 1898 title page for
284:Douglas William Jerrold
181:(1803); Henry Wilson's
5298:Manic Pixie Dream Girl
4722:By ethics and morality
4621:Quotations related to
4240:"arthistoryimages.org"
3681:"The miser's daughter"
3208:"L'avare en goguettes"
3079:Pantaloon entry, p.374
2459:"The Miser and Plutus"
2283:"THE MAN AND HIS GOLD"
2251:Notable American Women
1965:"Wonderful Characters"
1963:Wilson, Henry (1821).
1788:oxforddictionaries.com
1675:
1493:
1433:Mary Elizabeth Braddon
1329:Torquemada y San Pedro
1296:Robert Louis Stevenson
1163:
1051:Bell's British Theatre
1021:(1854) was based on a
862:The Merchant of Venice
840:
716:
662:
635:
598:
571:
547:an ass eating thistles
462:
366:The Miser and his Gold
280:
246:
166:
126:in the quasi-Biblical
55:
22:Miser (disambiguation)
4365:artexpertswebsite.com
4313:FAMSF Explore the Art
4215:www.the-athenaeum.org
4114:"Death and the Miser"
3728:Lantz, K. A. (2004).
3648:A translation on the
3636:A translation on the
3446:, Amsterdam NL 1981,
3189:"La fille de l'avare"
2963:University of Arizona
2725:ebba.english.ucsb.edu
2707:ebba.english.ucsb.edu
2122:The Dramatic Magazine
1833:The Developing Person
1673:
1633:Pierre-François Basan
1482:
1401:circulating libraries
1385:Un Homme et son péché
1366:Henry Earlforward in
1321:Torquemada en la cruz
1254:for stage and screen.
1219:Fardarougha the Miser
1149:
1125:Herbert Beerbohm Tree
1079:The New English Drama
963:John Palgrave Simpson
826:
818:Jovan Sterija Popović
762:in about 1555, whose
705:
660:
623:
586:
573:In the third book of
559:
456:
405:or Book of Misers by
331:(Philadelphia 1870).
272:
236:
161:
95:Accounting for misers
45:
4651:at Wikimedia Commons
4449:"Art UK - The Miser"
4429:"Art UK - The Miser"
4327:"Web Gallery of Art"
4015:"Art UK - The Miser"
3808:Available online at
3225:New Monthly Magazine
3165:Reynier, L. (1794).
2592:Dark Way to Paradise
2538:Poems of the Orient
1811:, Cengage Learning,
1805:Nicky Hayes (2000),
1644:Hendrik Gerritsz Pot
1585:Gerrit van Honthorst
1530:Musée des beaux-arts
1381:Claude-Henri Grignon
1227:The Miser's Daughter
1160:The Miser's Daughter
1098:William Powell Frith
1055:Charles Reuben Ryley
1015:Thomas Peckett Prest
976:The Miser's Daughter
969:in 1857. Meanwhile,
955:The Miser's Daughter
939:Jean-François Bayard
434:Laurentius Abstemius
378:La Fontaine's Fables
351:Misers in literature
237:A pencil drawing of
183:Wonderful Characters
147:The Eccentric Mirror
124:the Elm and the Vine
5512:Princess and dragon
5410:Princesse lointaine
4910:(servants, clowns:
4880:Gentleman detective
3844:Several eBooks Free
3828:. 16 November 1992.
3822:"New York Magazine"
3167:"L' avare fastueux"
2997:Albert S. Borgman,
2685:"The miser: a poem"
2367:Sacred texts online
2300:The Greek Anthology
2059:Roy Bearden-White,
1794:on August 11, 2012.
1720:Gainsborough Dupont
1621:Gillis van Tilborch
1609:Death and the Miser
1517:Death and the Miser
1485:Death and the Miser
1169:Lazarillo de Tormes
1043:Theatre Royal, Bath
1041:in the role at the
1011:The Miser Outwitted
953:under the title of
947:La fille de l'avare
935:L'avare en goguette
893:Sergei Rachmaninoff
857:William Shakespeare
773:The Case is Altered
618:Epistle to Bathurst
372:, once ascribed to
345:Parkinson's disease
5797:Identity formation
5587:American mappillai
5499:Damsel in distress
5281:Magical girlfriend
5186:(wealthy old men,
4383:NiceArtGallery.com
4118:NiceArtGallery.com
3276:2014-04-07 at the
3242:"Julietta Gordini"
3132:"L'Avare amoureux"
3036:, Cambridge 1992,
2913:on April 21, 2013.
2833:"Bodleian Library"
2773:"Bodleian Library"
2737:James G. Hepburn,
2656:Moral Essays III,
2397:, Bangalore 2005,
2393:Clifford Sawhney,
2379:Akbar-Birbal Jokes
2335:readbookonline.org
2302:III, London 1917,
2225:(London 1797), p.6
1759:Ladislav Medňanský
1676:
1494:
1347:Erich von Stroheim
1272:Hendrik Conscience
1265:Fyodor Dostoyevsky
1252:adapted many times
1175:published in 1554.
1164:
1152:George Cruickshank
1135:, also by Buchel.
889:The Miserly Knight
845:commedia dell'arte
841:
721:Miser! The Musical
663:
463:
308:compulsive hoarder
256:All the Year Round
247:
214:Edinburgh Magazine
128:Shepherd of Hermas
105:anal retentiveness
56:
5890:
5889:
5886:
5885:
5767:Adolescent clique
5747:
5746:
5743:
5742:
5739:
5738:
5520:
5519:
5256:Farmer's daughter
5225:By sex and gender
5215:
5214:
5211:
5210:
5207:
5206:
4998:
4997:
4857:
4856:
4778:Mythological king
4647:Media related to
4268:Wikimedia Commons
4228:Wikimedia Commons
4167:Wikimedia Commons
4084:Wikimedia Commons
3778:Available on the
3766:Available on the
3697:Available on the
3001:, New York 1969,
2941:Klaus Neiiendam,
2821:footnote on p.185
2632:III.10, stanza 15
2425:Fables de Florian
2381:, New Delhi 2005
2210:, (London 1797),
2089:"Annual Register"
1743:A Rake's Progress
1737:Thomas Rowlandson
1498:Lincoln Cathedral
1453:Miser Farebrother
1445:Eliza Lynn Linton
1420:The miser married
1243:A Christmas Carol
973:'s period novel
951:John G. Millingen
931:Germain Delavigne
920:L' avare fastueux
883:'s short tragedy
881:Alexander Pushkin
806:Vasily Pashkevich
653:Broadside ballads
576:The Faerie Queene
516:The Miser, a Poem
509:The Latin writer
447:Claris de Florian
419:Arabic literature
411:Abbasid Caliphate
243:Richard Cooper Jr
219:Sporting Magazine
156:Our Mutual Friend
29:Cheapskate (song)
5915:
5908:Stock characters
5813:Little green men
5802:Imaginary friend
5753:
5752:
5709:
5531:
5530:
5471:Mammy stereotype
5425:Yamato nadeshiko
5241:
5240:
5232:
5231:
5221:
5220:
5096:Bug-eyed monster
5060:Social Darwinist
5009:
5008:
4985:Good cop/bad cop
4868:
4867:
4738:
4737:
4729:
4728:
4718:
4717:
4692:Stock characters
4685:
4678:
4671:
4662:
4661:
4646:
4632:
4620:
4604:
4603:
4592:
4586:
4585:
4574:
4568:
4567:
4556:
4550:
4545:
4539:
4538:
4527:
4521:
4520:
4509:
4503:
4502:
4500:
4499:
4490:. Archived from
4479:
4473:
4472:
4469:"British Museum"
4465:
4459:
4458:
4445:
4439:
4438:
4425:
4419:
4418:
4407:
4401:
4400:
4393:
4387:
4386:
4375:
4369:
4368:
4357:
4351:
4350:
4337:
4331:
4330:
4323:
4317:
4316:
4305:
4299:
4298:
4296:
4295:
4286:. Archived from
4276:
4270:
4265:
4259:
4254:
4248:
4247:
4242:. Archived from
4236:
4230:
4225:
4219:
4218:
4207:
4201:
4200:
4193:
4187:
4186:
4175:
4169:
4164:
4158:
4157:
4146:
4140:
4139:
4128:
4122:
4121:
4110:
4104:
4103:
4092:
4086:
4081:
4075:
4074:
4063:
4057:
4056:
4045:
4039:
4038:
4031:
4025:
4024:
4011:
4005:
4004:
3993:
3987:
3982:
3976:
3975:
3964:
3958:
3957:
3954:Internet Archive
3946:
3940:
3939:
3919:
3913:
3912:
3901:
3895:
3894:
3883:
3877:
3876:
3873:Internet Archive
3865:
3859:
3858:
3856:
3855:
3846:. Archived from
3836:
3830:
3829:
3818:
3812:
3806:
3800:
3799:
3788:
3782:
3776:
3770:
3764:
3758:
3752:
3746:
3745:
3725:
3719:
3718:
3707:
3701:
3695:
3689:
3688:
3676:
3670:
3669:
3658:
3652:
3646:
3640:
3634:
3628:
3621:
3615:
3609:
3603:
3602:
3589:
3583:
3582:
3571:
3565:
3564:
3551:
3545:
3540:
3534:
3533:
3522:
3516:
3515:
3513:
3512:
3503:. Archived from
3493:
3487:
3486:
3474:
3468:
3467:
3456:
3450:
3440:
3434:
3433:
3422:
3416:
3415:
3404:
3398:
3397:
3386:
3380:
3379:
3368:
3362:
3361:
3350:
3344:
3343:
3330:
3324:
3323:
3312:
3306:
3301:
3295:
3286:
3280:
3268:
3262:
3256:
3250:
3249:
3237:
3231:
3222:
3216:
3215:
3203:
3197:
3196:
3184:
3175:
3174:
3162:
3156:
3148:Edward Copping,
3146:
3140:
3139:
3128:
3122:
3121:
3110:
3104:
3098:
3092:
3087:
3081:
3072:
3066:
3065:
3046:
3040:
3030:
3024:
3023:
3011:
3005:
2995:
2989:
2983:
2977:
2971:
2965:
2955:
2949:
2939:
2933:
2932:
2921:
2915:
2914:
2909:. Archived from
2898:
2892:
2891:
2878:
2872:
2871:
2858:
2852:
2843:
2837:
2836:
2829:
2823:
2813:
2807:
2801:
2795:
2794:
2783:
2777:
2776:
2769:
2763:
2762:
2751:
2745:
2735:
2729:
2728:
2717:
2711:
2710:
2699:
2693:
2692:
2681:
2675:
2666:
2660:
2654:
2648:
2639:
2633:
2630:
2624:
2623:
2612:
2606:
2605:
2586:
2580:
2579:
2570:. Cranbury, NJ:
2563:
2557:
2548:
2542:
2536:
2530:
2524:
2518:
2512:
2506:
2500:
2494:
2485:
2479:
2477:Internet Archive
2473:
2467:
2466:
2455:
2449:
2448:
2437:
2431:
2422:
2416:
2407:
2401:
2391:
2385:
2375:
2369:
2363:
2357:
2356:
2345:
2339:
2338:
2327:
2321:
2312:
2306:
2297:
2291:
2290:
2287:mythfolklore.net
2279:
2273:
2263:
2257:
2248:
2242:
2232:
2226:
2220:
2214:
2205:
2199:
2198:
2188:
2182:
2181:
2170:
2164:
2163:
2152:
2146:
2145:
2134:
2128:
2119:
2113:
2103:
2097:
2096:
2085:
2079:
2073:
2067:
2057:
2051:
2050:
2040:
2034:
2028:
2022:
2016:
2010:
2009:
1997:
1991:
1990:
1979:
1973:
1972:
1960:
1954:
1953:
1942:
1936:
1930:
1924:
1918:
1912:
1911:
1901:
1895:
1894:
1883:
1877:
1876:
1873:sacred-texts.com
1865:
1859:
1853:
1847:
1846:
1828:
1822:
1821:
1802:
1796:
1795:
1790:. Archived from
1780:
1751:Maria Feodorovna
1724:Ashmolean Museum
1635:under the title
1554:Wenceslas Hollar
1513:Hieronymus Bosch
1490:Hieronymus Bosch
1465:Jerome K. Jerome
1424:epistolary novel
1416:Catherine Hutton
1238:Ebenezer Scrooge
1215:William Carleton
1173:picaresque novel
1133:Arthur Bourchier
1083:The Smoked Miser
1063:Thomas Parkinson
959:Love and Avarice
933:collaborated on
905:L'Avare Amoureux
877:Aubrey Beardsley
828:Aubrey Beardsley
814:Marun Al Naqqash
685:Tristan de Cunha
526:
518:(London, 1735).
445:French fabulist
442:Roger L'Estrange
403:Kitab Al Bukhala
86:
85:
82:
81:
78:
75:
72:
69:
52:Antonio Piccinni
39:
36:Skinflint (band)
32:
25:
5923:
5922:
5918:
5917:
5916:
5914:
5913:
5912:
5893:
5892:
5891:
5882:
5758:
5735:
5712:
5685:
5654:
5637:Prince Charming
5631:
5627:Superfluous man
5622:Nice Jewish boy
5575:
5552:
5516:
5493:
5475:
5458:Lady-in-waiting
5452:
5429:
5396:
5368:
5340:
5326:Fairy godmother
5302:
5226:
5203:
5142:
5082:
5054:
5025:
4994:
4973:
4952:Gentleman thief
4933:
4926: and
4894:
4853:
4825:
4797:
4723:
4712:
4694:
4689:
4613:
4608:
4607:
4594:
4593:
4589:
4576:
4575:
4571:
4564:cyberkerala.com
4558:
4557:
4553:
4546:
4542:
4529:
4528:
4524:
4517:davidrumsey.com
4511:
4510:
4506:
4497:
4495:
4480:
4476:
4467:
4466:
4462:
4447:
4446:
4442:
4427:
4426:
4422:
4409:
4408:
4404:
4395:
4394:
4390:
4377:
4376:
4372:
4359:
4358:
4354:
4339:
4338:
4334:
4325:
4324:
4320:
4307:
4306:
4302:
4293:
4291:
4284:linternaute.com
4278:
4277:
4273:
4266:
4262:
4255:
4251:
4238:
4237:
4233:
4226:
4222:
4209:
4208:
4204:
4195:
4194:
4190:
4177:
4176:
4172:
4165:
4161:
4148:
4147:
4143:
4130:
4129:
4125:
4112:
4111:
4107:
4094:
4093:
4089:
4082:
4078:
4065:
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4060:
4047:
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4042:
4033:
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4028:
4013:
4012:
4008:
3995:
3994:
3990:
3983:
3979:
3966:
3965:
3961:
3948:
3947:
3943:
3936:
3920:
3916:
3903:
3902:
3898:
3884:
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3867:
3866:
3862:
3853:
3851:
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3833:
3820:
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3815:
3807:
3803:
3790:
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3761:
3753:
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3726:
3722:
3709:
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3643:
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3610:
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3524:
3523:
3519:
3510:
3508:
3495:
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3475:
3471:
3458:
3457:
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3441:
3437:
3424:
3423:
3419:
3406:
3405:
3401:
3388:
3387:
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3370:
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3347:
3332:
3331:
3327:
3314:
3313:
3309:
3302:
3298:
3287:
3283:
3278:Wayback Machine
3269:
3265:
3257:
3253:
3238:
3234:
3223:
3219:
3204:
3200:
3185:
3178:
3163:
3159:
3152:, London 1857,
3147:
3143:
3130:
3129:
3125:
3112:
3111:
3107:
3099:
3095:
3088:
3084:
3073:
3069:
3062:
3048:
3047:
3043:
3031:
3027:
3012:
3008:
2996:
2992:
2984:
2980:
2972:
2968:
2956:
2952:
2940:
2936:
2923:
2922:
2918:
2899:
2895:
2880:
2879:
2875:
2860:
2859:
2855:
2844:
2840:
2831:
2830:
2826:
2815:Scarlet Bowen,
2814:
2810:
2802:
2798:
2785:
2784:
2780:
2771:
2770:
2766:
2753:
2752:
2748:
2736:
2732:
2719:
2718:
2714:
2701:
2700:
2696:
2683:
2682:
2678:
2667:
2663:
2655:
2651:
2644:, London 1800,
2640:
2636:
2631:
2627:
2614:
2613:
2609:
2603:
2587:
2583:
2564:
2560:
2549:
2545:
2537:
2533:
2525:
2521:
2513:
2509:
2501:
2497:
2486:
2482:
2474:
2470:
2463:Immortal Poetry
2457:
2456:
2452:
2439:
2438:
2434:
2423:
2419:
2408:
2404:
2392:
2388:
2376:
2372:
2364:
2360:
2347:
2346:
2342:
2329:
2328:
2324:
2313:
2309:
2298:
2294:
2281:
2280:
2276:
2264:
2260:
2249:
2245:
2234:Frances Blair,
2233:
2229:
2221:
2217:
2206:
2202:
2190:
2189:
2185:
2172:
2171:
2167:
2154:
2153:
2149:
2136:
2135:
2131:
2120:
2116:
2104:
2100:
2087:
2086:
2082:
2075:April 10, 1869
2074:
2070:
2058:
2054:
2042:
2041:
2037:
2029:
2025:
2020:1794, pp.399-40
2017:
2013:
1998:
1994:
1981:
1980:
1976:
1961:
1957:
1944:
1943:
1939:
1931:
1927:
1919:
1915:
1903:
1902:
1898:
1885:
1884:
1880:
1867:
1866:
1862:
1854:
1850:
1843:
1829:
1825:
1819:
1803:
1799:
1782:
1781:
1777:
1772:
1755:Raja Ravi Varma
1593:Paulus Moreelse
1477:
1441:sensation novel
1391:(2002), titled
1260:Mr. Prokharchin
1248:Charles Dickens
1203:Eugénie Grandet
1141:
1117:Charles Macklin
1094:William Hogarth
1075:William Oxberry
1065:'s painting of
1061:(1788), while
1035:Samuel De Wilde
798:Thomas Shadwell
729:
715:
712:
711:
709:
693:Robert Anderson
655:
634:
631:
629:
627:
597:
594:
592:
590:
570:
567:
565:
563:
524:
523:Dante Alighieri
504:Greek Anthology
500:
370:Greek Anthology
358:
353:
322:Margery Jackson
279:
276:
261:Annual Register
171:James Caulfield
151:Charles Dickens
109:toilet training
97:
66:
62:
40:
33:
26:
19:
17:
12:
11:
5:
5921:
5911:
5910:
5905:
5888:
5887:
5884:
5883:
5881:
5880:
5875:
5870:
5865:
5863:Tragic mulatto
5860:
5855:
5850:
5845:
5840:
5838:Shoulder angel
5835:
5830:
5825:
5820:
5815:
5810:
5809:("The Lovers")
5804:
5799:
5794:
5789:
5784:
5779:
5774:
5769:
5763:
5760:
5759:
5749:
5748:
5745:
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5722:
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5714:
5713:
5711:
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5701:
5695:
5693:
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5684:
5683:
5678:
5673:
5668:
5662:
5660:
5656:
5655:
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5652:
5647:
5641:
5639:
5633:
5632:
5630:
5629:
5624:
5619:
5614:
5609:
5604:
5599:
5594:
5589:
5583:
5581:
5577:
5576:
5574:
5573:
5568:
5562:
5560:
5554:
5553:
5551:
5550:
5545:
5539:
5537:
5528:
5522:
5521:
5518:
5517:
5515:
5514:
5509:
5503:
5501:
5495:
5494:
5492:
5491:
5485:
5483:
5477:
5476:
5474:
5473:
5468:
5462:
5460:
5454:
5453:
5451:
5450:
5445:
5439:
5437:
5431:
5430:
5428:
5427:
5422:
5417:
5415:Southern belle
5412:
5406:
5404:
5398:
5397:
5395:
5394:
5389:
5384:
5378:
5376:
5370:
5369:
5367:
5366:
5361:
5356:
5350:
5348:
5346:Hawksian woman
5342:
5341:
5339:
5338:
5333:
5328:
5323:
5318:
5312:
5310:
5304:
5303:
5301:
5300:
5295:
5294:
5293:
5288:
5278:
5273:
5268:
5263:
5261:Girl next door
5258:
5253:
5247:
5245:
5238:
5228:
5227:
5217:
5216:
5213:
5212:
5209:
5208:
5205:
5204:
5202:
5201:
5195:
5181:
5176:
5174:Masked villain
5171:
5166:
5161:
5156:
5150:
5148:
5144:
5143:
5141:
5140:
5139:
5138:
5128:
5123:
5118:
5113:
5108:
5103:
5098:
5092:
5090:
5084:
5083:
5081:
5080:
5075:
5070:
5064:
5062:
5056:
5055:
5053:
5052:
5047:
5042:
5036:
5034:
5027:
5026:
5024:
5023:
5017:
5015:
5006:
5000:
4999:
4996:
4995:
4993:
4992:
4987:
4981:
4979:
4975:
4974:
4972:
4971:
4970:
4969:
4964:
4954:
4949:
4943:
4941:
4935:
4934:
4932:
4931:
4904:
4902:
4896:
4895:
4893:
4892:
4887:
4882:
4876:
4874:
4865:
4859:
4858:
4855:
4854:
4852:
4851:
4850:
4849:
4839:
4833:
4831:
4827:
4826:
4824:
4823:
4818:
4813:
4807:
4805:
4799:
4798:
4796:
4795:
4790:
4785:
4780:
4775:
4770:
4765:
4760:
4755:
4750:
4744:
4742:
4735:
4725:
4724:
4714:
4713:
4711:
4710:
4705:
4699:
4696:
4695:
4688:
4687:
4680:
4673:
4665:
4659:
4658:
4652:
4640:
4626:
4612:
4611:External links
4609:
4606:
4605:
4587:
4569:
4551:
4540:
4522:
4504:
4488:eroti-cart.com
4474:
4460:
4440:
4420:
4415:British Museum
4402:
4388:
4370:
4352:
4332:
4318:
4300:
4271:
4260:
4249:
4246:on 2014-10-18.
4231:
4220:
4202:
4188:
4170:
4159:
4141:
4123:
4105:
4087:
4076:
4058:
4040:
4026:
4006:
3988:
3977:
3959:
3941:
3934:
3914:
3896:
3878:
3860:
3831:
3813:
3801:
3783:
3780:Gutenberg site
3771:
3768:Gutenberg site
3759:
3747:
3740:
3720:
3702:
3699:Gutenberg site
3690:
3671:
3653:
3650:Gutenberg site
3641:
3638:Gutenberg site
3629:
3616:
3604:
3584:
3566:
3546:
3535:
3517:
3488:
3469:
3451:
3442:P.J.De Voogd,
3435:
3430:British Museum
3417:
3412:British Museum
3399:
3394:British Museum
3381:
3376:British Museum
3363:
3358:British Museum
3345:
3325:
3320:British Museum
3307:
3296:
3281:
3263:
3251:
3232:
3217:
3198:
3176:
3157:
3141:
3123:
3105:
3093:
3082:
3067:
3060:
3041:
3025:
3006:
2990:
2978:
2966:
2957:Sean McGrath,
2950:
2934:
2916:
2893:
2873:
2853:
2838:
2824:
2819:, London 2010
2808:
2796:
2778:
2764:
2746:
2730:
2712:
2694:
2676:
2661:
2649:
2634:
2625:
2620:British Museum
2607:
2601:
2581:
2558:
2543:
2531:
2519:
2507:
2495:
2490:vol. 2 (1761)
2480:
2468:
2450:
2432:
2427:, Paris 1846,
2417:
2402:
2386:
2370:
2358:
2340:
2322:
2307:
2292:
2274:
2258:
2243:
2227:
2215:
2200:
2183:
2165:
2147:
2129:
2114:
2098:
2080:
2068:
2052:
2035:
2023:
2011:
1992:
1974:
1955:
1937:
1925:
1922:Gutenberg site
1913:
1896:
1878:
1860:
1848:
1841:
1823:
1817:
1797:
1774:
1773:
1771:
1768:
1735:Gripus print.
1713:
1712:
1711:
1710:
1709:
1708:
1705:
1702:
1699:
1589:Mathias Stomer
1577:Albrecht Dürer
1545:Dance of Death
1476:
1473:
1397:
1396:
1377:
1373:Riceyman Steps
1368:Arnold Bennett
1364:
1357:William Bolcom
1332:
1309:
1292:
1279:
1268:
1255:
1235:
1222:
1211:
1198:
1185:
1176:
1140:
1137:
1129:Charles Buchel
1113:Johann Zoffany
1071:William Farren
1039:William Farren
1023:penny dreadful
967:Daddy Hardacre
802:Henry Fielding
728:
725:
706:
654:
651:
624:
613:Alexander Pope
587:
581:Edmund Spenser
560:
499:
496:
357:
354:
352:
349:
273:
268:Alexander Pope
96:
93:
46:A detail from
15:
9:
6:
4:
3:
2:
5920:
5909:
5906:
5904:
5901:
5900:
5898:
5879:
5876:
5874:
5873:Village idiot
5871:
5869:
5866:
5864:
5861:
5859:
5856:
5854:
5851:
5849:
5846:
5844:
5841:
5839:
5836:
5834:
5831:
5829:
5826:
5824:
5821:
5819:
5818:Magical Negro
5816:
5814:
5811:
5808:
5805:
5803:
5800:
5798:
5795:
5793:
5790:
5788:
5785:
5783:
5780:
5778:
5775:
5773:
5770:
5768:
5765:
5764:
5761:
5754:
5750:
5732:
5729:
5727:
5724:
5723:
5721:
5719:
5715:
5708:
5707:
5702:
5700:
5697:
5696:
5694:
5692:
5688:
5682:
5679:
5677:
5674:
5672:
5669:
5667:
5664:
5663:
5661:
5657:
5651:
5650:Knight-errant
5648:
5646:
5643:
5642:
5640:
5638:
5634:
5628:
5625:
5623:
5620:
5618:
5615:
5613:
5612:Little Johnny
5610:
5608:
5605:
5603:
5600:
5598:
5597:Ivan the Fool
5595:
5593:
5590:
5588:
5585:
5584:
5582:
5578:
5572:
5569:
5567:
5564:
5563:
5561:
5559:
5558:Father figure
5555:
5549:
5546:
5544:
5541:
5540:
5538:
5536:
5532:
5529:
5527:
5523:
5513:
5510:
5508:
5505:
5504:
5502:
5500:
5496:
5490:
5487:
5486:
5484:
5482:
5478:
5472:
5469:
5467:
5464:
5463:
5461:
5459:
5455:
5449:
5446:
5444:
5441:
5440:
5438:
5436:
5432:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5407:
5405:
5403:
5399:
5393:
5390:
5388:
5385:
5383:
5380:
5379:
5377:
5375:
5374:Woman warrior
5371:
5365:
5362:
5360:
5357:
5355:
5352:
5351:
5349:
5347:
5343:
5337:
5334:
5332:
5329:
5327:
5324:
5322:
5319:
5317:
5314:
5313:
5311:
5309:
5305:
5299:
5296:
5292:
5289:
5287:
5284:
5283:
5282:
5279:
5277:
5274:
5272:
5269:
5267:
5264:
5262:
5259:
5257:
5254:
5252:
5249:
5248:
5246:
5244:Love interest
5242:
5239:
5237:
5233:
5229:
5222:
5218:
5199:
5196:
5193:
5189:
5185:
5182:
5180:
5177:
5175:
5172:
5170:
5167:
5165:
5162:
5160:
5157:
5155:
5152:
5151:
5149:
5145:
5137:
5134:
5133:
5132:
5129:
5127:
5124:
5122:
5121:Swamp monster
5119:
5117:
5114:
5112:
5109:
5107:
5104:
5102:
5099:
5097:
5094:
5093:
5091:
5089:
5085:
5079:
5076:
5074:
5073:Mad scientist
5071:
5069:
5066:
5065:
5063:
5061:
5057:
5051:
5048:
5046:
5043:
5041:
5038:
5037:
5035:
5033:
5028:
5022:
5019:
5018:
5016:
5014:
5010:
5007:
5005:
5001:
4991:
4988:
4986:
4983:
4982:
4980:
4976:
4968:
4965:
4963:
4960:
4959:
4958:
4955:
4953:
4950:
4948:
4945:
4944:
4942:
4940:
4936:
4929:
4925:
4921:
4917:
4913:
4909:
4906:
4905:
4903:
4901:
4897:
4891:
4888:
4886:
4883:
4881:
4878:
4877:
4875:
4873:
4872:Lovable rogue
4869:
4866:
4864:
4860:
4848:
4845:
4844:
4843:
4842:Super soldier
4840:
4838:
4835:
4834:
4832:
4828:
4822:
4819:
4817:
4814:
4812:
4809:
4808:
4806:
4804:
4800:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4776:
4774:
4771:
4769:
4768:Knight-errant
4766:
4764:
4761:
4759:
4756:
4754:
4753:Christ figure
4751:
4749:
4746:
4745:
4743:
4739:
4736:
4734:
4730:
4726:
4719:
4715:
4709:
4706:
4704:
4701:
4700:
4697:
4693:
4686:
4681:
4679:
4674:
4672:
4667:
4666:
4663:
4656:
4653:
4650:
4645:
4641:
4639:at Wiktionary
4638:
4637:
4631:
4627:
4624:
4619:
4615:
4614:
4601:
4597:
4591:
4583:
4582:wikimedia.org
4579:
4573:
4565:
4561:
4555:
4549:
4544:
4536:
4532:
4526:
4518:
4514:
4508:
4494:on 2014-08-26
4493:
4489:
4485:
4482:Mike Hannon.
4478:
4470:
4464:
4456:
4455:
4450:
4444:
4436:
4435:
4430:
4424:
4416:
4412:
4406:
4398:
4392:
4384:
4380:
4374:
4366:
4362:
4356:
4348:
4347:
4342:
4336:
4328:
4322:
4314:
4310:
4304:
4290:on 2015-02-13
4289:
4285:
4281:
4275:
4269:
4264:
4258:
4253:
4245:
4241:
4235:
4229:
4224:
4216:
4212:
4206:
4198:
4192:
4184:
4180:
4174:
4168:
4163:
4155:
4151:
4145:
4137:
4136:wikimedia.org
4133:
4127:
4119:
4115:
4109:
4101:
4100:wikimedia.org
4097:
4091:
4085:
4080:
4072:
4068:
4062:
4054:
4050:
4044:
4036:
4030:
4022:
4021:
4016:
4010:
4002:
4001:wikimedia.org
3998:
3992:
3986:
3981:
3973:
3972:gutenberg.org
3969:
3963:
3955:
3951:
3945:
3937:
3935:9781465528162
3931:
3927:
3926:
3918:
3910:
3906:
3900:
3892:
3889:
3882:
3874:
3870:
3864:
3850:on 2020-08-04
3849:
3845:
3841:
3835:
3827:
3823:
3817:
3811:
3805:
3797:
3793:
3787:
3781:
3775:
3769:
3763:
3757:
3754:Available in
3751:
3743:
3741:0-313-30384-3
3737:
3733:
3732:
3724:
3716:
3712:
3706:
3700:
3694:
3686:
3682:
3675:
3667:
3666:gutenberg.org
3663:
3657:
3651:
3645:
3639:
3633:
3626:
3620:
3614:
3608:
3600:
3599:
3594:
3588:
3580:
3576:
3570:
3562:
3561:
3556:
3550:
3544:
3539:
3531:
3527:
3521:
3507:on 2013-06-08
3506:
3502:
3501:artflakes.com
3498:
3492:
3484:
3480:
3473:
3465:
3461:
3455:
3449:
3445:
3439:
3431:
3427:
3421:
3413:
3409:
3403:
3395:
3391:
3385:
3377:
3373:
3367:
3359:
3355:
3349:
3341:
3340:
3335:
3329:
3321:
3317:
3311:
3305:
3300:
3294:
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3061:9780070791695
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2929:wikimedia.org
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2698:
2690:
2686:
2680:
2674:
2670:
2665:
2659:
2658:lines 177-196
2653:
2647:
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2604:
2602:9781597310093
2598:
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2377:Anindya Roy,
2374:
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2066:
2062:
2056:
2048:
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2039:
2033:
2027:
2021:
2015:
2007:
2003:
1996:
1988:
1984:
1978:
1970:
1966:
1959:
1951:
1947:
1941:
1935:
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1923:
1917:
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1842:1-57259-417-9
1838:
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1793:
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1767:
1764:
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1756:
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1747:
1745:
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1738:
1732:
1729:
1728:James Gillray
1725:
1721:
1716:
1706:
1703:
1700:
1697:
1696:
1695:
1694:
1693:
1692:
1691:
1689:
1685:
1681:
1672:
1668:
1666:
1662:
1658:
1655:presented by
1654:
1649:
1645:
1640:
1638:
1634:
1630:
1626:
1622:
1618:
1614:
1610:
1605:
1603:
1599:
1594:
1590:
1586:
1582:
1578:
1573:
1571:
1567:
1563:
1559:
1555:
1550:
1546:
1542:
1537:
1535:
1531:
1527:
1522:
1521:Low Countries
1518:
1514:
1509:
1507:
1503:
1499:
1491:
1487:
1486:
1481:
1475:Misers in art
1472:
1470:
1466:
1462:
1458:
1454:
1450:
1446:
1442:
1438:
1434:
1430:
1425:
1421:
1417:
1413:
1412:Eliza Parsons
1409:
1406:
1402:
1394:
1390:
1386:
1382:
1378:
1375:
1374:
1369:
1365:
1362:
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1354:
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1344:
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1314:
1310:
1307:
1303:
1302:
1297:
1293:
1290:
1289:
1284:
1280:
1277:
1276:De Gierigaard
1273:
1269:
1266:
1262:
1261:
1256:
1253:
1249:
1245:
1244:
1239:
1236:
1233:
1229:
1228:
1223:
1220:
1216:
1212:
1209:
1205:
1204:
1199:
1196:
1192:
1191:
1186:
1183:
1182:
1177:
1174:
1170:
1166:
1165:
1162:
1161:
1157:
1153:
1148:
1144:
1136:
1134:
1130:
1126:
1122:
1118:
1114:
1109:
1107:
1103:
1099:
1095:
1091:
1086:
1084:
1080:
1076:
1072:
1068:
1067:Richard Yates
1064:
1060:
1056:
1052:
1048:
1047:Edward Shuter
1044:
1040:
1036:
1032:
1026:
1024:
1020:
1016:
1012:
1008:
1004:
1000:
996:
994:
990:
986:
982:
978:
977:
972:
968:
964:
960:
956:
952:
948:
944:
940:
936:
932:
928:
927:Eugène Scribe
923:
921:
917:
913:
912:Carlo Goldoni
908:
906:
902:
897:
894:
890:
886:
885:Skupoi rytsar
882:
878:
874:
873:
868:
864:
863:
858:
854:
850:
846:
839:
838:
833:
829:
825:
821:
819:
815:
811:
807:
803:
799:
795:
791:
787:
783:
782:Samuel Coster
779:
775:
774:
769:
765:
761:
757:
753:
752:
747:
742:
739:
734:
724:
722:
714:
704:
702:
698:
694:
688:
686:
681:
675:
673:
672:Thomas Jordan
668:
659:
650:
648:
644:
640:
633:
622:
620:
619:
614:
610:
609:Scots dialect
606:
601:
596:
585:
582:
578:
577:
569:
558:
556:
552:
548:
544:
539:
537:
533:
532:
528:
519:
517:
512:
507:
505:
495:
493:
492:Select Fables
489:
484:
479:
477:
472:
468:
460:
459:William Blake
455:
451:
448:
443:
439:
435:
431:
427:
422:
420:
416:
412:
408:
404:
399:
394:
393:Illisa Jataka
389:
387:
383:
379:
375:
371:
367:
363:
362:Aesop's fable
348:
346:
342:
338:
332:
330:
325:
323:
316:
313:
309:
305:
300:
296:
291:
289:
285:
278:
271:
269:
264:
262:
258:
257:
252:
244:
240:
239:Daniel Dancer
235:
231:
229:
225:
221:
220:
215:
211:
207:
203:
202:Edward Topham
199:
198:Daniel Dancer
195:
190:
188:
184:
180:
177:(1794–1795);
176:
172:
165:
160:
158:
157:
152:
148:
144:
139:
137:
133:
132:Erskine Neale
129:
125:
121:
117:
112:
110:
106:
103:'s theory of
102:
101:Sigmund Freud
92:
89:
84:
61:
53:
50:, a print by
49:
44:
37:
30:
23:
5878:White savior
5848:Straight man
5782:Dragonslayer
5731:Black knight
5699:Seme and uke
5681:Mountain man
5671:Noble savage
5566:Wise old man
5387:Magical girl
5359:Femme fatale
5336:Loathly lady
5291:Monster girl
5178:
5136:Nazi zombies
5111:Monster girl
5078:Supervillain
5040:Double agent
5013:Antivillains
4967:Space pirate
4900:Tricky slave
4847:Space marine
4811:Byronic hero
4793:Youngest son
4741:Classic hero
4635:
4625:at Wikiquote
4599:
4590:
4581:
4572:
4563:
4554:
4543:
4534:
4525:
4516:
4507:
4496:. Retrieved
4492:the original
4487:
4477:
4463:
4452:
4443:
4432:
4423:
4414:
4405:
4391:
4382:
4373:
4364:
4355:
4344:
4335:
4321:
4312:
4303:
4292:. Retrieved
4288:the original
4283:
4280:"Les avares"
4274:
4263:
4252:
4244:the original
4234:
4223:
4214:
4205:
4191:
4182:
4173:
4162:
4153:
4144:
4135:
4126:
4117:
4108:
4099:
4090:
4079:
4071:dodedans.com
4070:
4061:
4052:
4043:
4029:
4018:
4009:
4000:
3991:
3980:
3971:
3962:
3953:
3944:
3924:
3917:
3908:
3899:
3891:google.co.uk
3890:
3881:
3872:
3863:
3852:. Retrieved
3848:the original
3843:
3834:
3826:google.co.uk
3825:
3816:
3804:
3795:
3786:
3774:
3762:
3756:Google Books
3750:
3730:
3723:
3714:
3705:
3693:
3685:google.co.uk
3684:
3674:
3665:
3656:
3644:
3632:
3624:
3623:C. T. Hsia,
3619:
3607:
3596:
3587:
3578:
3569:
3558:
3549:
3538:
3529:
3520:
3509:. Retrieved
3505:the original
3500:
3491:
3482:
3472:
3463:
3454:
3443:
3438:
3429:
3420:
3411:
3402:
3393:
3384:
3375:
3366:
3357:
3348:
3337:
3328:
3319:
3310:
3299:
3288:
3284:
3266:
3254:
3246:google.co.uk
3245:
3235:
3224:
3220:
3212:google.co.uk
3211:
3201:
3193:google.co.uk
3192:
3171:google.co.uk
3170:
3160:
3149:
3144:
3136:google.co.uk
3135:
3126:
3118:google.co.uk
3117:
3108:
3096:
3085:
3074:
3070:
3050:
3044:
3033:
3028:
3020:google.co.uk
3019:
3009:
2998:
2993:
2985:The text is
2981:
2969:
2958:
2953:
2942:
2937:
2928:
2919:
2911:the original
2906:
2896:
2885:
2876:
2865:
2856:
2845:
2841:
2827:
2816:
2811:
2799:
2790:
2781:
2767:
2758:
2749:
2738:
2733:
2724:
2715:
2706:
2697:
2688:
2679:
2668:
2664:
2652:
2641:
2637:
2628:
2619:
2610:
2591:
2584:
2567:
2561:
2550:
2546:
2534:
2522:
2510:
2498:
2487:
2483:
2471:
2462:
2453:
2444:
2435:
2424:
2420:
2409:
2405:
2394:
2389:
2378:
2373:
2361:
2352:
2343:
2334:
2325:
2314:
2310:
2299:
2295:
2286:
2277:
2265:
2261:
2250:
2246:
2235:
2230:
2222:
2218:
2207:
2203:
2194:
2186:
2177:
2168:
2159:
2150:
2141:
2132:
2121:
2117:
2106:
2101:
2093:google.co.uk
2092:
2083:
2071:
2060:
2055:
2047:google.co.uk
2046:
2038:
2026:
2014:
2006:google.co.uk
2005:
1995:
1986:
1977:
1969:google.co.uk
1968:
1958:
1950:google.co.uk
1949:
1940:
1934:Google Books
1928:
1916:
1907:
1899:
1890:
1881:
1872:
1863:
1851:
1832:
1826:
1807:
1800:
1792:the original
1787:
1778:
1748:
1741:
1733:
1717:
1714:
1687:
1677:
1665:Paul Gavarni
1652:
1641:
1636:
1624:
1612:
1608:
1606:
1580:
1574:
1566:Pieter Quast
1558:Jan Provoost
1538:
1515:'s panel of
1510:
1495:
1483:
1468:
1460:
1452:
1448:
1437:Aurora Floyd
1428:
1419:
1407:
1405:gothic novel
1398:
1388:
1384:
1371:
1360:
1350:
1343:Frank Norris
1335:
1328:
1324:
1320:
1316:
1313:Perez Galdós
1299:
1288:Silas Marner
1286:
1283:George Eliot
1275:
1258:
1241:
1225:
1218:
1201:
1188:
1181:The Scholars
1179:
1158:
1142:
1110:
1089:
1087:
1082:
1078:
1058:
1050:
1027:
1018:
1010:
1006:
1002:
997:
992:
989:John Purchas
984:
980:
974:
966:
958:
954:
946:
934:
924:
919:
915:
909:
904:
900:
898:
884:
870:
860:
842:
835:
809:
789:
785:
771:
763:
749:
743:
733:Phlyax plays
730:
720:
717:
707:
689:
676:
664:
646:
642:
638:
636:
625:
616:
605:Allan Ramsay
602:
599:
588:
574:
572:
561:
543:emblem books
540:
536:spendthrifts
529:
520:
515:
508:
501:
491:
488:Allan Ramsay
480:
464:
437:
423:
402:
392:
390:
385:
384:(IV.20) and
381:
359:
333:
327:
319:
317:
292:
287:
281:
274:
265:
254:
248:
227:
223:
217:
213:
209:
205:
191:
186:
182:
178:
174:
167:
162:
154:
146:
143:eccentricity
140:
135:
113:
98:
90:
59:
57:
47:
5823:Mole people
5666:Feral child
5548:Scaramouche
5420:Valley girl
5382:Jungle girl
5354:Dragon Lady
5331:La Ruffiana
5276:Loosu ponnu
5198:Il Capitano
4821:Tragic hero
4773:Legacy hero
4748:Action hero
4655:Miserliness
4513:"The Miser"
4484:"The Miser"
4379:"The Miser"
3909:archive.org
3293:Spring 1986
3016:"The miser"
2907:journallive
2689:archive.org
2475:Fable XIX,
2270:13 Feb 2009
2266:China Daily
2255:vol.1, p.81
2195:archive.org
2178:archive.org
1987:archive.org
1908:archive.org
1891:archive.org
1684:Philip Dawe
1657:Jan Lievens
1539:The Gospel
1156:Ainsworth's
1102:Grandmesnil
1031:Samuel Wale
943:Paul Duport
875:(1606). In
760:Marin Držić
756:Renaissance
426:Renaissance
341:Hetty Green
304:bric-a-brac
5897:Categories
5858:Town drunk
5807:Innamorati
5507:Final girl
5489:Gamer girl
5192:Il Dottore
5164:Folk devil
5106:Killer toy
5101:Evil clown
5021:False hero
4962:Air pirate
4924:Pulcinella
4498:2014-08-22
4294:2013-05-08
4154:artnet.com
3854:2014-08-20
3796:shef.ac.uk
3511:2013-03-19
2671:Volume 2,
2574:. p.
2109:for 1788,
1920:Chapter 5
1818:1861525893
1770:References
1625:The Misers
1570:hour-glass
1526:Jan Matsys
1455:(1888) by
1410:(1800) by
1341:(1899) by
1263:(1846) by
1246:(1843) by
1230:(1842) by
1206:(1833) by
1193:(1830) by
1088:Molière's
867:Ben Jonson
832:Ben Jonson
768:Ben Jonson
467:Anne Finch
320:Memoir of
251:Jemmy Wood
194:John Elwes
5868:Truck-kun
5772:Barbarian
5706:Otokonoko
5659:Primitive
5535:Harlequin
5526:Masculine
5481:Geek girl
5466:Columbina
5402:Queen bee
5188:Pantalone
5159:Archenemy
5068:Dark lord
5050:Terrorist
5045:Evil twin
4916:Brighella
4912:Harlequin
4890:Trickster
4837:Cyberhero
4816:Man alone
4788:Superhero
4763:Folk hero
4708:Archetype
4600:gla.ac.uk
4548:Wikimedia
4257:Wikimedia
3985:Wikimedia
3810:Gutenberg
3613:pp.94-103
3543:Wikimedia
3464:vam.ac.uk
3090:Wikimedia
2850:pp. 330–3
2646:pp.304-11
2502:Fable XC
2445:upenn.edu
2365:Tale 78,
2111:pp.510-11
1602:Jan Steen
1598:Rembrandt
1370:'s novel
1359:'s opera
1301:Kidnapped
1285:'s novel
1037:pictured
849:Columbina
810:The Miser
794:The Miser
751:Aulularia
680:folk song
667:broadside
647:The Miser
430:Neo-Latin
337:intestate
312:Edinburgh
295:broadside
210:The World
5853:Tokenism
5843:Sidekick
5833:Redshirt
5828:Pop icon
5645:Bishōnen
5617:Nice guy
5364:Tsundere
5316:Cat lady
5236:Feminine
5126:Vampires
5116:Skeleton
5088:Monsters
5004:Villains
4803:Antihero
4758:Everyman
4053:bible.cc
3274:Archived
3054:. 1984.
3038:pp.331-2
3003:pp.141-7
2805:pp.187-9
2791:vwml.org
2759:yale.edu
2492:pp. 37–9
2240:pp.12-14
2212:pp.14-15
2124:1, 1829
2077:pp.454-6
1581:avaritia
1502:Sassetta
1467:created
1451:(1886);
1361:McTeague
1337:McTeague
1306:Jacobite
1115:painted
834:'s play
697:Carlisle
551:trencher
476:John Gay
407:Al-Jāḥiẓ
299:Stirling
216:and the
189:(1850).
5726:Pachuco
5718:Bad boy
5676:Caveman
5543:Pierrot
5448:Laotong
5443:Class S
5286:Catgirl
5271:Ingénue
5251:Bishōjo
5184:Vecchio
5131:Zombies
4947:Bad boy
4928:Pierrot
4922:,
4920:Scapino
4918:,
4914:,
4783:Paladin
3956:. 1890.
3911:. 1863.
3875:. 1813.
3448:pp.38-9
3138:. 1777.
3120:. 1729.
3102:YouTube
2947:pp.25-7
2691:. 1831.
2528:poem 29
2353:nvg.org
2304:pp.25-6
2197:. 1870.
2180:. 1848.
2126:pp.78-9
2095:. 1808.
2065:pp.55-7
2049:. 1797.
1989:. 1850.
1952:. 1803.
1910:. 1813.
1893:. 1852.
1492:in 1494
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